{"title":"All In Stock Gear!","description":"","products":[{"product_id":"golden-age-project-r1-mk3-active-ribbon-microphone-r1activemk3","title":"Golden Age Project R1 MKIII Active Ribbon Microphone","description":"\u003cp\u003eThe R1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer ampilier. This means that you can use the R1 Active MKIII with long cables and virtually any pre-amp featuring 48V phantom power. A clean and clear sound, yet warm and punchy is what the R1 Active MKIII will deliver in most cases. We love it on drums, as an ambience mic or in pairs for O.H. pickup, but it sounds great on most instruments. The R1 Active MKIII is in fact a very versatile mic even suitable for some sensitve vocal recording! 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Stylus RMX is the first product to offer the combined power of Groove Control® with Spectrasonics Advanced Groove Engine (S.A.G.E.™) technology giving users dramatic new control over groove production and performance.\u003c\/p\u003e\n\u003cp\u003eSpectrasonics' in-house development team created this innovative instrument from the ground up, with dozens of features including the ground-breaking Chaos Designer®, Time Designer®, an intuitive multi-page user interface, a deep core library of sounds, all with a focus on realtime groove creation and performance. Stylus RMX remains an industry standard tool of top composers and music producers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnsurpassed Innovations\u003c\/strong\u003e\u003cbr\u003eOf the many remarkable capabilities in \u003cstrong\u003eStylus RMX Xpanded\u003c\/strong\u003e, possibly the most innovative features are the Time Designer and Chaos Designer. With simple controls, the user can introduce musical Chaos into the groove, which allows it to have constantly evolving variations—giving the impression that the audio grooves are improvising. The results can be subtle or extreme by setting the simple to use controls. A Capture feature allows the spontaneous audio chaos patterns to be made into a MIDI file, dragged and dropped into the host sequencer, and played back again for further editing by the user. The Time Designer feature is unmatched in any other rhythm software and allows realtime changing of audio grooves to any time signature, feel or pattern— an infinite creative tool!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCore library\u003c\/strong\u003e\u003cbr\u003eThe over 14 gigabyte core-library in Stylus RMX has thousands of cutting-edge grooves and sounds that were created by Spectrasonics' international sound design team, and produced by Eric Persing. The core library contains nearly triple the amount of sounds offered in the original Stylus, and contains all the original material as well. The sounds and grooves in Stylus RMX offer a much wider range of modern musical genres than the original Stylus. Mixes of grooves are broken down into individual tracks called Elements for flexibility and infinite combinations.\u003c\/p\u003e\n\u003cp\u003eAlso introduced in Stylus RMX Xpanded are thousands of Kit modules, 250 Kit patches, as well as user Kit construction. Users can create their own customized multitrack remix grooves and kits, save them into the plug-in, and even share them with other Stylus RMX Xpanded users on different platforms and hosts. RMX now comes with 500 Multi grooves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXpanded and Xpandable\u003c\/strong\u003e\u003cbr\u003eStylus RMX Xpanded now includes all five Spectrasonics \"\u003cstrong\u003eS.A.G.E. 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Combinations of these modules make perfect stereo recording packages (two 512cs and two 550bs) or vocalist's box (one 512c, two EQs and one 527).\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHolds 6 API standard modules\u003c\/li\u003e\n\u003cli\u003eDesigned to accept all API standard 5.25\" X 1.5\" modules allowing you to bring along specialized effects for any situation with ease\u003c\/li\u003e\n\u003cli\u003eThe lunchbox is self-powered with a rear panel selected AC voltage switch and a removable power cord\u003c\/li\u003e\n\u003cli\u003eOther uses include:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-track recording of acoustic and electronic audio sources\u003c\/li\u003e\n\u003cli\u003eSound reinforcement systems and recording to multi-track formats\u003c\/li\u003e\n\u003cli\u003eMultiple facility projects where portability is a plus\u003c\/li\u003e\n\u003cli\u003eBroadcast and audio for video production\u003c\/li\u003e\n\u003cli\u003eCustom channel input strips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eNOTE: The older 560A equalizer may use pin 15 for a \"direct output\" and must be disabled on the 560A circuit board edge connector by cutting a trace. 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The compression circuit uses an FET gain reduction element but with the tricks and flexibility of all the Germ units. Some of the most notable additions include a Wet\/Dry mix (for “submixing” tracks within the comp), Comp Curve (which selects the knee using various diode combinations), Clean\/Dirty comp and Sidechain filter. Many of the Germ Comp parameters have been purposely set by studio use and listening not by over analyzing them with test gear. The result is a musical powerhouse ready for tracking, mixing, and mastering.\u003c\/p\u003e\n\u003cp\u003eAll Germanium units require and function on the PSU-1, Chandler Limited power supply. 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The highs stay brilliant and clear and the bottom will continue to thunder (especially with the unit’s internal High Pass Filter engaged on the unit’s detection circuit).\u003c\/p\u003e\n\n\u003cp\u003eThe second thing the user will notice is that when the \"auto\" release time is employed the audio has a smooth, rich texture without any pumping or breathing. From there, if the user has decided that the audio is a little too smooth for their application a simple click of the release switch to the \"lofi\" setting will net all the \"in your face\" aggression a user may desire. Overall the clarity and performance of this unit is unparalleled by any unit based around a Voltage Controlled Amplifier (VCA) gain reduction cell. At first look it may suggest something from the past, but at first listen the user will understand the future of professional audio. Transformer balanced input\/output interface which gives the Obsidian its unique sound. The TXIO Enhanced option produces that \"phat\" classic analog sound making the Obsidian an excellent way to add warmth and character to digital audio workstations.\u003c\/p\u003e","brand":"Dramastic Audio","offers":[{"title":"New | In Stock","offer_id":46167941153051,"sku":"OBSIDIAN","price":3195.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: OBSIDIANSL | On Order","offer_id":46167941185819,"sku":"OBSIDIANSL","price":3045.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49637861294363,"sku":"OBSIDIANSLEBAYPRO","price":2388.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/OBSIDIAN-0.jpg?v=1692021475"},{"product_id":"bricasti-m7-reverb-m7","title":"Bricasti M7 Model 7 Stereo Reverb Processor","description":"\u003cp\u003eModel 7 Stereo Reverb Processor The Bricasti Design Model 7 provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation. A modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms.\u003c\/p\u003e\n\u003cp\u003eA separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of its kind. An exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future.\u003c\/p\u003e\n\u003cp\u003eEach design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. 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Only metal film resistors, film capacitors and hand-wound inductors sculpt the sound, kinda like a Pultec EQ on hyper-steroids. Super-beefy, hugely-high-headroom Manley all-tube make-up gain amplifiers deliver your tunes into the next realm. \"Massive\".... it's a fitting word for this beast. You'll need to experience this.\u003c\/p\u003e\u003cdiv\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Filters\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003e5 frequencies Hi Pass and bypass, PLUS 5 frequencies Lo Pass with bypass. We made them extra steep. 36 dB\/oct ! Why? When you need to remove the garbage, this does the trick and allows more of the real music to be untouched. The other reason is that it sounds killer when combined with the regular bands. Towards the mids this degree of steepness may be tamed somewhat. We're going for pure \"usefulness\" not \"well, we guess it's standard\". Thinking drums and guitar stacks, and other tough jobs. These filters are passive too.\u003c\/div\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003eHigh Pass Filters = 22, 39, 68, 120, 220, OFF\u003c\/li\u003e\n\u003cli\u003eLow Pass Filters = 6K, 7K5, 9K, 12K, 18K, OFF\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cspan style=\"font-weight: bold;\"\u003eParametric Frequencies\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003eLOW - 22, 33, 47, 68, 100, 150, 220, 330, 470, 680, 1K\u003c\/div\u003e\u003cdiv\u003eLM - 82, 120, 180, 270, 390, 560, 820, 1K2, 1K8, 2K7, 3K9\u003c\/div\u003e\u003cdiv\u003eHM - 220, 330, 470, 680, 1K, 1K5, 2K2, 3K3, 4K7, 6K8, 10K\u003c\/div\u003e\u003cdiv\u003eHI - 560, 820, 1K2, 1K8, 2K7, 3K9, 5K6, 8K2, 12K, 16K, 27K\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Manley Labs","offers":[{"title":"New | On Order","offer_id":46167942103323,"sku":"MASSIVEPASSIVE","price":6999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47102200512795,"sku":"MASSIVEPASSIVERP","price":5600.0,"currency_code":"USD","in_stock":false},{"title":"Demo | In Stock","offer_id":47478377218331,"sku":"MASSIVEPASSIVEEBAYPRO","price":5508.96,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned - Serial Number | On Order","offer_id":50320177201435,"sku":"C1055602","price":4899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/msmp-ft-2020.jpg?v=1692021493"},{"product_id":"api-550a-discrete-3-band-equalizer-550a","title":"API 550A Discrete 500-Series 3-Band Equalizer","description":"\u003cp\u003eForty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004.\u003c\/p\u003e\n\u003cp\u003eThe 550A provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost\/cut are selected by three dual-concentric switches, and a pushbutton \"in\" switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the 550A.\u003c\/p\u003e\n\u003cp\u003eThe combination of Walker's incomparable 2520 op amp and his \"Proportional Q\" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization.\u003c\/p\u003e\n\u003cp\u003eWith the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942463771,"sku":"550A","price":1195.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | Out Of Stock","offer_id":47103722389787,"sku":"C103627","price":755.16,"currency_code":"USD","in_stock":false},{"title":"Open Box | On Order","offer_id":47317582905627,"sku":"550AEBAYPRO","price":985.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned - Version: 550A | Out Of Stock","offer_id":51226599817499,"sku":"C103642","price":899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_550a_1_xl.jpg?v=1692021508"},{"product_id":"api-550b-discrete-4-band-eq-1069484","title":"API 550b Discrete 4-Band Equalizer","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 550b Discrete 4 Band EQ\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSo many hit records still depend on the unique 550 sound that engineers around the world find it to be an invaluable tool. In fact, the 550b design has been taken from the original blue prints and spec control drawings from the API archives. It is unlike any other EQ you will ever use.\u003c\/p\u003e\n\u003cp\u003eRather than offer a huge assortment of complex features, the API 550b provides exactly the right number of controls. Its four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device with each band offering seven switchable filter frequencies that span four-to-five octaves. These frequencies, purposely selected to be musical rather than numeric, were selected by an experienced \"who's who\" list of the industry's most proficient engineers.\u003c\/p\u003e\n\u003cp\u003eMaking use of API's \"Proportional Q,\" an innovation designed by Saul Walker in the '60s, the 550b intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings without the need for additional bandwidth controls. This unique feature minimizes the \"phase-shift\" sound found in many equalizers. In addition, the reciprocal nature of the 550b enables the user to \"undo\" what has been done previously with exact precision.\u003c\/p\u003e\n\u003cp\u003eThe benefits of the API 550b are most obvious to those who work with EQ on a continuous basis. If major tonal restructuring is required, the extraordinary headroom made possible with API's 2520 Op Amp offers the predictable and warm analog performance, even under duress. With a surprisingly wide range of tonal variations, the 500b is an invaluable and professional audio tool with great flexibility and excellent sonic ability.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942758683,"sku":"550B","price":1295.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46167942856987,"sku":"550BEBAYPRO","price":1117.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_550b_1_xl.jpg?v=1692021486"},{"product_id":"api-560-discrete-10-band-graphic-equalizer-560","title":"API 560 Discrete 10-Band Graphic Equalizer","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 560 Discrete 10 Band Graphic Equalizer\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith a wide range of 500 mounting options, from racks to consoles, the 560 proves an invaluable asset to all critical performance applications. Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp.\u003c\/p\u003e\n\u003cp\u003eThe extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Of course, the 2520's ability to drive low impedance loads is key when it is paired with API's custom output transformers. The results are quite audible with better low frequency reproduction and tighter imaging, which gives you that legendary API \"punch in your gut\" sound.\u003c\/p\u003e\n\u003cp\u003eThe 10 precision EQ bands make the 560 ideal for signal sweetening and room tuning. A great companion to a parametric EQ, the 560 utilizes API's unique \"Proportional Q\" design introduced during the '60s. This design intuitively widens the filter bandwidth at lower boost\/cut levels and narrows it at higher settings. 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The design, character and performance is comparable to some of the fine vintage tube mics of the 1950’s and 1960’s…but at a fraction of their cost! The rugged BV-1 microphone body and capsule assembly are precision machined of Brass. Aesthetically, it features an elegant Buttercream baked on finish, accented with polished nickel trim and grill. The transformer coupled tube circuitry has its origins in famous European vintage designs. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. Any studio can proudly offer the Avantone BV-1 as a primary vocal mic…It exudes class visually as well as sonically. The versatile Avantone BV-1 mic is able to produce professional results with a warm, pleasing sonic character. 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However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. 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The unit is still receiving power from the transformer however.\u003c\/p\u003e\n\u003cp\u003eAC Input - This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/p\u003e\n\u003cp\u003eGround Lift Switch - By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“…consistently flat in the midrange — the same characteristics that made the Auratone a valued listening reference. They got plenty loud without distortion and showed off the vocal, snare, toms, upper range of the kick and solo instruments in a number of mixes, just as I expected. I'm a big believer in listening to tracks across a wide range of speakers. The Avantone Active MixCubes offer another chance to evaluate creative studio output and make judgements regarding how my work would translate across a wide range of systems… these are a no-brainer for those wanting another quick-and-dirty reference to help in the quest for tracks that translate.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Kevin Becka    Technical Editor - Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"... the MixCubes yield a  microscopic-style view of critical  midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson    Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper    Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Probably the clearest Auratone substitute available as a current product is Avantone's MixCube. This is a great little speaker, which sees daily use in my own mix system and which in some respects actually improves on the original Auratone's specs...The MixCube would top my list in terms of price\/performance ratio...This speaker is one of the best monitoring tools there is, and I use it every day. No other speaker I've heard at anything like this price provides the kind of razor-sharp balance perspective that the MixCube can, and I'd not want to have to judge bass, kick, or vocal levels without it. It's also fantastic for working in the less-than-ideal acoustics of most real-world small studios, and in this respect it's easily one of the best bang-for-buck products available for anyone trying to create commercial-grade mixes on a shoe-string.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Mike Senior   Author of MIXING SECRETS FOR THE SMALL STUDIO, SOS Columnist \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. 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The R84 delivers exceptional headroom while maintaining an intimate performance quality with smooth highs and extended lows. These aspects, combined with the reduced proximity effect, make the R84 incredibly well suited for both close-up and ambient mic applications. It’s just as versatile as an R44, flattering voice, strings, brass and drums alike.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT IS UNDER THE HOOD?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AEA R84 uses a big, 2.35” by 0.185” by 2-micron pure aluminum low-tension (16.5 Hz) ribbon element just like the classic R44. Many ribbon mic manufacturers choose shorter ribbons that are easier to install, but AEA’s Large Ribbon Geometry™ design offers important advantages. Ribbon microphones operate linearly above their resonant frequency, unlike condenser or moving coil transducers, so the resonant frequency of a good microphone design should be as low as possible. The longer the ribbon, the lower the resonant frequency will be. The ribbon has to move twice as far for every drop in octave as it vibrates within the magnetic gap, thus, a longer ribbon will allow for further movement back and forth. This results in the ribbon handling louder sound sources and more sound pressure level (SPL).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE LEGACY SERIES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1976, when General Electric bought RCA and closed down its microphone division AEA began servicing RCA’s legendary ribbon mics. Twenty-two years later, AEA reissued the iconic 44 ribbon mic and has continued to make ribbon microphones in the RCA tradition to this day. 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Additional control of the bass register is accomplished by fine-tuning on the control plate on the back of the Twin6 Be in order to obtain a\u003c\/p\u003e","brand":"Focal","offers":[{"title":"New | On Order","offer_id":46167945249051,"sku":"FPST6","price":2299.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | In Stock","offer_id":46167945281819,"sku":"C103560","price":1373.44,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/twin6beface.jpg?v=1692021495"},{"product_id":"a-designs-audio-atty-stereo-attenuator-atty","title":"A Designs Audio ATTY Stereo Attenuator","description":"\u003cdiv\u003eManufacturer’s Description:\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe ATTY (rhymes with “Patty”) is a no-compromise totally transparent passive two-channel line-level attenuator. ATTY’s\u003c\/div\u003e\u003cdiv\u003eattractive price point and tiny footprint (4-1\/2” x 1-1\/2” x 3”) makes it a highly versatile and convenient solution for many\u003c\/div\u003e\u003cdiv\u003eapplications.  Suitable for use in any world-class recording facility, it can also serve as a cost-effective solution to more than\u003c\/div\u003e\u003cdiv\u003ea few problems faced by project studio owners, and is an invaluable addition to just about any live or remote broadcast rig.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eATTY’s interface is simplicity personified. Housed in a rugged metal enclosure, it has two Neutrik XLR\/balanced 1\/4” combo\u003c\/div\u003e\u003cdiv\u003ejacks and two balanced XLR outputs that deliver noise-free operation. 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ATTY is the answer.  Another\u003c\/div\u003e\u003cdiv\u003euseful application is wiring an ATTY in line with a stereo tube preamp (such as the A-Designs MP-2A) and exploring different\u003c\/div\u003e\u003cdiv\u003ein\/out level combinations without overloading other gear. It’s also a handy device for maintaining level control of powered\u003c\/div\u003e\u003cdiv\u003emonitors that have a separate volume control on each speaker. Once you calibrate your monitors to equal levels, you need\u003c\/div\u003e\u003cdiv\u003enever touch them again\u003c\/div\u003e","brand":"A Designs Audio","offers":[{"title":"New | In Stock","offer_id":46167945511195,"sku":"ATTY","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/atty-02.jpg?v=1692021493"},{"product_id":"golden-age-project-p2-metal-pop-filter-gapp2","title":"Golden Age Project P2 Metal Pop Filter","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eGolden Age Project P2 Metal Pop Filter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 12px; \"\u003eP 2 is a steel-net pop-killer with swan-neck and clamp for mic-stand attachment. Be sure to always use a pop-killer when recording vocals or other \"puffy\" sound sources.\u003c\/span\u003e\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"New | In Stock","offer_id":46167945576731,"sku":"GAPP2","price":29.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: FBA | On Order","offer_id":49633666597147,"sku":"GAPP2FBA","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/GAPP2_0.jpg?v=1692021486"},{"product_id":"yamaha-yss-475ii-intermediate-soprano-saxophone-yss-475ii","title":"Yamaha Yss-475ii Intermediate Soprano Saxophone","description":"\u003cp\u003eAre you looking to invest in a soprano saxophone? Well look no further!  Yamaha has a fine line of soprano saxophones, starting with the Intermediate model, the YSS-475II.  The YSS-475II delivers professional qualities at an intermediate price. Much of its design is based upon the Custom EX saxes, and it shares many of the same features. The 475II offers outstanding response, tone, and intonation, as well as comfortable playability. This model features a one-piece design, Gold Baked Eopxy Lacquer, High F# key, and a laser egraved bell. \u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"New | In Stock","offer_id":46167946592539,"sku":"YSS475MK2","price":3571.99,"currency_code":"USD","in_stock":true},{"title":"Demo | Out Of Stock","offer_id":52485906333979,"sku":"YSS475MK2EBAYPRO","price":2565.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/yss475ii.jpg?v=1692021509"},{"product_id":"mogami-gold-db25-to-xlr-male-25-gold-db25-xlrm-25","title":"Mogami Gold DB25 to XLR Male 25'","description":"\u003cp\u003eGold DB25-XLR(M) 8 channels analog in or out. DB25 to gold pin XLR. Industry standard analog pinout, fits almost everything. 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Made with Mogami 2932 studio snake cable.\u003c\/p\u003e","brand":"Mogami","offers":[{"title":"New | In Stock","offer_id":46167946952987,"sku":"DB25XLRF10","price":359.95,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47102190584091,"sku":"DB25XLRF10EBAYPRO","price":279.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/DB25XLRF10_0.jpg?v=1692021510"},{"product_id":"roll-music-rms216-folcrom-summing-mixer-rms216","title":"Roll Music RMS216 Folcrom Summing Mixer","description":"\u003cp\u003eThe RMS216 FOLCROM is a high quality passive mixer intended for analog summing of multichannel digital mixes. The sound is up to you and your preamps.\u003c\/p\u003e\u003cp\u003eEach of the Folcrom's sixteen input channels features a balanced analog connection on standard 8-channel DB25 connectors and a pair of pushbutton switches to assign that channel to the Left or Right output, neither, or both. It uses no active circuitry and provides no gain or level controls. By controlling all aspects of the mix from within the DAW, automation and recallability are perfectly preserved. Up to 16 different tracks or submixes can then be routed to the Folcrom for summing in the analog domain.\u003c\/p\u003e\u003cp\u003eThe absence of faders, EQ, aux sends, pan knobs, or any other superfluous features not only preserves your software automation, it also allows for an elegant passive circuit using no amplifiers, ICs, transistors, capacitors, or transformers whatsoever. The simplicity of the fully balanced, symmetrical signal path allows the use of no-compromise passive components for an absolutely transparent signal path. The unit passes signals \"from DC to daylight\" without coloration.\u003c\/p\u003e","brand":"Roll Music","offers":[{"title":"New | On Order","offer_id":46167947706651,"sku":"RMS216","price":775.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":52237728973083,"sku":"RMS216SP1EBAYPRO","price":688.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/RMS216_0.jpg?v=1692021530"},{"product_id":"yamaha-ypc-32-piccolo-1069626","title":"Yamaha Ypc-32 Piccolo","description":"\u003cp\u003e\n\tThe Yamaha standard piccolo features a rich tone and wear resistant construction, which makes it ideal for marching. Contoured keys provide an excellent feel and improved finger position. 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Well look no further!!!! We have a variety of choices for you that will suit your needs. Yamaha grenadilla wood clarinets have become the go to instrument recommended by teachers for advancing musicians. Professionals are disovering the quality control Yamaha has over other companies in the industry, which is why the Yamaha clarinets have become one of our top sellers!!!!\u003c\/p\u003e\u003cp\u003eYamaha intermediate clarinets feature a grenadilla body, barrel and bell. These models feature a bell and barrel vertically integrated from the popular Yamaha V-Series models. Undercut tone holes provide accurate intonation and responsive playing. Durable features include power-forged keys and blue steel springs which stand up to years of use, and an innovative design prevents jamming or breaking of the bridge keys.\u003c\/p\u003e\u003cp\u003eThe YCL-450A is a grenadilla wood clarinet which features silver-plated keys. It is considered to be an intermediate level isntrument, but sounds like a professional model. Experience what everyone is talking about, and \u003cstrong\u003e\u003cspan style=\"text-decoration:underline\"\u003eget yours today at Alto Music!!!!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"New | In Stock","offer_id":46167947903259,"sku":"YCL450AWEB","price":2244.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/YCL450ARP-0.jpg?v=1692021530"},{"product_id":"yamaha-ycl450n-intermediate-wooden-clarinet-with-nickel-keys-ycl-450n","title":"Yamaha YCL-450N Intermediate Wooden Clarinet With Nickel Keys","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eLooking to invest in a wood clarinet? Well look no further!!! We have several options for the professional and advancing musician at our store!!!  Yamaha Grenadilla wood clarinets have become more popular as the word of their high quality control, amazing sound and quick key-action have spread throughout the world. Featuring a bell shape and barrel design similar to that of Yamaha's professional V Series, the YCL-450 offers a surprisingly 'professional' sound with an easy response. The new bell design gives improved intonation and projection, especially in the all-important lower register, while the new barrel enhances the 450's response, flexibility and tonal focus.'\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew 65mm barrel\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe YCL-450N intermediate model clarinet incorporates some of the distinct qualities of Yamaha's professional and custom clarinets. One of these features is a 65mm barrel design that produces a focused tone and quick response. Players looking to \"step-up\" their performance will do just that with this instrument.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eYou have to get your hands on one of these fine instruments to truly understand the great quality for price. All Yamaha instruments come standard with a 5 year warranty against defects in workmanship, so rest assured you are getting a great instrument.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Repack | On Order","offer_id":46167947968795,"sku":"YCL450NEBAYPRO","price":1362.99,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46167948001563,"sku":"YCL450N","price":1928.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/YCL450N_0.jpg?v=1692021529"},{"product_id":"avid-sync-hd-1069639","title":"Avid SYNC HD","description":"\u003cp\u003eKeep even your largest and most demanding Pro Tools HD projects in perfect sync with the Avid Sync HD. Incorporating a high-fidelity, low-jitter master Word Clock that supports operations up to 192 kHz, standard pull-up\/pull-down rates for film and video applications as well as near sample-accurate lock to serial timecode (through RS-422), LTC, or bi-phase\/tach signals- the Avid Sync HD is an ideal choice for any audio engineer.  Get yours today at Alto Music!\u003c\/p\u003e","brand":"Avid","offers":[{"title":"New | On Order","offer_id":46167948329243,"sku":"MH040","price":2095.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46167948362011,"sku":"C102213","price":813.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MH040_0.jpg?v=1692021540"},{"product_id":"neumann-m-147-tube-condenser-microphone-nickel-1069649","title":"Neumann M 147 Tube Condenser Microphone - Nickel","description":"\u003cp\u003e\n\tThe M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49. Following the capsule is a tube that functions as an impedance converter. The next stage is an efficient, transformerless output circuit, that guarantees an extremely low self-noise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic. The M 147 Tube can feed extremely long microphone cables without affecting the quality of the audio signal. Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish. The microphone is delivered as a complete set in a high-quality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains sockets. Our modern manufacturing methods makes it possible to offer this complete set at a very attractive price.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Repack | In Stock","offer_id":46167948460315,"sku":"M147RP","price":2388.0,"currency_code":"USD","in_stock":true},{"title":"New | On Order","offer_id":46167948493083,"sku":"M147","price":3495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/m147main.jpg?v=1692021554"},{"product_id":"neumann-m150-tube-microphone","title":"Neumann M 150 Tube Microphone","description":"\u003cp\u003e\n\tSince the 1950s, the Neumann M 50 has been heralded as the ideal microphone for orchestral recording and string scoring. With its phenomenal transient response and unique directional characteristic, this classic mic has endeared many fans, both in the control room and on the soundstage. The new M 150 Tube* takes many of the features from the original M 50 and incorporates them in a very modern microphone. With low self noise, a Titanium membrane and capsule, transformerless tube amplifier and sophisticated power supply, the M 150 Tube is not a reissue but an entirely new microphone in its own right.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"New | In Stock","offer_id":46167948689691,"sku":"M150","price":7999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":46167948722459,"sku":"M150RP","price":4948.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/m150main2_1.jpg?v=1692021540"},{"product_id":"akg-k240s-mk2-studio-headphones-k240smk2","title":"AKG K240 MkII Studio Headphones","description":"\u003ch2\u003eAKG K240 MkII Studio Headphones\u003c\/h2\u003e\n\u003cp\u003eThe AKG K240 MKII professional over-ear, semi-open headphones carry on the success of their predecessor—the AKG K240 Studio—and are a standard in studios, orchestras and on stages around the world. Their advanced 30 mm XXL transducers with patented Varimotion diaphragms deliver a wide dynamic range, increased sensitivity and high sound levels, while their semi-open design provides the airiness of open headphones with the powerful bass response of closed designs. With impressive accuracy, musicians, producers and engineers rely on the AKG K240 MKII to clearly hear mixing details, which has made these headphones a standard in recording settings. In addition to great sound quality, the headphones are extremely durable and comfortable. Not only built to withstand the demands of countless hours in the studio, their self-adjusting headband provides an ideal fit and their over-ear pads nicely envelop the ears. The AKG K240 MKII headphones also feature a professional mini XLR connector and come with a 3m (10ft) straight cable, 5m (16ft) coiled cable and convertible jack plug for connecting portable equipment easily. Altogether, from performance and ease of use to comfort and reliability, the AKG K240 MKII is a powerful tool for production environments.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Repack | In Stock","offer_id":46167949803803,"sku":"K240SMK2EBAYPRO","price":104.51,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46167949967643,"sku":"K240SMK2","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/akg-k240-mkii-studio-headphones2.jpg?v=1692021564"},{"product_id":"qsc-gx5-stereo-power-amplifier-gx5","title":"QSC GX5 Stereo Power Amplifier","description":"\u003cp\u003eThe QSC GX5 Stereo Power Amplifier is ideal for professional entertainers who require maximum performance and portability on a limited budget. QSC designers, headed by Pat Quilter, have optimized output and appearance of the rackmountable GX5 while reducing raw material cost and weight.\u003c\/p\u003e\n\u003cp\u003eThe GX5 power amplifier provides full performance for 500 watt (Program) speakers and supplies maximum possible power to 4 ohm and 8 ohm loads. Owners of popular 4 ohm loudspeakers (dual-woofer, two-way models and many subwoofers) will find the 700 watt (4 ohm) power of the GX5 an ideal match.\u003c\/p\u003e\n\u003cp\u003eThe GX5 power amp uses a Class H system, based on key elements of the PLX Series, almost doubling power in the same size and weight. QSC design expertise allows the output devices to shift from low-power to high-power rails in less than a millionth of a second, ensuring that the output power is always right where it needs to be without excess loss.\u003c\/p\u003e","brand":"QSC","offers":[{"title":"Pre-Owned | On Order","offer_id":46167950950683,"sku":"GX5EBAYPRO","price":499.99,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46167950983451,"sku":"GX5","price":699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/gx5_0b1adcd6-6f29-439f-a817-896160ebc49a.png?v=1717090820"},{"product_id":"shure-sm57-dynamic-cardioid-microphone-1069672","title":"Shure SM57 Dynamic Cardioid Microphone","description":"\u003cp\u003eThe SM57 is one of the most versatile microphones on the market. This dynamic product can handle the highest sound pressure levels without distortion, making it the perfect choice for recording high-volume instruments like drums. Many hit recordings feature the SM57 on the snare, as it can handle the noise without distortion. This product is also perfect for use with high-volume amplifiers. The SM57 can even handle close up recording on half-stack amps that are painfully loud for human ears. This microphone will help you to bring the feel of a live performance to your recordings for a better representation of your music. While this microphone is notorious for being used in the studio to record the sounds of percussion, wind, and string instruments, it also provides high quality vocal recording. Whether you are using it for spoken word or vocals, the SM57 will deliver a flawless sound while eliminating background noises. Because of its reliability, sound isolation, and quality sound reproduction, the SM57 has been used at the podium for Presidential speeches for the past 40 years.\u003c\/p\u003e\n\u003cp\u003eThe SM57 differs from microphones that are manufactured solely for vocal pickup in many ways.Vocal microphones like the SM58 have their frequency dialed in to a certain range that is common in most singers, enhancing that microphone’s pickup of the human voice. The SM57 doesn’t have this specific tuning, so it can handle frequencies on a much wider scale, with a response from 40Hz to 15KHz. Without this tuning, the microphone takes in the sound exactly as it is played, creating a perfect recording every time. This is even preferred by some vocalists who want only the raw input of their voice with no tuning at all.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe most popular dynamic microphone on the planet\u003c\/li\u003e\n\u003cli\u003eHigh Quality reproduction for drum, instrument and percussion amp miking \u003c\/li\u003e\n\u003cli\u003eContoured frequency response for rich vocals and clean instrumental reproduction\u003c\/li\u003e\n\u003cli\u003eExtremely durable for to withstand heavy use and abuse\u003c\/li\u003e\n\u003cli\u003eShock mount system cuts down handling noise\u003c\/li\u003e\n\u003cli\u003eCardiod pickup pattern reduces background noise while isolating the main sound source\u003c\/li\u003e\n\u003cli\u003eFrequency response: 40 to 15,000 Hz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shure","offers":[{"title":"New | On Order","offer_id":46167951048987,"sku":"SM57","price":109.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47318398730523,"sku":"C101129","price":63.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned - Version: Pre-owned | On Order","offer_id":48714262708507,"sku":"SM57SP2EBAYPRO","price":88.0,"currency_code":"USD","in_stock":false},{"title":"New - Version: FBA | On Order","offer_id":49302388998427,"sku":"SM57FBA","price":109.0,"currency_code":"USD","in_stock":false},{"title":"Repack | On Order","offer_id":49525925019931,"sku":"SM57EBAYPRO","price":89.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/sm57-1.jpg?v=1692021565"},{"product_id":"electro-voice-re20-broadcast-dynamic-microphone-re20","title":"Electro Voice RE20 Broadcast Dynamic Microphone","description":"\u003cp\u003eThe RE20 Variable-D® dynamic cardioid microphone is truly an industry standard, a firm favorite among broadcasters and sound engineers worldwide. 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Use the new attack control to fade in lush, smooth swells. Tune in the new second sub-octave to reach deeper than ever before. The 2-pole resonant low-pass filter now includes two additional Q modes. Slide in the newly enhanced detune to further refine your sound.\u003c\/p\u003e\n\u003cp\u003eThe POG2 delivers unrivaled tonal variations -- and now you can save your favorite settings, and recall them with a click. The POG2 just plain sounds better, thanks to an enhanced algorithm that delivers a more focused and in-the-pocket harmonic performance. And all this is now packed into our rugged and pedalboard-friendly diecast chassis.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Electro Harmonix","offers":[{"title":"New | In Stock","offer_id":46167951671579,"sku":"POG2","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47215871590683,"sku":"POG2EBAYPRO","price":366.66,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/pog2.jpg?v=1692021564"},{"product_id":"avantone-cv-12-multi-pattern-large-capsule-tube-condenser-microphone-cv12","title":"Avantone CV-12 Multi-Pattern Large Capsule Tube Condenser Microphone","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAvantone CV-12 Multi-Pattern Large Capsule Tube Condenser Microphone\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe AVANTONE “Cabernet (C-series)” mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe AVANTONE CV-12 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950’s \u0026amp; 1960’s…but at a fraction of their cost!\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOur rugged CV-12 microphone body and capsule assembly are precision machined of BRASS.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe transformer coupled tube circuitry has its origins in famous European vintage designs.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAny studio can proudly offer the CV-12 as a primary vocal mic…It exudes class visually as well as sonically.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tManufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe versatile CV-12 mic is able to produce professional results with a warm, pleasing sonic character.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t9-Pattern Tube Microphone w\/ dual 32mm gold sputtered thin Mylar capsules\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t-10 dB pad  \u0026amp;  80 Hz LF metal roll off toggle switches\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\"HAND SELECTED\" Russian made 6072A Tube\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEach CV-12 Mic has a serial number\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tUses Include:\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tStudio vocals, acoustic guitar, mandolin, drum overheads, room mic, piano…\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tStandard Included Items:\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAVANTONE CV-12 Tube Microphone\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAVANTONE Custom Retro Shockmount W\/ Extra Elastic bands\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAVANTONE PS-12 Multi-Pattern Power supply with cables\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tElegant padded genuine wooden Mic box\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPREMIUM GRADE 6072A Tube\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPadded Aluminum storage \/ travel case\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOwners Manual\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e“I’ve tried a lot of different mics on Taylor; I had the CV-12 on loan from Ray Kennedy as a ‘try this for a while’ mic, and Taylor came to the house to do a radio edit on one of her songs from the first album. When she put on the headphones and said ‘TEST’, completely unprompted, she said, ‘This is my mic. I love this mic. I just wanna use this one from now on!' She had no idea what it was, just loved it, and I went along with something that felt right for her. We’ve been using it ever since, and it sounds great on her voice.”\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tNATHAN PAUL CHAPMAN  ( Producer for Taylor Swift )\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e \"During my career, I have used just about every microphone  that is known to man.  That now includes the AVANTONE CV-12 tube and CR-14 Ribbon mics.  The CV-12 tube has a beautiful sound that we use here for vocals and drums and we have a pair of the CR-14’s for drums, ambient room sound, guitars, and many other instruments.  They are amazing sounding microphones that belie their price.  I can honestly say that these mics hold up against mics costing many times their price, while adding a little bit of their own sonic character to recordings.  That “character” is what makes AVANTONE microphones a valuable asset to our mic locker and I know that they will continue to see plenty of action on a regular basis”.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tLevon Helm - Levon Helm Studios\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e\"When you're producing a top country artist like Taylor Swift you can choose any microphone you want for the lead vocal, from vintage high-priced mics to the unimaginably rare that the top studios in Nashville have to offer. But I found the best sound and the most emotional microphone I could use for Taylor's lead vocal was the Avantone CV-12. I take it with me everywhere I record....Thanks for the CV-12 being County Music's best vocal mic\"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003eNathan Chapman   PRODUCER\/ENGINEER \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e(Taylor Swift,  Amy Stroup, Jill Johnson, Lori McKenna, Dogwood, Stephanie Chapman, etc.)\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e“Occasionally a piece of equipment shows up that brings real quality to the marketplace at an affordable price. Avant Electronics has done exactly that with the CV12 and CV 28 microphones. In fact, I can't remember something so good being so affordable. These mics sound terrific, are robustly built, and look great to boot. These are wonderful mics, affordable within any budget. They hold their own with my U48, C24, and other high end microphones which are twenty times more expensive!\"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003eTony Berg    PRODUCER \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e(Pete Yorn, Nickel Creek, Michael Penn, Squeeze, Edie Brickell, etc.)\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003eI wanted to tell you how much I like the CV-12…The CV-12 stands out as one of my first 'go to' mics for vocals in my collection….a solid winner on both my female and male singers…The CV-12 has a very warm sound especially good for vocals that tend toward the shrill side. I like the very slight presence boost--not too bright like some tube condenser mics...Everything about this mic is first class….”\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003eBarry Rudolph   PRODUCER\/ENGINEER \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e(Rod Stewart, Hall \u0026amp; Oates, Pat Benatar, Lynyrd Skynyrd, The Corrs. etc)\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e“I am very picky about vocal mics \u0026amp; have been a Neumann snob for over 10 years, but now the CV-12 is all I'm using. More detail\/ no honk….”\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e Jon Tiven    PRODUCER\/SONGWRITER \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e(BB King, Robert Plant, Wilson Pickett, PF Sloan, Howard Tate, etc)\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e“We just A\/B’d our Avantone CV-12 mic against my vintage Neumann U-47, AKG C-12 \u0026amp; AKG C12A tube mics and found the CV-12 to have a much better presence and better bottom end with a “friendly body” to its sound without too much coloration. The CV-12 has proven to be very “mic-pre friendly” which makes my job easier so I can spend more time capturing great vocal performances.”\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003eChuck Alkazian    PRODUCER\/ENGINEER \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tType\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eTube-Type True Condenser Microphone\u003c\/div\u003e\n\u003cdiv\u003e\n\tCapsule\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eDual-sided 32mm center-terminated gold-sputtered Mylar (6 micron)\u003c\/div\u003e\n\u003cdiv\u003e\n\tPolar Patterns\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e9 patterns selectable at PS-12 power supply\u003c\/div\u003e\n\u003cdiv\u003e\n\tFrequency Response\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e20Hz - 20kHz +\/- 3dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput Impedance\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u0026lt;=250 Ohms \/ transformer isolated\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tMaximum SPL\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t136dB (0.5% THD @1000Hz) 146dB with pad engaged\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEquivalent noise level\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u0026lt;17dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tS\/N Ratio\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t78dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSensitivity\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t-35dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput Connector\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tMale XLR 7 pin w\/ special power supply \u0026amp; cables\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tIncluded Accessories\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPadded  Wooden Box, Shockmount, Metal road case\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tTube Type\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t6072A\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tHigh-Pass Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t80 Hz 6dB\/octave Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAttenuation Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t-10dB Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPower Requirements\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e dedicated PS-12 Power Supply w\/ selectable 115\/230 VAC capability\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFinish\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPolished Nickel trim \/ Metallic Cabernet Red Body\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWeight\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t.8 kgs \/ 1.8 lbs\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tDimensions\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t237mm x 46mm  \/  9.5\" x 1.8\"\u003c\/div\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46167952326939,"sku":"CV12","price":399.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47187294421275,"sku":"CV12BRP","price":319.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned - Version: Used | On Order","offer_id":47402744447259,"sku":"C101573","price":299.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":47510758031643,"sku":"CV12EBAYPRO","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/cv12_1_2500x2500_6e03ca3f-d513-462a-ad7b-d0d0061df19f.jpg?v=1692021583"},{"product_id":"retro-instruments-sta-level-sta-level","title":"Retro Instruments Sta-Level","description":"\u003ch3 class=\"p1\"\u003eWhy You Need The Retro Instruments Sta-Level Tube Compression Amplifier:\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e Modern Recreation of the 1956 Gates Sta-Level, whose sound dominated on hits in the 1960's\u003c\/li\u003e\n\u003cli\u003eUtilizes classic G.E. circuit design and optional 6386 tubes\u003c\/li\u003e\n\u003cli\u003eTube balance can be instantly aligned without test equipment\u003c\/li\u003e\n\u003cli\u003eChange tubes to your liking, unit can also accommodate 2- 6BJ6 tubes\u003c\/li\u003e\n\u003cli\u003eCouple together 2 Sta-Levels for more options\u003c\/li\u003e\n\u003cli\u003eHand matched audiophile-grade coupling capacitors\u003c\/li\u003e\n\u003cli\u003eHigh quality, custom wound transformers used throughout \u003c\/li\u003e\n\u003c\/ul\u003e\u003cul\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003ch4 class=\"p3\" style=\"text-align: center;\"\u003eVintage Design for modern recording\u003c\/h4\u003e\n\u003cp class=\"p3\"\u003eRetro Instruments is changing the way the world sounds by creating classic style audio gear for modern recording. Retro products keep what made the originals the best of the best, updating vintage design with modern features to improve functionality - creating unique and innovative gear that sounds, looks, and feels vintage and state-of-the-art in equal measure.\u003c\/p\u003e","brand":"Retro Instruments","offers":[{"title":"New | In Stock","offer_id":46167952458011,"sku":"STALEVEL","price":3295.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47190534586651,"sku":"STALEVELEBAYPRO","price":2966.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/STALEVEL-0.jpg?v=1692021568"},{"product_id":"avid-digidesign-mh083-8-channel-snake-db25-male-1-4-trs-male-12-long-cable-1069718","title":"Avid Digidesign MH083 8-Channel Snake, DB25 Male 1\/4\"\" TRS Male, 12' Long Cable","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAvid Digidesign MH083 8 Channel Snake, DB25 Male 1\/4\" TRS Male, 12' Long Cable\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tBalanced\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eYes\u003c\/div\u003e\n\u003cdiv\u003e\n\tConnector 1\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eDB25\u003c\/div\u003e\n\u003cdiv\u003e\n\tConnector 2\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eTRS Male 1\/4\u003c\/div\u003e\n\u003cdiv\u003e\n\tLength\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e12'\u003c\/div\u003e\n\u003cdiv\u003e\n\tManufacturer Part Number\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e9940-29650-00\u003c\/div\u003e","brand":"Avid","offers":[{"title":"New | In Stock","offer_id":46167952687387,"sku":"MH083","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003620.jpg?v=1692021566"},{"product_id":"k-m-21090b-tripod-microphone-stand-with-telescoping-boom-1069724","title":"K\u0026M 21090B Tripod Microphone Stand with Telescoping Boom","description":"\u003cp\u003eRenowned mic stand and telescoping boom arm combination. Folding base for ease of transport. Long legs for added stability.\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"New | In Stock","offer_id":46167952916763,"sku":"21090B","price":116.99,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":51800182620443,"sku":"21090BEBAYPRO","price":84.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003680_11dd0532-32c3-4fdb-a1f6-d11b6203ff09.jpg?v=1704483069"},{"product_id":"k-m-25900b-tripod-mic-stand-1069725","title":"K\u0026M 25900B Tripod low profile Mic Stand","description":"\u003cp\u003eThe K\u0026amp;M 259 is a short tripod microphone boom stand designed for placement at guitar cabinets, DRUMS, monitors etc. The stand features an adjustable height between 14 - 25\".\u003c\/p\u003e","brand":"K\u0026M","offers":[{"title":"New | In Stock","offer_id":46167952982299,"sku":"25900B","price":112.99,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":49384621343003,"sku":"25900BRP","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003690.jpg?v=1692021569"},{"product_id":"mogami-gold-studio-3-xlr-cable-goldstudio3","title":"Mogami Gold Studio 3' XLR Cable","description":"\u003cp\u003eMogami has been revered by Audio Professionals for almost 50 years. It is undeniably the standard in Music Recording and Post Production facilities worldwide. Until now Mogami was only available to professionals and then only in large bulk quantities. \n\u003cbr\u003eFinally, the worlds best cable is available pre-wired, for all live performance and music recording appliations.\u003c\/p\u003e\n\n\u003cp\u003eMicrophone Cables\n\u003cbr\u003eMogami microphone cable is available in lengths of 3 to 50 feet wired with Neglex Studio Quad, for better clarity and freedom from noise and RF interference. Or for Stage and broadcast, our live cable is very durable for use where cables will be flexed and generally abused.\u003c\/p\u003e","brand":"Mogami","offers":[{"title":"New | In Stock","offer_id":46167953015067,"sku":"GOLDSTUDIO3","price":65.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/71mfa-5suyl._ac_sl1500__1.jpg?v=1692021567"},{"product_id":"mogami-gold-studio-6-xlr-cable-goldstudio6","title":"Mogami Gold Studio 6’ XLR Cable","description":"\u003cp\u003eMogami has been revered by Audio Professionals for almost 50 years. It is undeniably the standard in Music Recording and Post Production facilities worldwide. Until now Mogami was only available to professionals and then only in large bulk quantities. \n\u003cbr\u003eFinally, the worlds best cable is available pre-wired, for all live performance and music recording appliations.\u003c\/p\u003e\n\n\u003cp\u003eMicrophone Cables\n\u003cbr\u003eMogami microphone cable is available in lengths of 3 to 50 feet wired with Neglex Studio Quad, for better clarity and freedom from noise and RF interference. Or for Stage and broadcast, our live cable is very durable for use where cables will be flexed and generally abused.\u003c\/p\u003e","brand":"Mogami","offers":[{"title":"Pre-Owned | In Stock","offer_id":46167953047835,"sku":"GOLDSTUDIO6EBAYPRO","price":51.0,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46167953080603,"sku":"GOLDSTUDIO6","price":75.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/GOLDSTUDIO6_1.jpg?v=1692021577"},{"product_id":"mogami-gold-studio-15-xlr-cable-goldstudio15","title":"Mogami GOLD STUDIO 15' XLR CABLE","description":"\u003cp\u003eMogami has been revered by Audio Professionals for almost 50 years. It is undeniably the standard in Music Recording and Post Production facilities worldwide. Until now Mogami was only available to professionals and then only in large bulk quantities. \n\u003cbr\u003eFinally, the worlds best cable is available pre-wired, for all live performance and music recording appliations.\u003c\/p\u003e\n\n\u003cp\u003eMicrophone Cables\n\u003cbr\u003eMogami microphone cable is available in lengths of 3 to 50 feet wired with Neglex Studio Quad, for better clarity and freedom from noise and RF interference. Or for Stage and broadcast, our live cable is very durable for use where cables will be flexed and generally abused.\u003c\/p\u003e","brand":"Mogami","offers":[{"title":"New | In Stock","offer_id":46167953146139,"sku":"GOLDSTUDIO15","price":98.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/GOLDSTUDIO15_1.jpg?v=1692021573"},{"product_id":"mogami-gold-studio-25-xlr-cable-goldstudio25","title":"Mogami Gold Studio 25’ XLR Cable","description":"\u003cspan style=\"background-color: rgb(255, 255, 255); \"\u003eFrom large recording facilities to small project studios, engineers and artists trust Mogami Gold Studio microphone cables. Wired with Neglex studio quad, this 4-conductor cable offers the highest cancellation of noise and is the quietest, best sounding cable you can buy. Mogami Gold helps cure many of the problems encountered in a typical project or home studio, creating a pin-drop quiet recording environment with enhanced dynamic range.\u003c\/span\u003e\u003cbr style=\"color: rgb(51, 51, 51); font-family: Arial, Helvetica, sans-serif; font-size: 12px; background-color: rgb(255, 255, 255); \"\u003e","brand":"Mogami","offers":[{"title":"New | In Stock","offer_id":46167953211675,"sku":"GOLDSTUDIO25","price":119.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/GOLDSTUDIO25_2.jpg?v=1692021569"},{"product_id":"sony-mdr-7506-professional-headphones-1069755","title":"Sony MDR-7506 Professional Headphones","description":"\u003cp\u003e\n\tThe MDR-7506 is a large diaphragm foldable headphone designed for professional studio and live\/broadcast applications.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"New | In Stock","offer_id":46167953473819,"sku":"7506","price":114.99,"currency_code":"USD","in_stock":true},{"title":"New - Version: FBA | On Order","offer_id":49616960258331,"sku":"7506FBA","price":114.99,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":51609684345115,"sku":"7506NOBOX","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mdr-7506-2.jpg?v=1692021586"},{"product_id":"universal-audio-1176ln-classic-limiting-amplifier-1069757","title":"Universal Audio 1176LN Classic Limiting Amplifier","description":"\u003ch2\u003eUniversal Audio 1176LN Classic Limiting Amplifier\u003c\/h2\u003e\n\u003ch4\u003eFET-Style Compressor with Class A Output \u0026amp; Custom Transformers — True to the Original\u003c\/h4\u003e\n\u003cp\u003eThe 1176LN Classic Limiting Amplifier is a modern reproduction, yet every effort was made to remain faithful to UA founder Bill Putnam Sr.’s visionary design and intentions. The original UA 1176LN was a major breakthrough in limiter technology — the first true peak limiter with all transistor circuitry offering superior performance with a signature sound — and set the standard for all limiters to follow. The ultra-fast attack time and trademark sound have lured legendary artists and studio moguls alike to the 1176LN — Peter Frampton, Joe Satriani, Joe Chiccarelli, Vance Powell, and Mike Elizondo are just a few names on a list that’s continued to grow, for nearly 50 years.\u003c\/p\u003e\n\u003cp\u003eCarefully trained staff hand-wire and test each unit until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. Demand the original. Accept no copies.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Repack | On Order","offer_id":46167953506587,"sku":"1176LNRP","price":2388.0,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46167953572123,"sku":"1176LN","price":2999.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | Out Of Stock","offer_id":47103160451355,"sku":"C103483","price":1999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1176ln_front.jpg?v=1692021610"},{"product_id":"universal-audio-teletronix-la-2a-classic-leveling-amplifier-1069758","title":"Universal Audio Teletronix LA-2A Classic Leveling Amplifier","description":"\u003ch2\u003eUniversal Audio Teletronix LA-2A Classic Leveling Amplifier\u003c\/h2\u003e\n\u003ch4\u003eTrue to the Original Design, our Famed Tube-Amplified T4 Electro-Optical Classic Compressor\u003c\/h4\u003e\n\u003cp\u003eAudio professionals revere the LA-2A. The original was immediately acknowledged for its smooth, natural compression characteristics. A unique tube-driven electro-optical attenuator system allows instantaneous gain reduction with no increase in harmonic distortion — an accomplishment at the time, still appreciated today. This faithful Universal Audio reissue marks the rebirth of the Teletronix LA-2A. Painstaking care has been taken to ensure that every new LA-2A provides the performance characteristics of the original. Each unit is point-to-point hand-wired and built in Scotts Valley, California, with every component carefully evaluated for authenticity. As a result, today’s LA-2A will bring the same legendary compression characteristics of the original to all of your recordings.\u003c\/p\u003e\n\u003cp\u003eEach unit is hand-built and hand-wired in-house at UA with each component being carefully evaluated for authenticity. No expense has been spared to guarantee that this LA-2A will bring that classic sound to your recording. Demand the original. 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The standard models feature a durable ABS resin body with a simplified conservatory system.  The intermediate models offer a modified conservatory system available in both grenadilla and ABS resin body material.  For the custom models, only the finest select grenadilla is offered along with a full conservatory system.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Pre-Owned | On Order","offer_id":46167954260251,"sku":"YOB241EBAYPRO","price":2403.9,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46167954293019,"sku":"YOB241","price":4136.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/yob241.jpg?v=1692021594"},{"product_id":"yamaha-ysl446g-intermediate-trombone-with-f-attachment-ysl-446g","title":"Yamaha Ysl446g Intermediate Trombone WITH F ATTACHMENT","description":"\u003cp\u003e\u003cfont face=\"Georgia\"\u003e\n\tYamaha has become the worlds go to brand for instruments throughout the world. Known for their ease of playing, Yamaha instruments are often recommended by teachers, and preferred by students for their durability, sound, and craftsmandship.  Whether it is a beginner, intermediate, or professional model, Yamaha takes pride in their product, and only releases the best of the best.  \u003c\/font\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-family: Georgia; \"\u003eIf you are looking to invest in an advancing level trombone, well look no further! The Yamaha 400 series trombones have the perfect blend of professional features at an intermediate price. High quality gold-brass bell material and a seamless bell construction make the 400 series trombones an excellent value. \u003cspan style=\"text-decoration:underline\"\u003e\u003cstrong\u003eGet yours today, at Alto Music!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"New | In Stock","offer_id":46167955013915,"sku":"YSL446G","price":2841.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":51721665904923,"sku":"YSL446GEBAYPRO","price":2198.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/93214962b3cd476a9f04ba2b60dd523e_12073_1200x480_c8314b0e1f7717fa4314a25737e41266.jpg?v=1692021583"},{"product_id":"yamaha-ysl620-professional-trombone-ysl-620","title":"Yamaha Ysl620 Professional Trombone","description":"\u003cp\u003e\n\tyamaha professional series trombones have a hand hammered bell to maximize tone and projection. One piece drawn inner and outer slides ensure better alignment and lighter weight. The inner slide is made of chrome-plated nickel silver.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"New | In Stock","offer_id":46167956390171,"sku":"YSL620","price":3352.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10004310.jpg?v=1692021582"},{"product_id":"avantone-mixcubes-passive-full-range-mini-reference-monitors-in-butter-creme-mixcubes","title":"Avantone MixCubes Passive Full-Range Mini Reference Monitors in Butter Creme","description":"\u003cp\u003eThe AVANTONE MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENGINEERING OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe wanted to take it up a notch though...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFORMANCE OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMPLIFICATION and WIRING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...the MixCubes yield a microscopic-style view of critical midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson, Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper, Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eRandy Bachman, Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBrian Lucey, Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Alessandro Giordani, Synchronia Studio - Rome\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46167957209371,"sku":"MIXCUBES","price":299.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47187371917595,"sku":"MIXCUBESRP","price":219.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mixcubes_0.jpg?v=1692021595"}],"url":"https:\/\/www.altomusic.com\/collections\/all-in-stock-gear.oembed?page=679","provider":"Alto Music","version":"1.0","type":"link"}