{"title":"15% Off DevTest","description":"","products":[{"product_id":"mcdsp-emerald-pack-4-0-native-emeraldpacknat","title":"McDSP Emerald Pack Native V7","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eMCDSP Emerald Pack 4.0 Native\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\tA versatile, powerful, professional plug-in suite for Pro Tools users.\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe McDSP Emerald Pack digital signal processing software delivers world-renowned emulations of vintage equalizers, compressors, tape machines, and channel amplifiers. This Native version combines custom console modeling, and the latest technology in convolution reverb and mastering limiters for Pro Tools users. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tHere's more information about each of the McDSP Emeral Pack's emulations:Analog Channel\u003c\/div\u003e\n\u003cdiv\u003e\n\tAnalog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers, through it's two plug-ins, AC1 (emulates analog channel amplifier circuits) and AC2 (emulates analog tape machines).The AC1 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio \"sits\" in the saturation\/compression region, and even the attack and release times of the distortion character are adjustable.The AC2 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1\/2 equalization, AC2 offers controls well beyond the limits of reel-world devices, including adjustable low-frequency roll off and head bump — independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.Channel G\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tChannel G delivers the big board sound with excellent flexibility and seamless integration with the Digidesign D-Control and D-Command control surfaces. Channel G features three plug-ins:•G Dynamics: a fully featured console style dynamics section with an Expander \/ Gate, Compressor \/ Limiter, and a versatile filter section•G Equalizer: a five-band professional grade console style EQ with a versatile filter section•G Console: a combination of the G Dynamics and G Equalizer configurationsAll Channel G configurations feature calibration modes for music, post production, and models of the world's most popular analog mixing desks.Channel G Compact\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tJust like Channel G, Channel G Compact's user interface seamlessly integrates with the Digidesign D-Control and D-Command control surfaces. It also works with the Venue D-Show and Profile live sound consoles. It delivers the same sonic experience as Channel G with a smaller DSP footprint. It comes with the G Console Compact Dynamics plug-in which is a fully featured console style Compressor \/ Limiter, 4-band EQ, and versatile filter set.Chrome Tone Amp\u003c\/div\u003e\n\u003cdiv\u003e\n\tChrome Tone Amp brings the world of custom guitar amps, boutique outboard gear, and pedal effects inside your audio workstation. It has 5 plug-ins, including Amp, Wah, Chorus, Trem, and Stack. These plug-ins provide you with a configuration that includes ultra-flexible distortion, compressor, and sustain circuits; gating; 3-band EQ; spring reverb; a pre-amp simulator; and several guitar cabinet models. Each Chrome Tone modulation configuration (Chorus, Wah, Trem) has a Dynamic envelope follower and Auto LFO to modulate the effect itself or the incoming audio.CompressorBank\u003c\/div\u003e\n\u003cdiv\u003e\n\tCompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression. It includes four plug-ins: CB1 for basic compression, CB2 for compression with pre-filtering, CB3 for compression for pre-filtering ad static\/dynamic EQ, and CB4 for emulations of six of world's most popular compressors.In addition to the standard threshold and ratio controls, the actual shape and response of the compression curve can be adjusted with the Knee and BITE controls. Flexible compression control is complimented with pre-filtering and post-compression EQ.DE555\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility. Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level — no manual input threshold adjustment required.Other options include continuously adjustable ratio and release controls to fine-tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the 'sss' and not the original dialog.Key filter options include high pass and band-pass filtering. A unique focus control further enhances the key filter's ability to separate 'essing' from actual dialog. The key filter output can also be monitored. Realtime displays of de-essing amounts and key filter response enable quick and easy setup.FilterBank\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFiterBank is a high-end equalizer plug-in designed to emulate the sounds of vintage and modern equalizers and filters. With its Peak, Slope Dip, controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ. It includes ten plug-ins:•E2 \/ E4 \/ E6 — parametric, high and low shelving EQ, high and low pass filters, in 2, 4, and 6 band configurations•P2 \/ P4 \/ P6 — parametric EQ with variable Q modes in 2, 4, and 6 band configurations•F1 \/ F2 \/ F3 — steep high and low pass filtering with resonant Q control•B1 — super notch filteringFutzBox\u003c\/div\u003e\n\u003cdiv\u003e\n\tFutzBox is a distortion and noise generator plug-in for creating low-fidelity versions of audio signals. It includes one plug-in which provides configurable 'futz' effect including filtering, EQ, and distortion.Typical post-productions require distorted, or 'futzed' versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less dsp power than conventional convolution based products. Furthermore, SIMs can be scaled in realtime and changed on the fly.In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in realtime to accommodate scene changes or other automation requirements.MC2000\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe MC2000 is a high-end multiband compressor plug-in designed to emulate the sounds of vintage and modern compressors. The three plug-ins (MC2 for 2-band compression, MC3 for 3-band compression, and MC4 for 4-band compression) give you complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24dB\/Oct crossover filters minimize signal leakage into adjacent compression bands.ML4000\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe ML4000 is a high-resolution limiter and multiband dynamics processor designed for music, mastering, post, and live sound. It has two plug-ins, the ML1, a mastering limiter, and ML4, a multiband Gate, Expander, and Compressor fed into the ML1 mastering limiter.The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive. The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band's Gate, Expander, and Compressor can be configured separately or linked together. Steep 24dB\/Oct crossover filters minimize signal leakage into adjacent bands. Multiple realtime metering options in each band allow quick visualization of all signal dynamics. The ML4 crossover page shows the overall frequency response in real time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies. Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.NF575\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe NF575 Noise Filter is a high-resolution filter set designed to remove a wide variety of noise types from audio. Its single plug-in provides filtering and five bands of notch-filtering with linkable frequency control.Accurate high-pass and low-pass filters reduce low frequency rumble and high-frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36dB\/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60Hz hum.Revolver\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tRevolver provides you with a compelling impulse library, with hundreds of sounds from rare holy grail, out-of-production reverbs and acoustic spaces. Additional acoustic spaces and outboard gear can be modeled in a few minutes with Revolver and the Revolver impulse response tools. Controls for the total reverb time (in percent and RT60 values), as well as wet and dry levels are always displayed. The remainder of the Revolver plug-in interface is separated into several control pages and views. Graphical representations of signal flow, impulse response data, EQ responses, and even images of the impulse response source are available.All parameter adjustments are heard immediately, and the outputs are not muted during any control updates. The user does not need to wait while the reverb is re-rendered.Synthesizer One\u003c\/div\u003e\n\u003cdiv\u003e\n\tSynthesizer One combines wave table and analog oscillators, a completely modular design, flexible filtering, and a dedicated effects section to produce inspiring leads, fat basses, and evolving synthetic textures. The Synthesizer One wavetable editor allows users to create unique waveforms for oscillators and LFOs. Waveforms may be drawn, generated from a suite of tools, or imported from an audio track.\u003c\/div\u003e","brand":"McDSP","offers":[{"title":"0 | On Order","offer_id":46167937974555,"sku":"EMERALDPACKV5NAT","price":899.0,"currency_code":"USD","in_stock":true},{"title":"New | On Order","offer_id":46167938007323,"sku":"EMERALDPACKNAT","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/emerald_pack_native_hd_2_copy_1.jpg?v=1692021454"},{"product_id":"motu-electric-keys-5000","title":"MOTU Electric Keys","description":"\u003cp\u003e\n\t\u003cspan class=\"\" style=\"font-family: Arial; font-size: 16px; \"\u003e\u003cstrong\u003eMOTU Electric Keys\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tElectric Keys is a cross-platform virtual instrument that delivers authentic sounds of 50 classic, vintage electric keyboard instruments from the last 40 years. This massive 40GB sound library includes over 20,000 meticulously crafted 24-bit 96 kHz multi-samples of legendary electric pianos, electric organs, clavinets, Wurlitzers, tape samplers, string machines, keyboard basses and other rare and exotic electric keyboard instruments.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tElectric Keys version 1.01 is now available as a free, downloadable update for all registered Electric Keys users. This maintenance update has numerous enhancements and is recommended for all users. For complete details, see the PDF documentation included in the 1.01 updater download.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tRecreate the popular keyboard sounds and riffs you know so well from your favorite recordings of the last four decades of rock, pop, funk and jazz, or create your own unique style with an intriguing assortment of rare electric keyboard instruments never before offered in a virtual keyboard product - and sure to delight even vintage keyboard devotees.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tElectric Keys is beautiful to look at and easy to use on screen. Load, save and combine factory or custom presets. Use the virtual effects rack to combine, apply and save chained multi-effects, including chorus, reverb, delay and more. It’s easy, fast and fun to play and layer professional, authentic electric keyboard sounds.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAdvanced software features include MIDI control of nearly all parameters, 256-note polyphony per instrument, ultra-low latency, efficient disk streaming for fast preset loading, world-renowned UVI Engine™ for superb sound quality, universal plug-in compatibility and stand-alone operation. You can even load and play Electric Keys sounds using MachFive for convenient, consolidated operation with your other sound libraries.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tElectric Keys supports all major plug-in formats on Mac OS X and Windows (XP and Vista), including VST, DXi, MAS, Audio Units and RTAS. It also runs as a stand-alone application, turning any laptop or desktop computer into the ultimate electric keyboard instrument.\u003c\/div\u003e","brand":"MOTU","offers":[{"title":"New | On Order","offer_id":46167938040091,"sku":"5000","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10000560_1.jpg?v=1692021450"},{"product_id":"api-225l-discrete-compressor-225l","title":"API 225L Discrete Compressor","description":"\u003cp\u003eBoth NEW (\"feed forward\") and OLD (\"feed back\") methods are selectable on the front panel, providing two choices of gain reduction. NEW gain reduction is typical of the newer VCA type compressors that rely on RMS detectors for the gain control voltage. OLD or Feed-Back method is what most of the classic compressors used for the gain control circuit There also is a SOFT or HARD selector. SOFT provides a more subtle compression resulting in a very natural, less compressed sound. HARD results in a more typical, sharp knee type compression that has a much more severe limiting effect.\u003c\/p\u003e\n\u003cp\u003eRelease time is adjusted by rotating the inner concentric R knob. Release time constants: continuously variable from .3 seconds to 3 seconds. Attack time is adjusted by rotating the outer concentric A knob. Attack time constants: continuously variable from 1 millisecond to 25 milliseconds.\u003c\/p\u003e\n\u003cp\u003eAPI's 225L is designed for individual channel use, or through the use of the external LINK funcauto-makeuption. Two units can be combined for Stereo applications via a rear access pin. The 225L also has a side-chain input for the detector amplifier.\u003c\/p\u003e\n\u003cp\u003eThe 225L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 225L Compressor makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167939711259,"sku":"225L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/225L-0.jpg?v=1692021455"},{"product_id":"api-5006b-6-slot-high-current-lunchbox-5006b","title":"API 500-6B 6 Slot High Current Lunchbox","description":"\u003ch2\u003eAPI 500-6B 6 Slot Lunchbox\u003c\/h2\u003e\n\u003cp\u003eThe lunchbox has an internal power supply with a rear panel selected AC voltage switch and a removable power cord. The input\/output jacks are XLR. The lunchbox comes standard with a +48 volt internal phantom power supply, bussed to pin 15 for interface with the API 512c Mic Preamplifier.\u003c\/p\u003e\n\u003cp\u003eAPI makes several modules for the 500-6B, including the 512c Mic Preamplifier, the 525 Compressor, the 527 Compressor, the 550A 3-band EQ, the 550b 4-band EQ and the 560 Graphic EQ. Combinations of these modules make perfect stereo recording packages (two 512cs and two 550bs) or vocalist's box (one 512c, two EQs and one 527).\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHolds 6 API standard modules\u003c\/li\u003e\n\u003cli\u003eDesigned to accept all API standard 5.25\" X 1.5\" modules allowing you to bring along specialized effects for any situation with ease\u003c\/li\u003e\n\u003cli\u003eThe lunchbox is self-powered with a rear panel selected AC voltage switch and a removable power cord\u003c\/li\u003e\n\u003cli\u003eOther uses include:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-track recording of acoustic and electronic audio sources\u003c\/li\u003e\n\u003cli\u003eSound reinforcement systems and recording to multi-track formats\u003c\/li\u003e\n\u003cli\u003eMultiple facility projects where portability is a plus\u003c\/li\u003e\n\u003cli\u003eBroadcast and audio for video production\u003c\/li\u003e\n\u003cli\u003eCustom channel input strips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eNOTE: The older 560A equalizer may use pin 15 for a \"direct output\" and must be disabled on the 560A circuit board edge connector by cutting a trace. This will eliminate 48 volts from damaging the 560A series equalizers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167939842331,"sku":"5006B","price":699.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47103475908891,"sku":"5006BEBAYPRO","price":557.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/5006B_1.jpg?v=1692021467"},{"product_id":"api-205l-discrete-direct-input-205l","title":"API 205L Discrete Direct Input","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 205L Discrete Direct Input\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tWide range GAIN control\u003c\/div\u003e\n\u003cdiv\u003e\n\tHi-Z input, like a Tube Amp\u003c\/div\u003e\n\u003cdiv\u003e\n\tThin \u0026lt; \u0026gt; Fat TONE Control reduces low end mud\u003c\/div\u003e\n\u003cdiv\u003e\n\tBRIGHT Switch boosts the presence\u003c\/div\u003e\n\u003cdiv\u003e\n\t20 dB PAD lowers the input level\u003c\/div\u003e\n\u003cdiv\u003e\n\t100 K LOAD switch changes the tone of instruments\u003c\/div\u003e\n\u003cdiv\u003e\n\t5 Segment LED Meter shows Output Level\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Coupled Output to +28 dBm\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll Discrete Design\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 205L Instrument Direct is specifically designed to accept a guitar or bass direct into it, without any loading on the pickups. The Gain Control is used to normalize the instrument's input level, up to a +4 dBu output level. With the use of the unique TONE control, the low end \"mud\" can be reduced. Turning on the BRIGHT switch adds clarity, like the bright switch on any amp. The combination of these two functions may eliminate the need for any EQ on the instrument when recording, keeping the signal pure.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe input is designed specifically to load a pickup the same way that a tube guitar amp would, retaining all of the tone, and minimizing the loading effect on the pickup. This minimal path eliminates the need to use a standard direct box, which more times than not only converts the signal to a balanced mic level output, which still requires a mic input, equalizer, and fader to get the signal to a recordable level.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 205L is capable of boosting any instrument to a hefty line level without additional amplifiers. With the 100 K LOAD switch, the tone of the pickup can be altered slightly, which tends to darken the high frequency content. The BRIGHT switch adds a treble boost in the same manner that most instrument amplifiers do, clarifying the instrument and adding presence to it without the need for outboard equalization. When inserting an instrument with an internal preamp or a line level instrument such as a sampler or a keyboard, the 205L has a 20 dB PAD switch to drop the level without loading, thereby retaining the full range of the 205L and its features.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWhen used with other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output. Also, the output of the 205L can be fed to tape, or the input of a guitar power amplifier. The artist can then be in the control room while the instrument amp is isolated in the studio.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 205L can be used in the Legacy or Vision Series Consoles, or in the L200 Rack. The 205L Direct makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity characteristic of API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167940006171,"sku":"205L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10000800_1.jpg?v=1692021453"},{"product_id":"api-212l-212l","title":"API 212L Discrete Microphone Preamp","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 212L Discrete Mic Pre\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tWide range GAIN control\u003c\/div\u003e\n\u003cdiv\u003e\n\t20 dB Pad\u003c\/div\u003e\n\u003cdiv\u003e\n\t48v Phantom Power Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\tRE 115 K Mic input Transformer\u003c\/div\u003e\n\u003cdiv\u003e\n\tLED VU Meter\u003c\/div\u003e\n\u003cdiv\u003e\n\tUses API 2520 Op-Amp\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll Discrete Circuit\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Coupled Inputs \u0026amp; Outputs to +28 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe tone of the 212L mic preamp finds its roots in the classic API 2488 series all discrete recording consoles, best known for the famed \"LA\" sound. This same mic preamp design is packaged into a compact module with features like a continuously adjustable Gain control and a unique 5 segment LED VU meter on each panel.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAn audio chain is only as strong as its weakest link. Often, emphasis is placed on obtaining the highest quality microphones, while neglecting the integrity of the mic preamp. The API 212L incorporates the same circuit as the legendary API console input modules, dating from the 1970's up to and including the Model 1608, thus preserving its sonic qualities. This mic-pre articulates high frequencies with great detail, while delivering the big sounding, warm bottom end that API is famous for. Whether it's a live performance or the private setting of a studio session, the 212L will capture every nuance of the moment.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 212L mic-pre all discrete circuitry features the API 2520 op-amp, the RE 115 K input and the AP-2623 output transformer. A -20 dB pad is provided, allowing the level feeding the mic transformer to be reduced by 20 dB, while keeping the proper load on both the mic and transformer. 48V Phantom power can be locally switched on or off via the front panel switch. An LED VU meter provides a true VU indication of the mic pre output level. The low noise floor, together with a clip point over +28 dBm, makes this preamp suitable for the most extreme applications requiring the highest quality audio.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 212L microphone pre-amplifier is an integral part of the famous Legacy and Visions Series of consoles and is available for the L200 Rack System. The 212L Microphone Preamplifier makes use of the 2520 op-amp and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167940104475,"sku":"212L","price":695.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | Out Of Stock","offer_id":47102546903323,"sku":"212LEBAYPRO","price":526.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_212l_1_l.jpg?v=1692021464"},{"product_id":"api-215l-discrete-hp-lp-sweep-filter-215l","title":"API 215L Discrete HP\/LP Sweep Filter","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 215L Discrete HP\/LP Sweep Filter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tWide range 6 dB per octave LOPASS control\u003c\/div\u003e\n\u003cdiv\u003e\n\tWide range 12 dB per octave HIPASS control\u003c\/div\u003e\n\u003cdiv\u003e\n\tBalanced input stage\u003c\/div\u003e\n\u003cdiv\u003e\n\tPassive filter design for smooth tone\u003c\/div\u003e\n\u003cdiv\u003e\n\tUnity gain throughout\u003c\/div\u003e\n\u003cdiv\u003e\n\tHard Wire BYPASS switch\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Coupled Output to +28 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll Discrete Design\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 215L is a unique passive, sweepable filter, designed specifically to contour the sound to preserve the natural tone of the signal. Its extreme flexibility, repeatable settings and superb sound make it ideal for all studio, live sound and broadcast applications.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 215L design is a passive low pass filter with a slope of only 6 dB per octave, and a passive dual high pass filter with a slope of 12 dB per octave. The filters are isolated from each other with the same discrete transistor buffer used in the famous 550 series equalizers. This minimizes interaction between the filters, as well as providing a low impedance source for the filter following the buffer.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe input section is a balanced circuit using the API 2510 all discrete op-amp, minimizing the loading effect on any device plugged into it. The output stage is a transformer balanced output, driven by the all discrete API 2520 op-amp.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe filters are both continuously adjustable, with a range from 20 Hz to 20 kHz in two bands. The low pass filter has a range from 500 Hz to 20 kHz, and the high pass filter has a range from 20 Hz to 600 Hz. This covers a broad range of frequencies throughout the entire audio spectrum.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tBecause of the subtle nature of the 215L filter, it finds a home with uses like rolling off the low end of a hi-hat, where a natural sound is desired, not the usual \"phase-shifter\" sound of a 18 to 24 dB per octave filter found on most consoles. It can also be used to thin out room mics, without the complete loss of low end which again usually results from steep filter circuits.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 215L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 215L Filter makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167940137243,"sku":"215L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_215l_1_l.jpg?v=1692021453"},{"product_id":"crane-song-stc8-stereo-class-a-compressor-peak-limiter-stc8","title":"Crane Song STC8 Stereo Class A Compressor \/ Peak Limiter","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eCrane Song STC8 Stereo Class A Compressor \/ Peak Limiter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eThe STC-8 is a high quality stereo compressor combined with a remarkably dependable peak limiter, providing overload protection critical to digital recording and broadcast transmitters. The STC-8's compressor is engineered to provide musically transparent gain control, but is also capable of emulating vintage equipment and creating distinctive new sounds.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn addition, a switchable enhancement circuit creates analog and tube like warmth to enrich lifeless audio and digital recordings. This vast flexibility is simplified by the inclusion of several optimized presets, allowing fast, easy setup on a wide variety of sounds. It can operate in true stereo or discrete independent mono, accessible by a front panel switch.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe STC-8's sophisticated side-chain allows both compression and peak limiting to take place simultaneously, using the same proprietary gain circuit. High signal quality is maintained by utilizing a discrete class A audio path, and by eliminating any VCA or optical gain control elements.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe STC-8 requires 2 rack spaces. All inputs and outputs are transformerless and balanced. The toroidal power transformer is UL approved and allows four line voltages for international use.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe STC-8 delivers consistent gain control without sacrificing musical definition or harmonic richness.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe \"Ki\" and \"Hara\" Mode Switches - DISTORTION IN COMPRESSORS\u003c\/div\u003e\n\u003cdiv\u003eDistortion in compressors is dependent on the RELEASE TIME and the KI \u0026amp; HARA Sounds RATIO. The higher the ratio or the faster the release time, the greater the amount of induced distortion. This distortion follows the low frequencies and the sound envelope. In all conventional compressors, tube or solid Tube Warmth state, this distortion is third harmonic. The distortion is third harmonic because of the way the control circuits and gain control elements function.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThird harmonic distortion is a major part of what are called artifacts. Artifacts influence the sound of the compressor and may or may not be musical. Third harmonic distortion is not a musical artifact.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe STC-8 has the ability to change the type of induced distortion to second harmonic. In doing this the non-musical artifact of third harmonic distortion is changed to the musically pleasing sound of second harmonic distortion. The STC-8 is the only compressor-limiter on the market that has the ability to change the induced distortion from third harmonic to second.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eChanging the induced distortion from third harmonic to second harmonic results in new and different sounds and adds warmth. This change allows the use of higher compression levels with fast release times and still have the sound remain musical. This function is enabled on the STC-8 by putting the MODE SWITCH in the KI position.\u003c\/div\u003e\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSimultaneous Compression\/Limiting\u003c\/li\u003e\n\u003cli\u003eDiscrete Class A\u003c\/li\u003e\n\u003cli\u003eBalanced\/Transformerless I\/O\u003c\/li\u003e\n\u003cli\u003eQuick \u0026amp; Easy Presets\u003c\/li\u003e\n\u003cli\u003e'KI' \u0026amp; 'HARA' Sounds\u003c\/li\u003e\n\u003cli\u003eTransparent Overload Protection\u003c\/li\u003e\n\u003cli\u003eApplications\u003c\/li\u003e\n\u003cli\u003eDigital \u0026amp; Analog Mastering\u003c\/li\u003e\n\u003cli\u003eSystem Overload Protection\u003c\/li\u003e\n\u003cli\u003eBroadcast Engineering\u003c\/li\u003e\n\u003cli\u003eProject Studio DAW\u003c\/li\u003e\n\u003cli\u003eStereo Bus Compression\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8 Stereo Class A Compressor Specifications\u003c\/li\u003e\n\u003cli\u003eInput: Floating, balanced. Maximum input is +25 dBm. The connectors are XLR.\u003c\/li\u003e\n\u003cli\u003eOutput: Floating, balanced. Maximum output is +25 dBm. The connectors are XLR.\u003c\/li\u003e\n\u003cli\u003eFor Input and Output: Pin 2 is Sig + , Pin 3 is Sig- , Pin 1 is GND\u003c\/li\u003e\n\u003cli\u003eSide Chain Connections: Floating, balanced. Connections are made by using a DB-15 Male Connector. This is a loop insert and must be normaled back to the STC-8.\u003c\/li\u003e\n\u003cli\u003eUnbalanced Connections: Are made by tying the SIG- Pin to the GND Pin. If the connection is an input, it is best to tie at the signal source. If the connection is an output, it is best to tie at the STC-8 connector.\u003c\/li\u003e\n\u003cli\u003ePower: 100, 120, 230,240 volt; 50\/60 Hz; 55 watts\u003c\/li\u003e\n\u003cli\u003eMDL .6A Fuse for 100V and 120V\u003c\/li\u003e\n\u003cli\u003eMDL .3A Fuse for 230V and 240V\u003c\/li\u003e\n\u003cli\u003ePilot Lamp: # 7335\u003c\/li\u003e\n\u003cli\u003eShipping Weight: 19 lbs. (8.6 kg)\u003c\/li\u003e\n\u003cli\u003eDepth Behind Panel: 12.5 inches (31.75 cm) plus cabling\u003c\/li\u003e\n\u003cli\u003ePanel Height: 2 rack spaces\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8 Stereo Class A Compressor Downloads\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8 Users Manual (PDF)\u003c\/li\u003e\n\u003cli\u003eVERSIONS of the CRANE SONG STC-8:\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8: The standard - Everything you've read about above with smooth, continuously variable potentiometers. Great for standard use where dialing in a sound needs precision, but not exact recall ability.\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8\/H: Detented output gain for utmost accuracy and resetability.\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8\/M: All pots with detented control. The ultimate Mastering version.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Crane Song","offers":[{"title":"New | On Order","offer_id":46167941021979,"sku":"STC8","price":4499.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47320170397979,"sku":"C1014300","price":2799.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10000950_1.jpg?v=1692021466"},{"product_id":"api-5500-stereo-dual-mono-550-equalizers-with-range-switch-5500","title":"API 5500 Stereo\/Dual Mono 550 Equalizers with Range Switch","description":"\u003ch2\u003eAPI 5500 Stereo\/Dual Mono 550 Equalizers with Range Switch\u003c\/h2\u003e\n\u003cp\u003eTypical of API products, the 5500 contains no integrated circuits in its signal path. The gain comes from two hand-built 2520 Operational Amplifiers in each channel. The balanced input is handled by a 2510 Discrete Operational Amplifier, which is similar to the 2520, but without the high-current output stage. A key component of the API sound, the 2520 coupled with the API 2503 output transformer, is capable of delivering +30dBm before clipping.\u003c\/p\u003e\n\u003cp\u003eAn extremely useful feature in the 5500 is the range control. The range of the amplitude controls can be reduced to 1\/2 or 1\/4 of their stated scale, providing a means to adjust the tonal balance with finer resolution in an even gentler manner. This is especially useful for complex program material as contained in stems or submixes and is ideally suited for mastering purposes.\u003c\/p\u003e\n\u003cp\u003eAPI's 5500 also features a true hard-wire bypass which wires the output connector directly to the input. Shortly after the power is first applied, or immediately after it is lost, a special circuit enables \"bypass mode\" so that power thumps are never heard.\u003c\/p\u003e\n\u003cp\u003eThe 5500's input XLR is connected to an active balanced circuit. The unit's output XLR is driven from a transformer coupled output and can drive any load from 600 ohms or more to full output capability. There is no change from input to output in the unit's polarity, so it is suitable in studios using either pin 2 or pin 3 as the \"hot\" connection. Additionally, the 5500 has a 1\/4 inch input connector that interrupts any present signal on the input XLR. It is balanced and can be driven from either balanced or unbalanced sources. A positive signal on the tip will deliver a positive signal on pin 2 of the output XLR. Using the 1\/4 inch input does not bypass any internal circuitry and does not change the gain or operating levels.\u003c\/p\u003e\n\u003cp\u003eThe 5500 features API's industry exclusive five-year parts warranty and exhibits the reliability and long life characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942431003,"sku":"5500","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_5500_1_xl.jpg?v=1692021477"},{"product_id":"api-550a-discrete-3-band-equalizer-550a","title":"API 550A Discrete 500-Series 3-Band Equalizer","description":"\u003cp\u003eForty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004.\u003c\/p\u003e\n\u003cp\u003eThe 550A provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost\/cut are selected by three dual-concentric switches, and a pushbutton \"in\" switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the 550A.\u003c\/p\u003e\n\u003cp\u003eThe combination of Walker's incomparable 2520 op amp and his \"Proportional Q\" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization.\u003c\/p\u003e\n\u003cp\u003eWith the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942463771,"sku":"550A","price":1195.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | Out Of Stock","offer_id":47103722389787,"sku":"C103627","price":755.16,"currency_code":"USD","in_stock":false},{"title":"Open Box | On Order","offer_id":47317582905627,"sku":"550AEBAYPRO","price":985.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned - Version: 550A | Out Of Stock","offer_id":51226599817499,"sku":"C103642","price":899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_550a_1_xl.jpg?v=1692021508"},{"product_id":"api-560-discrete-10-band-graphic-equalizer-560","title":"API 560 Discrete 10-Band Graphic Equalizer","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 560 Discrete 10 Band Graphic Equalizer\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith a wide range of 500 mounting options, from racks to consoles, the 560 proves an invaluable asset to all critical performance applications. Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp.\u003c\/p\u003e\n\u003cp\u003eThe extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Of course, the 2520's ability to drive low impedance loads is key when it is paired with API's custom output transformers. The results are quite audible with better low frequency reproduction and tighter imaging, which gives you that legendary API \"punch in your gut\" sound.\u003c\/p\u003e\n\u003cp\u003eThe 10 precision EQ bands make the 560 ideal for signal sweetening and room tuning. A great companion to a parametric EQ, the 560 utilizes API's unique \"Proportional Q\" design introduced during the '60s. This design intuitively widens the filter bandwidth at lower boost\/cut levels and narrows it at higher settings. Additionally, boost and cut characteristics are identical, allowing previous actions to be undone if desired.\u003c\/p\u003e\n\u003cp\u003eReliable, durable and uniform, the API 560 EQ delivers that \"one-of-a-kind API sound\" with precision easy set filtering and high headroom in a compact package. If you want the sound of classic American music in an easy-to-set graphic EQ package, you want the API 560.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942955291,"sku":"560","price":995.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46167942988059,"sku":"560EBAYPRO","price":831.23,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_560_1_xl.jpg?v=1692021480"},{"product_id":"manley-labs-voxbox-combo-microphone-preamp-1069504","title":"Manley Labs Voxbox Combo Microphone Preamp","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eManley Labs VOXBOX Combo\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eIt looks awesome, but what is it?\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePrimarily, it is a voice processor which in itself is not a novel idea, but the time had come to pull out all the stops and make a truly professional high-end statement. One that covered the needs of the project songwriters and big-time major studios alike. One whose all-tube signal path could bring every instrument and overdub to life. One that, plain and simple, sounded unquestionably better than the rest, provided flexibility, simplicity, and well thought-out ergonomics. Full of features, timeless style, robust build quality, and that world-famous \"Manley Sound\", we present to you the MANLEY VOXBOX®\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eThat's nice. What's is good for?\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eWhile we were designing the VOXBOX® we couldn't help but notice how well it works on other instruments besides voice. There are some great settings for drums, bass, guitar, and keys and the two separate sections can be used together or independently. Stereo using two VOXBOXes? You know we couldn't resist planning for that as well. There are Stereo Links for both the compressor and the De-Ess\/Limiter sections, special compression settings and super-sweet EQ frequencies for your mix or pre-mastering. So don't just use it for voice. The name \"VOXBOX®\" represents only the beginning...\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eMICROPHONE PREAMPLIFIER SECTION:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe preamplifier is a clone of a highly regarded and popular mic pre: the Manley Mono Microphone Preamplifier! The mic input transformer is our own design wound in-house at the Manley Labs factory. High current 48V Phantom power is switchable from the front panel. A simple and effective passive BASS CUT switch kills rumble and reduces popping. The INPUT ATTENUATOR is a variable pad control situated before the first tube stage allowing the preamplifier to accommodate +4 line level signals via the balanced LINE INPUT and instruments via the front panel 1\/4\" DIRECT INPUT. These inputs are selected in the middle position of the dual-function phase invert switch. We provide both transformer balanced XLR output as well as a transformerless \"audiophile\" 1\/4\" phone jack output. The Gain switch is actually a clever variable feedback control that changes not only the gain but the slew rate and flavour of the circuit. With it you can choose how laid back and mellow or how up-front and aggressive you want it to get. See \"Notes on Variable Feedback\" for more info. Headroom is a strong point in this circuit, +31dBu capable. This is 5 to 10 dB better than almost all other pro gear. The music passes through only our super-clean pure Class A vacuum tube circuitry. There are obvious advantages to our purist approach and foremost is the un-electronic final sound that carries emotion into the digital realm.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eCOMPRESSOR SECTION:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis cool compressor design takes our opto-isolator approach of the Manley ELOP® Limiter to the max. We adjusted the Ratio down to 3:1 to turn our ELOP into a compressor and added ATTACK and RELEASE controls for more versatility. What is clever is how the signal is compressed before it hits the tubes with no detrimental effect on distortion or frequency response. This way, it can prevent mic-pre clipping and eliminate whole stages of electronics. This cuts the typical path of mic to tape in half! We also pioneered new thinking in the sidechain by using up to four different time constants simultaneously and controlling them with familiar simple attack, release and threshold controls. We call the approach \"Parametric Compression\". We developed optimum settings or presets based our favorite Vactrols that we use in our own fast ELOP® Limiter, the quick LA-2A's T-4 module, the slower LA-3A and then created more complex special settings. This extended range and method of timing delivers fresh sounds from powerhouse punching drums to super-solid bass yet can also emulate the way good engineers delicately ride a fader while recording. It is transparent and liquid-smooth on vocals, easy to use and accurate. Also rare for an opto-based dynamic processor, this compressor works great on mixes. Of course, you'll be needing two VOXBOXes linked in stereo...\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eEQ SECTION:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eLots of folks requested that we include the Pultec Mid Frequency Equalizer in the VOXBOX®, but they wanted MORE.... Now we've extended it to 33 frequencies in 3 bands with 6 new frequencies from 20 Hz to 150 Hz, and 6 more in the highs from 6.4 KHz to 20 KHz. Ever notice that only EQs with real inductors have the bottom end magic or that only Class A circuitry can keep the top end sweet? This is for you. The EQ INPUT switch patches in the Line Input, Preamp Output, or the INSERT return. This switch serves double-duty acting as a bypass switch for the preamp and\/or external processors or for processing two different tracks.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eDE-ESSER \u0026amp; LIMITER SECTION:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDesigned by folks with admittedly large gaps between their two front teeth, (Hutch and EveAnna) the VOXBOX® combo also includes a de-esser \u0026amp; peak limiter based on our original ELOP® Limiter design but with an added passive LC network to handle the de-essing four carefully chosen notch frequencies from 3KHz to 12KHz. (That 3KHz setting really tames those annoying frequencies!) The fifth position gives you a limiter which totally mimics the famous LA-2A. This means you can both compress pre-EQ then limit here post-EQ. 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The R84 delivers exceptional headroom while maintaining an intimate performance quality with smooth highs and extended lows. These aspects, combined with the reduced proximity effect, make the R84 incredibly well suited for both close-up and ambient mic applications. It’s just as versatile as an R44, flattering voice, strings, brass and drums alike.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT IS UNDER THE HOOD?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AEA R84 uses a big, 2.35” by 0.185” by 2-micron pure aluminum low-tension (16.5 Hz) ribbon element just like the classic R44. Many ribbon mic manufacturers choose shorter ribbons that are easier to install, but AEA’s Large Ribbon Geometry™ design offers important advantages. Ribbon microphones operate linearly above their resonant frequency, unlike condenser or moving coil transducers, so the resonant frequency of a good microphone design should be as low as possible. The longer the ribbon, the lower the resonant frequency will be. The ribbon has to move twice as far for every drop in octave as it vibrates within the magnetic gap, thus, a longer ribbon will allow for further movement back and forth. This results in the ribbon handling louder sound sources and more sound pressure level (SPL).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE LEGACY SERIES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1976, when General Electric bought RCA and closed down its microphone division AEA began servicing RCA’s legendary ribbon mics. Twenty-two years later, AEA reissued the iconic 44 ribbon mic and has continued to make ribbon microphones in the RCA tradition to this day. 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The DAC1 HDR remembers and recalls your specified 'Dim' setting. This feature is ideal for HDTV users, as it allows you to set your preferred 'Dim' level for commercials, etc. The 'Soft-Mute' function fades down the volume to the 'Dim' level before muting and smoothly raises the volume to the normal level after unmuting. With a generous offering of inputs and outputs, the DAC1 HDR serves as the heart of expansive media and entertainment systems, optimizing the signal path from the various sources to the amplifier. The DAC1 HDR will enhance the audio performance of your digital television, digital cable box, DVD\/CD player, computer, music\/media server, satellite radio, phono stage, FM tuner, iPod, VCR, tape deck, etc.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eTwo Channel, 24-bit, 192-kHz, D-to-A Conversion\u003c\/li\u003e\n\u003cli\u003eJitter Immunity with Ultra Lock technology\u003c\/li\u003e\n\u003cli\u003e1 x USB, 1 x AES, 1 x S\/PDIF, and 1 Toslink input. 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Produced from 1953 to 1963, the \"C12\" was revered by engineers for its beautiful vocal quality. The P-12 employs a dual sided edge terminated 34mm gold-coated Mylar capsule and a 6072A glass triode tube. The circuitry and transformer have been designed to match the vintage \"C12\". Carefully selected components, thorough testing, and attention to detail all come together in this beautiful full-bodied classic tube microphone.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe P-12 is paired with the Peluso MX-56 power supply. The dual sided capsule in the P-12 enables the power supply to feature 9 polar patterns in an array from omni-directional to cardioid to figure eight.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tNEW for 2013! The P-12 features our heavy-duty 8-pin screw on cable connector. 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Well look no further!  Yamaha has a fine line of soprano saxophones, starting with the Intermediate model, the YSS-475II.  The YSS-475II delivers professional qualities at an intermediate price. Much of its design is based upon the Custom EX saxes, and it shares many of the same features. The 475II offers outstanding response, tone, and intonation, as well as comfortable playability. This model features a one-piece design, Gold Baked Eopxy Lacquer, High F# key, and a laser egraved bell. \u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"New | Pre-Order (ETA: 5\/30\/2026)","offer_id":46167946592539,"sku":"YSS475MK2","price":3483.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/yss475ii.jpg?v=1692021509"},{"product_id":"mogami-gold-db25-to-xlr-male-25-gold-db25-xlrm-25","title":"Mogami Gold DB25 to XLR Male 25'","description":"\u003cp\u003eGold DB25-XLR(M) 8 channels analog in or out. DB25 to gold pin XLR. 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Made with Mogami 2932 studio snake cable.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMogami Analog Interface Cables are the best mechanical and electrical assemblies on the market, often used with the world’s most prestigious recording machines, consoles and patch bays.\u003c\/li\u003e\n\u003cli\u003eFor use on nearly all machines and consoles equipped with an industry standard analog pin-out.\u003c\/li\u003e\n\u003cli\u003eMogami Part Number \"Gold DB25-XLRF-xx\" is equipped with eight (8) channels in and out using a gold contact DB25 connector to gold contact XLR female receptacle connectors and wired with Neglex 2932 Multicore Snake Microphone cable. Features include rugged, noise-proof all metal D-sub shells, state-of-the-art pin termination, and easy-to-grab metal thumb screws.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Mogami","offers":[{"title":"Pre-Owned | On Order","offer_id":46167946854683,"sku":"DB25XLRF25EBAYPRO","price":266.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46167946887451,"sku":"DB25XLRF25","price":424.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/DB25XLRF25_0.jpg?v=1692021509"},{"product_id":"mogami-gold-db25-to-xlr-female-10-gold-db25-xlrf-10","title":"Mogami Gold DB25 to XLR Female - 10’","description":"\u003cp\u003eGold DB25-XLR(F) 8 channels analog in or out. DB25 to gold pin XLR. Industry standard analog pinout, fits almost everything. Made with Mogami 2932 studio snake cable.\u003c\/p\u003e","brand":"Mogami","offers":[{"title":"New | In Stock","offer_id":46167946952987,"sku":"DB25XLRF10","price":329.95,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47102190584091,"sku":"DB25XLRF10EBAYPRO","price":202.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/DB25XLRF10_0.jpg?v=1692021510"},{"product_id":"yamaha-ypc-32-piccolo-1069626","title":"Yamaha Ypc-32 Piccolo","description":"\u003cp\u003e\n\tThe Yamaha standard piccolo features a rich tone and wear resistant construction, which makes it ideal for marching. Contoured keys provide an excellent feel and improved finger position. 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Well look no further!!!! We have a variety of choices for you that will suit your needs. Yamaha grenadilla wood clarinets have become the go to instrument recommended by teachers for advancing musicians. Professionals are disovering the quality control Yamaha has over other companies in the industry, which is why the Yamaha clarinets have become one of our top sellers!!!!\u003c\/p\u003e\u003cp\u003eYamaha intermediate clarinets feature a grenadilla body, barrel and bell. These models feature a bell and barrel vertically integrated from the popular Yamaha V-Series models. Undercut tone holes provide accurate intonation and responsive playing. Durable features include power-forged keys and blue steel springs which stand up to years of use, and an innovative design prevents jamming or breaking of the bridge keys.\u003c\/p\u003e\u003cp\u003eThe YCL-450A is a grenadilla wood clarinet which features silver-plated keys. It is considered to be an intermediate level isntrument, but sounds like a professional model. Experience what everyone is talking about, and \u003cstrong\u003e\u003cspan style=\"text-decoration:underline\"\u003eget yours today at Alto Music!!!!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"New | On Order","offer_id":46167947903259,"sku":"YCL450AWEB","price":1748.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/YCL450ARP-0.jpg?v=1692021530"},{"product_id":"yamaha-ycl450n-intermediate-wooden-clarinet-with-nickel-keys-ycl-450n","title":"Yamaha YCL-450N Intermediate Wooden Clarinet With Nickel Keys","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eLooking to invest in a wood clarinet? Well look no further!!! We have several options for the professional and advancing musician at our store!!!  Yamaha Grenadilla wood clarinets have become more popular as the word of their high quality control, amazing sound and quick key-action have spread throughout the world. Featuring a bell shape and barrel design similar to that of Yamaha's professional V Series, the YCL-450 offers a surprisingly 'professional' sound with an easy response. The new bell design gives improved intonation and projection, especially in the all-important lower register, while the new barrel enhances the 450's response, flexibility and tonal focus.'\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew 65mm barrel\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe YCL-450N intermediate model clarinet incorporates some of the distinct qualities of Yamaha's professional and custom clarinets. One of these features is a 65mm barrel design that produces a focused tone and quick response. Players looking to \"step-up\" their performance will do just that with this instrument.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eYou have to get your hands on one of these fine instruments to truly understand the great quality for price. All Yamaha instruments come standard with a 5 year warranty against defects in workmanship, so rest assured you are getting a great instrument.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Repack | On Order","offer_id":46167947968795,"sku":"YCL450NEBAYPRO","price":1362.99,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46167948001563,"sku":"YCL450N","price":1881.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/YCL450N_0.jpg?v=1692021529"},{"product_id":"avid-sync-hd-1069639","title":"Avid SYNC HD","description":"\u003cp\u003eKeep even your largest and most demanding Pro Tools HD projects in perfect sync with the Avid Sync HD. Incorporating a high-fidelity, low-jitter master Word Clock that supports operations up to 192 kHz, standard pull-up\/pull-down rates for film and video applications as well as near sample-accurate lock to serial timecode (through RS-422), LTC, or bi-phase\/tach signals- the Avid Sync HD is an ideal choice for any audio engineer.  Get yours today at Alto Music!\u003c\/p\u003e","brand":"Avid","offers":[{"title":"New | On Order","offer_id":46167948329243,"sku":"MH040","price":2095.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46167948362011,"sku":"C102213","price":813.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MH040_0.jpg?v=1692021540"},{"product_id":"neumann-m150-tube-microphone","title":"Neumann M 150 Tube Microphone","description":"\u003cp\u003e\n\tSince the 1950s, the Neumann M 50 has been heralded as the ideal microphone for orchestral recording and string scoring. With its phenomenal transient response and unique directional characteristic, this classic mic has endeared many fans, both in the control room and on the soundstage. The new M 150 Tube* takes many of the features from the original M 50 and incorporates them in a very modern microphone. With low self noise, a Titanium membrane and capsule, transformerless tube amplifier and sophisticated power supply, the M 150 Tube is not a reissue but an entirely new microphone in its own right.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"New | In Stock","offer_id":46167948689691,"sku":"M150","price":7999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":46167948722459,"sku":"M150RP","price":4948.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/m150main2_1.jpg?v=1692021540"},{"product_id":"meinl-byzance-series-14-heavy-hi-hat-cymbals-b14hh","title":"Meinl 14” Byzance Traditional Heavy Hi Hat Cymbals","description":"\u003cp\u003eTheir hand hammered and lathed surfaces with warm sounds and selection of models may be rooted in tradition, but MEINL Byzance cymbals are the ultimate choice when it comes to modern versatility.  Every Byzance model is hand hammered into shape by cymbal artisans in Turkey, giving each cymbal its own unique and colorful voice.  The overall presence that MEINL Byzance delivers is dark, buttery warmth that flows around crisp definition.  The Byzance traditional 14-inch heavy hi hats have outstanding definition and attack with dark tones that give them an extremely sought after musical personality.  They are slightly heavier for a higher pitch and more volume than the medium version.  Byzance hi hats deliver an unmatched \"chick\" sound when played closed along with a full bodied, dark sizzling crash when played loose or open.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHAND HAMMERED IN TURKEY FROM B20 BRONZE ALLOY: The crisp sound and feel of the Byzance 14\" Traditional Heavy Hi-Hats is rooted in the age-old techniques of making a hammered Turkish cymbal.  Creating an unrivaled \"chick\" sound with a warm, sizzling wash when played open, the musicality of Byzance Traditional hi-hats is nothing short of \"must have\".\u003c\/li\u003e\n\u003cli\u003eSMOOTH DEFINITION:  Your stick response will be at the forefront, but a unique factor with these hi-hats is their ability to fill out with a complex mix of high and low tones.  When played closed, this effect rounds-off your stick definition with a smooth, fizzy blend of notes.\u003c\/li\u003e\n\u003cli\u003eCRISP HIGHS AND DARK LOWS:  The great thing about hand hammered Turkish cymbals is that each one is completely unique, but the overall nature of them is typically earthy and darker.  This of course comes into play with the Byzance hi-hats.  Their precise response is matched with a dark blend of undertones.\u003c\/li\u003e\n\u003cli\u003eMODERN VERSATILITY ROOTED IN TRADITION: Byzance hi-hats have become an immensely popular choice among top recording and touring artists, as well as clinicians and students. The ability these cymbals have to increase a sense of musicality on the drum kit makes them a highly sought after pair of hi-hats.\u003c\/li\u003e\n\u003cli\u003eOFFICIAL TWO YEAR MEINL WARRANTY: All Meinl cymbals carry a two-year manufacturer's warranty when purchased from authorized retailers.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Meinl","offers":[{"title":"New | On Order","offer_id":46167948886299,"sku":"B14HH","price":559.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47321506283803,"sku":"B14HHEBAYPRO","price":355.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/b14hh_web_main.png?v=1692021553"},{"product_id":"meinl-byzance-series-18-thin-crash-cymbal-b18tc","title":"Meinl 18” Byzance Traditional Thin Crash Cymbal","description":"\u003cp\u003e\n\tLightweight, sounds fairly washy and dark in a narrow frequency range. Soft attack and a fairly short sustain. Which crash cymbal weight corresponds with which style of music? The MEINL Byzance series crashes are available in three different weights: thin, medium thin, and medium. Thin crashes have a fairly dark sound. They respond very quickly and have a short sustain. They are ideal for lighter and softer playing styles like Jazz and Fusion. Medium thin crashes show more richness and volume in their sound. They are ideal for Jazz, Fusion and Pop while offering a more cutting sound. Medium crashes reveal a full and rich sound with the ability to cut through a louder mix. They can be used in Jazz, Pop and Rock Music because of their wide frequency spectrum.\u003c\/p\u003e","brand":"Meinl","offers":[{"title":"New | On Order","offer_id":46167948919067,"sku":"B18TC","price":409.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/b18tc_web_mainhs5.png?v=1692021548"},{"product_id":"meinl-byzance-traditional-series-24-medium-ride-cymbal-b24mr","title":"Meinl 24” Byzance Traditional Medium Ride Cymbal","description":"\u003cp\u003e\n\tBalanced, controllable stick response with a defined ping and a blend of bright overtones. Warm basic sound with medium sustain and bell.\u003c\/p\u003e","brand":"Meinl","offers":[{"title":"New | On Order","offer_id":46167949050139,"sku":"B24MR","price":629.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/b24mr_web_main.png?v=1692021541"},{"product_id":"alesis-sr18-professional-drum-machine-sr18","title":"Alesis SR18 Professional Drum Machine","description":"\u003cp\u003eINSTANT DRUMS FOR ON-THE-GO MUSICIANS.  Alesis knows drums. Our SR16 has dominated the drum machine market since 1990 and continues to be in-demand today. Following in the tradition of its relative, the next-generation SR18 is loaded with cutting-edge drumsets, electronic drums, one-shot hits, and modern percussion sounds for any cutting-edge musician’s performances and compositions.  From hip-hop to country and everything in between, SR18 nails it on the first take. SR18 has an effects engine with Alesis reverb, EQ, and compression so you can output recording or performance-ready sounds. Dynamic Articulation™ enables sound to change in color and timbre, the same way that acoustic instruments do for truly realistic performances.  SR18 can be powered by AC or batteries, so whenever or wherever you need to lay down a groove, you’re ready to roll. It’s time for the next Alesis drum machine.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBest-selling professional drum machine with 12 Dynamic Articulation, velocity-sensitive pads\u003c\/li\u003e\n\u003cli\u003eBacklit LCD, MIDI I\/O, Stereo Main and Aux outputs, drum roll, 1\/4\" headphone output, 1\/4\" input jack, 2 footswitch jacks\u003c\/li\u003e\n\u003cli\u003e32MB sound set with percussion bank and bass synth including over 500 Drum and percussion sounds and 50 bass sounds\u003c\/li\u003e\n\u003cli\u003eBuilt-in Effects- Reverb, EQ and Compression on each pad, preset or editable by the user\u003c\/li\u003e\n\u003cli\u003ePowered by AC adapter (included) or 6 AA batteries (not included) for maximum portability\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alesis","offers":[{"title":"New | Pre-Order (ETA: 9\/10\/2026)","offer_id":46167949148443,"sku":"SR18","price":229.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":46167949181211,"sku":"SR18EBAYPRO","price":198.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/SR18EBAYPRO_0.jpg?v=1692021541"},{"product_id":"akg-k240s-mk2-studio-headphones-k240smk2","title":"AKG K240 MkII Studio Headphones","description":"\u003ch2\u003eAKG K240 MkII Studio Headphones\u003c\/h2\u003e\n\u003cp\u003eThe AKG K240 MKII professional over-ear, semi-open headphones carry on the success of their predecessor—the AKG K240 Studio—and are a standard in studios, orchestras and on stages around the world. Their advanced 30 mm XXL transducers with patented Varimotion diaphragms deliver a wide dynamic range, increased sensitivity and high sound levels, while their semi-open design provides the airiness of open headphones with the powerful bass response of closed designs. With impressive accuracy, musicians, producers and engineers rely on the AKG K240 MKII to clearly hear mixing details, which has made these headphones a standard in recording settings. In addition to great sound quality, the headphones are extremely durable and comfortable. Not only built to withstand the demands of countless hours in the studio, their self-adjusting headband provides an ideal fit and their over-ear pads nicely envelop the ears. The AKG K240 MKII headphones also feature a professional mini XLR connector and come with a 3m (10ft) straight cable, 5m (16ft) coiled cable and convertible jack plug for connecting portable equipment easily. Altogether, from performance and ease of use to comfort and reliability, the AKG K240 MKII is a powerful tool for production environments.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Repack | In Stock","offer_id":46167949803803,"sku":"K240SMK2EBAYPRO","price":99.27,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46167949967643,"sku":"K240SMK2","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/akg-k240-mkii-studio-headphones2.jpg?v=1692021564"},{"product_id":"jdk-audio-v14-single-channel-module-4-band-500-series-eq-v14","title":"JDK Audio V14 Single-Channel Module 4-Band 500-Series EQ","description":"\u003cp\u003eSingle-channel modular 4-band Equalizer, 500 Series, with Continuously Variable Frequency and Gain, 12dB Cut\/Boost Per Band, Dual-concentric Pots, and EQ In\/Out Switch\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSingle-channel Modular 4-band Equalizer, 500 Series\u003c\/li\u003e\n\u003cli\u003ewith Continuously Variable Frequency and Gain\u003c\/li\u003e\n\u003cli\u003e12dB Cut\/Boost Per Band\u003c\/li\u003e\n\u003cli\u003eDual-concentric Pots\u003c\/li\u003e\n\u003cli\u003eEQ In\/Out Switch\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JDK Audio","offers":[{"title":"New | On Order","offer_id":46167951540507,"sku":"V14","price":660.25,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317754446107,"sku":"V14EBAYPRO","price":505.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003200.jpg?v=1692021551"},{"product_id":"electro-harmonix-pog-2-polyphonic-octave-generator-pog-2","title":"Electro Harmonix POG2 Polyphonic Octave Generator Pedal","description":"\u003cp\u003eBack in 2005, Electro-Harmonix unveiled the original POG, a polyphonic octave generator that enabled guitarists to conjure everything from the surreal jangle of an 18-string guitar, to rich, thick walls of symphonic sound.\u003c\/p\u003e\n\u003cp\u003eThe POG2 will take you even higher. Use the new attack control to fade in lush, smooth swells. Tune in the new second sub-octave to reach deeper than ever before. The 2-pole resonant low-pass filter now includes two additional Q modes. Slide in the newly enhanced detune to further refine your sound.\u003c\/p\u003e\n\u003cp\u003eThe POG2 delivers unrivaled tonal variations -- and now you can save your favorite settings, and recall them with a click. The POG2 just plain sounds better, thanks to an enhanced algorithm that delivers a more focused and in-the-pocket harmonic performance. And all this is now packed into our rugged and pedalboard-friendly diecast chassis.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Electro Harmonix","offers":[{"title":"New | In Stock","offer_id":46167951671579,"sku":"POG2","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47215871590683,"sku":"POG2EBAYPRO","price":366.66,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/pog2.jpg?v=1692021564"},{"product_id":"avid-digidesign-mh083-8-channel-snake-db25-male-1-4-trs-male-12-long-cable-1069718","title":"Avid Digidesign MH083 8-Channel Snake, DB25 Male 1\/4\"\" TRS Male, 12' Long Cable","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAvid Digidesign MH083 8 Channel Snake, DB25 Male 1\/4\" TRS Male, 12' Long Cable\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tBalanced\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eYes\u003c\/div\u003e\n\u003cdiv\u003e\n\tConnector 1\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eDB25\u003c\/div\u003e\n\u003cdiv\u003e\n\tConnector 2\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eTRS Male 1\/4\u003c\/div\u003e\n\u003cdiv\u003e\n\tLength\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e12'\u003c\/div\u003e\n\u003cdiv\u003e\n\tManufacturer Part Number\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e9940-29650-00\u003c\/div\u003e","brand":"Avid","offers":[{"title":"New | In Stock","offer_id":46167952687387,"sku":"MH083","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003620.jpg?v=1692021566"},{"product_id":"digidesign-db25-xlr-male-digisnake-4-99403042600","title":"Digidesign DB25 XLR Male DigiSnake 4'","description":"\u003cp\u003eDigidesign offers an array of quality cabling options to ensure the fidelity of audio signals as they travel between the I\/O components of your Pro Tools system. Uniquely designed for Digidesign gear, DigiSnakes are custom-colored and custom-labeled, feature a lifetime warranty, and are comprised of 110 ohm \"digital grade\" cable to accommodate either digital or analog signals. DigiSnakes make connecting your gear a quick, easy process, freeing you to spend your valuable time on your audio projects rather than the wires they travel across.\n\u003cbr\u003eDB25 to 8 XLR Male; Output snake. Length: 4 feet with red jackets on both ends and appropriate labeling.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"New | On Order","offer_id":46167952851227,"sku":"99403042600SP","price":89.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003660.jpg?v=1692021566"},{"product_id":"digidesign-db25-xlr-female-digisnake-4-1069723","title":"Digidesign DB25 XLR Female DigiSnake 4'","description":"\u003cp\u003eCustomized Audio Cabling for HD Systems \n\u003cbr\u003eDigidesign offers an array of quality cabling options to ensure the fidelity of audio signals as they travel between the I\/O components of your Pro Tools system. Uniquely designed for Digidesign gear, DigiSnakes are custom-colored and custom-labeled, feature a lifetime warranty, and are comprised of 110 ohm \"digital grade\" cable to accommodate either digital or analog signals. DigiSnakes make connecting your gear a quick, easy process, freeing you to spend your valuable time on your audio projects rather than the wires they travel across.\n\u003cbr\u003eDB25 to 8 XLR Female; Input snake. Length: 4 feet with blue jackets on both ends and appropriate labeling.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"New | On Order","offer_id":46167952883995,"sku":"99401042700","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003670.jpg?v=1692021567"},{"product_id":"k-m-21090b-tripod-microphone-stand-with-telescoping-boom-1069724","title":"K\u0026M 21090B Tripod Microphone Stand with Telescoping Boom","description":"\u003cp\u003eRenowned mic stand and telescoping boom arm combination. Folding base for ease of transport. 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It is undeniably the standard in Music Recording and Post Production facilities worldwide. Until now Mogami was only available to professionals and then only in large bulk quantities. \n\u003cbr\u003eFinally, the worlds best cable is available pre-wired, for all live performance and music recording appliations.\u003c\/p\u003e\n\n\u003cp\u003eMicrophone Cables\n\u003cbr\u003eMogami microphone cable is available in lengths of 3 to 50 feet wired with Neglex Studio Quad, for better clarity and freedom from noise and RF interference. Or for Stage and broadcast, our live cable is very durable for use where cables will be flexed and generally abused.\u003c\/p\u003e","brand":"Mogami","offers":[{"title":"New | In Stock","offer_id":46167953146139,"sku":"GOLDSTUDIO15","price":89.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/GOLDSTUDIO15_1.jpg?v=1692021573"},{"product_id":"mogami-gold-studio-25-xlr-cable-goldstudio25","title":"Mogami Gold Studio 25’ XLR Cable","description":"\u003cspan style=\"background-color: rgb(255, 255, 255); \"\u003eFrom large recording facilities to small project studios, engineers and artists trust Mogami Gold Studio microphone cables. Wired with Neglex studio quad, this 4-conductor cable offers the highest cancellation of noise and is the quietest, best sounding cable you can buy. Mogami Gold helps cure many of the problems encountered in a typical project or home studio, creating a pin-drop quiet recording environment with enhanced dynamic range.\u003c\/span\u003e\u003cbr style=\"color: rgb(51, 51, 51); font-family: Arial, Helvetica, sans-serif; font-size: 12px; background-color: rgb(255, 255, 255); \"\u003e","brand":"Mogami","offers":[{"title":"New | In Stock","offer_id":46167953211675,"sku":"GOLDSTUDIO25","price":109.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/GOLDSTUDIO25_2.jpg?v=1692021569"},{"product_id":"sony-mdr-7506-professional-headphones-1069755","title":"Sony MDR-7506 Professional Headphones","description":"\u003cp\u003e\n\tThe MDR-7506 is a large diaphragm foldable headphone designed for professional studio and live\/broadcast applications.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"New | In Stock","offer_id":46167953473819,"sku":"7506","price":114.99,"currency_code":"USD","in_stock":true},{"title":"New - Version: FBA | On Order","offer_id":49616960258331,"sku":"7506FBA","price":109.99,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":51609684345115,"sku":"7506NOBOX","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mdr-7506-2.jpg?v=1692021586"},{"product_id":"universal-audio-teletronix-la-2a-classic-leveling-amplifier-1069758","title":"Universal Audio Teletronix LA-2A Classic Leveling Amplifier","description":"\u003ch2\u003eUniversal Audio Teletronix LA-2A Classic Leveling Amplifier\u003c\/h2\u003e\n\u003ch4\u003eTrue to the Original Design, our Famed Tube-Amplified T4 Electro-Optical Classic Compressor\u003c\/h4\u003e\n\u003cp\u003eAudio professionals revere the LA-2A. The original was immediately acknowledged for its smooth, natural compression characteristics. A unique tube-driven electro-optical attenuator system allows instantaneous gain reduction with no increase in harmonic distortion — an accomplishment at the time, still appreciated today. This faithful Universal Audio reissue marks the rebirth of the Teletronix LA-2A. Painstaking care has been taken to ensure that every new LA-2A provides the performance characteristics of the original. Each unit is point-to-point hand-wired and built in Scotts Valley, California, with every component carefully evaluated for authenticity. As a result, today’s LA-2A will bring the same legendary compression characteristics of the original to all of your recordings.\u003c\/p\u003e\n\u003cp\u003eEach unit is hand-built and hand-wired in-house at UA with each component being carefully evaluated for authenticity. No expense has been spared to guarantee that this LA-2A will bring that classic sound to your recording. Demand the original. Accept no copy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue to the original in design, manufacturing and performance\u003c\/li\u003e\n\u003cli\u003eLag free, distortion free optical attenuator system\u003c\/li\u003e\n\u003cli\u003eDistortion less than 0.5% THD\u003c\/li\u003e\n\u003cli\u003e0 to 40 dB gain limiting\u003c\/li\u003e\n\u003cli\u003eBalanced stereo interconnection\u003c\/li\u003e\n\u003cli\u003eFrequency response 1 dB, 30 to 15,000 cps\u003c\/li\u003e\n\u003cli\u003eOutput level of 10 dBm and 40 dB gain\u003c\/li\u003e\n\u003cli\u003eLow noise – less than 70 dB below ±10 dBm output\u003c\/li\u003e\n\u003cli\u003eHand-built in USA; backed by 1-Year limited warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"New | On Order","offer_id":46167953768731,"sku":"LA2A","price":4999.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46167953801499,"sku":"LA2AEBAYPRO","price":4298.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47184902783259,"sku":"LA2ARP","price":3667.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/teletronix-la2a_1.jpg?v=1692021601"},{"product_id":"yamaha-yob241-standard-oboe-yob-241","title":"Yamaha Yob241 Standard Oboe","description":"\u003cp\u003eYamaha Oboes are available in standard, intermediate and custom levels.  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Known for their ease of playing, Yamaha instruments are often recommended by teachers, and preferred by students for their durability, sound, and craftsmandship.  Whether it is a beginner, intermediate, or professional model, Yamaha takes pride in their product, and only releases the best of the best.  \u003c\/font\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-family: Georgia; \"\u003eIf you are looking to invest in an advancing level trombone, well look no further! The Yamaha 400 series trombones have the perfect blend of professional features at an intermediate price. High quality gold-brass bell material and a seamless bell construction make the 400 series trombones an excellent value. \u003cspan style=\"text-decoration:underline\"\u003e\u003cstrong\u003eGet yours today, at Alto Music!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"New | In Stock","offer_id":46167955013915,"sku":"YSL446G","price":2566.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":51721665904923,"sku":"YSL446GEBAYPRO","price":2198.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/93214962b3cd476a9f04ba2b60dd523e_12073_1200x480_c8314b0e1f7717fa4314a25737e41266.jpg?v=1692021583"},{"product_id":"yamaha-ysl620-professional-trombone-ysl-620","title":"Yamaha Ysl620 Professional Trombone","description":"\u003cp\u003e\n\tyamaha professional series trombones have a hand hammered bell to maximize tone and projection. 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