{"title":"Buzz Audio","description":null,"products":[{"product_id":"buzz-audio-req-2-2-stereo-eq-w-mastering-version-with-active-filter-low-band-req2-2mea","title":"Buzz Audio REQ 2.2 Stereo EQ w\/ Mastering Version with Active Filter Low Band","description":"\u003ch4\u003e\u003cem\u003e\u003cstrong\u003eThe REQ 2.2MEA is the same as the REQ 2.2 model, but with a \u003c\/strong\u003eMastering Version with Active Filter Low Band\u003c\/em\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003ethe resonance factor\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe REQ-2.2 equalizer utilizes parallel resonant circuits in a clever configuration whereby the bandwidth (Q) of the circuit can be adjusted like an active filter, but without any complex relay switching. The inductor\/capacitor resonant \"tank\" eq circuit runs at a low internal signal level which avoids any inductor saturation effects. The overall result is the sound of real choke based filters with a big open sound, but without the limitation of only a few - or no bandwidth selections as found on traditional choke eq's.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eaudio path quality\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAs you would expect, the REQ uses their BE40 True Class A circuits developed for the MA-2.2 microphone amplifier for the best possible audio performance that mastering engineers desire. But sometimes you might need a bit more color, so they have included a saturation section that introduces measured amounts of low frequency harmonic distortion via a steel audio transformer driven by a single ended tansistor amplifier. The High Pass Filter is placed in the beginning of the eq chain and the Low Band eq section is placed last in the chain. This layout produces the best overall equalizer coherency.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eoperational beauty\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe large knobs and positive feel of the switching make the REQ a pleasure to operate and everything is visually clear when mounted into a console. In total there are 72 frequency choices per channel with overlapping selections across the four bands so you can always find the centre frequency you are looking for. A looping line XLR input and two parallel XLR outputs provide flexible connection options in the mastering control room. Finally, the brushed aluminium low glare rustic silver finish and retro Elma knobs give the REQ an impressive look in your rack!\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003econtrols and functions\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEach eq band has a 12 position switch to select the Frequency and another that selects the Bandwidth of the bell shape curve (Q) which is adjustable from 1\/3 octave to 2 octaves wide. On the High and Low bands, the Bandwidth control reverts to shelf Slope control when Shelf mode is selected via the push button switch (not with the Active Low Band option). The Low and High Mid bands frequency range is changed to alternative selections when the Freq x2.5 mode is selected. Each band also has an in\/out switch. The mastering version Boost\/Cut control is a 23 postion Elma switch with a range of +\/-8dB. The recording version is fitted with a Alps center detent pot with a range of +\/- 15dB.\u003c\/p\u003e\n\u003cp\u003eOn the right side of the front panel are the High Pass Filter and Saturation controls with their own in\/out switches. The overall System in\/out controls and the power switch complete the picture. The channel A and channel B push button switches in this section can be grouped by holding down any switch for 5 seconds. This means for stereo work you only need to push either the channel A or B switch to change both channels simultaneously. (This feature only applies to units with serial number Q1110 and up).\u003c\/p\u003e","brand":"Buzz Audio","offers":[{"title":"New | On Order","offer_id":46181108351259,"sku":"REQ2.2MEA","price":8200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/REQ22MEA_0.jpg?v=1692037648"},{"product_id":"buzz-audio-req-2-2-stereo-mastering-edition-eq-req2-2me","title":"Buzz Audio REQ 2.2 Stereo Mastering Edition EQ","description":"\u003ch4\u003e\u003cem\u003e\u003cstrong\u003eThe REQ 2.2ME is the same as the REQ 2.2 model, but with a Mastering version with choke filter low band. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003ethe resonance factor\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe REQ-2.2 equalizer utilizes parallel resonant circuits in a clever configuration whereby the bandwidth (Q) of the circuit can be adjusted like an active filter, but without any complex relay switching. The inductor\/capacitor resonant \"tank\" eq circuit runs at a low internal signal level which avoids any inductor saturation effects. The overall result is the sound of real choke based filters with a big open sound, but without the limitation of only a few - or no bandwidth selections as found on traditional choke eq's.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eaudio path quality\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAs you would expect, the REQ uses their BE40 True Class A circuits developed for the MA-2.2 microphone amplifier for the best possible audio performance that mastering engineers desire. But sometimes you might need a bit more color, so they have included a saturation section that introduces measured amounts of low frequency harmonic distortion via a steel audio transformer driven by a single ended tansistor amplifier. The High Pass Filter is placed in the beginning of the eq chain and the Low Band eq section is placed last in the chain. This layout produces the best overall equalizer coherency.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eoperational beauty\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe large knobs and positive feel of the switching make the REQ a pleasure to operate and everything is visually clear when mounted into a console. In total there are 72 frequency choices per channel with overlapping selections across the four bands so you can always find the centre frequency you are looking for. A looping line XLR input and two parallel XLR outputs provide flexible connection options in the mastering control room. Finally, the brushed aluminium low glare rustic silver finish and retro Elma knobs give the REQ an impressive look in your rack!\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003econtrols and functions\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEach eq band has a 12 position switch to select the Frequency and another that selects the Bandwidth of the bell shape curve (Q) which is adjustable from 1\/3 octave to 2 octaves wide. On the High and Low bands, the Bandwidth control reverts to shelf Slope control when Shelf mode is selected via the push button switch (not with the Active Low Band option). The Low and High Mid bands frequency range is changed to alternative selections when the Freq x2.5 mode is selected. Each band also has an in\/out switch. The mastering version Boost\/Cut control is a 23 postion Elma switch with a range of +\/-8dB. The recording version is fitted with a Alps center detent pot with a range of +\/- 15dB.\u003c\/p\u003e\n\u003cp\u003eOn the right side of the front panel are the High Pass Filter and Saturation controls with their own in\/out switches. The overall System in\/out controls and the power switch complete the picture. The channel A and channel B push button switches in this section can be grouped by holding down any switch for 5 seconds. This means for stereo work you only need to push either the channel A or B switch to change both channels simultaneously. (This feature only applies to units with serial number Q1110 and up).\u003c\/p\u003e","brand":"Buzz Audio","offers":[{"title":"New | On Order","offer_id":46181109596443,"sku":"REQ2.2ME","price":8200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/REQ22ME_0.jpg?v=1692037644"},{"product_id":"buzz-audio-dbc-m-mastering-edition-stereo-compressor-dbc-m","title":"Buzz Audio Dbc-M Mastering Edition Stereo Compressor","description":"\u003cp\u003eThe DBC-M is a Mastering version of the popular Buzz Audio DBC-20 diode bridge compressor and offers fully switched control for repeatable settings. The diode bridge gain reduction element coupled with their innovative side chain design delivers a vintage vibe like no other. The DBC-M audio path uses our Class A discrete amplifier designs in a balanced configuration from input to output with a radio steel laminated transformer to couple into the diode bridge element. This overall combination produces a desirable compression character that can best be described as tight, colourful and rich with harmonics.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003edynamic ratio power\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eIn the style of compressors from the 60's, the DBC-M incorporates a automatic ratio whereby the compression ratio is progressively increased with deepening gain reduction. This feature allows for the control of very dynamic signals in a seamless fashion and is also a very desirable characteristic when used on complex percussive material.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eoperational ease\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThis compressor is easy to get happening with six switched attack and release times covering a wide range, including an interesting auto release mode. Big knobs with 24 position stepped Elma controls are provided for the amount of compression and the output gain. The compressor can be switched to a Soft mode whereby dynamic peaks are partially retained and another switch introduces a high pass filter to the side chain to lower compression sensitivity at low frequencies. The attractive \"point source\" red LED bar graph meter accurately displays gain reduction and the gloss finish knobs adds to the vintage feel of the DBC-M.\u003c\/p\u003e","brand":"Buzz Audio","offers":[{"title":"New | On Order","offer_id":46181110382875,"sku":"DBC-M","price":2625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/DBCM_0.jpg?v=1692037643"},{"product_id":"buzz-audio-tonic-500-series-3-band-eq-tonic","title":"Buzz Audio Tonic 500-Series 3-Band EQ","description":"\u003ch4\u003e\u003cstrong\u003eaudio path qualities\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAs with the other 500 Series modules in this range, the Tonic signal path uses our True Class A BE41 amplifiers followed by a BE50 buffer to excite the Lundahl output transformer. The resulting sound is big and open with a nice touch of transformer color. The design allows for +26dB headroom so major boosts at low frequencies are not a problem with the Tonic - it always sounds huge!\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003einductor-active filter blend\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003ethe Tonic utilizes real inductors (chokes) in the high and low bands whilst the sweepable mid band features an active filter based on the Constant Amplitude Phase Shift circuit proposed my Mr Steve Dove in 1981. The combination of the old passive circuits with a modern active design gives you the best of both worlds. The chokes in the bass and treble provide the smooth sound of real resonance in addition to the versatility of the sweep mid band.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003etone control\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eIf you wish to add some tone to your recordings, the Tonic is the perfect choice - it is excellent for applying broad eq strokes right across the audio spectrum. The versatile mid band can tame lower mid resonances or bring forward more presence in vocal recordings and the passive 18dB\/oct high pass filter will effectively remove unwanted low frequency content. \u003c\/p\u003e","brand":"Buzz Audio","offers":[{"title":"New | On Order","offer_id":46181113856283,"sku":"TONIC","price":1015.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TONIC_0.jpg?v=1692037639"},{"product_id":"buzz-audio-essence-500-series-compressor-essence","title":"Buzz Audio Essence 500-Series Compressor","description":"\u003ch4\u003e\u003cstrong\u003econtrol genius\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Essence attack \u0026amp; release settings have been carefully selected for a varied dynamic palette and the intelligent auto modes allow for really smooth \"set and forget\" operation. But unlike the slow LA designs, this compressor can also be fast! The soft knee opto action is perfect for smoothing the dynamics of vocals and a stereo pair will find immediate use to glue together stems, synths and the mix buss.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eaudio path quality\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe audio input is coupled directly to our custom made LDR gain reduction element via a Lundahl LL1540 input transformer. This is followed by a discrete signal path using our class-a BE40 amplifier and BE50 high current line driver that excites the Lundahl LL1517 output transformer. All this creates a very warm low end sound along with a creamy top end finish.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003ecreative versatility\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Essence is the only 500 series compressor (that we know of) to feature a side chain insert point so you can apply equalisation to the compression characteristic to control certain parts of the audio spectrum. The insert can also be used to \"key\" the compressor from another sound for all sorts of creative pumping effects. In addition, there is on board side chain eq allowing you to quickly adjust the compressor sensitivity at high and low frequencies.\u003c\/p\u003e","brand":"Buzz Audio","offers":[{"title":"New | On Order","offer_id":46181118279963,"sku":"ESSENCE","price":1140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/buzz-audio-essence-500-series-compressor.jpg?v=1692037646"},{"product_id":"buzz-audio-elixir-500-series-mic-preamp-elixir","title":"Buzz Audio Elixir 500-Series Mic Preamp","description":"\u003ch4\u003e\u003cstrong\u003eaudio path quality\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAll discrete signal path using their class-a BE40 amplifiers at the input and BE50 high current line drivers to excite the Lundahl LL1517 output transformer. The topology is quite different to most other mic preamps in that it is balanced from input to output. The instrument input features our BE43 \"bootstrapped FET\" high impedance interface that really pumps as a bass DI.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003emojo not mud\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe \u003cstrong\u003eelixir \u003c\/strong\u003eis an ideal compliment to other 500 series preamps that feature a dark sound. The wide frequency response and fast transient response plus color from the output transformer generate a \"warm sweet liquid\" sound quality that sets it apart from that crowd. These attributes make the \u003cstrong\u003eelixir \u003c\/strong\u003eparticulary good at recording percussion, drums (you need to hear it on snare), vocals and stringed instruments.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003especs that matter\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAs with all our preamps, the \u003cstrong\u003eelixir \u003c\/strong\u003enoise floor is as low as we can make under the laws of physics and there is plenty of gain for low output ribbon and dynamic microphones. The output headroom at +34dBu is outstandingly unique in the 500 series format, and adds a feeling of real effortlessness to the sound quality. The transformer-less mic input presents a \"non-reactive\" load to the microphone which means you hear exactly what the microphone manufacturer intended, without the unpredictable nature of an input transformer.\u003c\/p\u003e","brand":"Buzz Audio","offers":[{"title":"New | In Stock","offer_id":46181118869787,"sku":"ELIXIR","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/elixir_0.jpg?v=1692037645"},{"product_id":"buzz-audio-qsp-20-4-channel-mic-pre-qsp20","title":"Buzz Audio QSP-20 4-Channel Mic Pre","description":"\u003ch4\u003e\u003cstrong\u003eaudio path quality\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eSo what makes it sound so good? The audio input feeds directly into the BE41 Class A discrete amplifiers via high end Wima coupling capacitors for the ultimate in clarity and low noise. High current line drivers then excite the Lundahl LL1517 output transformer, which adds a subtle warmth to the sound. The topology is quite different to other mic preamps in that it is balanced throughout. This helps provide the very high headroom specification for an effortless sound and punch. The high impedance inputs feature our BE43 bootstrapped FET amplifiers, perfectly matching your pickups and synths into this gutsy signal path.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003emicrophone friendly\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eIf you use dynamic and\/or ribbon microphones you know they sometimes need a lot of gain, which many low cost preamps and audio interfaces cannot provide. The QSP-20 4 channel preamp provides up to 70dB of effortless gain for all situations, and the transformer-less input matches all microphone types nicely. Think of the QSP as merely an extension of your microphone - everything sounds real.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003especs that matter\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eHaving lots of gain is one thing, but importantly the preamp must also be quiet and the QSP does not disappoint here thanks to our perfected amplifier design. The very wide frequency response (even at high gain) ensures transients and high frequency content are preserved which make the QSP an excellent choice for percussion and acoustic insturments. But it never sounds brittle or sterile - the Lundahl output transformer see's to that! The very high output headroom of +29dBu out performs most low cost preamps and audio interfaces.\u003c\/p\u003e","brand":"Buzz Audio","offers":[{"title":"New | On Order","offer_id":46181121032475,"sku":"QSP20","price":2670.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/QSP20_0.jpg?v=1692037646"},{"product_id":"buzz-audio-dbc-20-classic-diode-bridge-stereo-compressor-dbc-20","title":"Buzz Audio DBC-20 Classic Diode Bridge Stereo Compressor","description":"\u003ch4\u003e\u003cstrong\u003eaudio path color\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe most well known audio compressor that uses a diode bridge as the gain reduction element would have to be the Neve 2254. This is not a copy of that unit - but it is the inspiration for the DBC-20 design. The audio path features our Class A discrete BE41 amplifiers in a balanced configuration throughout, and for extra colour, we have a custom \"radio steel\" laminated transformer coupling into the diode bridge. This combination produces a vintage character that can best be described as tight, colourful and rich with harmonics!\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003edynamic ratio power\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe unique side chain design re-creates the style of compressors from the 60's (think Fairchild) whereby the compression ratio is progressively increased with deepening gain reduction. So as the input signal increases past threshold, the ratio will vary from 1:1 right up to 15:1. This feature allows for the control of very dynamic signals (such as vocals) in a seamless fashion and is also a very desirable characteristic when used on complex percussive material such as the drum buss and drum loops. On the mix buss the DBC-20 adds perfect analog colour to \"in the box\" mixes.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eoperational ease\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThis compressor is easy to get happening with six switched attack and release times covering a wide range, including an interesting auto release mode. Big knobs are provided for the amount of compression and the output gain control. The compressor can be switched to a Soft mode whereby dynamic peaks are partially retained. Another switch introduces a high pass filter to the side chain to lower compression sensitivity at low frequencies which is useful on the mix bus. The large knobs with pointers allow for accurate resetting of the compressor and the fast response 15 LED bar graph meter accurately displays gain reduction.\u003c\/p\u003e","brand":"Buzz Audio","offers":[{"title":"New | Special Order","offer_id":46181125128475,"sku":"DBC-20","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/DBC20_0.jpg?v=1692037670"},{"product_id":"buzz-audio-ma2-2b-2-mic-pre-with-lundahl-transformers-black","title":"Buzz Audio MA2.2B 2 Mic Pre with Lundahl Transformers - Black","description":"\u003ch4\u003e\u003cstrong\u003ebuzz audio heritage\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eDesigned to provide transparent amplification to reveal the true source, they do not come any better than this. If you wish to record your sounds with the utmost warmth and clarity possible, you have found the tool for the job. And it's not just us blowing our trumpet here, it's what\u003cspan\u003e \u003c\/span\u003ehundreds of users\u003cspan\u003e \u003c\/span\u003ehave told us over the years since we began building the very first MA-2 back in 1993, (re-vamped as the MA2.2 in 1999). The MA2.2B is a very high end product designed without low price as a primary goal, so it is an investment for sure. However, the high standard of workmanship and meticulously engineered construction means it will last a life time - something our users who purchased 20 years ago now experience.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eaudio path quality\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe circuitry used in the MA-2.2B preamp was developed by Buzz Audio designer Tim Farrant in the 1990's and was dubbed \"True Class A\". The resulting\u003cspan\u003e \u003c\/span\u003eBE40 series of amplifiers\u003cspan\u003e \u003c\/span\u003eexhibit very wide frequency response (into the mega-hertz ) and ultra fast slew rates (140V\/uS) even at 60dB of gain. These attributes, plus the inherently low distortion provide the exceptionally pure top end sound of the MA-2.2B. In addition, the over engineered power supply design with localized Class A regulators for each amplifier stage supplies the grunt needed for an authoritative and accurate bottom end - it sounds tight and never over blown. Instead of an input transformer we use a stack of Wima film capacitors and these do not exhibit the low frequency phase problems associated with transformers, and sound MUCH better than polarized capacitors found in competing high end products.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eapplications galore\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAs many of our users have discovered, the MA-2.2B sounds amazingly vibrant when recording acoustic guitar and percussion. It is equally at home on vocal and piano duties - and you will be very surprised how tight a kick drum can sound using this preamp - no more bouncing balls! Stringed instruments, choirs and full orchestras will be reproduced with the full dynamic range they require with zero midrange harshness. One could say, this preamp records everything with an uncanny life-like accuracy. It is virtually uncolored but exhibits a huge amount of vibe and musicality. The low reactance Wima capacitor input stage stack matches well with all microphone types and the noise specification is within 0.5dB of the theoretical minimum possible, so ribbon, capacitor and dynamic mics' are no problem for this preamp. Indulge yourself!\u003c\/p\u003e","brand":"Buzz Audio","offers":[{"title":"New | In Stock","offer_id":51056572924187,"sku":"MA2.2B","price":2735.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ma2.2bmediumblack.jpg?v=1758115675"}],"url":"https:\/\/www.altomusic.com\/collections\/buzz-audio.oembed","provider":"Alto Music","version":"1.0","type":"link"}