{"title":"All In Stock Gear!","description":"","products":[{"product_id":"akg-c214-microphone-1069365","title":"AKG C214 Microphone Large Diaphragm Condenser Mic","description":"\u003cp\u003eAKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well. The new C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKGs patented Back-Plate Technology which results in an outstanding performance close to the famous C 414 B-XLS.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAKGs Legendary 1 Edge-Terminated Large Diaphragm Sound\u003c\/li\u003e\n\u003cli\u003eOutstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise)\u003c\/li\u003e\n\u003cli\u003eRoadworthy Design\u003c\/li\u003e\n\u003cli\u003eIntegrated Suspension to reduce mechanical Noise\u003c\/li\u003e\n\u003cli\u003eSwitchable 20 dB Attenuation Pad and Low Cut Switch\u003c\/li\u003e\n\u003cli\u003eRugged double mesh Grill for high RF immunity but unaffected Acoustics\u003c\/li\u003e\n\u003cli\u003eAll-metal Die-cast body with shock- and scratch-resistant Finish\u003c\/li\u003e\n\u003cli\u003eSpider-type Shock Mount included\u003c\/li\u003e\n\u003cli\u003eMetal Carrying Case included\u003c\/li\u003e\n\u003cli\u003eDesigned, Engineered and Built in Vienna, Austria\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Pre-Owned | In Stock","offer_id":46167937220891,"sku":"C214SPEBAYPRO","price":422.0,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46167937253659,"sku":"C214","price":449.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47321307218203,"sku":"C214SPRP","price":422.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/akg_c214_1_bbadb5f9-226a-4ee4-8743-17da205daf17.png?v=1701278715"},{"product_id":"api-512c-discrete-microphone-line-preamplifier-512c","title":"API 512c Discrete Microphone \/ Line Preamplifier","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 512C Discrete Mic \/ Line Pre\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOffering low noise (-129 EIN) and 65 dB of gain, the 512c includes phantom power, and switchable polarity, -20 dB pad and Mic or Instrument\/Line selector. Front panel XLR and 1\/4 inch connectors combined with rear panel mic access allows for additional flexibility when installed into an API lunchbox\u003cspan class=\"lunchbox_reg\"\u003e®\u003c\/span\u003e, API's 10 position 500V vertical rack, or an API console.\u003c\/p\u003e\n\u003cp\u003eThe API 512c remains faithful to the circuit designs of API's founder, Saul Walker. Fully featured and still hand assembled, the 512c carefully preserves the original sound character that made it so much a part of the early days of recording. Offering high headroom and a wide variety of inputs and input access points, it is equally at home in the commercial recording studio as it is in the home project studio.\u003c\/p\u003e\n\u003cp\u003eThe 512c Mic\/Line Preamp makes use of the 2520 op-amp and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167937515803,"sku":"512C","price":895.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47188525056283,"sku":"512CEBAYPRO","price":761.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/512C-0.jpg?v=1692021456"},{"product_id":"spectrasonics-stylus-rmx-expanded-2xrmx","title":"Spectrasonics Stylus Rmx Expanded","description":"\u003cp\u003eStylus RMX is an award-winning, industry standard groove-based virtual instrument plug-in. Stylus RMX is the first product to offer the combined power of Groove Control® with Spectrasonics Advanced Groove Engine (S.A.G.E.™) technology giving users dramatic new control over groove production and performance.\u003c\/p\u003e\n\u003cp\u003eSpectrasonics' in-house development team created this innovative instrument from the ground up, with dozens of features including the ground-breaking Chaos Designer®, Time Designer®, an intuitive multi-page user interface, a deep core library of sounds, all with a focus on realtime groove creation and performance. Stylus RMX remains an industry standard tool of top composers and music producers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnsurpassed Innovations\u003c\/strong\u003e\u003cbr\u003eOf the many remarkable capabilities in \u003cstrong\u003eStylus RMX Xpanded\u003c\/strong\u003e, possibly the most innovative features are the Time Designer and Chaos Designer. With simple controls, the user can introduce musical Chaos into the groove, which allows it to have constantly evolving variations—giving the impression that the audio grooves are improvising. The results can be subtle or extreme by setting the simple to use controls. A Capture feature allows the spontaneous audio chaos patterns to be made into a MIDI file, dragged and dropped into the host sequencer, and played back again for further editing by the user. The Time Designer feature is unmatched in any other rhythm software and allows realtime changing of audio grooves to any time signature, feel or pattern— an infinite creative tool!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCore library\u003c\/strong\u003e\u003cbr\u003eThe over 14 gigabyte core-library in Stylus RMX has thousands of cutting-edge grooves and sounds that were created by Spectrasonics' international sound design team, and produced by Eric Persing. The core library contains nearly triple the amount of sounds offered in the original Stylus, and contains all the original material as well. The sounds and grooves in Stylus RMX offer a much wider range of modern musical genres than the original Stylus. Mixes of grooves are broken down into individual tracks called Elements for flexibility and infinite combinations.\u003c\/p\u003e\n\u003cp\u003eAlso introduced in Stylus RMX Xpanded are thousands of Kit modules, 250 Kit patches, as well as user Kit construction. Users can create their own customized multitrack remix grooves and kits, save them into the plug-in, and even share them with other Stylus RMX Xpanded users on different platforms and hosts. RMX now comes with 500 Multi grooves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXpanded and Xpandable\u003c\/strong\u003e\u003cbr\u003eStylus RMX Xpanded now includes all five Spectrasonics \"\u003cstrong\u003eS.A.G.E. 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The lunchbox comes standard with a +48 volt internal phantom power supply, bussed to pin 15 for interface with the API 512c Mic Preamplifier.\u003c\/p\u003e\n\u003cp\u003eAPI makes several modules for the 500-6B, including the 512c Mic Preamplifier, the 525 Compressor, the 527 Compressor, the 550A 3-band EQ, the 550b 4-band EQ and the 560 Graphic EQ. Combinations of these modules make perfect stereo recording packages (two 512cs and two 550bs) or vocalist's box (one 512c, two EQs and one 527).\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHolds 6 API standard modules\u003c\/li\u003e\n\u003cli\u003eDesigned to accept all API standard 5.25\" X 1.5\" modules allowing you to bring along specialized effects for any situation with ease\u003c\/li\u003e\n\u003cli\u003eThe lunchbox is self-powered with a rear panel selected AC voltage switch and a removable power cord\u003c\/li\u003e\n\u003cli\u003eOther uses include:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-track recording of acoustic and electronic audio sources\u003c\/li\u003e\n\u003cli\u003eSound reinforcement systems and recording to multi-track formats\u003c\/li\u003e\n\u003cli\u003eMultiple facility projects where portability is a plus\u003c\/li\u003e\n\u003cli\u003eBroadcast and audio for video production\u003c\/li\u003e\n\u003cli\u003eCustom channel input strips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eNOTE: The older 560A equalizer may use pin 15 for a \"direct output\" and must be disabled on the 560A circuit board edge connector by cutting a trace. This will eliminate 48 volts from damaging the 560A series equalizers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167939842331,"sku":"5006B","price":699.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47103475908891,"sku":"5006BEBAYPRO","price":557.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/5006B_1.jpg?v=1692021467"},{"product_id":"chandler-limited-germanium-compressor-germaniumcomp","title":"Chandler Limited Germanium Compressor","description":"\u003ch2\u003eChandler Limited Germanium Compressor\u003c\/h2\u003e\n\u003cp\u003eThe Germanium series continues with the GERMANIUM Compressor. The Germ Comp starts with the same all class A amp found in the Germ Pre and Tone Control and is transformer balanced in and out. The compression circuit uses an FET gain reduction element but with the tricks and flexibility of all the Germ units. Some of the most notable additions include a Wet\/Dry mix (for “submixing” tracks within the comp), Comp Curve (which selects the knee using various diode combinations), Clean\/Dirty comp and Sidechain filter. Many of the Germ Comp parameters have been purposely set by studio use and listening not by over analyzing them with test gear. The result is a musical powerhouse ready for tracking, mixing, and mastering.\u003c\/p\u003e\n\u003cp\u003eAll Germanium units require and function on the PSU-1, Chandler Limited power supply. 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A modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms.\u003c\/p\u003e\n\u003cp\u003eA separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of its kind. An exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future.\u003c\/p\u003e\n\u003cp\u003eEach design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. With a deep appreciation of the best designs which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art.Listen to the new reference in reverb processing; it will bring new life to your art, in a way unimagined by any process before it.\u003c\/p\u003e","brand":"Bricasti","offers":[{"title":"New | In Stock","offer_id":46167942037787,"sku":"M7","price":4750.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47284133003547,"sku":"M7EBAYPRO","price":4288.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/M7_1.jpg?v=1717080944"},{"product_id":"manley-labs-massive-passive-stereo-tube-eq-1069478","title":"Manley Labs Massive Passive Stereo Tube EQ","description":"\u003cp\u003eThe MASSIVE PASSIVE is a two channel, four band equalizer, with additional high pass and low pass filters. \"Passive\" refers to the tone shaping part of this clever new EQ design not using any active circuitry. Only metal film resistors, film capacitors and hand-wound inductors sculpt the sound, kinda like a Pultec EQ on hyper-steroids. Super-beefy, hugely-high-headroom Manley all-tube make-up gain amplifiers deliver your tunes into the next realm. \"Massive\".... it's a fitting word for this beast. You'll need to experience this.\u003c\/p\u003e\u003cdiv\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Filters\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003e5 frequencies Hi Pass and bypass, PLUS 5 frequencies Lo Pass with bypass. We made them extra steep. 36 dB\/oct ! Why? When you need to remove the garbage, this does the trick and allows more of the real music to be untouched. The other reason is that it sounds killer when combined with the regular bands. Towards the mids this degree of steepness may be tamed somewhat. We're going for pure \"usefulness\" not \"well, we guess it's standard\". Thinking drums and guitar stacks, and other tough jobs. These filters are passive too.\u003c\/div\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003eHigh Pass Filters = 22, 39, 68, 120, 220, OFF\u003c\/li\u003e\n\u003cli\u003eLow Pass Filters = 6K, 7K5, 9K, 12K, 18K, OFF\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cspan style=\"font-weight: bold;\"\u003eParametric Frequencies\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003eLOW - 22, 33, 47, 68, 100, 150, 220, 330, 470, 680, 1K\u003c\/div\u003e\u003cdiv\u003eLM - 82, 120, 180, 270, 390, 560, 820, 1K2, 1K8, 2K7, 3K9\u003c\/div\u003e\u003cdiv\u003eHM - 220, 330, 470, 680, 1K, 1K5, 2K2, 3K3, 4K7, 6K8, 10K\u003c\/div\u003e\u003cdiv\u003eHI - 560, 820, 1K2, 1K8, 2K7, 3K9, 5K6, 8K2, 12K, 16K, 27K\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Manley Labs","offers":[{"title":"New | On Order","offer_id":46167942103323,"sku":"MASSIVEPASSIVE","price":6999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47102200512795,"sku":"MASSIVEPASSIVERP","price":5600.0,"currency_code":"USD","in_stock":false},{"title":"Demo | In Stock","offer_id":47478377218331,"sku":"MASSIVEPASSIVEEBAYPRO","price":5748.48,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned - Serial Number | On Order","offer_id":50320177201435,"sku":"C1055602","price":4899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/msmp-ft-2020.jpg?v=1692021493"},{"product_id":"api-5500-stereo-dual-mono-550-equalizers-with-range-switch-5500","title":"API 5500 Stereo\/Dual Mono 550 Equalizers with Range Switch","description":"\u003ch2\u003eAPI 5500 Stereo\/Dual Mono 550 Equalizers with Range Switch\u003c\/h2\u003e\n\u003cp\u003eTypical of API products, the 5500 contains no integrated circuits in its signal path. The gain comes from two hand-built 2520 Operational Amplifiers in each channel. The balanced input is handled by a 2510 Discrete Operational Amplifier, which is similar to the 2520, but without the high-current output stage. A key component of the API sound, the 2520 coupled with the API 2503 output transformer, is capable of delivering +30dBm before clipping.\u003c\/p\u003e\n\u003cp\u003eAn extremely useful feature in the 5500 is the range control. The range of the amplitude controls can be reduced to 1\/2 or 1\/4 of their stated scale, providing a means to adjust the tonal balance with finer resolution in an even gentler manner. This is especially useful for complex program material as contained in stems or submixes and is ideally suited for mastering purposes.\u003c\/p\u003e\n\u003cp\u003eAPI's 5500 also features a true hard-wire bypass which wires the output connector directly to the input. Shortly after the power is first applied, or immediately after it is lost, a special circuit enables \"bypass mode\" so that power thumps are never heard.\u003c\/p\u003e\n\u003cp\u003eThe 5500's input XLR is connected to an active balanced circuit. The unit's output XLR is driven from a transformer coupled output and can drive any load from 600 ohms or more to full output capability. There is no change from input to output in the unit's polarity, so it is suitable in studios using either pin 2 or pin 3 as the \"hot\" connection. Additionally, the 5500 has a 1\/4 inch input connector that interrupts any present signal on the input XLR. It is balanced and can be driven from either balanced or unbalanced sources. A positive signal on the tip will deliver a positive signal on pin 2 of the output XLR. Using the 1\/4 inch input does not bypass any internal circuitry and does not change the gain or operating levels.\u003c\/p\u003e\n\u003cp\u003eThe 5500 features API's industry exclusive five-year parts warranty and exhibits the reliability and long life characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942431003,"sku":"5500","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_5500_1_xl.jpg?v=1692021477"},{"product_id":"api-550a-discrete-3-band-equalizer-550a","title":"API 550A Discrete 500-Series 3-Band Equalizer","description":"\u003cp\u003eForty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004.\u003c\/p\u003e\n\u003cp\u003eThe 550A provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost\/cut are selected by three dual-concentric switches, and a pushbutton \"in\" switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the 550A.\u003c\/p\u003e\n\u003cp\u003eThe combination of Walker's incomparable 2520 op amp and his \"Proportional Q\" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization.\u003c\/p\u003e\n\u003cp\u003eWith the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942463771,"sku":"550A","price":1195.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | Out Of Stock","offer_id":47103722389787,"sku":"C103627","price":755.16,"currency_code":"USD","in_stock":false},{"title":"Open Box | On Order","offer_id":47317582905627,"sku":"550AEBAYPRO","price":985.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned - Version: 550A | Out Of Stock","offer_id":51226599817499,"sku":"C103642","price":899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_550a_1_xl.jpg?v=1692021508"},{"product_id":"api-550b-discrete-4-band-eq-1069484","title":"API 550b Discrete 4-Band Equalizer","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 550b Discrete 4 Band EQ\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSo many hit records still depend on the unique 550 sound that engineers around the world find it to be an invaluable tool. In fact, the 550b design has been taken from the original blue prints and spec control drawings from the API archives. It is unlike any other EQ you will ever use.\u003c\/p\u003e\n\u003cp\u003eRather than offer a huge assortment of complex features, the API 550b provides exactly the right number of controls. Its four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device with each band offering seven switchable filter frequencies that span four-to-five octaves. These frequencies, purposely selected to be musical rather than numeric, were selected by an experienced \"who's who\" list of the industry's most proficient engineers.\u003c\/p\u003e\n\u003cp\u003eMaking use of API's \"Proportional Q,\" an innovation designed by Saul Walker in the '60s, the 550b intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings without the need for additional bandwidth controls. This unique feature minimizes the \"phase-shift\" sound found in many equalizers. In addition, the reciprocal nature of the 550b enables the user to \"undo\" what has been done previously with exact precision.\u003c\/p\u003e\n\u003cp\u003eThe benefits of the API 550b are most obvious to those who work with EQ on a continuous basis. If major tonal restructuring is required, the extraordinary headroom made possible with API's 2520 Op Amp offers the predictable and warm analog performance, even under duress. With a surprisingly wide range of tonal variations, the 500b is an invaluable and professional audio tool with great flexibility and excellent sonic ability.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942758683,"sku":"550B","price":1295.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46167942856987,"sku":"550BEBAYPRO","price":1117.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_550b_1_xl.jpg?v=1692021486"},{"product_id":"api-560-discrete-10-band-graphic-equalizer-560","title":"API 560 Discrete 10-Band Graphic Equalizer","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 560 Discrete 10 Band Graphic Equalizer\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith a wide range of 500 mounting options, from racks to consoles, the 560 proves an invaluable asset to all critical performance applications. Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp.\u003c\/p\u003e\n\u003cp\u003eThe extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Of course, the 2520's ability to drive low impedance loads is key when it is paired with API's custom output transformers. The results are quite audible with better low frequency reproduction and tighter imaging, which gives you that legendary API \"punch in your gut\" sound.\u003c\/p\u003e\n\u003cp\u003eThe 10 precision EQ bands make the 560 ideal for signal sweetening and room tuning. A great companion to a parametric EQ, the 560 utilizes API's unique \"Proportional Q\" design introduced during the '60s. This design intuitively widens the filter bandwidth at lower boost\/cut levels and narrows it at higher settings. Additionally, boost and cut characteristics are identical, allowing previous actions to be undone if desired.\u003c\/p\u003e\n\u003cp\u003eReliable, durable and uniform, the API 560 EQ delivers that \"one-of-a-kind API sound\" with precision easy set filtering and high headroom in a compact package. 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However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe original  5C Sound Cubes™  were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. 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The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“…consistently flat in the midrange — the same characteristics that made the Auratone a valued listening reference. They got plenty loud without distortion and showed off the vocal, snare, toms, upper range of the kick and solo instruments in a number of mixes, just as I expected. I'm a big believer in listening to tracks across a wide range of speakers. The Avantone Active MixCubes offer another chance to evaluate creative studio output and make judgements regarding how my work would translate across a wide range of systems… these are a no-brainer for those wanting another quick-and-dirty reference to help in the quest for tracks that translate.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Kevin Becka    Technical Editor - Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"... the MixCubes yield a  microscopic-style view of critical  midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson    Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper    Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Probably the clearest Auratone substitute available as a current product is Avantone's MixCube. This is a great little speaker, which sees daily use in my own mix system and which in some respects actually improves on the original Auratone's specs...The MixCube would top my list in terms of price\/performance ratio...This speaker is one of the best monitoring tools there is, and I use it every day. No other speaker I've heard at anything like this price provides the kind of razor-sharp balance perspective that the MixCube can, and I'd not want to have to judge bass, kick, or vocal levels without it. 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The R84 delivers exceptional headroom while maintaining an intimate performance quality with smooth highs and extended lows. These aspects, combined with the reduced proximity effect, make the R84 incredibly well suited for both close-up and ambient mic applications. It’s just as versatile as an R44, flattering voice, strings, brass and drums alike.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT IS UNDER THE HOOD?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AEA R84 uses a big, 2.35” by 0.185” by 2-micron pure aluminum low-tension (16.5 Hz) ribbon element just like the classic R44. Many ribbon mic manufacturers choose shorter ribbons that are easier to install, but AEA’s Large Ribbon Geometry™ design offers important advantages. Ribbon microphones operate linearly above their resonant frequency, unlike condenser or moving coil transducers, so the resonant frequency of a good microphone design should be as low as possible. The longer the ribbon, the lower the resonant frequency will be. The ribbon has to move twice as far for every drop in octave as it vibrates within the magnetic gap, thus, a longer ribbon will allow for further movement back and forth. This results in the ribbon handling louder sound sources and more sound pressure level (SPL).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE LEGACY SERIES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1976, when General Electric bought RCA and closed down its microphone division AEA began servicing RCA’s legendary ribbon mics. Twenty-two years later, AEA reissued the iconic 44 ribbon mic and has continued to make ribbon microphones in the RCA tradition to this day. 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When she put on the headphones and said ‘TEST’, completely unprompted, she said, ‘This is my mic. I love this mic. I just wanna use this one from now on!' She had no idea what it was, just loved it, and I went along with something that felt right for her. We’ve been using it ever since, and it sounds great on her voice.”\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tNATHAN PAUL CHAPMAN  ( Producer for Taylor Swift )\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e \"During my career, I have used just about every microphone  that is known to man.  That now includes the AVANTONE CV-12 tube and CR-14 Ribbon mics.  The CV-12 tube has a beautiful sound that we use here for vocals and drums and we have a pair of the CR-14’s for drums, ambient room sound, guitars, and many other instruments.  They are amazing sounding microphones that belie their price.  I can honestly say that these mics hold up against mics costing many times their price, while adding a little bit of their own sonic character to recordings.  That “character” is what makes AVANTONE microphones a valuable asset to our mic locker and I know that they will continue to see plenty of action on a regular basis”.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tLevon Helm - Levon Helm Studios\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e\"When you're producing a top country artist like Taylor Swift you can choose any microphone you want for the lead vocal, from vintage high-priced mics to the unimaginably rare that the top studios in Nashville have to offer. But I found the best sound and the most emotional microphone I could use for Taylor's lead vocal was the Avantone CV-12. I take it with me everywhere I record....Thanks for the CV-12 being County Music's best vocal mic\"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003eNathan Chapman   PRODUCER\/ENGINEER \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e(Taylor Swift,  Amy Stroup, Jill Johnson, Lori McKenna, Dogwood, Stephanie Chapman, etc.)\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e“Occasionally a piece of equipment shows up that brings real quality to the marketplace at an affordable price. Avant Electronics has done exactly that with the CV12 and CV 28 microphones. In fact, I can't remember something so good being so affordable. These mics sound terrific, are robustly built, and look great to boot. These are wonderful mics, affordable within any budget. They hold their own with my U48, C24, and other high end microphones which are twenty times more expensive!\"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003eTony Berg    PRODUCER \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e(Pete Yorn, Nickel Creek, Michael Penn, Squeeze, Edie Brickell, etc.)\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003eI wanted to tell you how much I like the CV-12…The CV-12 stands out as one of my first 'go to' mics for vocals in my collection….a solid winner on both my female and male singers…The CV-12 has a very warm sound especially good for vocals that tend toward the shrill side. I like the very slight presence boost--not too bright like some tube condenser mics...Everything about this mic is first class….”\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003eBarry Rudolph   PRODUCER\/ENGINEER \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e(Rod Stewart, Hall \u0026amp; Oates, Pat Benatar, Lynyrd Skynyrd, The Corrs. etc)\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e“I am very picky about vocal mics \u0026amp; have been a Neumann snob for over 10 years, but now the CV-12 is all I'm using. More detail\/ no honk….”\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e Jon Tiven    PRODUCER\/SONGWRITER \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e(BB King, Robert Plant, Wilson Pickett, PF Sloan, Howard Tate, etc)\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e“We just A\/B’d our Avantone CV-12 mic against my vintage Neumann U-47, AKG C-12 \u0026amp; AKG C12A tube mics and found the CV-12 to have a much better presence and better bottom end with a “friendly body” to its sound without too much coloration. The CV-12 has proven to be very “mic-pre friendly” which makes my job easier so I can spend more time capturing great vocal performances.”\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003eChuck Alkazian    PRODUCER\/ENGINEER \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tType\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eTube-Type True Condenser Microphone\u003c\/div\u003e\n\u003cdiv\u003e\n\tCapsule\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eDual-sided 32mm center-terminated gold-sputtered Mylar (6 micron)\u003c\/div\u003e\n\u003cdiv\u003e\n\tPolar Patterns\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e9 patterns selectable at PS-12 power supply\u003c\/div\u003e\n\u003cdiv\u003e\n\tFrequency Response\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e20Hz - 20kHz +\/- 3dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput Impedance\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u0026lt;=250 Ohms \/ transformer isolated\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tMaximum SPL\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t136dB (0.5% THD @1000Hz) 146dB with pad engaged\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEquivalent noise level\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u0026lt;17dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tS\/N Ratio\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t78dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSensitivity\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t-35dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput Connector\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tMale XLR 7 pin w\/ special power supply \u0026amp; cables\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tIncluded Accessories\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPadded  Wooden Box, Shockmount, Metal road case\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tTube Type\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t6072A\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tHigh-Pass Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t80 Hz 6dB\/octave Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAttenuation Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t-10dB Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPower Requirements\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e dedicated PS-12 Power Supply w\/ selectable 115\/230 VAC capability\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFinish\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPolished Nickel trim \/ Metallic Cabernet Red Body\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWeight\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t.8 kgs \/ 1.8 lbs\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tDimensions\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t237mm x 46mm  \/  9.5\" x 1.8\"\u003c\/div\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46167952326939,"sku":"CV12","price":399.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47187294421275,"sku":"CV12BRP","price":319.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned - Version: Used | On Order","offer_id":47402744447259,"sku":"C101573","price":299.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":47510758031643,"sku":"CV12EBAYPRO","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/cv12_1_2500x2500_6e03ca3f-d513-462a-ad7b-d0d0061df19f.jpg?v=1692021583"},{"product_id":"retro-instruments-sta-level-sta-level","title":"Retro Instruments Sta-Level","description":"\u003ch3 class=\"p1\"\u003eWhy You Need The Retro Instruments Sta-Level Tube Compression Amplifier:\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e Modern Recreation of the 1956 Gates Sta-Level, whose sound dominated on hits in the 1960's\u003c\/li\u003e\n\u003cli\u003eUtilizes classic G.E. circuit design and optional 6386 tubes\u003c\/li\u003e\n\u003cli\u003eTube balance can be instantly aligned without test equipment\u003c\/li\u003e\n\u003cli\u003eChange tubes to your liking, unit can also accommodate 2- 6BJ6 tubes\u003c\/li\u003e\n\u003cli\u003eCouple together 2 Sta-Levels for more options\u003c\/li\u003e\n\u003cli\u003eHand matched audiophile-grade coupling capacitors\u003c\/li\u003e\n\u003cli\u003eHigh quality, custom wound transformers used throughout \u003c\/li\u003e\n\u003c\/ul\u003e\u003cul\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003ch4 class=\"p3\" style=\"text-align: center;\"\u003eVintage Design for modern recording\u003c\/h4\u003e\n\u003cp class=\"p3\"\u003eRetro Instruments is changing the way the world sounds by creating classic style audio gear for modern recording. Retro products keep what made the originals the best of the best, updating vintage design with modern features to improve functionality - creating unique and innovative gear that sounds, looks, and feels vintage and state-of-the-art in equal measure.\u003c\/p\u003e","brand":"Retro Instruments","offers":[{"title":"New | In Stock","offer_id":46167952458011,"sku":"STALEVEL","price":3295.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47190534586651,"sku":"STALEVELEBAYPRO","price":2966.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/STALEVEL-0.jpg?v=1692021568"},{"product_id":"avid-digidesign-mh083-8-channel-snake-db25-male-1-4-trs-male-12-long-cable-1069718","title":"Avid Digidesign MH083 8-Channel Snake, DB25 Male 1\/4\"\" TRS Male, 12' Long Cable","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAvid Digidesign MH083 8 Channel Snake, DB25 Male 1\/4\" TRS Male, 12' Long Cable\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tBalanced\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eYes\u003c\/div\u003e\n\u003cdiv\u003e\n\tConnector 1\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eDB25\u003c\/div\u003e\n\u003cdiv\u003e\n\tConnector 2\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eTRS Male 1\/4\u003c\/div\u003e\n\u003cdiv\u003e\n\tLength\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e12'\u003c\/div\u003e\n\u003cdiv\u003e\n\tManufacturer Part Number\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e9940-29650-00\u003c\/div\u003e","brand":"Avid","offers":[{"title":"New | In Stock","offer_id":46167952687387,"sku":"MH083","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003620.jpg?v=1692021566"},{"product_id":"k-m-21090b-tripod-microphone-stand-with-telescoping-boom-1069724","title":"K\u0026M 21090B Tripod Microphone Stand with Telescoping Boom","description":"\u003cp\u003eRenowned mic stand and telescoping boom arm combination. Folding base for ease of transport. Long legs for added stability.\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"New | In Stock","offer_id":46167952916763,"sku":"21090B","price":116.99,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":51800182620443,"sku":"21090BEBAYPRO","price":84.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003680_11dd0532-32c3-4fdb-a1f6-d11b6203ff09.jpg?v=1704483069"},{"product_id":"k-m-25900b-tripod-mic-stand-1069725","title":"K\u0026M 25900B Tripod low profile Mic Stand","description":"\u003cp\u003eThe K\u0026amp;M 259 is a short tripod microphone boom stand designed for placement at guitar cabinets, DRUMS, monitors etc. The stand features an adjustable height between 14 - 25\".\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"New | In Stock","offer_id":46167952982299,"sku":"25900B","price":112.99,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":49384621343003,"sku":"25900BRP","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003690.jpg?v=1692021569"},{"product_id":"mogami-gold-studio-3-xlr-cable-goldstudio3","title":"Mogami Gold Studio 3' XLR Cable","description":"\u003cp\u003eMogami has been revered by Audio Professionals for almost 50 years. It is undeniably the standard in Music Recording and Post Production facilities worldwide. Until now Mogami was only available to professionals and then only in large bulk quantities. \n\u003cbr\u003eFinally, the worlds best cable is available pre-wired, for all live performance and music recording appliations.\u003c\/p\u003e\n\n\u003cp\u003eMicrophone Cables\n\u003cbr\u003eMogami microphone cable is available in lengths of 3 to 50 feet wired with Neglex Studio Quad, for better clarity and freedom from noise and RF interference. Or for Stage and broadcast, our live cable is very durable for use where cables will be flexed and generally abused.\u003c\/p\u003e","brand":"Mogami","offers":[{"title":"New | In Stock","offer_id":46167953015067,"sku":"GOLDSTUDIO3","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/71mfa-5suyl._ac_sl1500__1.jpg?v=1692021567"},{"product_id":"mogami-gold-studio-6-xlr-cable-goldstudio6","title":"Mogami Gold Studio 6’ XLR Cable","description":"\u003cp\u003eMogami has been revered by Audio Professionals for almost 50 years. It is undeniably the standard in Music Recording and Post Production facilities worldwide. Until now Mogami was only available to professionals and then only in large bulk quantities. \n\u003cbr\u003eFinally, the worlds best cable is available pre-wired, for all live performance and music recording appliations.\u003c\/p\u003e\n\n\u003cp\u003eMicrophone Cables\n\u003cbr\u003eMogami microphone cable is available in lengths of 3 to 50 feet wired with Neglex Studio Quad, for better clarity and freedom from noise and RF interference. Or for Stage and broadcast, our live cable is very durable for use where cables will be flexed and generally abused.\u003c\/p\u003e","brand":"Mogami","offers":[{"title":"Pre-Owned | In Stock","offer_id":46167953047835,"sku":"GOLDSTUDIO6EBAYPRO","price":51.0,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46167953080603,"sku":"GOLDSTUDIO6","price":68.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/GOLDSTUDIO6_1.jpg?v=1692021577"},{"product_id":"mogami-gold-studio-15-xlr-cable-goldstudio15","title":"Mogami GOLD STUDIO 15' XLR CABLE","description":"\u003cp\u003eMogami has been revered by Audio Professionals for almost 50 years. It is undeniably the standard in Music Recording and Post Production facilities worldwide. Until now Mogami was only available to professionals and then only in large bulk quantities. \n\u003cbr\u003eFinally, the worlds best cable is available pre-wired, for all live performance and music recording appliations.\u003c\/p\u003e\n\n\u003cp\u003eMicrophone Cables\n\u003cbr\u003eMogami microphone cable is available in lengths of 3 to 50 feet wired with Neglex Studio Quad, for better clarity and freedom from noise and RF interference. Or for Stage and broadcast, our live cable is very durable for use where cables will be flexed and generally abused.\u003c\/p\u003e","brand":"Mogami","offers":[{"title":"New | In Stock","offer_id":46167953146139,"sku":"GOLDSTUDIO15","price":89.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/GOLDSTUDIO15_1.jpg?v=1692021573"},{"product_id":"mogami-gold-studio-25-xlr-cable-goldstudio25","title":"Mogami Gold Studio 25’ XLR Cable","description":"\u003cspan style=\"background-color: rgb(255, 255, 255); \"\u003eFrom large recording facilities to small project studios, engineers and artists trust Mogami Gold Studio microphone cables. Wired with Neglex studio quad, this 4-conductor cable offers the highest cancellation of noise and is the quietest, best sounding cable you can buy. Mogami Gold helps cure many of the problems encountered in a typical project or home studio, creating a pin-drop quiet recording environment with enhanced dynamic range.\u003c\/span\u003e\u003cbr style=\"color: rgb(51, 51, 51); font-family: Arial, Helvetica, sans-serif; font-size: 12px; background-color: rgb(255, 255, 255); \"\u003e","brand":"Mogami","offers":[{"title":"New | In Stock","offer_id":46167953211675,"sku":"GOLDSTUDIO25","price":109.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/GOLDSTUDIO25_2.jpg?v=1692021569"},{"product_id":"sony-mdr-7506-professional-headphones-1069755","title":"Sony MDR-7506 Professional Headphones","description":"\u003cp\u003e\n\tThe MDR-7506 is a large diaphragm foldable headphone designed for professional studio and live\/broadcast applications.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"New | In Stock","offer_id":46167953473819,"sku":"7506","price":114.99,"currency_code":"USD","in_stock":true},{"title":"New - Version: FBA | On Order","offer_id":49616960258331,"sku":"7506FBA","price":109.99,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":51609684345115,"sku":"7506NOBOX","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mdr-7506-2.jpg?v=1692021586"},{"product_id":"universal-audio-teletronix-la-2a-classic-leveling-amplifier-1069758","title":"Universal Audio Teletronix LA-2A Classic Leveling Amplifier","description":"\u003ch2\u003eUniversal Audio Teletronix LA-2A Classic Leveling Amplifier\u003c\/h2\u003e\n\u003ch4\u003eTrue to the Original Design, our Famed Tube-Amplified T4 Electro-Optical Classic Compressor\u003c\/h4\u003e\n\u003cp\u003eAudio professionals revere the LA-2A. The original was immediately acknowledged for its smooth, natural compression characteristics. A unique tube-driven electro-optical attenuator system allows instantaneous gain reduction with no increase in harmonic distortion — an accomplishment at the time, still appreciated today. This faithful Universal Audio reissue marks the rebirth of the Teletronix LA-2A. Painstaking care has been taken to ensure that every new LA-2A provides the performance characteristics of the original. Each unit is point-to-point hand-wired and built in Scotts Valley, California, with every component carefully evaluated for authenticity. As a result, today’s LA-2A will bring the same legendary compression characteristics of the original to all of your recordings.\u003c\/p\u003e\n\u003cp\u003eEach unit is hand-built and hand-wired in-house at UA with each component being carefully evaluated for authenticity. No expense has been spared to guarantee that this LA-2A will bring that classic sound to your recording. Demand the original. Accept no copy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue to the original in design, manufacturing and performance\u003c\/li\u003e\n\u003cli\u003eLag free, distortion free optical attenuator system\u003c\/li\u003e\n\u003cli\u003eDistortion less than 0.5% THD\u003c\/li\u003e\n\u003cli\u003e0 to 40 dB gain limiting\u003c\/li\u003e\n\u003cli\u003eBalanced stereo interconnection\u003c\/li\u003e\n\u003cli\u003eFrequency response 1 dB, 30 to 15,000 cps\u003c\/li\u003e\n\u003cli\u003eOutput level of 10 dBm and 40 dB gain\u003c\/li\u003e\n\u003cli\u003eLow noise – less than 70 dB below ±10 dBm output\u003c\/li\u003e\n\u003cli\u003eHand-built in USA; backed by 1-Year limited warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"New | On Order","offer_id":46167953768731,"sku":"LA2A","price":4999.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46167953801499,"sku":"LA2AEBAYPRO","price":4298.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47184902783259,"sku":"LA2ARP","price":3667.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/teletronix-la2a_1.jpg?v=1692021601"},{"product_id":"universal-audio-6176-vintage-channel-strip-microphone-preamp-compressor-6176","title":"Universal Audio 6176 Vintage-Channel Strip Microphone Preamp \/ Compressor","description":"\u003ch2\u003eUniversal Audio 6176 Vintage Channel Strip\u003c\/h2\u003e\n\u003cp\u003eThe 6176 Vintage Channel Strip combines the alluring, all-tube sounds of the legendary Bill Putnam-designed 610 microphone preamp, with the signature FET compression of our 1176LN, to create the ultimate recording channel strip. The warm, smooth tones of this mic preamp design — employed to record everyone from Frank Sinatra to Van Halen I — and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world.\u003c\/p\u003e\n\u003cp\u003eThanks to its straightforward controls and hallmark sound, the 6176 is the signal path of choice for engineering heavyweights like Vance Powell and Joe Chiccarelli, plus artists including Chris Martin of Coldplay, Norah Jones, Wyclef Jean, and James Mercer of The Shins. The ability to “Split” or “Join” the preamp and the compressor sections via a simple switch gives the 6176 added flexibility. This is truly UA’s premier channel strip, and among the world’s finest.\u003c\/p\u003e\n\u003ch3\u003e610B Mic Pre\u003c\/h3\u003e\n\u003cp\u003eThe 2-610 microphone and instrument preamplifier has received praise from many corners. Michael Cooper, in his review for Mix Magazine, called it \"hands-down, the most dimensional mic preamp I've ever heard\". Peter Wade, engineer\/producer who has worked with acts ranging from Wyclef Jean to Jennifer Lopez, said simply, \"This box rocks.\" The 6176 mic preamp sections maintains the quality and character of the 2-610 while adding high-tension power regulation for improved bass response and a front-panel 15db pad switch.\u003c\/p\u003e\n\u003ch3\u003e1176LN Limiting Amplifier\u003c\/h3\u003e\n\u003cp\u003eAs legendary engineer\/producer Andy Johns put it, \"The 1176LN is the workhorse compressor.\" The 1176LN may well be the most loved compressor in history. Its trademark lightning-quick attack and release times and the tone of it's Class A output amplifier have enhanced countless recordings over the last thirty-five years. We've recreated the 1176LN for the compressor section of the 6176 with the same exacting, attention to detail and tradition we use on our 1176LN. 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The standard models feature a durable ABS resin body with a simplified conservatory system.  The intermediate models offer a modified conservatory system available in both grenadilla and ABS resin body material.  For the custom models, only the finest select grenadilla is offered along with a full conservatory system.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Pre-Owned | On Order","offer_id":46167954260251,"sku":"YOB241EBAYPRO","price":2403.9,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46167954293019,"sku":"YOB241","price":3771.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/yob241.jpg?v=1692021594"},{"product_id":"yamaha-ysl446g-intermediate-trombone-with-f-attachment-ysl-446g","title":"Yamaha Ysl446g Intermediate Trombone WITH F ATTACHMENT","description":"\u003cp\u003e\u003cfont face=\"Georgia\"\u003e\n\tYamaha has become the worlds go to brand for instruments throughout the world. Known for their ease of playing, Yamaha instruments are often recommended by teachers, and preferred by students for their durability, sound, and craftsmandship.  Whether it is a beginner, intermediate, or professional model, Yamaha takes pride in their product, and only releases the best of the best.  \u003c\/font\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-family: Georgia; \"\u003eIf you are looking to invest in an advancing level trombone, well look no further! The Yamaha 400 series trombones have the perfect blend of professional features at an intermediate price. High quality gold-brass bell material and a seamless bell construction make the 400 series trombones an excellent value. \u003cspan style=\"text-decoration:underline\"\u003e\u003cstrong\u003eGet yours today, at Alto Music!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"New | In Stock","offer_id":46167955013915,"sku":"YSL446G","price":2566.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":51721665904923,"sku":"YSL446GEBAYPRO","price":2198.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/93214962b3cd476a9f04ba2b60dd523e_12073_1200x480_c8314b0e1f7717fa4314a25737e41266.jpg?v=1692021583"},{"product_id":"yamaha-ysl620-professional-trombone-ysl-620","title":"Yamaha Ysl620 Professional Trombone","description":"\u003cp\u003e\n\tyamaha professional series trombones have a hand hammered bell to maximize tone and projection. 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Model SB-36W is equipped with silent-motion, ball-bearing swivel casters of hard rubber for friction-free and vibration-absorbing mobility.\n\u003cbr\u003eTwo-piece horizontal boom assembly is 7\/8\" dia. cold rolled steel with a heavy-duty, die-cast, gyromatic swivel and an adjustable 6-lb. counterweight for precise and secure orientation. Tubing terminates with an adjustable mic holder swivel with standard 5\/8\" - 27 thread to accept all microphones, holders, and adapters.\n\u003cbr\u003eVertical tube assembly is manufactured of 1-1\/8\" and 7\/8\" chrome-plated cold rolled steel and includes the wearproof Atlas Sound grip-action clutch for easy adjustment and positive locking. Model SB-36W includes wheels for a height span of 49\" to 73\". Triangular cast metal base with edge-concentrated weight distribution offers extra stability and is finished in ebony epoxy with a chrome shell.\u003c\/p\u003e","brand":"Atlas","offers":[{"title":"Pre-Owned | On Order","offer_id":46167956816155,"sku":"SB36WEBAYPRO","price":410.0,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46167956848923,"sku":"SB36W","price":643.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10004330.jpg?v=1692021593"},{"product_id":"avantone-mixcubes-passive-full-range-mini-reference-monitors-in-butter-creme-mixcubes","title":"Avantone MixCubes Passive Full-Range Mini Reference Monitors in Butter Creme","description":"\u003cp\u003eThe AVANTONE MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENGINEERING OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe wanted to take it up a notch though...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFORMANCE OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMPLIFICATION and WIRING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...the MixCubes yield a microscopic-style view of critical midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson, Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper, Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eRandy Bachman, Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBrian Lucey, Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Alessandro Giordani, Synchronia Studio - Rome\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46167957209371,"sku":"MIXCUBES","price":299.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47187371917595,"sku":"MIXCUBESRP","price":219.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mixcubes_0.jpg?v=1692021595"},{"product_id":"chandler-limited-psu-1069777","title":"Chandler Limited PSU","description":"\u003ch2\u003eChandler Limited PSU\u003c\/h2\u003e\n\u003cp\u003eThe Chandler PSU-1 runs any two Chandler units except for the Mini Rack Mixer.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | On Order","offer_id":46167959404827,"sku":"TGCHANNELPS","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":49939159908635,"sku":"TGCHANNELPSEBAYPRO","price":348.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TGCHANNELPS_1.jpg?v=1692021583"},{"product_id":"burl-b1d-burlb1d","title":"Burl Audio B1D 500 Series Microphone Preamp and DI","description":"\u003ch2\u003eBurl B1D 500 Series Microphone Preamp and DI\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eStep Back – Here come the B1and B1D…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntroducing the B1 and B1D Microphone Pre Amps from Burl Audio. Based on the API 500 series form factor, the B1 was designed to compliment the B2 Bomber ADC, and give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 Mic Pre delivers warmth with depth and clarity. The B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.\u003c\/p\u003e\n\u003cp\u003eThe B1 and B1D come complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select.   The B1 was rigorously tested with the popular Royer R-121 in the low impedance setting, and we think it sounds pretty f***ing bitchin’’ on guitar amps. The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon.\u003c\/p\u003e\n\u003cp\u003eUse the B1’s 1\/4” instrument\/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there.  Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that’s about all you will need.\u003c\/p\u003e","brand":"Burl","offers":[{"title":"New - Version: B1D | In Stock","offer_id":46167961796891,"sku":"BURLB1D","price":1050.0,"currency_code":"USD","in_stock":true},{"title":"Demo | On Order","offer_id":47317792751899,"sku":"BURLB1DDISBROOKLYN","price":598.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/burl-b1-500-series-microphone-preamp-di.jpg?v=1692021597"},{"product_id":"api-525-discrete-compressor-re-issue-525","title":"API 525 Discrete Compressor - Re-Issue","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 525 Discrete Compressor Re-Issue\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eRelease times vary with frequency, with high frequency \/ full bandwidth content released faster than lower frequencies for natural envelope tracking. Attack time is fixed, chosen to catch the fastest peaks, without \"pumping\". Equally useful as a tracking, mixdown or program compressor\/limiter, the 525 utilizes \"vintage\" dynamics control and an easy to use multi-function control set. The 525 has a hard-wire bypass switch, a balanced input, and a pinout that is the same as all the other 500 series modules. Two or more 525s can be linked for multi-channel compression.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe API 525 Compressor makes use of the 2510 and 2520 op-amps and exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167962059035,"sku":"525","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_525_1_xl_1.jpg?v=1692021593"},{"product_id":"empirical-labs-derresser-500-series-desser-elds-v","title":"Empirical Labs Derresser 500-Series Desser","description":"\u003cp\u003e\n\tThe DerrEsser is a multi function dynamic filtering device, in an API 500 series module format. 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