{"title":"500 Series Effects","description":"","products":[{"product_id":"little-labs-vog-analogue-bass-resonance-tool-c01","title":"Little Labs VOG Analogue Bass Resonance Tool","description":"\u003cp\u003eThe VOG analog bass resonance tool is the latest creation from Little Labs, and is Little Labs first entry in the popular API 500-Series module format.\u003c\/p\u003e\n\u003cp\u003eThe VOG was originally designed to capture the chest resonance of vocalists or voice over artists, enabling them to still have a proximity type effect without havingto be so close to the mic, hence the name, VOG, or Voice of God. However, when I heard it on kick drum and bass, it became clear this would be the go to device to make these instruments sound huge.\u003c\/p\u003e\n\u003cp\u003eThe VOG lets users sweep a sharp peak resonance from 20 to 300 Hz, while anything below the peak is rolled off at a steep -24dB per octave. This lets users focus on the low end they want, while eliminating low-end mush and unnecessary woofer excursion.\u003c\/p\u003e\n\u003cp\u003eA subharmonic can be the focus, or the fundamental, or upper harmonics. On a kick drum, for example, the overall effect of turning VOGs frequency knob sounds like someone is tightening or loosening the drumhead. In a mix, VOG allows users to place the bass spectrum instruments so they do not interfere or get in the way of each other.\u003c\/p\u003e\n\u003cp\u003eIf you want more videos about the VOG, do a search on YouTube, a few videos are out there, but the sound demo ones are a little weak.\u003c\/p\u003e","brand":"Little Labs","offers":[{"title":"New | In Stock","offer_id":46168026808603,"sku":"VOG","price":490.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317660041499,"sku":"VOGEBAYPRO","price":354.0,"currency_code":"USD","in_stock":false},{"title":"Repack | On Order","offer_id":47318453846299,"sku":"VOG500RP","price":349.99,"currency_code":"USD","in_stock":false},{"title":"Display | On Order","offer_id":47350031974683,"sku":"VOG500DISBROOKLYN","price":349.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/little-labs-vog-analogue-bass-resonance-tool.jpg?v=1692022596"},{"product_id":"radial-extc-500-series-guitar-effects-interface-c01","title":"Radial EXTC 500-Series Guitar Effects Interface","description":"\u003ch2\u003eRadial EXTC Guitar Effects Interface\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBalanced interface for guitar effects pedals\u003c\/li\u003e\n\u003cli\u003eSeparate send \u0026amp; receive controls optimize signal path\u003c\/li\u003e\n\u003cli\u003eTransformer isolated send eliminates ground loops\u003c\/li\u003e\n\u003cli\u003eCreative tool helps your mix stand out from the rest\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Radial EXTC™ is a 500 series module that lets you incorporate guitar effects into the realm of pro-audio recording. Just imagine… add a touch of grit to a vocal track, some wah on a kick drum, maybe flange a violin…The EXTC is a creative tool made for your esoteric-inventive side, ready to unleash fresh new sounds that will make your recordings stand out from the crowd.\u003c\/p\u003e\n\u003cp\u003eAnd it's super easy to use: connect a line level signal from the recording system. The EXTC unbalances the signal and converts it to high impedance where guitar pedals can be inserted at will. Front mounted ¼\" send \u0026amp; receive connectors provide easy access. Turn track on, set levels, adjust the blend for just the right amount of magic. Be prepared for instant amazement. Legalized ecstasy.\u003c\/p\u003e\n\u003cp\u003eFeatures include Radial's award winning 100% discrete class-A guitar buffering for ultimate audio integrity, transformer isolation to eliminate buzz and hum caused by ground loops, 180º polarity reverse to keep effects and balanced signals in phase, plus a separate patch bay insert point to add studio effects into the fun.\u003c\/p\u003e\n\u003cp\u003eThe Radial EXTC is without a doubt one of the most innovative effect manipulating devices ever made. And it opens the door to new sounds by taking Reamping™ technology to an all new level. Be prepared for wild \u0026amp; wonderful!\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Pre-Owned | In Stock","offer_id":46168204181787,"sku":"EXTC500EBAYPRO","price":319.0,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46168204214555,"sku":"EXTC500","price":359.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/extc-product_front.jpg?v=1692024301"},{"product_id":"radial-jdx-lb-500-series-reactor-speaker-simulator-c01","title":"Radial JDX-LB 500-Series Reactor Speaker Simulator","description":"\u003ch2\u003eRadial JDX-LB Lunchbox JDX Active Speaker Emulation Direct Box\u003c\/h2\u003e\n\u003cp\u003eThe Radial JDX is a guitar amp and speaker interface that is designed to capture both the sound of the head plus the back electromagnetic impulse of the loudspeaker via a reactive load. For the recording engineer, this provides a very consistent tone which is both repeatable and easily re-patched as needed.\u003c\/p\u003e\n\u003cp\u003ePart of the magic is the tone shaping filters. This is designed to emulate a 4x12 half stack mic'd with a Shure SM57. The Reactor can be configured for 100 watt or 300 watt guitar amps and the frequency can be extended for bass use. During listening tests, we found that the Reactor worked best when used with a premium mic preamplifier such as the Radial PowerPre or a tradition Neve 1073 mic pre. Fizz control was introduced as a means to round out the harmonic generation and improve the sound when using the Reactor with lower cost mixing consoles and entry level mic preamps.\u003c\/p\u003e\n\u003cp\u003eStandard features include transformer isolated output, polarity reverse and ground lift. The Workhorse Omniport is implemented as a guitar-level direct out to feed a second amplifier, effect device or signal splitter. And to further expand possibilities, you can connect a guitar directly to the Reactor by selecting the recessed front panel switch. This allows the Reactor's great sounding cabinet emulation filters to be used on virtually any source to add realism.\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Repack | On Order","offer_id":46168332370203,"sku":"JDX500","price":299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/JDX500-0.jpg?v=1692024781"},{"product_id":"empirical-labs-docderr-500-series-vertical-studio-processor-docderr500-c01","title":"Empirical Labs DocDerr 500-Series Vertical Studio Processor","description":"\u003ch2\u003eEmpirical Labs DocDerr 500 Series Vertical Studio Processor\u003c\/h2\u003e\n\u003cp\u003eEmpirical Labs is pleased to announce the DocDerr, a brand new API 500 series multi-purpose channel strip. This breakthrough tone enhancement module houses six different sections of digitally controlled analog processing at an extremely affordable price point.\u003c\/p\u003e\n\u003cp\u003eA super low-noise preamp capable of line or 16 dB of “instrument” gain is followed by four sections of EQ offering one selectable high pass and three parametric bands. The dynamics section provides renowned Empirical Labs compression at an unprecedented price, as well as a tape emulation circuit to soften high frequencies and clips. A “Mix” knob allows the user to blend the uncompressed EQ’s signal with the compressed and saturated signal. Inputs and outputs are DC coupled, and the output can be switched between single ended or differential, yielding + 6dB of gain. A “Bad!” hard clip indicator monitors most every section for internal clipping.\u003c\/p\u003e\n\u003cp\u003e“I couldn’t be more delighted with this piece,” says ELI founder and designer Dave Derr. “It has an interface and feature set unlike anything else on the market.”\u003c\/p\u003e\n\u003cp\u003eEmpirical Labs Inc. (ELI) is a New Jersey-based company that designs and produces professional audio equipment and software for creative professionals. ELI products are made with one simple philosophy that drives the company and continues their success: “We want to make products that work a little easier, a little better, and a lot longer and make sure they are fun to use.\"\u003c\/p\u003e","brand":"Empirical Labs","offers":[{"title":"Pre-Owned | In Stock","offer_id":46168366547227,"sku":"DOCDERREBAYPRO","price":777.0,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46168366579995,"sku":"DOCDERR","price":889.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/docderr-0.jpg?v=1692025215"},{"product_id":"radial-shuttle-500-series-insert-loop-shuttle500-c01","title":"Radial Shuttle 500-Series Insert Loop","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eRadial Shuttle 500 Series Insert Loop\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tLets you connect any module to the Workhorse mix buss\u003c\/div\u003e\n\u003cdiv\u003e\n\tTwo front panel effects loops for handy patchbay convenience\u003c\/div\u003e\n\u003cdiv\u003e\n\tIndividual insert switches for comparing wet – dry signals\u003c\/div\u003e\n\u003cdiv\u003e\n\tThird loop via Omniport for remote studio patchbay interface\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Radial Shuttle is a combination effects insert and routing module that enables you to bring playback tracks, effects and other non-Radial modules into the Workhorse. This opens the doors to tremendous patching options that would otherwise require complex wiring.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe design begins with an input feed via the Workhorse or other 500 series rack. This feeds two front panel insert loops. The first is fully balanced to make interfacing with +4dB studio gear quick and efficient while taking full advantage of the lower noise affo0rded by a true balanced insert. The second loop is unbalanced for -10dB operation. This is the most common form of insert found in studio workstation environments. A third loop can be accessed via the Omniport for those that are equipped with a Workhorse. Each is equipped with an individual insert on-off selector that allows the effects to be compared.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWhere the Shuttle really begins to get interesting is when using the Workhorse for real-time playback. \u003c\/div\u003e\n\u003cdiv\u003e\n\tA feed from the recorder is sent to the Shuttle where the program track can be auditioned at the same time as a new recording track without latency of any kind. One simply routes the mic preamp and shuttle to one of the 8 channels while auditioning via the main, monitor or headphone outputs.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Shuttle makes connecting effects to your 500 series rack quick, easy and super effective.\u003c\/div\u003e","brand":"Radial Engineering","offers":[{"title":"New | On Order","offer_id":46168413896987,"sku":"SHUTTLE500","price":139.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/shuttle-product_front.jpg?v=1692025655"},{"product_id":"radial-engineering-tank-driver-500-series-demo-tankdriver500-c01","title":"Radial TankDriver 500-Series Module for Spring Reverbs (TANKDRIVER500)","description":"\u003cp\u003e*Please note this item is pre-owned and may show signs of use. Please see photos.\u003c\/p\u003e\n\u003cp\u003eThe Radial TankDriver is a unique 500 series module that enables you to connect the spring reverb in your old Fender Twin® amp to your recording system. This simple to use device takes the balanced signal from a pre-recorded track and converts it to a special unbalanced signal optimized for spring reverbs. Two drive settings are offered to address low and high sensitivity reverb tanks.\u003c\/p\u003e\n\u003cp\u003eFront panel controls include a wet-dry mix that lets you precisely balance the amount of reverb you want. Separate shimmer and boom controls let you adjust treble and bass for added tonal control. Connection is easy using the two front panel ¼\" connectors. Simply add a dual ¼\" to RCA cable and you are set to go!\u003c\/p\u003e\n\u003cp\u003eAnd 'go' is exactly what will happen next… Spring reverbs are often prized due to the unique tone they generate and the random reverberation that is impossible to recreate in the digital domain. You will soon find yourself trying various reverb tanks, exploring new sounds and as you develop your favorite settings and effects. The TankDriver makes it all possible!\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Pre-Owned | On Order","offer_id":46168438866203,"sku":"TANKDRIVER500EBAYPRO","price":254.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/radial-engineering-TANKDRIVER500DEMO-0.jpg?v=1692025784"},{"product_id":"rupert-neve-designs-542-500-series-true-tape-emulator-with-texture-542-c01","title":"Rupert Neve Designs 542 500-Series True Tape Emulator with Texture","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eRupert Neve Designs 542 500 Series True Tape Emulator with Texture\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAs a follow up to the Portico 5042, the 542 delivers a remarkable simulation of true tape sound through the inclusion of genuine tape drive circuitry while also incorporating a number of new methods for adding analogue color to individual tracks and mixes.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eTAPE\u003c\/strong\u003e \u003cstrong\u003eIn\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tSends the signal through the “True Tape” circuitry, which is affected by the saturation, blend and 15 \/ 30 IPS controls.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eTRIM\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tProvides +\/– 12dB adjustment of level on incoming signal levels, prior to the tape circuit.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eSATURATION\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tControls the signal level being sent to the magnetic Tape Head. As the saturation level increases the level on the “record” head rises, and the replay gain is reduced so that the overall output signal level remains more or less constant. In a real tape recorder, you would adjust the record and replay gain controls separately, however in the 542 the record and replay gain controls are coupled so that the overall signal level only varies as the “Tape” saturation level changes. As you approach maximum saturation setting, the output signal level will drop due to the effect of extreme saturation and soft clip.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003e15\/30 IPS\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tSelects the pre-emphasis \/ de-emphasis, record \/ replay tape characteristic. The 15IPS mode has a significant “head bump” in the low frequencies centered around 60Hz, as well as a more pronounced roll of in the high frequencies. The 30 IPS mode is generally a flatter response through the high-end with a “head bump” around 120Hz. See the frequency plots on pages 10 \u0026amp; 11.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eBLEND\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tControls the mix of pre and post tape signals. This allows the engineer to dial in a subtle amount of the tape effect, to better control the amount of saturation, tone and soft clipping in the post blend signal. As the signal gets more saturated, dialing back the blend can be a great way to impart the feel of tape, while maintaining a similar level of detail and transparency. NOTE: The blend control does not effect the Silk and Texture controls.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eSOFT CLIP\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tA soft clip engages in the “True Tape” circuitry when the drive meter hits 5 (first yellow LED), and becomes more apparent at higher levels. The soft clip can be used as a way to tame overly transient material like drums, and can be controlled further by using the blend control.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eSILK \/ TEXTURE\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tPushing the Silk button engages the Silk Red circuit, and pushing it a second time introduces Silk Blue circuitry. Silk reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. Silk Blue mode features more saturation in the lows and low mids, whereas Silk Red accentuates the saturation in the high-mids and highs.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eLEVEL \/ DRIVE METERS\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tTwo eight segment LED bar-graph meters are fitted to the 542 for output level and drive metering. The level meter shows the output level of the 542 before the Silk circuit, and the drive meter reflects the level on the “record head” when the tape effect is engaged. The soft clip circuit is present at Drive levels above 5.\u003c\/div\u003e","brand":"Rupert Neve Designs","offers":[{"title":"New | In Stock","offer_id":46168747933979,"sku":"542","price":999.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46168747966747,"sku":"542EBAYPRO","price":899.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":49351366574363,"sku":"542RP","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/542-0.jpg?v=1692027058"},{"product_id":"radial-chaindrive-1x4-distribution-amp-500-series-module-r7000172-c01","title":"Radial ChainDrive 1x4 Distribution Amp 500 Series Module","description":"\u003cp\u003e\u003cstrong\u003eRadial Chain Drive Line Level Distribution Amplifier Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Radial Chain Drive Line Level Distribution Amplifier is an innovative 1x4 'distro' module designed to fit inside the popular 500 series rack format. Once connected, it enables the engineer to send an audio signal to various processors, effects or remote audio systems simultaneously as a means to create innovative signal paths. The design is simple and easy to use. One connects to the module via the power rack's rear panel XLR input which then feeds the four corresponding ¼\" TRS outputs on the front panel. The unique circuit design enables both balanced and unbalanced signals to be used while also accommodating unbalanced stereo sources. Those with a Radial Workhorse may connect to the Chain Drive via the XLR, ¼\" TRS input or D-Sub. Designated as an unbalanced input, the Chain Drive's Omniport input automatically converts the unbalanced signal to a balanced line so that it can then feed other 500 series modules. Applications include sending a pre-recorded track to multiple dynamic processors to create multi-band compression, feeding a variety of effects processors simultaneously and splitting the signal to feed various guitar amps and pedals. Each TRS signal path may also be used to distribute a stereo signal such as a CD or iPod and feed it to four stereo destinations. The Chain Drive is a unique tool designed for creative engineers who are looking to expand the sonic landscape by adding more routing flexibility than ever before!\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"New | On Order","offer_id":46172145156379,"sku":"R7000172","price":299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/chaindrive-product_top.jpg?v=1692029828"},{"product_id":"dbx-560a-500-series-compressor-limiter-560a-c01","title":"DBX 560A 500-Series Compressor \/ Limiter","description":"\u003ch2\u003eDBX 560A 500-Series Compressor \/ Limiter\u003c\/h2\u003e\n\u003cp\u003eHoused in a convenient 500 series lunchbox-style chassis, the dbx 560A Compressor\/Limiter uses VCA-based compression with the same switch-selectable OverEasy and Hard Knee compression curves as found in the industry standard dbx 160A rackmount processor. Offering a wide-ranging threshold, ratio, and output controls as well as true RMS level detection provides dynamic processing with a natural sound signature. It can add punch to drums, bass, vocals, and more. The unit is also versatile enough to go from subtle compression to brickwall limiting. \u003c\/p\u003e\n\u003cp\u003eYou can select low ratios and OverEasy compression to smooth out fluctuating vocal and instrumental levels or use the unit's Hard Knee compression and higher ratios for protection against overload distortion in digital recording, P.A. systems, and broadcast signals.\u003c\/p\u003e\n\u003cp\u003eThe unit's 19-segment switchable Input\/Output LEDS and 12-segment Gain Reduction LEDs provide precise visual feedback. The unit's \"INFINITY+\" inverse-compression mode allows you to decrease the audio output level below unity gain when the input exceeds the threshold, which is especially helpful for correcting overbearing vocal choruses and controlling mix levels.\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Pre-Owned | On Order","offer_id":46172865331483,"sku":"560AEBAYPRO","price":240.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46172865397019,"sku":"560A","price":365.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/dbx560a-front_original.jpg?v=1692030844"},{"product_id":"dbx-510-500-series-sub-harmonic-synth-510dbx-c01","title":"DBX 510 500-Series Sub Harmonic Synth","description":"\u003ch2\u003eDBX 510 Sub Harmonic Synth\u003c\/h2\u003e\n\u003ch4\u003ePut some boom in your room with the dbx 510!\u003c\/h4\u003e\n\u003cp\u003eThe dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems.\u003c\/p\u003e\n\u003cp\u003eUnlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Pre-Owned | On Order","offer_id":46172868706587,"sku":"510DBXEBAYPRO","price":166.66,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46172868739355,"sku":"510DBX","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/dbx510front_original.jpg?v=1692030853"},{"product_id":"lindell-audio-77x-500-stereo-compressor-77x-500","title":"Lindell Audio 77x-500 Stereo Compressor","description":"\u003cp\u003eFunctioning as an updated stereo version of our 7X-500 compressor and geared toward mix and drum buss duties, the 77X-500 500 Series Stereo Compressor provides the same 1176-style compression as its mono counterpart in linked or unlinked stereo modes. Additionally, it gives you variable attack and release knobs. Like the 7X-500, it provides 3 selectable ratios and a high-pass sidechain filter that assure your bass frequencies will pass through the compressor unchanged. A wet\/dry knob allows for parallel-style compression, while gain reduction metering is provided via dual LED arrays. All of the unit’s FET transistors are matched for stereo control.\u003c\/p\u003e","brand":"Lindell Audio","offers":[{"title":"New | On Order","offer_id":46179800514843,"sku":"77X","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/77XSPEBAYPRO_2.jpg?v=1692036000"},{"product_id":"elysia-karacter-qube-2-channel-color-box-500-series-module-karacterqube","title":"Elysia Karacter Qube 2-channel Color Box 500 Series Module","description":"\u003cp\u003eA delicious sound-shaper and saturation qube which includes our beloved karacter 500 – a nice audio processor that gives you a wide variety of distortion and shaping capabilities. Not only Salt and Pepper. From great filter to tube-inspired distortion and mastering-grade saturation. Now you can have the karacter in a lightweight format.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"New | On Order","offer_id":46183206256923,"sku":"KARACTERQUBE","price":1349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/karacter_500_front_white.jpg?v=1692041474"},{"product_id":"elysia-mpressor-qube-compressor-mpressor2qube","title":"Elysia Mpressor² Qube Compressor","description":"\u003cp\u003eAnalog Soul Food for the most flexible and powerful compression you can get. Including the power of two! of our famous and award-winning compressors from the future, the mpressor 500. So this will give you 2 dynamic processing geniuses for recording and mixing. So why don’t you make it stereo? This qube provides you a very easy recipe for cooking sounds with a serious punch and all the aromatic advantages you may already know from elysia. 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The unique Ascent circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK’s most heralded vintage designs. Versatility and superior sound have made the Ascent Pre-amp top-tier choice for engineers around the world and a modern day classic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eHi-Fi Transformerless Mic Input Stage\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOur exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. 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With a complete control set and advanced shaping tools, it delivers the precision, flexibility, and character you'd expect from a full Drawmer rack-mount unit in a single 500 series slot.\u003c\/p\u003e\n\u003cp\u003eIts optical design offers smooth and natural soft-knee feedback compression with a gentle, programme-dependent response that enhances sources without sounding obvious or over-processed. The result is warm, transparent dynamic control that preserves musicality while adding subtle cohesion and polish.\u003c\/p\u003e\n\u003cp\u003eThe OC1 excels on vocals, acoustic instruments, bass, and mix buses where transparency, warmth, and consistency are key.\u003c\/p\u003e\n\u003cp\u003eTotal Control\u003cbr\u003eUncommon in a 500 series compressor, the OC1 offers a comprehensive control set:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e21-position precision detented controls for accurate, repeatable settings\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput and Output gain, plus Threshold, Ratio, Attack and Release controls\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWet\/Dry mix control for parallel compression\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePGM mode introduces a second, slower release time that adapts to the programme material above the threshold, reducing pumping and unnatural artefacts during heavy compression\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eComprehensive metering with Gain Reduction, plus switchable Input or Output level on the VU meter\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHard-wire bypass connects the input directly to the output for completely transparent bypass operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBIG and AIR Modes\u003c\/strong\u003e\u003cbr\u003eBorrowed from the award-winning Drawmer 1973 three-band compressor, the fully selectable BIG and AIR modes shape the compressor's frequency response, adding extra weight to the lows and enhanced clarity to the highs.\u003c\/p\u003e\n\u003cp\u003eBIG reduces the sidechain's sensitivity to low frequencies, allowing bass energy to pass through the compressor more naturally. This helps reduce unwanted ducking and pumping caused by dominant low frequencies, producing a more open and musical compression response.\u003c\/p\u003e\n\u003cp\u003eAIR preserves high-frequency detail that can often be lost during compression. The result is a more open, detailed, and transparent top end without harshness or artificial artefacts. Vocals become more articulate, acoustic instruments retain their natural detail, and cymbals remain vibrant without becoming splashy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCRUSH Saturation\u003c\/strong\u003e\u003cbr\u003eThe OC1 also features Drawmer's popular CRUSH harmonic saturation circuit. Its effect varies with the input level, adding harmonic richness, subtle saturation, and the analogue warmth that helps mixes feel fuller and more engaging. The low end gains weight, the midrange becomes more present, and the top end retains a smooth, natural sparkle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo \/ Group Linking\u003c\/strong\u003e\u003cbr\u003eUsing the dedicated Link pin 6 on the 500 series chassis, adjacent OC1 modules can be linked together using the LINK button for stereo or multi-channel operation.\u003c\/p\u003e\n\u003cp\u003eThe module applying the greatest amount of gain reduction becomes the master, ensuring all linked units track together accurately. Linking includes Gain Reduction together with the Threshold, Ratio, BIG and AIR functions for consistent stereo imaging and dynamic control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"New | In Stock","offer_id":52693829779739,"sku":"OC1","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1783433449_IMG_2784037.jpg?v=1785348894"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/collections\/500-effects.jpg?v=1691748674","url":"https:\/\/www.altomusic.com\/collections\/500-series-effects.oembed?page=2","provider":"Alto Music","version":"1.0","type":"link"}