{"title":"Alto Bucks 10%","description":"","products":[{"product_id":"audio-ease-speakerphone-2-boxed-version-sp","title":"Audio Ease Speakerphone 3","description":"","brand":"Audio Ease","offers":[{"title":"New | On Order","offer_id":46167937351963,"sku":"SP","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10000140_3.jpg?v=1692021440"},{"product_id":"api-512c-discrete-microphone-line-preamplifier-512c","title":"API 512c Discrete Microphone \/ Line Preamplifier","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 512C Discrete Mic \/ Line Pre\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOffering low noise (-129 EIN) and 65 dB of gain, the 512c includes phantom power, and switchable polarity, -20 dB pad and Mic or Instrument\/Line selector. Front panel XLR and 1\/4 inch connectors combined with rear panel mic access allows for additional flexibility when installed into an API lunchbox\u003cspan class=\"lunchbox_reg\"\u003e®\u003c\/span\u003e, API's 10 position 500V vertical rack, or an API console.\u003c\/p\u003e\n\u003cp\u003eThe API 512c remains faithful to the circuit designs of API's founder, Saul Walker. Fully featured and still hand assembled, the 512c carefully preserves the original sound character that made it so much a part of the early days of recording. Offering high headroom and a wide variety of inputs and input access points, it is equally at home in the commercial recording studio as it is in the home project studio.\u003c\/p\u003e\n\u003cp\u003eThe 512c Mic\/Line Preamp makes use of the 2520 op-amp and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167937515803,"sku":"512C","price":895.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47188525056283,"sku":"512CEBAYPRO","price":761.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/512C-0.jpg?v=1692021456"},{"product_id":"api-a2d-microphone-preamp-a2d","title":"API A2D Microphone Preamp","description":"\u003cp\u003e\u003cstrong style=\"font-size: 16px;\"\u003eAPI A2D Mic Preamps with Digital Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD Analog section consists of the circuitry contained in two 312s, half of that of the popular API 3124+. A level control pot with an expanded 20-segment metering system shows precise mic gain levels, while control switches include polarity, 48v phantom power, input pad, Mic\/Line select and 2:1 transformer routing, which selects a lower gain contribution from output transformer. Each analog input contains a balanced low-Z input XLR connector and a high-Z instrument input on a 1\/4\" jack.\u003c\/p\u003e\n\u003cp\u003eThe digital section of the A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD includes two API discrete 2510 amplifiers with level pots to adjust the feed to the A\/D converters, each with a corresponding 20-segment calibrated meter. A multi-position switch selects the desired sample frequency. The External Sync LED will light when an external clock signal is used.\u003c\/p\u003e\n\u003cp\u003eRear panel analog connectors include an XLR input and output for each channel, as well as a balanced 1\/4\" TRS insert to the A\/D converter. The TRS insert allows the A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD to have external analog processing devices inserted in the audio chain (EQs, compressors, etc.)\u003c\/p\u003e\n\u003cp\u003eThe A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD's digital interface connectors are a SPDIF single-ended RCA connector and an AES digital out on XLR. A coaxial BNC accepts external Super Clock, which will illuminate the front panel EXT SYNC LED when locked.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD comes with a pair of 9-pin D-sub connectors that allow the multiple units to be linked together with all units operating off the first sample-rate clock in the chain.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167937679643,"sku":"A2D","price":2275.25,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":47190633021723,"sku":"A2DEBAYPRO","price":1916.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_a2d_1_xl.jpg?v=1692021449"},{"product_id":"mcdsp-emerald-pack-4-0-native-emeraldpacknat","title":"McDSP Emerald Pack Native V7","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eMCDSP Emerald Pack 4.0 Native\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\tA versatile, powerful, professional plug-in suite for Pro Tools users.\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe McDSP Emerald Pack digital signal processing software delivers world-renowned emulations of vintage equalizers, compressors, tape machines, and channel amplifiers. This Native version combines custom console modeling, and the latest technology in convolution reverb and mastering limiters for Pro Tools users. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tHere's more information about each of the McDSP Emeral Pack's emulations:Analog Channel\u003c\/div\u003e\n\u003cdiv\u003e\n\tAnalog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers, through it's two plug-ins, AC1 (emulates analog channel amplifier circuits) and AC2 (emulates analog tape machines).The AC1 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio \"sits\" in the saturation\/compression region, and even the attack and release times of the distortion character are adjustable.The AC2 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1\/2 equalization, AC2 offers controls well beyond the limits of reel-world devices, including adjustable low-frequency roll off and head bump — independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.Channel G\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tChannel G delivers the big board sound with excellent flexibility and seamless integration with the Digidesign D-Control and D-Command control surfaces. Channel G features three plug-ins:•G Dynamics: a fully featured console style dynamics section with an Expander \/ Gate, Compressor \/ Limiter, and a versatile filter section•G Equalizer: a five-band professional grade console style EQ with a versatile filter section•G Console: a combination of the G Dynamics and G Equalizer configurationsAll Channel G configurations feature calibration modes for music, post production, and models of the world's most popular analog mixing desks.Channel G Compact\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tJust like Channel G, Channel G Compact's user interface seamlessly integrates with the Digidesign D-Control and D-Command control surfaces. It also works with the Venue D-Show and Profile live sound consoles. It delivers the same sonic experience as Channel G with a smaller DSP footprint. It comes with the G Console Compact Dynamics plug-in which is a fully featured console style Compressor \/ Limiter, 4-band EQ, and versatile filter set.Chrome Tone Amp\u003c\/div\u003e\n\u003cdiv\u003e\n\tChrome Tone Amp brings the world of custom guitar amps, boutique outboard gear, and pedal effects inside your audio workstation. It has 5 plug-ins, including Amp, Wah, Chorus, Trem, and Stack. These plug-ins provide you with a configuration that includes ultra-flexible distortion, compressor, and sustain circuits; gating; 3-band EQ; spring reverb; a pre-amp simulator; and several guitar cabinet models. Each Chrome Tone modulation configuration (Chorus, Wah, Trem) has a Dynamic envelope follower and Auto LFO to modulate the effect itself or the incoming audio.CompressorBank\u003c\/div\u003e\n\u003cdiv\u003e\n\tCompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression. It includes four plug-ins: CB1 for basic compression, CB2 for compression with pre-filtering, CB3 for compression for pre-filtering ad static\/dynamic EQ, and CB4 for emulations of six of world's most popular compressors.In addition to the standard threshold and ratio controls, the actual shape and response of the compression curve can be adjusted with the Knee and BITE controls. Flexible compression control is complimented with pre-filtering and post-compression EQ.DE555\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility. Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level — no manual input threshold adjustment required.Other options include continuously adjustable ratio and release controls to fine-tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the 'sss' and not the original dialog.Key filter options include high pass and band-pass filtering. A unique focus control further enhances the key filter's ability to separate 'essing' from actual dialog. The key filter output can also be monitored. Realtime displays of de-essing amounts and key filter response enable quick and easy setup.FilterBank\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFiterBank is a high-end equalizer plug-in designed to emulate the sounds of vintage and modern equalizers and filters. With its Peak, Slope Dip, controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ. It includes ten plug-ins:•E2 \/ E4 \/ E6 — parametric, high and low shelving EQ, high and low pass filters, in 2, 4, and 6 band configurations•P2 \/ P4 \/ P6 — parametric EQ with variable Q modes in 2, 4, and 6 band configurations•F1 \/ F2 \/ F3 — steep high and low pass filtering with resonant Q control•B1 — super notch filteringFutzBox\u003c\/div\u003e\n\u003cdiv\u003e\n\tFutzBox is a distortion and noise generator plug-in for creating low-fidelity versions of audio signals. It includes one plug-in which provides configurable 'futz' effect including filtering, EQ, and distortion.Typical post-productions require distorted, or 'futzed' versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less dsp power than conventional convolution based products. Furthermore, SIMs can be scaled in realtime and changed on the fly.In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in realtime to accommodate scene changes or other automation requirements.MC2000\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe MC2000 is a high-end multiband compressor plug-in designed to emulate the sounds of vintage and modern compressors. The three plug-ins (MC2 for 2-band compression, MC3 for 3-band compression, and MC4 for 4-band compression) give you complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24dB\/Oct crossover filters minimize signal leakage into adjacent compression bands.ML4000\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe ML4000 is a high-resolution limiter and multiband dynamics processor designed for music, mastering, post, and live sound. It has two plug-ins, the ML1, a mastering limiter, and ML4, a multiband Gate, Expander, and Compressor fed into the ML1 mastering limiter.The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive. The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band's Gate, Expander, and Compressor can be configured separately or linked together. Steep 24dB\/Oct crossover filters minimize signal leakage into adjacent bands. Multiple realtime metering options in each band allow quick visualization of all signal dynamics. The ML4 crossover page shows the overall frequency response in real time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies. Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.NF575\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe NF575 Noise Filter is a high-resolution filter set designed to remove a wide variety of noise types from audio. Its single plug-in provides filtering and five bands of notch-filtering with linkable frequency control.Accurate high-pass and low-pass filters reduce low frequency rumble and high-frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36dB\/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60Hz hum.Revolver\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tRevolver provides you with a compelling impulse library, with hundreds of sounds from rare holy grail, out-of-production reverbs and acoustic spaces. Additional acoustic spaces and outboard gear can be modeled in a few minutes with Revolver and the Revolver impulse response tools. Controls for the total reverb time (in percent and RT60 values), as well as wet and dry levels are always displayed. The remainder of the Revolver plug-in interface is separated into several control pages and views. Graphical representations of signal flow, impulse response data, EQ responses, and even images of the impulse response source are available.All parameter adjustments are heard immediately, and the outputs are not muted during any control updates. The user does not need to wait while the reverb is re-rendered.Synthesizer One\u003c\/div\u003e\n\u003cdiv\u003e\n\tSynthesizer One combines wave table and analog oscillators, a completely modular design, flexible filtering, and a dedicated effects section to produce inspiring leads, fat basses, and evolving synthetic textures. The Synthesizer One wavetable editor allows users to create unique waveforms for oscillators and LFOs. Waveforms may be drawn, generated from a suite of tools, or imported from an audio track.\u003c\/div\u003e","brand":"McDSP","offers":[{"title":"0 | On Order","offer_id":46167937974555,"sku":"EMERALDPACKV5NAT","price":899.0,"currency_code":"USD","in_stock":true},{"title":"New | On Order","offer_id":46167938007323,"sku":"EMERALDPACKNAT","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/emerald_pack_native_hd_2_copy_1.jpg?v=1692021454"},{"product_id":"motu-electric-keys-5000","title":"MOTU Electric Keys","description":"\u003cp\u003e\n\t\u003cspan class=\"\" style=\"font-family: Arial; font-size: 16px; \"\u003e\u003cstrong\u003eMOTU Electric Keys\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tElectric Keys is a cross-platform virtual instrument that delivers authentic sounds of 50 classic, vintage electric keyboard instruments from the last 40 years. This massive 40GB sound library includes over 20,000 meticulously crafted 24-bit 96 kHz multi-samples of legendary electric pianos, electric organs, clavinets, Wurlitzers, tape samplers, string machines, keyboard basses and other rare and exotic electric keyboard instruments.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tElectric Keys version 1.01 is now available as a free, downloadable update for all registered Electric Keys users. This maintenance update has numerous enhancements and is recommended for all users. For complete details, see the PDF documentation included in the 1.01 updater download.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tRecreate the popular keyboard sounds and riffs you know so well from your favorite recordings of the last four decades of rock, pop, funk and jazz, or create your own unique style with an intriguing assortment of rare electric keyboard instruments never before offered in a virtual keyboard product - and sure to delight even vintage keyboard devotees.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tElectric Keys is beautiful to look at and easy to use on screen. Load, save and combine factory or custom presets. Use the virtual effects rack to combine, apply and save chained multi-effects, including chorus, reverb, delay and more. It’s easy, fast and fun to play and layer professional, authentic electric keyboard sounds.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAdvanced software features include MIDI control of nearly all parameters, 256-note polyphony per instrument, ultra-low latency, efficient disk streaming for fast preset loading, world-renowned UVI Engine™ for superb sound quality, universal plug-in compatibility and stand-alone operation. You can even load and play Electric Keys sounds using MachFive for convenient, consolidated operation with your other sound libraries.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tElectric Keys supports all major plug-in formats on Mac OS X and Windows (XP and Vista), including VST, DXi, MAS, Audio Units and RTAS. It also runs as a stand-alone application, turning any laptop or desktop computer into the ultimate electric keyboard instrument.\u003c\/div\u003e","brand":"MOTU","offers":[{"title":"New | On Order","offer_id":46167938040091,"sku":"5000","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10000560_1.jpg?v=1692021450"},{"product_id":"spectrasonics-stylus-rmx-expanded-2xrmx","title":"Spectrasonics Stylus Rmx Expanded","description":"\u003cp\u003eStylus RMX is an award-winning, industry standard groove-based virtual instrument plug-in. Stylus RMX is the first product to offer the combined power of Groove Control® with Spectrasonics Advanced Groove Engine (S.A.G.E.™) technology giving users dramatic new control over groove production and performance.\u003c\/p\u003e\n\u003cp\u003eSpectrasonics' in-house development team created this innovative instrument from the ground up, with dozens of features including the ground-breaking Chaos Designer®, Time Designer®, an intuitive multi-page user interface, a deep core library of sounds, all with a focus on realtime groove creation and performance. Stylus RMX remains an industry standard tool of top composers and music producers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnsurpassed Innovations\u003c\/strong\u003e\u003cbr\u003eOf the many remarkable capabilities in \u003cstrong\u003eStylus RMX Xpanded\u003c\/strong\u003e, possibly the most innovative features are the Time Designer and Chaos Designer. With simple controls, the user can introduce musical Chaos into the groove, which allows it to have constantly evolving variations—giving the impression that the audio grooves are improvising. The results can be subtle or extreme by setting the simple to use controls. A Capture feature allows the spontaneous audio chaos patterns to be made into a MIDI file, dragged and dropped into the host sequencer, and played back again for further editing by the user. The Time Designer feature is unmatched in any other rhythm software and allows realtime changing of audio grooves to any time signature, feel or pattern— an infinite creative tool!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCore library\u003c\/strong\u003e\u003cbr\u003eThe over 14 gigabyte core-library in Stylus RMX has thousands of cutting-edge grooves and sounds that were created by Spectrasonics' international sound design team, and produced by Eric Persing. The core library contains nearly triple the amount of sounds offered in the original Stylus, and contains all the original material as well. The sounds and grooves in Stylus RMX offer a much wider range of modern musical genres than the original Stylus. Mixes of grooves are broken down into individual tracks called Elements for flexibility and infinite combinations.\u003c\/p\u003e\n\u003cp\u003eAlso introduced in Stylus RMX Xpanded are thousands of Kit modules, 250 Kit patches, as well as user Kit construction. Users can create their own customized multitrack remix grooves and kits, save them into the plug-in, and even share them with other Stylus RMX Xpanded users on different platforms and hosts. RMX now comes with 500 Multi grooves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXpanded and Xpandable\u003c\/strong\u003e\u003cbr\u003eStylus RMX Xpanded now includes all five Spectrasonics \"\u003cstrong\u003eS.A.G.E. Xpanders\u003c\/strong\u003e\", bringing the total number of included grooves\/sounds to nearly 10,000. The RMX platform has huge third-party library support with hundreds of available titles and can also be expanded with REX files – which opens the door for musicians to utilize their own audio loops within the powerful S.A.G.E. Environment.\u003c\/p\u003e","brand":"Spectrasonics","offers":[{"title":"New | In Stock","offer_id":46167939547419,"sku":"2XRMX","price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/2XRMX_0_2.jpg?v=1692021457"},{"product_id":"api-225l-discrete-compressor-225l","title":"API 225L Discrete Compressor","description":"\u003cp\u003eBoth NEW (\"feed forward\") and OLD (\"feed back\") methods are selectable on the front panel, providing two choices of gain reduction. NEW gain reduction is typical of the newer VCA type compressors that rely on RMS detectors for the gain control voltage. OLD or Feed-Back method is what most of the classic compressors used for the gain control circuit There also is a SOFT or HARD selector. SOFT provides a more subtle compression resulting in a very natural, less compressed sound. HARD results in a more typical, sharp knee type compression that has a much more severe limiting effect.\u003c\/p\u003e\n\u003cp\u003eRelease time is adjusted by rotating the inner concentric R knob. Release time constants: continuously variable from .3 seconds to 3 seconds. Attack time is adjusted by rotating the outer concentric A knob. Attack time constants: continuously variable from 1 millisecond to 25 milliseconds.\u003c\/p\u003e\n\u003cp\u003eAPI's 225L is designed for individual channel use, or through the use of the external LINK funcauto-makeuption. Two units can be combined for Stereo applications via a rear access pin. The 225L also has a side-chain input for the detector amplifier.\u003c\/p\u003e\n\u003cp\u003eThe 225L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 225L Compressor makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167939711259,"sku":"225L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/225L-0.jpg?v=1692021455"},{"product_id":"api-5006b-6-slot-high-current-lunchbox-5006b","title":"API 500-6B 6 Slot High Current Lunchbox","description":"\u003ch2\u003eAPI 500-6B 6 Slot Lunchbox\u003c\/h2\u003e\n\u003cp\u003eThe lunchbox has an internal power supply with a rear panel selected AC voltage switch and a removable power cord. The input\/output jacks are XLR. The lunchbox comes standard with a +48 volt internal phantom power supply, bussed to pin 15 for interface with the API 512c Mic Preamplifier.\u003c\/p\u003e\n\u003cp\u003eAPI makes several modules for the 500-6B, including the 512c Mic Preamplifier, the 525 Compressor, the 527 Compressor, the 550A 3-band EQ, the 550b 4-band EQ and the 560 Graphic EQ. Combinations of these modules make perfect stereo recording packages (two 512cs and two 550bs) or vocalist's box (one 512c, two EQs and one 527).\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHolds 6 API standard modules\u003c\/li\u003e\n\u003cli\u003eDesigned to accept all API standard 5.25\" X 1.5\" modules allowing you to bring along specialized effects for any situation with ease\u003c\/li\u003e\n\u003cli\u003eThe lunchbox is self-powered with a rear panel selected AC voltage switch and a removable power cord\u003c\/li\u003e\n\u003cli\u003eOther uses include:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-track recording of acoustic and electronic audio sources\u003c\/li\u003e\n\u003cli\u003eSound reinforcement systems and recording to multi-track formats\u003c\/li\u003e\n\u003cli\u003eMultiple facility projects where portability is a plus\u003c\/li\u003e\n\u003cli\u003eBroadcast and audio for video production\u003c\/li\u003e\n\u003cli\u003eCustom channel input strips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eNOTE: The older 560A equalizer may use pin 15 for a \"direct output\" and must be disabled on the 560A circuit board edge connector by cutting a trace. This will eliminate 48 volts from damaging the 560A series equalizers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167939842331,"sku":"5006B","price":699.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47103475908891,"sku":"5006BEBAYPRO","price":557.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/5006B_1.jpg?v=1692021467"},{"product_id":"api-235l-discrete-channel-noise-gate-235l","title":"API 235L Discrete-Channel Noise Gate","description":"\u003cp\u003e\n\t\u003cspan class=\"\" style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 235L Discrete Channel Noise Gate\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tThreshold control from -45 to +25 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\tVariable Fine Adjustable Depth to -80 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tAdjustable Release\/Hold Time, 50mS to 3 sec\u003c\/div\u003e\n\u003cdiv\u003e\n\t2:1 Expander or Noise Gate Selection\u003c\/div\u003e\n\u003cdiv\u003e\n\tRelease or Hold Switch for Release control knob\u003c\/div\u003e\n\u003cdiv\u003e\n\tAlways at Unity Gain, Regardless of settings\u003c\/div\u003e\n\u003cdiv\u003e\n\tLED Gain Reduction Meter\u003c\/div\u003e\n\u003cdiv\u003e\n\tUses the API 2510 and API 2520 Op-Amps\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Output, to +28 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 235L Noise Gate\/Expander has the ability to reduce noise in any type of program. The 235L can open unusually fast, without losing any part of the sound. Its extreme flexibility, repeatable settings, and superb sound make it ideal for all studio, live sound, and broadcast applications.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 235L is one of the fastest noise gates manufactured today. When an engineer is faced with program material with a high level of background noise, the 235L can either Gate the signal at a preset Threshold, or with the use of the Expander function, can reduce the background noise to an almost undetectable level. This can be achieved without the typical loss of the program material caused by slow triggering of the signal, or \"pinging\" caused by false triggering.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWith a wide range of adjustment, the 235L can operate from -45 to +25 dBu, fitting into any audio situation regardless of program level. Once the Threshold level is set, the Attack time can be selected to react faster than 100uS or slightly slower than 25mS to reduce false triggering. Although the Depth control has a full range of -80 dB, the scale is expanded in the first half of rotation so 0 to 9 dB is available for fine tuning of subtle, undetectable gating. The second half of rotation is from 10 to 80 dB for more drastic noise reduction.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Expander function uses a 1:2 ratio, allowing the signal to \"sneak up\" to the full signal level without any loss of \"under threshold\" vocal or percussion nuances. Setting the threshold in the Gate function to the desired level, then switching to the Expander mode is the perfect setup.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFor special gating functions such as the famed \"gated snare reverb\", the Release function can be switched to Hold, and the Release control becomes the Hold time. In both scenarios, the unselected function has a set time of 100mS.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWhen used with the other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 235L makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167939973403,"sku":"235L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_235l_1_l.jpg?v=1692021460"},{"product_id":"api-205l-discrete-direct-input-205l","title":"API 205L Discrete Direct Input","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 205L Discrete Direct Input\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tWide range GAIN control\u003c\/div\u003e\n\u003cdiv\u003e\n\tHi-Z input, like a Tube Amp\u003c\/div\u003e\n\u003cdiv\u003e\n\tThin \u0026lt; \u0026gt; Fat TONE Control reduces low end mud\u003c\/div\u003e\n\u003cdiv\u003e\n\tBRIGHT Switch boosts the presence\u003c\/div\u003e\n\u003cdiv\u003e\n\t20 dB PAD lowers the input level\u003c\/div\u003e\n\u003cdiv\u003e\n\t100 K LOAD switch changes the tone of instruments\u003c\/div\u003e\n\u003cdiv\u003e\n\t5 Segment LED Meter shows Output Level\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Coupled Output to +28 dBm\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll Discrete Design\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 205L Instrument Direct is specifically designed to accept a guitar or bass direct into it, without any loading on the pickups. The Gain Control is used to normalize the instrument's input level, up to a +4 dBu output level. With the use of the unique TONE control, the low end \"mud\" can be reduced. Turning on the BRIGHT switch adds clarity, like the bright switch on any amp. The combination of these two functions may eliminate the need for any EQ on the instrument when recording, keeping the signal pure.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe input is designed specifically to load a pickup the same way that a tube guitar amp would, retaining all of the tone, and minimizing the loading effect on the pickup. This minimal path eliminates the need to use a standard direct box, which more times than not only converts the signal to a balanced mic level output, which still requires a mic input, equalizer, and fader to get the signal to a recordable level.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 205L is capable of boosting any instrument to a hefty line level without additional amplifiers. With the 100 K LOAD switch, the tone of the pickup can be altered slightly, which tends to darken the high frequency content. The BRIGHT switch adds a treble boost in the same manner that most instrument amplifiers do, clarifying the instrument and adding presence to it without the need for outboard equalization. When inserting an instrument with an internal preamp or a line level instrument such as a sampler or a keyboard, the 205L has a 20 dB PAD switch to drop the level without loading, thereby retaining the full range of the 205L and its features.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWhen used with other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output. Also, the output of the 205L can be fed to tape, or the input of a guitar power amplifier. The artist can then be in the control room while the instrument amp is isolated in the studio.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 205L can be used in the Legacy or Vision Series Consoles, or in the L200 Rack. The 205L Direct makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity characteristic of API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167940006171,"sku":"205L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10000800_1.jpg?v=1692021453"},{"product_id":"api-212l-212l","title":"API 212L Discrete Microphone Preamp","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 212L Discrete Mic Pre\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tWide range GAIN control\u003c\/div\u003e\n\u003cdiv\u003e\n\t20 dB Pad\u003c\/div\u003e\n\u003cdiv\u003e\n\t48v Phantom Power Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\tRE 115 K Mic input Transformer\u003c\/div\u003e\n\u003cdiv\u003e\n\tLED VU Meter\u003c\/div\u003e\n\u003cdiv\u003e\n\tUses API 2520 Op-Amp\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll Discrete Circuit\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Coupled Inputs \u0026amp; Outputs to +28 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe tone of the 212L mic preamp finds its roots in the classic API 2488 series all discrete recording consoles, best known for the famed \"LA\" sound. This same mic preamp design is packaged into a compact module with features like a continuously adjustable Gain control and a unique 5 segment LED VU meter on each panel.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAn audio chain is only as strong as its weakest link. Often, emphasis is placed on obtaining the highest quality microphones, while neglecting the integrity of the mic preamp. The API 212L incorporates the same circuit as the legendary API console input modules, dating from the 1970's up to and including the Model 1608, thus preserving its sonic qualities. This mic-pre articulates high frequencies with great detail, while delivering the big sounding, warm bottom end that API is famous for. Whether it's a live performance or the private setting of a studio session, the 212L will capture every nuance of the moment.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 212L mic-pre all discrete circuitry features the API 2520 op-amp, the RE 115 K input and the AP-2623 output transformer. A -20 dB pad is provided, allowing the level feeding the mic transformer to be reduced by 20 dB, while keeping the proper load on both the mic and transformer. 48V Phantom power can be locally switched on or off via the front panel switch. An LED VU meter provides a true VU indication of the mic pre output level. The low noise floor, together with a clip point over +28 dBm, makes this preamp suitable for the most extreme applications requiring the highest quality audio.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 212L microphone pre-amplifier is an integral part of the famous Legacy and Visions Series of consoles and is available for the L200 Rack System. The 212L Microphone Preamplifier makes use of the 2520 op-amp and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167940104475,"sku":"212L","price":695.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | Out Of Stock","offer_id":47102546903323,"sku":"212LEBAYPRO","price":526.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_212l_1_l.jpg?v=1692021464"},{"product_id":"api-215l-discrete-hp-lp-sweep-filter-215l","title":"API 215L Discrete HP\/LP Sweep Filter","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 215L Discrete HP\/LP Sweep Filter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tWide range 6 dB per octave LOPASS control\u003c\/div\u003e\n\u003cdiv\u003e\n\tWide range 12 dB per octave HIPASS control\u003c\/div\u003e\n\u003cdiv\u003e\n\tBalanced input stage\u003c\/div\u003e\n\u003cdiv\u003e\n\tPassive filter design for smooth tone\u003c\/div\u003e\n\u003cdiv\u003e\n\tUnity gain throughout\u003c\/div\u003e\n\u003cdiv\u003e\n\tHard Wire BYPASS switch\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Coupled Output to +28 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll Discrete Design\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 215L is a unique passive, sweepable filter, designed specifically to contour the sound to preserve the natural tone of the signal. Its extreme flexibility, repeatable settings and superb sound make it ideal for all studio, live sound and broadcast applications.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 215L design is a passive low pass filter with a slope of only 6 dB per octave, and a passive dual high pass filter with a slope of 12 dB per octave. The filters are isolated from each other with the same discrete transistor buffer used in the famous 550 series equalizers. This minimizes interaction between the filters, as well as providing a low impedance source for the filter following the buffer.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe input section is a balanced circuit using the API 2510 all discrete op-amp, minimizing the loading effect on any device plugged into it. The output stage is a transformer balanced output, driven by the all discrete API 2520 op-amp.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe filters are both continuously adjustable, with a range from 20 Hz to 20 kHz in two bands. The low pass filter has a range from 500 Hz to 20 kHz, and the high pass filter has a range from 20 Hz to 600 Hz. This covers a broad range of frequencies throughout the entire audio spectrum.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tBecause of the subtle nature of the 215L filter, it finds a home with uses like rolling off the low end of a hi-hat, where a natural sound is desired, not the usual \"phase-shifter\" sound of a 18 to 24 dB per octave filter found on most consoles. It can also be used to thin out room mics, without the complete loss of low end which again usually results from steep filter circuits.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 215L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 215L Filter makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167940137243,"sku":"215L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_215l_1_l.jpg?v=1692021453"},{"product_id":"alan-smart-c2-stereo-compressor-1069446","title":"Alan Smart Research C2 Stereo Compressor","description":"\u003cp\u003e\n\tThe C2 compressor houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true Stereo operation. The C2M version has one set of controls and two audio channels for Stereo use, whilst the C2R is a dual channel remote expander for building up to 8 channel systems controlled from one C2M or C2. The characteristic sound of this unit arises mostly from the fast response at the onset of compression, which when delayed to occur around the mid range attack settings (after 0.3 to 3 milliseconds) results in a window through which transients can still pass. When used accross a mix, or with any dynamic programme, this has the effect of adding 'punch', as the sidechain 'breathes' around these transients, while still controlling overall levels. CRUSH mode has been developed as an extension of this 'musicality', adding to and accentuating the factors involved in producing the character of the unit. CRUSH may sound surprising to those interested in more gentle applications, being capable of exaggerated compression effects, but in conjunction with the fast limit settings also introduced with this unit, it allows the C2 to be used for a much wider range of applications than the C1.\u003c\/p\u003e","brand":"Alan Smart Research","offers":[{"title":"New | On Order","offer_id":46167940366619,"sku":"C2","price":2450.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47190500409627,"sku":"C2EBAYPRO","price":2812.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/C2_1.jpg?v=1692021470"},{"product_id":"smart-research-c1-buss-compressor-c1smart","title":"Alan Smart Research C1 Bus Compressor","description":"\u003cp\u003eC1 Original black front panel version of C2 compressor. (Two sets of controls and two audio channels, but no sidechain inputs, or crush facility). Popular in UK and US west coast studios.\u003c\/p\u003e","brand":"Alan Smart Research","offers":[{"title":"New | On Order","offer_id":46167940563227,"sku":"C1SMART","price":1950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/c1front.jpg?v=1692021456"},{"product_id":"chandler-limited-tg12413-zener-limiter-tg12413","title":"Chandler Limited TG12413 Zener Limiter","description":"\u003ch2\u003eChandler Limited EMI TG12413 Zener Limiter\u003c\/h2\u003e\n\u003cp\u003eThe EMI TG12413 Zener Limiter is the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. The Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition of EMI Limiters started in 1954 with the RS114 tube limiter and the 1968 RS168 Zener Limiter. The Zener Limiters were also part of the 1969 TG12345 console channel and the 1974 TG12413. This newest version borrows from the RS168 Zener Limiter and TG12345 console strip to make a new full featured and flexible unit for modern use.\u003c\/p\u003e\n\u003cp\u003eThe Zener Limiter is being reissued to add features and flexibility to the powerful and vintage sounding TG limiter circuits. Wade has added many new controls including switchable input impedance for hard or soft driving of the unit, 11-position attack, 21-position release, side chain filtering, and Comp 1, Comp 2, and Limit settings.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V).\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | On Order","offer_id":46167940628763,"sku":"TG12413","price":5499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/tg12413-02.jpg?v=1692021456"},{"product_id":"chandler-limited-tg1-stereo-compressor-tg1","title":"Chandler Limited TG1 Limiter Stereo Compressor","description":"\u003ch2\u003eChandler Limited TG1 EMI Abbey Road Stereo Compressor\u003c\/h2\u003e\n\u003cp\u003eThe Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late ’60s. These rare pieces were never commercially available, and only EMI owned studios had access to them. The TG1 Limiter was originally designed to be like the Fairchild 660\/670 which was loved by many EMI engineers including Geoff Emerick, but it ended up with its own very special sound.\u003c\/p\u003e\n\u003cp\u003eTG equipment was used on many classic records. The Limiter was featured on every channel of TG consoles used to record The Beatles “Abbey Road” and Pink Floyd “Dark Side of the Moon,” in addition to albums by Paul McCartney and the Rolling Stones.\u003c\/p\u003e\n\u003cp\u003eThe Limiter\/Compressor features an all discrete circuit with transformer balanced input and output. The limiting element is a rarely seen diode network that produces smooth, pleasing distortion. The warm open sound, often compared to a Fairchild 670 set to stun, is very audible and squishy sounding while maintaining its clarity and high frequency response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarmonic Distortion Function\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNow standard on all Abbey Road Special Edition TG-1’s, this option allows bypassing of the compressor\/limiter threshold but leaves all circuits in the signal path, turning the unit into a powerful Harmonic Distortion generator capable of kicking out up to 2% Total Harmonic Distortion. That’s more than 2 times the amount of analog tape! And all with 100% discrete transformer balanced circuits. Adjust the input for amount of THD and the output to match level. Try running Distortion on one channel and hard limiting on the other. The ultimate in retro! This option is placed on the front panel of the unit with a toggle switch for each channel.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V).\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | On Order","offer_id":46167940694299,"sku":"TG1","price":4280.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TG1-0.jpg?v=1692021464"},{"product_id":"chandler-limited-germanium-compressor-germaniumcomp","title":"Chandler Limited Germanium Compressor","description":"\u003ch2\u003eChandler Limited Germanium Compressor\u003c\/h2\u003e\n\u003cp\u003eThe Germanium series continues with the GERMANIUM Compressor. The Germ Comp starts with the same all class A amp found in the Germ Pre and Tone Control and is transformer balanced in and out. The compression circuit uses an FET gain reduction element but with the tricks and flexibility of all the Germ units. Some of the most notable additions include a Wet\/Dry mix (for “submixing” tracks within the comp), Comp Curve (which selects the knee using various diode combinations), Clean\/Dirty comp and Sidechain filter. Many of the Germ Comp parameters have been purposely set by studio use and listening not by over analyzing them with test gear. The result is a musical powerhouse ready for tracking, mixing, and mastering.\u003c\/p\u003e\n\u003cp\u003eAll Germanium units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V).\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | In Stock","offer_id":46167940858139,"sku":"GERMANIUMCOMP","price":1850.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":51498503373083,"sku":"GERMANIUMCOMPEBAYPRO","price":1555.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/chandler-germanium-compressor-1.jpg?v=1692021462"},{"product_id":"chandler-limited-little-devil-500-series-compressor-littledevilcomp","title":"Chandler Limited Little Devil 500-Series Compressor","description":"\u003ch2\u003eChandler Limited Little Devil 500 Series Compressor\u003c\/h2\u003e\n\u003cp\u003eCHANDLER LIMITED furiously enters the 500 race with its line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler’s best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level! \u003c\/p\u003e\n\u003cp\u003eThe Little Devil Compressor is a mixture of all that is Chandler. It combines elements of our LTD-2 and Germanium Compressor, as well as 2264 and 33609 units, into an all new compressor for a 500 format. Discrete transformer sound and handmade quality are the make up of the Devil Comp.\u003c\/p\u003e\n\u003cp\u003eIf you like any of the units that inspired it, you will enjoy seeing those sounds come to the next level. Revolutionary controls like wet\/dry, sidechain filter, and curve selection make the unit extremely flexible. When combined with its intense tone, this compressor gives you a powerful package in a small box!\u003c\/p\u003e\n\u003cp\u003ePlease note that all Devils feature increased compatibility! No power issues here!\u003c\/p\u003e\n\u003cp\u003eLittle Devil EQs and Little Devil Compressors have been upgraded to eliminate the power conflict experienced with some 3rd party racks and lunchboxes.  The upgrade has been tested in the racks listed above.  Any Little Devil EQ or Little Devil Compressor with compatibility issues can be returned to Chandler Limited for a free upgrade (parts and labor), however, Chandler Limited will not cover shipping costs.\u003c\/p\u003e\n\u003cp\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks:  API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | On Order","offer_id":46167940923675,"sku":"LITTLEDEVILCOMP","price":1145.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317900427547,"sku":"LITTLEDEVILCOMPEBAYPRO","price":1080.65,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/LITTLEDEVILCOMP-0.jpg?v=1692021464"},{"product_id":"crane-song-stc8-stereo-class-a-compressor-peak-limiter-stc8","title":"Crane Song STC8 Stereo Class A Compressor \/ Peak Limiter","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eCrane Song STC8 Stereo Class A Compressor \/ Peak Limiter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eThe STC-8 is a high quality stereo compressor combined with a remarkably dependable peak limiter, providing overload protection critical to digital recording and broadcast transmitters. The STC-8's compressor is engineered to provide musically transparent gain control, but is also capable of emulating vintage equipment and creating distinctive new sounds.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn addition, a switchable enhancement circuit creates analog and tube like warmth to enrich lifeless audio and digital recordings. This vast flexibility is simplified by the inclusion of several optimized presets, allowing fast, easy setup on a wide variety of sounds. It can operate in true stereo or discrete independent mono, accessible by a front panel switch.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe STC-8's sophisticated side-chain allows both compression and peak limiting to take place simultaneously, using the same proprietary gain circuit. High signal quality is maintained by utilizing a discrete class A audio path, and by eliminating any VCA or optical gain control elements.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe STC-8 requires 2 rack spaces. All inputs and outputs are transformerless and balanced. The toroidal power transformer is UL approved and allows four line voltages for international use.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe STC-8 delivers consistent gain control without sacrificing musical definition or harmonic richness.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe \"Ki\" and \"Hara\" Mode Switches - DISTORTION IN COMPRESSORS\u003c\/div\u003e\n\u003cdiv\u003eDistortion in compressors is dependent on the RELEASE TIME and the KI \u0026amp; HARA Sounds RATIO. The higher the ratio or the faster the release time, the greater the amount of induced distortion. This distortion follows the low frequencies and the sound envelope. In all conventional compressors, tube or solid Tube Warmth state, this distortion is third harmonic. The distortion is third harmonic because of the way the control circuits and gain control elements function.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThird harmonic distortion is a major part of what are called artifacts. Artifacts influence the sound of the compressor and may or may not be musical. Third harmonic distortion is not a musical artifact.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe STC-8 has the ability to change the type of induced distortion to second harmonic. In doing this the non-musical artifact of third harmonic distortion is changed to the musically pleasing sound of second harmonic distortion. The STC-8 is the only compressor-limiter on the market that has the ability to change the induced distortion from third harmonic to second.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eChanging the induced distortion from third harmonic to second harmonic results in new and different sounds and adds warmth. This change allows the use of higher compression levels with fast release times and still have the sound remain musical. This function is enabled on the STC-8 by putting the MODE SWITCH in the KI position.\u003c\/div\u003e\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSimultaneous Compression\/Limiting\u003c\/li\u003e\n\u003cli\u003eDiscrete Class A\u003c\/li\u003e\n\u003cli\u003eBalanced\/Transformerless I\/O\u003c\/li\u003e\n\u003cli\u003eQuick \u0026amp; Easy Presets\u003c\/li\u003e\n\u003cli\u003e'KI' \u0026amp; 'HARA' Sounds\u003c\/li\u003e\n\u003cli\u003eTransparent Overload Protection\u003c\/li\u003e\n\u003cli\u003eApplications\u003c\/li\u003e\n\u003cli\u003eDigital \u0026amp; Analog Mastering\u003c\/li\u003e\n\u003cli\u003eSystem Overload Protection\u003c\/li\u003e\n\u003cli\u003eBroadcast Engineering\u003c\/li\u003e\n\u003cli\u003eProject Studio DAW\u003c\/li\u003e\n\u003cli\u003eStereo Bus Compression\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8 Stereo Class A Compressor Specifications\u003c\/li\u003e\n\u003cli\u003eInput: Floating, balanced. Maximum input is +25 dBm. The connectors are XLR.\u003c\/li\u003e\n\u003cli\u003eOutput: Floating, balanced. Maximum output is +25 dBm. The connectors are XLR.\u003c\/li\u003e\n\u003cli\u003eFor Input and Output: Pin 2 is Sig + , Pin 3 is Sig- , Pin 1 is GND\u003c\/li\u003e\n\u003cli\u003eSide Chain Connections: Floating, balanced. Connections are made by using a DB-15 Male Connector. This is a loop insert and must be normaled back to the STC-8.\u003c\/li\u003e\n\u003cli\u003eUnbalanced Connections: Are made by tying the SIG- Pin to the GND Pin. If the connection is an input, it is best to tie at the signal source. If the connection is an output, it is best to tie at the STC-8 connector.\u003c\/li\u003e\n\u003cli\u003ePower: 100, 120, 230,240 volt; 50\/60 Hz; 55 watts\u003c\/li\u003e\n\u003cli\u003eMDL .6A Fuse for 100V and 120V\u003c\/li\u003e\n\u003cli\u003eMDL .3A Fuse for 230V and 240V\u003c\/li\u003e\n\u003cli\u003ePilot Lamp: # 7335\u003c\/li\u003e\n\u003cli\u003eShipping Weight: 19 lbs. (8.6 kg)\u003c\/li\u003e\n\u003cli\u003eDepth Behind Panel: 12.5 inches (31.75 cm) plus cabling\u003c\/li\u003e\n\u003cli\u003ePanel Height: 2 rack spaces\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8 Stereo Class A Compressor Downloads\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8 Users Manual (PDF)\u003c\/li\u003e\n\u003cli\u003eVERSIONS of the CRANE SONG STC-8:\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8: The standard - Everything you've read about above with smooth, continuously variable potentiometers. Great for standard use where dialing in a sound needs precision, but not exact recall ability.\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8\/H: Detented output gain for utmost accuracy and resetability.\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8\/M: All pots with detented control. The ultimate Mastering version.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Crane Song","offers":[{"title":"New | On Order","offer_id":46167941021979,"sku":"STC8","price":4499.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47320170397979,"sku":"C1014300","price":2799.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10000950_1.jpg?v=1692021466"},{"product_id":"dramastic-audio-obsidian-stereo-compressor-1069457","title":"Dramastic Audio Obsidian Stereo Compressor","description":"\u003cp\u003eThrough the use of several proprietary methods the Dramastic Audio Obsidian performs a range of tasks unheard of from the average SSL or SSL-esque unit. The fist difference the user will notice is that the unit suffers no ‘shrinkage’ to the audio sound field. The highs stay brilliant and clear and the bottom will continue to thunder (especially with the unit’s internal High Pass Filter engaged on the unit’s detection circuit).\u003c\/p\u003e\n\n\u003cp\u003eThe second thing the user will notice is that when the \"auto\" release time is employed the audio has a smooth, rich texture without any pumping or breathing. From there, if the user has decided that the audio is a little too smooth for their application a simple click of the release switch to the \"lofi\" setting will net all the \"in your face\" aggression a user may desire. Overall the clarity and performance of this unit is unparalleled by any unit based around a Voltage Controlled Amplifier (VCA) gain reduction cell. At first look it may suggest something from the past, but at first listen the user will understand the future of professional audio. Transformer balanced input\/output interface which gives the Obsidian its unique sound. The TXIO Enhanced option produces that \"phat\" classic analog sound making the Obsidian an excellent way to add warmth and character to digital audio workstations.\u003c\/p\u003e","brand":"Dramastic Audio","offers":[{"title":"New | In Stock","offer_id":46167941153051,"sku":"OBSIDIAN","price":3195.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: OBSIDIANSL | On Order","offer_id":46167941185819,"sku":"OBSIDIANSL","price":3045.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49637861294363,"sku":"OBSIDIANSLEBAYPRO","price":2388.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/OBSIDIAN-0.jpg?v=1692021475"},{"product_id":"dw-fearn-vt7-dual-vacuum-tube-compressor-vt-7","title":"DW Fearn VT-7 Dual Vacuum Tube Compressor","description":"\u003cp\u003eThe VT-7 has a highly transparent sound, although it can be used more aggressively when needed. Artifacts of the compression process are substantially lower than in most other compressors.\u003c\/p\u003e\n\u003cp\u003eThe two channels may be used independently or linked for stereo. In addition, a third position on the Link switch inserts a high-pass filter (HPF) in the side-chain to reduce the gain-reduction sensitivity of the VT-7 to low frequencies. This is a gentle roll-off, nominally at 100Hz. This allows a bass-heavy mix to have a better frequency balance and prevents heavy low-frequency audio from modulating the audio level.\u003c\/p\u003e\n\u003cp\u003eNew VT-7s have been optimized to eliminate the need for an internal fan. While the fans in D.W. Fearn equipment has always been extraordinarily quiet, research has shown that no fan is even quieter. \u003c\/p\u003e\n\u003cp\u003eLike all our products, the VT-7 is designed to process high-quality audio and make it sound even better.\u003c\/p\u003e\n\u003cp\u003eThe VT-7 is equally adept in tracking as well as a bus compressor. Even jazz and classical tracks can be sent through the VT-7 for some mild gain control without obvious effect other than a significant improvement in the overall sound of the mix.\u003c\/p\u003e","brand":"DW Fearn","offers":[{"title":"New | On Order","offer_id":46167941644571,"sku":"VT7","price":9800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/vt7.jpg?v=1692021469"},{"product_id":"chandler-limited-mini-rack-mixer-minimixer","title":"Chandler Limited Mini Rack Mixer","description":"\u003ch2\u003eChandler Limited Mini Rack Mixer\u003c\/h2\u003e\n\u003cp\u003eThe Chandler Limited Mini Mixer is the culmination of Chandler’s experience working with many types of vintage discrete circuits. The Mini Rack Mixer traces its lineage back to several types of these amplifiers developed in the 60s and 70s that have been Chandlerized for modern usage.\u003c\/p\u003e\n\u003cp\u003eEach Channel of the 16×2 mixer is transformer balanced and driven by the new Chandler line amp, which borrows from Chandler’s other products but has been redesigned for use in this mixer. The Mini Mixer is jam-packed with 20 discrete amplifiers and 22 custom wound transformers, giving it a classic sound with all the punch and tone you need for today’s digital environment.\u003c\/p\u003e\n\u003cp\u003eIn addition to the mixer section, the unit has a full featured Control Room section including Talkback, Speaker switching, Mute, Mono, Dim, External input (also used as an insert point), and separate Control Room and Stereo Buss outs. Mixers are easily expandable to 32 channels or more.\u003c\/p\u003e\n\u003cp\u003eAll Mixer units require and function on the PSU-2, Chandler Limited power supply. The PSU-2 has an internal switch for setting voltage to 120V or 220V (115V\/230V).\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | On Order","offer_id":46167941742875,"sku":"MINIMIXER","price":8999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MINIMIXER-0.jpg?v=1692021466"},{"product_id":"manley-labs-massive-passive-stereo-tube-eq-1069478","title":"Manley Labs Massive Passive Stereo Tube EQ","description":"\u003cp\u003eThe MASSIVE PASSIVE is a two channel, four band equalizer, with additional high pass and low pass filters. \"Passive\" refers to the tone shaping part of this clever new EQ design not using any active circuitry. Only metal film resistors, film capacitors and hand-wound inductors sculpt the sound, kinda like a Pultec EQ on hyper-steroids. Super-beefy, hugely-high-headroom Manley all-tube make-up gain amplifiers deliver your tunes into the next realm. \"Massive\".... it's a fitting word for this beast. You'll need to experience this.\u003c\/p\u003e\u003cdiv\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Filters\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003e5 frequencies Hi Pass and bypass, PLUS 5 frequencies Lo Pass with bypass. We made them extra steep. 36 dB\/oct ! Why? When you need to remove the garbage, this does the trick and allows more of the real music to be untouched. The other reason is that it sounds killer when combined with the regular bands. Towards the mids this degree of steepness may be tamed somewhat. We're going for pure \"usefulness\" not \"well, we guess it's standard\". Thinking drums and guitar stacks, and other tough jobs. These filters are passive too.\u003c\/div\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003eHigh Pass Filters = 22, 39, 68, 120, 220, OFF\u003c\/li\u003e\n\u003cli\u003eLow Pass Filters = 6K, 7K5, 9K, 12K, 18K, OFF\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cspan style=\"font-weight: bold;\"\u003eParametric Frequencies\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003eLOW - 22, 33, 47, 68, 100, 150, 220, 330, 470, 680, 1K\u003c\/div\u003e\u003cdiv\u003eLM - 82, 120, 180, 270, 390, 560, 820, 1K2, 1K8, 2K7, 3K9\u003c\/div\u003e\u003cdiv\u003eHM - 220, 330, 470, 680, 1K, 1K5, 2K2, 3K3, 4K7, 6K8, 10K\u003c\/div\u003e\u003cdiv\u003eHI - 560, 820, 1K2, 1K8, 2K7, 3K9, 5K6, 8K2, 12K, 16K, 27K\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Manley Labs","offers":[{"title":"New | On Order","offer_id":46167942103323,"sku":"MASSIVEPASSIVE","price":6999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | In Stock","offer_id":47102200512795,"sku":"MASSIVEPASSIVERP","price":5600.0,"currency_code":"USD","in_stock":true},{"title":"Demo | In Stock","offer_id":47478377218331,"sku":"MASSIVEPASSIVEEBAYPRO","price":5628.72,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned - Serial Number | On Order","offer_id":50320177201435,"sku":"C1055602","price":4899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/msmp-ft-2020.jpg?v=1692021493"},{"product_id":"chandler-limited-little-devil-500-eq-1069479","title":"Chandler Limited Little Devil 500 EQ 500 Series Equalizer","description":"\u003ch2\u003eChandler Limited Little Devil 500 Series EQ\u003c\/h2\u003e\n\u003cp\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler’s best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level! \u003c\/p\u003e\n\u003cp\u003eThe Little Devil EQ is a small package with a huge sound. It is a Chandlerized British console sound in a 500 package.\u003c\/p\u003e\n\u003cp\u003eThis Devil has all discrete circuits with custom transformers, an inductor-based EQ that modern gyrator circuits can’t touch, and a classic Baxendall tone control that is simply huge sounding! These units are all handmade using through-hole components and handwiring. We don’t use surface mount components which, in our opinion, lowers the quality. Chandler’s units are extremely high-quality made the way your favorite vintage units were made to preserve that special sound.\u003c\/p\u003e\n\u003cp\u003ePlease note that all Devils feature increased compatibility! No power issues here!\u003c\/p\u003e\n\u003cp\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks:  API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003c\/p\u003e\n\u003cp\u003eLittle Devil EQs and Little Devil Compressors have been upgraded to eliminate the power conflict experienced with some 3rd party racks and lunchboxes.  The upgrade has been tested in the racks listed above.  Any Little Devil EQ or Little Devil Compressor with compatibility issues can be returned to Chandler Limited for a free upgrade (parts and labor), however, Chandler Limited will not cover shipping costs.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Pre-Owned | On Order","offer_id":46167942201627,"sku":"LITTLEDEVILEQEBAYPRO","price":1264.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46167942234395,"sku":"LITTLEDEVILEQ","price":1335.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/chandler-limited-little-devil-500-eq.jpg?v=1692021479"},{"product_id":"api-5500-stereo-dual-mono-550-equalizers-with-range-switch-5500","title":"API 5500 Stereo\/Dual Mono 550 Equalizers with Range Switch","description":"\u003ch2\u003eAPI 5500 Stereo\/Dual Mono 550 Equalizers with Range Switch\u003c\/h2\u003e\n\u003cp\u003eTypical of API products, the 5500 contains no integrated circuits in its signal path. The gain comes from two hand-built 2520 Operational Amplifiers in each channel. The balanced input is handled by a 2510 Discrete Operational Amplifier, which is similar to the 2520, but without the high-current output stage. A key component of the API sound, the 2520 coupled with the API 2503 output transformer, is capable of delivering +30dBm before clipping.\u003c\/p\u003e\n\u003cp\u003eAn extremely useful feature in the 5500 is the range control. The range of the amplitude controls can be reduced to 1\/2 or 1\/4 of their stated scale, providing a means to adjust the tonal balance with finer resolution in an even gentler manner. This is especially useful for complex program material as contained in stems or submixes and is ideally suited for mastering purposes.\u003c\/p\u003e\n\u003cp\u003eAPI's 5500 also features a true hard-wire bypass which wires the output connector directly to the input. Shortly after the power is first applied, or immediately after it is lost, a special circuit enables \"bypass mode\" so that power thumps are never heard.\u003c\/p\u003e\n\u003cp\u003eThe 5500's input XLR is connected to an active balanced circuit. The unit's output XLR is driven from a transformer coupled output and can drive any load from 600 ohms or more to full output capability. There is no change from input to output in the unit's polarity, so it is suitable in studios using either pin 2 or pin 3 as the \"hot\" connection. Additionally, the 5500 has a 1\/4 inch input connector that interrupts any present signal on the input XLR. It is balanced and can be driven from either balanced or unbalanced sources. A positive signal on the tip will deliver a positive signal on pin 2 of the output XLR. Using the 1\/4 inch input does not bypass any internal circuitry and does not change the gain or operating levels.\u003c\/p\u003e\n\u003cp\u003eThe 5500 features API's industry exclusive five-year parts warranty and exhibits the reliability and long life characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167942431003,"sku":"5500","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_5500_1_xl.jpg?v=1692021477"},{"product_id":"api-550a-discrete-3-band-equalizer-550a","title":"API 550A Discrete 500-Series 3-Band Equalizer","description":"\u003cp\u003eForty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004.\u003c\/p\u003e\n\u003cp\u003eThe 550A provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost\/cut are selected by three dual-concentric switches, and a pushbutton \"in\" switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the 550A.\u003c\/p\u003e\n\u003cp\u003eThe combination of Walker's incomparable 2520 op amp and his \"Proportional Q\" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization.\u003c\/p\u003e\n\u003cp\u003eWith the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942463771,"sku":"550A","price":1195.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | Out Of Stock","offer_id":47103722389787,"sku":"C103627","price":755.16,"currency_code":"USD","in_stock":false},{"title":"Open Box | On Order","offer_id":47317582905627,"sku":"550AEBAYPRO","price":985.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned - Version: 550A | Out Of Stock","offer_id":51226599817499,"sku":"C103642","price":899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_550a_1_xl.jpg?v=1692021508"},{"product_id":"api-550b-discrete-4-band-eq-1069484","title":"API 550b Discrete 4-Band Equalizer","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 550b Discrete 4 Band EQ\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSo many hit records still depend on the unique 550 sound that engineers around the world find it to be an invaluable tool. In fact, the 550b design has been taken from the original blue prints and spec control drawings from the API archives. It is unlike any other EQ you will ever use.\u003c\/p\u003e\n\u003cp\u003eRather than offer a huge assortment of complex features, the API 550b provides exactly the right number of controls. Its four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device with each band offering seven switchable filter frequencies that span four-to-five octaves. These frequencies, purposely selected to be musical rather than numeric, were selected by an experienced \"who's who\" list of the industry's most proficient engineers.\u003c\/p\u003e\n\u003cp\u003eMaking use of API's \"Proportional Q,\" an innovation designed by Saul Walker in the '60s, the 550b intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings without the need for additional bandwidth controls. This unique feature minimizes the \"phase-shift\" sound found in many equalizers. In addition, the reciprocal nature of the 550b enables the user to \"undo\" what has been done previously with exact precision.\u003c\/p\u003e\n\u003cp\u003eThe benefits of the API 550b are most obvious to those who work with EQ on a continuous basis. If major tonal restructuring is required, the extraordinary headroom made possible with API's 2520 Op Amp offers the predictable and warm analog performance, even under duress. With a surprisingly wide range of tonal variations, the 500b is an invaluable and professional audio tool with great flexibility and excellent sonic ability.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942758683,"sku":"550B","price":1295.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46167942856987,"sku":"550BEBAYPRO","price":1117.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_550b_1_xl.jpg?v=1692021486"},{"product_id":"api-560-discrete-10-band-graphic-equalizer-560","title":"API 560 Discrete 10-Band Graphic Equalizer","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 560 Discrete 10 Band Graphic Equalizer\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith a wide range of 500 mounting options, from racks to consoles, the 560 proves an invaluable asset to all critical performance applications. Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp.\u003c\/p\u003e\n\u003cp\u003eThe extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Of course, the 2520's ability to drive low impedance loads is key when it is paired with API's custom output transformers. The results are quite audible with better low frequency reproduction and tighter imaging, which gives you that legendary API \"punch in your gut\" sound.\u003c\/p\u003e\n\u003cp\u003eThe 10 precision EQ bands make the 560 ideal for signal sweetening and room tuning. A great companion to a parametric EQ, the 560 utilizes API's unique \"Proportional Q\" design introduced during the '60s. This design intuitively widens the filter bandwidth at lower boost\/cut levels and narrows it at higher settings. Additionally, boost and cut characteristics are identical, allowing previous actions to be undone if desired.\u003c\/p\u003e\n\u003cp\u003eReliable, durable and uniform, the API 560 EQ delivers that \"one-of-a-kind API sound\" with precision easy set filtering and high headroom in a compact package. 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Royer's patented Offset Ribbon Transducer, the first of it's kind for ribbon microphones, places the ribbon closer to the front side of the microphone allowing it ample room to move within the magnetic field, giving it the ability to maintain it's full frequency response while recording high SPL sources. \u003c\/p\u003e\n\n\u003cp\u003eThe Royer R121 is the go-to ribbon mic for the modern recording engineer. Own one today!\u003c\/p\u003e","brand":"Royer","offers":[{"title":"Pre-Owned | In Stock","offer_id":46167943807259,"sku":"R121EBAYPRO","price":1298.0,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46167943840027,"sku":"R121","price":1599.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: L.E. Distressed Rose Matched Pair | On Order","offer_id":46167943872795,"sku":"R121-ANN-LE-MP","price":3198.0,"currency_code":"USD","in_stock":false},{"title":"New - Version: L.E. 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Distressed Rose | On Order","offer_id":51063548477723,"sku":"R121-ANN-LERP","price":1212.12,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/71wvski8htl._ac_sl1500_e2a1b346-b1f4-4926-be49-c751307518ea.jpg?v=1716912001"},{"product_id":"manley-labs-voxbox-combo-microphone-preamp-1069504","title":"Manley Labs Voxbox Combo Microphone Preamp","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eManley Labs VOXBOX Combo\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eIt looks awesome, but what is it?\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePrimarily, it is a voice processor which in itself is not a novel idea, but the time had come to pull out all the stops and make a truly professional high-end statement. One that covered the needs of the project songwriters and big-time major studios alike. One whose all-tube signal path could bring every instrument and overdub to life. One that, plain and simple, sounded unquestionably better than the rest, provided flexibility, simplicity, and well thought-out ergonomics. Full of features, timeless style, robust build quality, and that world-famous \"Manley Sound\", we present to you the MANLEY VOXBOX®\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eThat's nice. What's is good for?\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eWhile we were designing the VOXBOX® we couldn't help but notice how well it works on other instruments besides voice. There are some great settings for drums, bass, guitar, and keys and the two separate sections can be used together or independently. Stereo using two VOXBOXes? You know we couldn't resist planning for that as well. There are Stereo Links for both the compressor and the De-Ess\/Limiter sections, special compression settings and super-sweet EQ frequencies for your mix or pre-mastering. So don't just use it for voice. The name \"VOXBOX®\" represents only the beginning...\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eMICROPHONE PREAMPLIFIER SECTION:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe preamplifier is a clone of a highly regarded and popular mic pre: the Manley Mono Microphone Preamplifier! The mic input transformer is our own design wound in-house at the Manley Labs factory. High current 48V Phantom power is switchable from the front panel. A simple and effective passive BASS CUT switch kills rumble and reduces popping. The INPUT ATTENUATOR is a variable pad control situated before the first tube stage allowing the preamplifier to accommodate +4 line level signals via the balanced LINE INPUT and instruments via the front panel 1\/4\" DIRECT INPUT. These inputs are selected in the middle position of the dual-function phase invert switch. We provide both transformer balanced XLR output as well as a transformerless \"audiophile\" 1\/4\" phone jack output. The Gain switch is actually a clever variable feedback control that changes not only the gain but the slew rate and flavour of the circuit. With it you can choose how laid back and mellow or how up-front and aggressive you want it to get. See \"Notes on Variable Feedback\" for more info. Headroom is a strong point in this circuit, +31dBu capable. This is 5 to 10 dB better than almost all other pro gear. The music passes through only our super-clean pure Class A vacuum tube circuitry. There are obvious advantages to our purist approach and foremost is the un-electronic final sound that carries emotion into the digital realm.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eCOMPRESSOR SECTION:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis cool compressor design takes our opto-isolator approach of the Manley ELOP® Limiter to the max. We adjusted the Ratio down to 3:1 to turn our ELOP into a compressor and added ATTACK and RELEASE controls for more versatility. What is clever is how the signal is compressed before it hits the tubes with no detrimental effect on distortion or frequency response. This way, it can prevent mic-pre clipping and eliminate whole stages of electronics. This cuts the typical path of mic to tape in half! We also pioneered new thinking in the sidechain by using up to four different time constants simultaneously and controlling them with familiar simple attack, release and threshold controls. We call the approach \"Parametric Compression\". We developed optimum settings or presets based our favorite Vactrols that we use in our own fast ELOP® Limiter, the quick LA-2A's T-4 module, the slower LA-3A and then created more complex special settings. This extended range and method of timing delivers fresh sounds from powerhouse punching drums to super-solid bass yet can also emulate the way good engineers delicately ride a fader while recording. It is transparent and liquid-smooth on vocals, easy to use and accurate. Also rare for an opto-based dynamic processor, this compressor works great on mixes. Of course, you'll be needing two VOXBOXes linked in stereo...\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eEQ SECTION:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eLots of folks requested that we include the Pultec Mid Frequency Equalizer in the VOXBOX®, but they wanted MORE.... Now we've extended it to 33 frequencies in 3 bands with 6 new frequencies from 20 Hz to 150 Hz, and 6 more in the highs from 6.4 KHz to 20 KHz. Ever notice that only EQs with real inductors have the bottom end magic or that only Class A circuitry can keep the top end sweet? This is for you. The EQ INPUT switch patches in the Line Input, Preamp Output, or the INSERT return. This switch serves double-duty acting as a bypass switch for the preamp and\/or external processors or for processing two different tracks.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eDE-ESSER \u0026amp; LIMITER SECTION:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDesigned by folks with admittedly large gaps between their two front teeth, (Hutch and EveAnna) the VOXBOX® combo also includes a de-esser \u0026amp; peak limiter based on our original ELOP® Limiter design but with an added passive LC network to handle the de-essing four carefully chosen notch frequencies from 3KHz to 12KHz. (That 3KHz setting really tames those annoying frequencies!) The fifth position gives you a limiter which totally mimics the famous LA-2A. This means you can both compress pre-EQ then limit here post-EQ. Another cool feature is the ability to insert this de-esser silently and smoothly as the music plays, using it as needed.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eTHE METER:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe METER is a full size illuminated Sifam VU meter. A five-position switch shows three audio levels: the line input, the preamp output and the final output. It also shows compressor gain reduction and the de-esser\/limiter action. Other clever innovations incorporated into the VOXBOX® combo include warm-up muting circuitry, extensive magnetic field containment, 'smart -grounding', and silent switching. The sum-total is more than the separate parts: consider the reduced patching, the short path to tape and you having this much immediate control. 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This desktop (and rackable) preamp offers the same definitive sonic fidelity and expert craftsmanship as all Great River products. Transparency and vintage harmonic structure are both achieved with NV-Series preamps.\u003c\/p\u003e\n\u003cp\u003eThe ME-1NV achieves new classic performance status with two discrete Class-A gain stages (the dual gain-stage meters are a Great River exclusive), a front-panel DI input jack which is routed via a FET and BJT buffer  through the input transformer (also unique to Great River preamps) for must-hear-to-believe sound from all Hi-Z instruments, and a discrete high-current Class-A \"big iron\" transformer-coupled output amplifier. The ME-1NV is a fundamentally important audio tool that brings out the best in every microphone and instrument.\u003c\/p\u003e\n\u003cp\u003eThe ME-1NV has an internal power supply suitable for operation on any power grid. 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This shared architecture increases the high level headroom capability, improves transient response and doubles the internal bandwidth of the ultra-high performance pure Class A signal amplifiers. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOUTPUT and METERING\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eHigh-current DC coupled, Class A discrete amplifiers are utilized for the output drive interface with +36dB capability into all known loads.  Two large, high-quality analog VU meters indicate accurate signal readings while bi-color LED's offers peak indication at 0dB and +20dB.\u003c\/span\u003e\u003c\/p\u003e","brand":"Avalon","offers":[{"title":"New | On Order","offer_id":46167944921371,"sku":"2022","price":3911.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10001510.jpg?v=1692021483"},{"product_id":"empirical-labs-mike-e-mikee","title":"Empirical Labs Mike-e","description":"\u003cp\u003e\n\tThe Mike-E from Empirical Labs is a modern digitally controlled Microphone Preamplifier chocked with unusual features to warm and soften the source, along with an excellent compressor\/limiter. Mike-E offers an incredible performance transformer-coupled mic preamp, whose noise floor is far below any microphones self noise. The one-of-a-kind CompSat section is an uncompromising compressor and saturator circuit that offers versatile coloring, and classic knee compression.\u003c\/p\u003e","brand":"Empirical Labs","offers":[{"title":"New | On Order","offer_id":46167944986907,"sku":"MIKEE","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MIKEE_0.jpg?v=1692021489"},{"product_id":"gml-8200-dual-channel-5-band-parametric-equalizer-with-8355-power-supply-c01","title":"GML 8200 Dual-Channel 5-Band Parametric Equalizer with 8355 Power Supply","description":"\u003cdiv\u003e\n\tBrought to you from the man who invented the term “Parametric Equalization”, the 8200 has been an industry standard for over twenty years, and can be found on virtually every major recording studio’s stereo bus. 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The 2U 8200 uses one 8355 PSU.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSPECIFICATIONS\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tINPUT\u003c\/div\u003e\n\u003cdiv\u003e\n\t20 kOhm balanced bridging\u003c\/div\u003e\n\u003cdiv\u003e\n\t32 dB common mode rejection at 20kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\t+27.4 dBv maximum before clipping (+ 28 VDC supplies)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tTHROUGHPUT\u003c\/div\u003e\n\u003cdiv\u003e\n\t+ 0.1 dB, 10 Hz to 80 kHz response (controls set flat)\u003c\/div\u003e\n\u003cdiv\u003e\n\t0.002% Harmonic distortion at any frequency 20 Hz - 20 kHz1\u003c\/div\u003e\n\u003cdiv\u003e\n\t0.002% SMPTE Intermodulation distortion2\u003c\/div\u003e\n\u003cdiv\u003e\n\t30 v\/usec discrete low noise, high performance amplifiers\u003c\/div\u003e\n\u003cdiv\u003e\n\tno tantalum or electrolytic interstage or output coupling capacitors\u003c\/div\u003e\n\u003cdiv\u003e\n\tnoise -97.5 dBv bypassed, -78 dB or better typical (control position dependent)\u003c\/div\u003e\n\u003cdiv\u003e\n\trolloff: 3 dB down at 260 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFORM FACTOR - 2 CHANNELS, 5 BANDS: FULLY PARAMETRIC\u003c\/div\u003e\n\u003cdiv\u003e\n\t1) 15 Hz - 800 Hz, Q of .4 - 4 or shelving, 15 dB boost\/cut\u003c\/div\u003e\n\u003cdiv\u003e\n\t2) 15 Hz - 800 Hz, Q of .4 - 4, 15 dB boost\/cut\u003c\/div\u003e\n\u003cdiv\u003e\n\t3) 120 Hz - 8 kHz, Q of .4 - 4, 15 dB boost\/cut\u003c\/div\u003e\n\u003cdiv\u003e\n\t4) 400 Hz - 26 kHz, Q of .4 - 4, 15 dB boost\/cut\u003c\/div\u003e\n\u003cdiv\u003e\n\t5) 400 Hz - 26 kHz, Q of .4 - 4 or shelving, 15 dB boost\/cut\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOUTPUT\u003c\/div\u003e\n\u003cdiv\u003e\n\t+27.4 dBv clipping\u003c\/div\u003e\n\u003cdiv\u003e\n\t3 mv output offset, stabilized by D.C. servo correction\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOTHER\u003c\/div\u003e\n\u003cdiv\u003e\n\texternal power supply: +28 volts\u003c\/div\u003e\n\u003cdiv\u003e\n\tseparate ground and chassis connections at rear\u003c\/div\u003e\n\u003cdiv\u003e\n\t19\" x 3 1\/2\" rack case, black anodized aluminium, silver legend, 8 1\/2\" deep\u003c\/div\u003e\n\u003cdiv\u003e\n\tweight: 6 lbs.\u003c\/div\u003e","brand":"GML","offers":[{"title":"New | On Order","offer_id":46167945052443,"sku":"8200","price":8360.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":50116874600731,"sku":"C10057BROOKLYN","price":3700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/8200front0.5x.jpg?v=1692021505"},{"product_id":"aea-r84-figure-eight-large-ribbon-geometry-velocity-microphone-r84","title":"AEA R84 Figure Eight Large Ribbon Geometry Velocity Microphone","description":"\u003ch2\u003eAEA R84 Figure-Eight Large Ribbon Geometry Velocity Microphone\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eHOW IS THE R84 DIFFERENT FROM OTHER RIBBON MICROPHONES?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCall it a “Swiss army knife”, your “desert island mic”, or simply “the workhorse” – the R84 was designed to be flexible and practical in a myriad of recording settings. The R84 delivers exceptional headroom while maintaining an intimate performance quality with smooth highs and extended lows. These aspects, combined with the reduced proximity effect, make the R84 incredibly well suited for both close-up and ambient mic applications. It’s just as versatile as an R44, flattering voice, strings, brass and drums alike.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT IS UNDER THE HOOD?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AEA R84 uses a big, 2.35” by 0.185” by 2-micron pure aluminum low-tension (16.5 Hz) ribbon element just like the classic R44. Many ribbon mic manufacturers choose shorter ribbons that are easier to install, but AEA’s Large Ribbon Geometry™ design offers important advantages. Ribbon microphones operate linearly above their resonant frequency, unlike condenser or moving coil transducers, so the resonant frequency of a good microphone design should be as low as possible. The longer the ribbon, the lower the resonant frequency will be. The ribbon has to move twice as far for every drop in octave as it vibrates within the magnetic gap, thus, a longer ribbon will allow for further movement back and forth. This results in the ribbon handling louder sound sources and more sound pressure level (SPL).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE LEGACY SERIES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1976, when General Electric bought RCA and closed down its microphone division AEA began servicing RCA’s legendary ribbon mics. Twenty-two years later, AEA reissued the iconic 44 ribbon mic and has continued to make ribbon microphones in the RCA tradition to this day. From the R84 Workshorse, R92 Up-Close Passive, Stereo R88, and Supercardioid KU4 – there is a AEA Legacy microphone for every application and setting.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"New | In Stock","offer_id":46167945183515,"sku":"R84","price":1299.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47102059905307,"sku":"R84SPEBAY","price":898.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10001540.jpg?v=1692021489"},{"product_id":"focal-twin6-be-near-field-monitor-each-twin6be","title":"Focal Twin6 Be Monitor","description":"\u003cp\u003eThe Twin6 Be is the best seller of the Focal Professional range and the most versatile work tool of the SM6 line. It represents the only necessary solution for recording, mixing and mastering. The image precision, treble definition as well as midrange neutrality are at the heart of its reputation.\u003c\/p\u003e\u003cp\u003eThe excellent articulation of the bass and midbass registers, even at very high sound levels, makes it an unavoidable reference for engineers who require absolute transparency. Furthermore, the design of the Twin6 Be permits a high SPL while at the same time offering a stable tonal balance. One of the two 6.5\" woofers works in large band (midrange  bass) whereas the other reproduces from 40 to 150Hz. This creates a bass that preserves all the signal dynamics, without any masking effect in the midrange, thereby keeping all its neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning on the control plate on the back of the Twin6 Be in order to obtain a\u003c\/p\u003e","brand":"Focal","offers":[{"title":"New | On Order","offer_id":46167945249051,"sku":"FPST6","price":2299.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | In Stock","offer_id":46167945281819,"sku":"C103560","price":1373.44,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/twin6beface.jpg?v=1692021495"},{"product_id":"a-designs-audio-atty-stereo-attenuator-atty","title":"A Designs Audio ATTY Stereo Attenuator","description":"\u003cdiv\u003eManufacturer’s Description:\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe ATTY (rhymes with “Patty”) is a no-compromise totally transparent passive two-channel line-level attenuator. ATTY’s\u003c\/div\u003e\u003cdiv\u003eattractive price point and tiny footprint (4-1\/2” x 1-1\/2” x 3”) makes it a highly versatile and convenient solution for many\u003c\/div\u003e\u003cdiv\u003eapplications.  Suitable for use in any world-class recording facility, it can also serve as a cost-effective solution to more than\u003c\/div\u003e\u003cdiv\u003ea few problems faced by project studio owners, and is an invaluable addition to just about any live or remote broadcast rig.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eATTY’s interface is simplicity personified. Housed in a rugged metal enclosure, it has two Neutrik XLR\/balanced 1\/4” combo\u003c\/div\u003e\u003cdiv\u003ejacks and two balanced XLR outputs that deliver noise-free operation. A single convenient knob controls both output\u003c\/div\u003e\u003cdiv\u003echannels, and a Mute button lets you easily silence your source without having to change a dialed-in level.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eATTY’s passive design allows it to be used in a plethora of applications, the most common being control of any line-level\u003c\/div\u003e\u003cdiv\u003eoutput device…but wait - there’s more! Say you’re recording kick drum and snare with an API 3124. The input gain is set at\u003c\/div\u003e\u003cdiv\u003ethe sweet spot…but, due to the API’s hot output, you need a touch of attenuation to protect your converters from clipping,\u003c\/div\u003e\u003cdiv\u003eand you don’t want to change sound quality by using its pads or record with compression. ATTY is the answer.  Another\u003c\/div\u003e\u003cdiv\u003euseful application is wiring an ATTY in line with a stereo tube preamp (such as the A-Designs MP-2A) and exploring different\u003c\/div\u003e\u003cdiv\u003ein\/out level combinations without overloading other gear. It’s also a handy device for maintaining level control of powered\u003c\/div\u003e\u003cdiv\u003emonitors that have a separate volume control on each speaker. Once you calibrate your monitors to equal levels, you need\u003c\/div\u003e\u003cdiv\u003enever touch them again\u003c\/div\u003e","brand":"A Designs Audio","offers":[{"title":"New | In Stock","offer_id":46167945511195,"sku":"ATTY","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/atty-02.jpg?v=1692021493"},{"product_id":"benchmark-dac1-usb-2-channel-24-bit-192-khz-da-converter-14050200","title":"Benchmark DAC1 USB 2-Channel 24-Bit 192 Khz DA Converter","description":"\u003cp\u003eThe DAC1 HDR is an all-in-one reference-quality stereo pre-amplifier. This stereo pre-amp brings together all the best features and performance of the award-winning DAC1 family with the convenience of an intelligent remote control solution. The DAC1 HDR combines some of Benchmark's finest engineering accomplishments into one device: the DAC1 digital-to-analog audio converter with Ultra Lock clock system, Advanced USB computer audio playback (USB DAC) interface, and the legendary HPA2 headphone power amplifier. The unique remote control solution of the DAC1 HDR is built around Benchmark's new HDR-VC (high dynamic range volume control). Benchmark's product designs have achieved unprecedented sonic purity due to an uncompromising engineering philosophy: eliminate digital distortion artifacts, establish a pristine analog path, and maintain sonic integrity regardless of external factors. The DAC1 HDR continues this tradition of excellence. The remote control solution of the DAC1 HDR has an intelligent implementation of dimming and muting. The 'Dim' (quiet) and 'Soft-Mute' settings of the remote control can be easily adjusted independent of the normal volume setting. The DAC1 HDR remembers and recalls your specified 'Dim' setting. This feature is ideal for HDTV users, as it allows you to set your preferred 'Dim' level for commercials, etc. The 'Soft-Mute' function fades down the volume to the 'Dim' level before muting and smoothly raises the volume to the normal level after unmuting. With a generous offering of inputs and outputs, the DAC1 HDR serves as the heart of expansive media and entertainment systems, optimizing the signal path from the various sources to the amplifier. The DAC1 HDR will enhance the audio performance of your digital television, digital cable box, DVD\/CD player, computer, music\/media server, satellite radio, phono stage, FM tuner, iPod, VCR, tape deck, etc.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eTwo Channel, 24-bit, 192-kHz, D-to-A Conversion\u003c\/li\u003e\n\u003cli\u003eJitter Immunity with Ultra Lock technology\u003c\/li\u003e\n\u003cli\u003e1 x USB, 1 x AES, 1 x S\/PDIF, and 1 Toslink input. Balanced XLR outputs, and unbalanced RCA outputs.\u003c\/li\u003e\n\u003cli\u003eDriverless USB 1.0 - 96kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eHPA2 headphone power amplifier\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bench","offers":[{"title":"New | On Order","offer_id":46167945642267,"sku":"14050200","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10001640.jpg?v=1692021490"},{"product_id":"tubetech-pe1c-program-equalizer-pe1c","title":"Tubetech PE1C Program Equalizer","description":"\u003cp\u003eThe TUBE-TECH PE 1C is a passive tube based program equalizer designed to meet the exacting standards of even the most demanding studio engineers. \u003c\/p\u003e\n\n\u003cp\u003eThe TUBE-TECH PE 1C Program Equalizer contains a low frequency boost and attenuation section (shelving), and a high frequency boost section (peaking). The high frequency section has variable bandwidth as well as attenuation (shelving). The filter section is of the passive type followed by a tube based push-pull amplifier to restore the gain. \u003c\/p\u003e\n\n\u003cp\u003eInput and output are balanced as well as fully floating. Input and output transformers come with a static screen between the primary and secondary wirings.\u003c\/p\u003e","brand":"Tubetech","offers":[{"title":"New | On Order","offer_id":46167945740571,"sku":"PE1C","price":3780.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47188115521819,"sku":"PE1CRP","price":2788.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10001680.jpg?v=1692021505"},{"product_id":"a-designs-audio-pacifica-pacifica","title":"A Designs Audio Pacifica 2 Channel Solid State Microphone Preamp \/ DI","description":"\u003cp\u003e\u003cstrong style=\"font-size: 16px;\"\u003eA Designs Audio Pacifica 2 Channel Solid State Microphone Preamp \/ DI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003eTwo-channel, solid-state preamp with custom, “ear-tested” transformers for the “Big Iron” sound of the ’70s\u003c\/div\u003e\n\u003cdiv\u003eThe A-Designs Audio Pacifica harkens back to the golden age of recording, when consoles were spec’d out by studio engineers and custom-built to provide a sound like no other. Designed, built, “ear tested,” and beta tested by long-time recording industry veterans, the Pacifica takes its sonic cues from the mythic Quad Eight console, a recording desk that easily stood toe-to-toe with API and Neve. However, the A-Designs Pacifica is by no means a vintage reissue—it has a sound and character all its own. Said by top professionals to have the depth of a Neve, the midrange of an API and the high-end of a Massenburg, the Pacifica has quickly established itself as the go-to preamp for numerous Grammy-winning and platinum-selling engineers and producers.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn keeping with A-Designs Audio’s mission of sound quality above all, the features of the Pacifica are just what an audio professional needs to record high-quality tracks and no more. Sonically compromising extra switches and components of dubious features are eliminated from the signal path. Plus, with 72dB gain and extremely low-noise operation (-128dB EIN) the ribbon mic-friendly Pacifica ensures clarity and fidelity—whether you’re going for transparency or plenty of punch and character.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePaying homage to the color scheme of the Quad Eight Pacifica console, the hand-crafted Pacifica sports a rich, cream-colored finish with solid-feeling, red metal gain knobs; a red +48V phantom-power push button with red LED indicator—both for easy identification if ribbon mics are involved; plus grey push buttons for phase reverse and –20dB pad—all giving the Pacifica a look reminiscent of California girls, beach boys, and classic Woodies.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIt also has two front-panel Hi-Z instrument inputs, but just like a classic Woodie, it’s what’s under the Pacifica’s hood that gives the DIs a special kick. Unlike other preamps, the Pacifica’s DIs are routed through the input transformer, which puts signal through two transformers for added depth and richer tone. And these aren’t just any transformers. Key to the Pacifica’s sound, they’re custom-designed input and output transformers built by Tom Reichenbach of Cinemag (whose father, Ed, built the transformers for the original Quad Eight desks). The output transformers are custom wound and share the same design as those found in the original Quad Eight. Input transformers are pure, proprietary A-Designs.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eBut transformers don’t tell the whole story. Another key factor to the Pacifica’s sound is its wide-bandwidth design, which ranges from 9Hz to 101kHz with less than 1% distortion. Along with its custom transformers, the linear response down below 10Hz provides the big, punchy sound that the Pacifica has become famous for. It also provides harmonic content well above the range of human hearing, which reduces in-band phase shift for more realism, along with the added benefit of more harmonic information to work with at mixdown—turning your EQ into a creative tool rather than a corrective one.\u003c\/div\u003e\n\u003cdiv\u003eWhile some may believe the glory days of recording are over, The Pacifica is “living” proof that those days have never left us, and better days are still ahead. 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