{"title":"Channel Strips w\/ Mic Preamps","description":null,"products":[{"product_id":"empirical-labs-mike-e-mikee","title":"Empirical Labs Mike-e","description":"\u003cp\u003e\n\tThe Mike-E from Empirical Labs is a modern digitally controlled Microphone Preamplifier chocked with unusual features to warm and soften the source, along with an excellent compressor\/limiter. Mike-E offers an incredible performance transformer-coupled mic preamp, whose noise floor is far below any microphones self noise. The one-of-a-kind CompSat section is an uncompromising compressor and saturator circuit that offers versatile coloring, and classic knee compression.\u003c\/p\u003e","brand":"Empirical Labs","offers":[{"title":"New | On Order","offer_id":46167944986907,"sku":"MIKEE","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MIKEE_0.jpg?v=1692021489"},{"product_id":"great-river-electronics-mp2nv-mp2nv","title":"Great River Electronics MP2NV","description":"\u003cdiv\u003eThe MP-2NV (two channel mic preamp) greatly modernizes and improves classic British design. This single-rack-space pair of preamps offer the same definitive sonic fidelity and expert craftsmanship as all Great River products. Transparency and vintage harmonic structure are both achieved with NV-Series preamps.\u003cbr\u003e\u003cbr\u003eThe MP-2NV achieves “new classic” performance status with two discrete Class-A gain stages (the dual gain-stage meters are a Great River exclusive), a front-panel DI input jack which is routed via a FET and BJT buffer through the input transformer (also unique to Great River preamps) for must-hear-to-believe sound from all hi-Z instruments, and a discrete high-current Class-A \"big iron\" transformer-coupled output amplifier. The MP-2NV is a fundamentally important audio tool that brings out the best in every microphone and instrument.\u003cbr\u003e\u003cbr\u003eThe MP-2NV has an internal power supply suitable for operation on any power grid. A simple change of fuse and proper positioning of a voltage selector will adjust the unit for any voltage between 100 and 240 V AC.\u003c\/div\u003e","brand":"Great River Electronics","offers":[{"title":"Pre-Owned | On Order","offer_id":46167969005851,"sku":"MP2NVEBAYPRO","price":1973.45,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46167969038619,"sku":"MP2NV","price":2275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MP2NV_0_1.jpg?v=1692021738"},{"product_id":"vintech-x73-x73","title":"Vintech X73","description":"\u003cp\u003eThe Vintech X73 is a class A, all discrete, transformer balanced microphone preamplifier with equalizer. It is built with the same circuit design and components as the classic Neve 1073 module.\u003c\/p\u003e","brand":"Vintech","offers":[{"title":"New | On Order","offer_id":46167980638491,"sku":"X73","price":1895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10008160.jpg?v=1692022063"},{"product_id":"vintech-273-273","title":"Vintech 273","description":"","brand":"Vintech","offers":[{"title":"New | On Order","offer_id":46167980671259,"sku":"273","price":1750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10008170.jpg?v=1692022075"},{"product_id":"ams-neve-1073-dpa-stereo-mic-preamp-1073dpa","title":"AMS Neve 1073 DPA Stereo Mic Preamp","description":"\u003ch2\u003eTwo Legendary 1073 Mic Preamps, One Single Rackspace \u003c\/h2\u003e\n\u003cp\u003eA superb addition to the Neve outboard range, providing two of our world-famous Class A Neve 1073 microphone preamplifiers in a single rackspace. The 1073 is the mic preamp of choice for numerous leading producers and artists, delivering the unique Neve sound featured on some of the most famous recordings of the past 40 years.\u003c\/p\u003e\n\u003cp\u003eThe big, punchy sound of the 1073 compliments any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve signature makes it the consummate mic pre for recording vocals, guitars, and acoustic instruments of all descriptions. With the 1073DPA, the highly sought-after 1073 mic amp sound is now available in a cost-effective 1U stereo rackmount solution, without the additional EQ found on the classic 1073 unit.\u003c\/p\u003e\n\u003cdiv\u003eThe 1073DPA provides the legendary sound of Neve in a remarkably simple format. Two rear-panel Mic inputs and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. Class A analogue outputs in XLR format are also found on the rear panel, controlled via adjustable front-panel ±10dB Trim controls. This stereo unit is the perfect solution for studios looking to bring in the very essence of the legendary Neve 1073 sound.\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTwo legendary 1073 microphone preamps in a convenient 1U rackmount design\u003c\/li\u003e\n\u003cli\u003eHand-crafted and hand-wired by Neve in Burnley, UK\u003c\/li\u003e\n\u003cli\u003eDedicated input Gain controls and output Trim controls on both channels\u003c\/li\u003e\n\u003cli\u003e+48V Phantom Power and Phase Reverse switch\u003c\/li\u003e\n\u003cli\u003eHigh quality Input Selector switch\u003c\/li\u003e\n\u003cli\u003eNeve designed transformers for inimitable Neve sound\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AMS Neve","offers":[{"title":"Repack | On Order","offer_id":46167982080283,"sku":"1073DPARP","price":2377.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46167982309659,"sku":"1073DPA","price":2830.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47185218044187,"sku":"C7957","price":2499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1073DPA-0.jpg?v=1692022102"},{"product_id":"manley-labs-slam-stereo-limiter-and-microphone-preamp-1070243","title":"Manley Labs SLAM Stereo Limiter and Microphone Preamp","description":"\u003cp\u003eWe’ve got plenty of gain for you in this new tube circuit, up to 60dB with 20dB more in the limiter– plenty for soft singers using low output ribbon mics. The input attenuator is right up front, like a variable pad so your loud rock ‘n’ rollers won’t cause a problem either. Track direct with the Direct Instrument input or bring your line level inputs into the SLAM! for processing. The DI inputs have selectable input impedance, depending on how far you plug the 1\/4\" cable into the jack: push it in all the way and the input impedance is 100KOhms, pull it out halfway and it becomes 10 megOhms which reduces pickup loading and allows all the highs to get through. Come on in!\u003c\/p\u003e\n\u003ch3\u003eGet it LOUD... two different and distinct limiters per channel:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe ELOP® LIMITER:\u003c\/strong\u003e Our beloved Electro-Optical Levelling Amplifier circuit, the ELOP®, still the favorite for vocal tracking, shows up here with its new switchable side-chain high pass filter making it much more useful for mixes and other tracks as well. One of the most appreciated aspects of our original ELOP® is the simplicity of a two knob limiter, which is optimum for demanding pro recording pressures. You can still grab two knobs and have complete control of level and dynamics and be ready to hit that record button. Intuitive controls and a straight ahead signal path through quality components simply work. The ELOP® limiter implementation is done like we did in our VOXBOX® which pioneered the idea of limiting the mic signal before it hits any active stage. The ELOP limiter moves to the line stage when LINE is selected. The ELOP sidechain provides different HP filters on a toggle. The 200 Hz setting has been tailored for vocals and adds a touch of de-essing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe FET LIMITER: \u003c\/strong\u003eHere’s a new fast FET based \"brick wall\" limiter that spans the range of clean predictable limiting to the grunge and gravel that other FET based limiters are desired for. The FET RELEASE control allows you to dial up a variety of colors. There is even a \"CLIP\" setting that provides as round a shape as has ever been available. (Read more below about the CLIP settings.) We aimed at \"sound\" first, then experimented with circuits until we heard what we wanted discovering fresh approaches that provide a very wide range of useful dynamic control. For example, you can set up for a fast brick wall limiter with slower releases for minimum artifacts, or go with the faster releases to get some crunch and then get extreme loudness. The Attack control is unusual too providing the sonic control common with its historic brothers but very unusually retaining the zero overshoot “none-shall-pass” brick wall that defines a real limiter. And it’s punchy! As the saying goes, “Louder is better.” The SLAM! optimizes levels to analog to digital converters with ballz, warmth and loudness verging on silly or just clean and safe.\u003c\/p\u003e\n\u003cp\u003eWhat is especially nifty is the ability to use the ELOP® and FET limiters together at the same time dialing in whatever amounts of each effect you like. Every limiter has its own character or sound and here we have combined two powerful world-class tools that can be uniquely blended and mixed to taste and purpose. Even the metering is appropriate for each limiter so you can easily see how each is contributing.\u003c\/p\u003e\n\u003cp\u003eMetering on the SLAM! is exceptional. The two full size real VU meters show you the raw input levels, the final output levels, and the ELOP® Limiter gain reduction in the traditionally preferred format for visually displaying apparent loudness. VU’s are cool. Noticing how mastering engineers often need a switchable pad on their VU's because the \"optimized\" levels tend to pin the needles in the red, the SLAM! VU’s also have a 0, -3dB, -6dB switch to help with this situation. There are also very fast and super accurate multi-color LED ladder peak meters that display the input and output levels and the FET gain reduction, and some combinations. They will do Peak, Peak Hold timed, and Peak Hold until reset, and also allow you to manually set where the individual bars change colors to match your other gear. And with maximum clean I\/O levels of +30 dBu, it is a lot more likely you will use these meters to see what’s clipping downstream. It probably won’t be the Manley tube line drivers inside!\u003c\/p\u003e\n\u003cp\u003eThe back panel should keep everybody happy. In the sea of jacks including the big power supply connector, you'll find all the usual XLR’s for transformer balanced I\/O and 1\/4\" phone jacks for direct unbalanced I\/O. Eight Bantam jacks in a mini-patchbay configuration handle the side-chain inserts and linking functions. You can insert EQs into the ELOP® and FET limiters, and there are more jacks for you to mix in an external signal into the side chains. Another pair of jacks provides for easy linking for 5.1 surround work if you have three or four SLAM!'s. It’s all here.\u003c\/p\u003e\n\u003cp\u003eSpeaking of Linking... all previous Manley dynamics units require both channels to be setup for near identical settings rather than the more common \"just set the Left side\". The SLAM! lets you do it both ways. The \"L Side\" method is the \"STEREO LINK\" mode and is quick and convenient but, like others, uses a mono mix for the side-chain. The \"BOTH \u0026amp; EXT\" adds the rear panel link jacks to the link buss so you could chain up several SLAM!s for linked surround work. Both or all 6 channels should be set similarly. This mode is usually better for mastering as it responds to the true peak level of the channels rather than an artificial mono mix.\u003c\/p\u003e\n\u003cp\u003eOutside the Box, that's where the power supply is. The illuminated power switch turns on the external power supply. Keeping the power supply far away also keeps additional heat and magnetic fields away from the precious audio. The power supply is housed in a sturdy cast aluminum 7\" x 4\" x 5\" box that is easy to mount to or place in the bottom of a rack. A seriously humongous 16 pin connector, and 6' multicore cable connects the two boxes.\u003c\/p\u003e\n\u003cp\u003eThe SLAM! also seems a natural as a mastering tool. The FET limiter works great on mixes, and the ELOP® now has a high pass filter switch that is spot-on for mastering. We offer a dedicated mastering version which eliminates the mic preamps, adds detented controls replacing the pots, and provides extra metering options. Manley compressors and EQs seem to be the most popular pieces of gear ever when it comes to mastering. The ultimate analog rack for the final important touches to the mix would have include the SLAM!, The Variable Mu® and The Massive Passive. Combine this with some digital processors of similar calibre and one has a respectable and very effective set of mastering tools. That Manley rack plus some Manley Microphones would make an ultimate stereo recording chain too. This is gear you’ll want to keep for a lifetime.\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"New | On Order","offer_id":46167986307355,"sku":"SLAM","price":9399.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":52165750554907,"sku":"SLAMRP","price":7199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10009190.jpg?v=1692022115"},{"product_id":"grace-design-m103-m103grace","title":"Grace Design M103","description":"\u003cp\u003e\n\tChannel strip... it doesnt roll off the tongue or smack of a high fidelity recording device. Maybe thats why its taken us so long to build one. But we got over it. All labels aside, our new m103 is a powerful tracking tool for virtually any recording scenario. It starts with our tried and true m101 transformerless microphone preamplifier circuity. Headroom, detail, clarity, musicality its all there. Complete with our exclusive ribbon mic mode, a 75Hz HPF and 48V phantom.\u003c\/p\u003e","brand":"Grace Design","offers":[{"title":"New | In Stock","offer_id":46168004133147,"sku":"M103GRACE","price":2358.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10015920.jpg?v=1692022346"},{"product_id":"art-tubeopto8-c01","title":"Art TUBEOPTO8","description":"\u003cp\u003e\n\tEver wish you could add more of that \"tube sound\" to your recordings, without breaking the budget or filling up your rack with a clutter of gear? Now you can, with ART's Tubeopto 8! This flexible 8-channel tube preamp features ADAT input and output connectors, so you can easily expand the I\/O capabilities of your existing interface rig — it's the perfect way to prepare for full-band recording, with a real-deal tube pre! Each channel has a class-A vacuum tube mic preamp, 70dB of gain, and balanced 1\/4\" phone or XLR inputs for flexibility. We'll say it again: you just can't beat the TubeOpto 8's value!\u003c\/p\u003e\n\u003cp\u003e\n\tBeyond offering a full complement of eight tube preamp channels, the TubeOpto 8 is ready to integrate with all of your existing studio gear. You can pipe in the eight channels to your favorite ADAT-equipped audio interface via lightpipe. You can also use the word clock connectors onboard to get all your digital gear in sync with each other. Beyond all that, the TubeOpto 8 has you in mind. Ever wish you could plug in an acoustic and lay down a quick song sketch? Now you don't have to hunt down an open channel or crawl around to the back of your rack. Just plug righ tinto one of the two convenient frot-panel hi-Z instrument inputs and you've got the benefit of a tube warming up your sound.\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cul style=\"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 30px; \"\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\t8-channel Tube Microphone Preaamp with ADAT and 1\/4\" output\u003c\/li\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\tEight fully featured Class-A tube mic preamps\u003c\/li\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\tEight channels of ADAT digital 24-bit audio I\/O at 44.1 or 48kHz\u003c\/li\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\tInput gain and output level controls on every channel\u003c\/li\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\tInput pad, phase flip and low frequency roll off switches on every channel\u003c\/li\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\tTwo additional front-mounted hi-Z instrument line inputs\u003c\/li\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\tEight 1\/4\" TRS Balanced Outputs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ART","offers":[{"title":"New | On Order","offer_id":46168049680667,"sku":"TUBEOPTO8","price":599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TUBEOPTO8_0.jpg?v=1692022833"},{"product_id":"retro-instruments-powerstrip-recording-channel-c01","title":"Retro Instruments Powerstrip Recording-Channel","description":"\u003ch3 class=\"p1\"\u003eWhy You Need The Retro Instruments Powerstrip Recording Channel:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTransformer coupled Class-A tube microphone preamplifier with phantom power.\u003c\/li\u003e\n\u003cli\u003eCaptures the tone of a tube mixing desk, Pultec-style tube EQ and British tube compressor all in one compact 2u rack unit\u003c\/li\u003e\n\u003cli\u003eMultiple inputs and plenty of gain to handle a multitude of instruments and microphones at one time\u003c\/li\u003e\n\u003cli\u003eBalanced Line Level Input\u003c\/li\u003e\n\u003cli\u003ePerfect for use on stage or in any size recording studio\u003c\/li\u003e\n\u003cli\u003eSix selectable compressor attack\/release time-constants.\u003c\/li\u003e\n\u003cli\u003eCompressor and equalizer can be independently bypassed.\u003c\/li\u003e\n\u003cli\u003eDesign minimizes tube heat generation.\u003c\/li\u003e\n\u003cli\u003eDurable Steel Chassis built to last\u003c\/li\u003e\n\u003cli\u003eManufactured in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003ch4 class=\"p3\" style=\"text-align: center;\"\u003eVintage Design for modern recording\u003c\/h4\u003e\n\u003cp class=\"p3\"\u003eRetro Instruments is changing the way the world sounds by creating classic style audio gear for modern recording. Retro products keep what made the originals the best of the best, updating vintage design with modern features to improve functionality - creating unique and innovative gear that sounds, looks, and feels vintage and state-of-the-art in equal measure.\u003c\/p\u003e","brand":"Retro Instruments","offers":[{"title":"New | On Order","offer_id":46168074649883,"sku":"POWERSTRIP","price":3899.0,"currency_code":"USD","in_stock":true},{"title":"Display | On Order","offer_id":47316524204315,"sku":"POWERSTRIPDIS","price":2895.0,"currency_code":"USD","in_stock":false},{"title":"Open Box | On Order","offer_id":49635355263259,"sku":"POWERSTRIPEBAYPRO","price":3488.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/powerstrip-gallery-1-h430.jpg?v=1709130046"},{"product_id":"api-the-channel-strip-c01","title":"API The-Channel Strip","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI The Channel Strip\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe result of thoughtful engineering, The Channel Strip includes everything needed to record an audio signal. It all starts with the famed 512c Mic Preamplifier, which includes the benefit of additional Mic, Line or Instrument input switching. Next is the 527 multi-mode Compressor with fully adjustable Threshold, Attack, Release, and Ratio controls on detented pots. The patented \u003cspan class=\"thrust_bold_italic\"\u003eTHRUST\u003c\/span\u003e\u003cspan class=\"thrust_reg\"\u003e®\u003c\/span\u003e circuit in the 527 gives your track the \"in-your-face\" punch that has made this circuit an award winner. Also included in The Channel Strip is probably the most recognized and revered API EQ of all time, the 550A three-band Equalizer with its switchable frequencies and 12dB of boost or cut. The 550A's High and Low frequency bands can be individually switched to be shelving EQs, and the \"B.P. Filter\" switch inserts a 50Hz to 15KHz bandpass filter.\u003c\/p\u003e\n\u003cp\u003eAt the output of the unit is the 325 Line Driver, taken directly from API console designs with an output level pot and 10 segment meter. The meter can also be switched to show the output level of the preamp. Each of The Channel Strip's processing pieces can be switched in or bypassed individually, while a flip switch internally routes the compressor after the EQ if desired. Additional features include a sidechain input and the famous API 2520\/transformer combination.\u003c\/p\u003e","brand":"API","offers":[{"title":"Pre-Owned | On Order","offer_id":46168151130395,"sku":"THECHANNELSTRIPEBAYPRO","price":2799.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46168151294235,"sku":"THECHANNELSTRIP","price":3130.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_chanstrip_1_xl.jpg?v=1692023928"},{"product_id":"millennia-hv3c-c01","title":"Millennia HV3C","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eMillennia HV3C 2 Channel Mic Pre\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tAuthentic Transparency for Unrestricted Creativity\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t* Unsurpassed ambience retrieval\u003c\/div\u003e\n\u003cdiv\u003e\n\t* Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no attenuator “pads” needed\u003c\/div\u003e\n\u003cdiv\u003e\n\t* Uncolored timbral accuracy at all dynamic levels\u003c\/div\u003e\n\u003cdiv\u003e\n\t* Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)\u003c\/div\u003e\n\u003cdiv\u003e\n\t* Effortless, vividly realistic, musical performance\u003c\/div\u003e\n\u003cdiv\u003e\n\t* Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300 m) cable runs with ease\u003c\/div\u003e\n\u003cdiv\u003e\n\t* Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t* Ultra-clean toroid power supply\u003c\/div\u003e\n\u003cdiv\u003e\n\t* Gold audio connectors and switches\u003c\/div\u003e\n\u003cdiv\u003e\n\t* Mogami Neglex OFC audio wiring\u003c\/div\u003e\n\u003cdiv\u003e\n\t* Silver Teflon power wiring\u003c\/div\u003e\n\u003cdiv\u003e\n\t* Welded 16 gauge steel rack chassis\u003c\/div\u003e\n\u003cdiv\u003e\n\tMinimum Gain 8.5 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tMaximum Gain \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t(1.5 dB per step, 36 steps)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t65 dB (up to 75 dB on request)\u003c\/div\u003e\n\u003cdiv\u003e\n\tFrequency Response \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t+0 \/ -3 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tsub 3 Hz to beyond 300 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\tNoise \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t60 dB Gain, 10 Hz - 30 kHz, Inputs common\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t-133 dB EIN\u003c\/div\u003e\n\u003cdiv\u003e\n\tTotal Harmonic Distortion + Noise \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u0026lt; .001%, Typ. \u0026lt; .0005% (\u0026lt; 5 ppm)\u003c\/div\u003e\n\u003cdiv\u003e\n\tIntermodulation Distortion \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t(50 Hz \u0026amp; 7 kHz) 35 dB Gain, +27 dBu Out\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u0026lt; .0009%\u003c\/div\u003e\n\u003cdiv\u003e\n\tPhase Response \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u0026lt; 2 degrees deviation\u003c\/div\u003e\n\u003cdiv\u003e\n\tCommon Mode Rejection Ratio \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u0026gt; 65 dB, Typ \u0026gt; 85 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tSlew Rate \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t35 dB Gain, +27 dBu Out\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u0026gt; 25 Volts per microsecond\u003c\/div\u003e\n\u003cdiv\u003e\n\tMaximum Input Level \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t20 Hz - 40 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t+23 dBu (no attenuator pads required)\u003c\/div\u003e\n\u003cdiv\u003e\n\tMaximum Output Level \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t20 Hz - 40 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t+32 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\tPhantom Input Impedance \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t1 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t6,750 ohms\u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput Impedance 24.3 Ohms (x2)\u003c\/div\u003e\n\u003cdiv\u003e\n\tDPA (B\u0026amp;K) Mic Powering +130 V dc max, (non-phantom)\u003c\/div\u003e\n\u003cdiv\u003e\n\tPhantom Powering +48 V dc, +\/- 2 V dc\u003c\/div\u003e\n\u003cdiv\u003e\n\tPower Consumption 12 watts maximum\u003c\/div\u003e\n\u003cdiv\u003e\n\tPower Requirements Selectable: 100-120, 200-240 V ac, 50\/60 Hz\u003c\/div\u003e\n\u003cdiv\u003e\n\tDimensions\/Shipping Weight 19” W x 1.75” H x 12” D, 15 lbs..\u003c\/div\u003e","brand":"Millennia","offers":[{"title":"New | On Order","offer_id":46168296390939,"sku":"HV3C","price":2250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/millennia-HV3C-0.png?v=1692024611"},{"product_id":"rme-octamic-2-c01","title":"RME OctaMic 2 8-Channel Microphone Preamp","description":"\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eRME OctaMic 2 8 Channel Mic Pre Amp\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial;\"\u003e \u003c\/p\u003e\n\u003cdiv\u003eThe OctaMic II provides 8-Channel 192 kHz \/ 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLowest distortion, excellent signal to noise ratio and perfectly linear frequency response transmit and amplify the microphone signals truly unchanged.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eOctaMic II offers 8 balanced XLR mic \/ line inputs via Neutrik XLR\/TRS combo jacks. Each channel contains switches for 48V phantom power, a low cut filter and phase reversal. Amplification can be set between 6 and 60 dB. LEDs for signal, clip, and activated phantom power give a complete overview on the unit's status. When the special Clip Hold mode is activated, any detected clip-state will cause the corresponding LED to flash once per second. With this, the user gets a long-term peak detection, and no longer needs to constantly watch the LEDs. At the same time momentary overloads are still displayed correctly.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eFrontside switches include power on\/off and output level, for a choice of -10 dBV, +4 dBu or Hi Gain (+19 dBu) as reference level. This unusual feature offers two advantages. First, the reference level can be easily switched to match any of RME's current interface devices, from HDSP 9632 through Multiface up to the renowned ADI-8 series converters. Second, the Signal to Noise ratio is optimized, and the Clip-LED will exactly match the ones of the ADI-8 (2 dB below 0 dBFS).\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe balanced line level output signal is available at the back of the unit via 8 stereo TRS jacks. The specially developed, internal hi-performance switch mode power supply lets the OctaMic II operate in the range of 100V to 240V AC. It is short-circuit-proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe 8-Channel AD-conversion of the OctaMic II operates at up to 192 kHz. The digitized signal is available simultaneously at the double ADAT output (S\/MUX, up to 96 kHz), and at a DB-25 connector (4 AES\/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES\/EBU and SPDIF.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe 8-Channel AD-conversion of the OctaMic II operates at up to 192 kHz. The digitized signal is available simultaneously at the double ADAT output (S\/MUX, up to 96 kHz), and at a DB-25 connector (4 AES\/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES\/EBU and SPDIF.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eRME's outstanding SteadyClock ensures perfect AD-conversion, as jitter on the external sync-sources is nearly completely removed. All settings are done via DIP-switches on the back of the OctaMic II. Analog outputs and both digital outputs operate fully simultaneously. The choice of reference level affects the analog outputs only, the signal\/clip indication and the AD-conversion will react only to the Gain-pots.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | In Stock","offer_id":46168351932699,"sku":"OCTAMIC2","price":1899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/octamic-ii_1_063e7ee2-77fc-452c-9dff-eac5562ad724.png?v=1726761435"},{"product_id":"drawmer-1960-1960-c01","title":"Drawmer 1960","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eDrawmer 1960 Solid State Mic Pre\/Tube Compressor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThere is little doubt in the minds of many engineers and producers that vacuum tubes possess a unique sound quality providing a \"warmer, more alive\" sound. Combining eight active tube stages and the low noise and reliability of solid state electronics, the Drawmer 1960 provides the ultimate direct interface between the sound source and the recording medium. The Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding \"soft knee\" vacuum tube compressor and an extremely low noise microphone pre-amplifier with switchable 48 volt phantom power. A further auxiliary instrument pre-amp with EQ is also provided. This powerful combination of the classic valve circuit, offering unsurpassed tonality, and the low noise balanced microphone input with up to 60dB of gain has allowed engineers throughout the world to exploit the full potential of high performance condenser microphones. An example of this would be the direct to digital stereo recording of live classical music without the necessity of a mixing console. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Compressor : Because the compressor is a soft knee type, it requires few controls. Strictly speaking, a soft knee design does not have a rigidly defined threshold but the title 'Threshold' has been retained for the \"amount of compression\" control for the sake of familiarity. The Threshold range is continuously variable between infinity and -24dB, the theory being that signals below the threshold are essentially unprocessed and the signals exceeding this threshold are subjected to increasing amounts of gain reduction dependent on by how much they exceed the threshold.\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe attack and release times are switchable rather than being continuously variable and this method of operation falls into line with that of its all valve predecessors. Attack simply offers a-choice of slow, medium and fast whilst release has six settings. Positions one to four have fixed release times whilst positions five and six are two different programme dependent release time modes making the unit ideally suited to programme material with complex dynamics such as complete stereo mixes and vocals. Interestingly, the attack times are further modified by the choice of release setting so the range of choices are wider than it might first appear.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tBecause compression is a form of controlled gain reduction, a stage of make-up amplification follows the compressor section giving a range of +20dB. The VU meters may be switched to monitor either the amount of gain reduction taking place or the output signal level and the two channels may be used either independently or as a stereo pair, depending on the setting of the stereo link switch. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe side chain access points may be used to patch in equalisers to enable the compressor to act as a de-esser. As with other Drawmer products, the by-pass switch offers a choice of Normal. By-pass and Side Chain Listen modes so that if you have patched in any additional side chain processing, you can easily monitor what effect it is having. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tIn addition to the balanced microphone and line inputs on the rear of the unit an auxiliary input on the front panel gives direct access for guitars or electronic instruments. Equalization is provided along with sufficient gain to overload the tube pre-amp for sustain effects. The Aux input is a valuable addition as it combines the virtues of a D.I. box and equalizer with the compressor allowing the instrument to be simultaneously processed and routed to the mixing console or directly to the recorder.\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"New | In Stock","offer_id":46168377098523,"sku":"1960","price":3099.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49780371423515,"sku":"1960EBAYPRO","price":1998.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/drawmer-1960-0.jpg?v=1692025319"},{"product_id":"vintech-x73i-x73i-c01","title":"Vintech X73I","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eVintech X73I Mono Class A Pre Amp with EQ\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tPossibly the best value in the business! The X73i is a class A, all discrete, transformer balanced microphone preamplifier with equalizer both based on the classic Neve 1073 module. It is constructed utilizing modern manufacturing techniques which allow us to offer this product at an incredible value. Now practically anyone can record with the classic sound of vintage modules without having to deal with inflated vintage prices.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe X73i features the same class A mic pre as the X73 with all of the same eq parameters plus additional mid range frequencies, selectable input impedance, 1\/4 inch D.I. on front panel, transformer balanced mic and line inputs, phase reverse, phantom power switch, eq switch, 70db of gain, quality Grayhill rotary switches, custom machined aluminum knobs, plus many other features.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWe just returned from this year's AES convention where we conducted listening tests between our new X73i and vintage Neve 1073's we rented from Dreamhire in New York. Many folks did the comparison and practically all who did found the units to sound amazingly identical. In fact, as with all of our products, we guarantee this unit to perform to your expectations in every way or your money back.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSuggested retail price for this unit is only $1595.00 but for a limited time we are offering it at $1350.00 each.\u003c\/div\u003e","brand":"Vintech","offers":[{"title":"New | On Order","offer_id":46168378605851,"sku":"X73I","price":1375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/vintech-X73I-0.jpg?v=1692025341"},{"product_id":"vintech-x81-x81-c01","title":"Vintech X81","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eVintech X81 Class A Mic Pre\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tWe are now shipping our new \"X81 Class A\" mic pre with equalizer. While many people love the classic Neve 1081 module because of it's versatile equalizer section, many feel that it's use of class AB amplifiers causes it to lack that certain \"magic\" associated with the class A amplifiers found in the Neve 1073 module. Our new \"X81 Class A\" features the same great microphone preamplifier as our X73, but with a more comprehensive four band equalizer with \"Q\" adjustments on the two mid range frequencies. We utilize the same class A amplifier designs found in the Neve 1073 module throughout our X81 Class A. The equalizer section features ten low mid frequency points, 10 hi mid frequencies, 5 frequecy choices on both the low and high shelving adjustments. There is also a high pass filter, a D.I. and an ouput strength meter. The list price for this piece is $2395.00 with discounts for multiple units. As always every Vintech product comes with a complete satisfaction guarnatee or your money back.\u003c\/div\u003e","brand":"Vintech","offers":[{"title":"New | On Order","offer_id":46168378638619,"sku":"X81","price":2100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/vintech-X81-0.jpg?v=1692025322"},{"product_id":"manley-labs-core-channel-strip-with-microphone-and-preamp-elop-compressor-coremanleylabs","title":"Manley Labs CORE Channel Strip with Microphone and Preamp ELOP Compressor","description":"\u003cdiv\u003eManley Labs CORE, an analog channel strip, which they describe as an innovative and affordable mic preamplifier, compressor, equalizer, and limiter combo-unit that combines the greatest hits of the Manley product line with fresh technology. T. 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This can really come in handy if you need a bit of EQ or compression for more control before the digital conversion. This actually means you have 2 selectable sources for each of the eight converters, a seemingly small detail that can really make a big difference when you’re knee deep in the mix or session and don’t have time to spare.\u003c\/p\u003e\n\u003cp\u003eAll the inputs and outputs are provided on gold plated XLRs with LINE inputs and outputs also being offered on DB25 connectors for convenience. The alternative 8 returns for the converter are also available on a DB25 connector. 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As well the 1073 compresses transients a little bit. It is a smooth, fat., larger than life sound. An added bonus is to use the DI inputs to fatten samples, synths and mixes since the DI can handle line levels.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe 1073 equalizer is very broad-banded and musical. It has a hi-pass filter with four frequencies- 50 Hz, 80 Hz, 160 Hz and 300 Hz. The low frequency band is shelving and has four frequencies - 35 Hz, 60 Hz, 110 Hz and 220 Hz. The low end of this equalizer is so tight that you can boost 220 Hz and not muddy up the sound. The mid band has six frequencies - 360 Hz, 720 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz and 7.2 kHz. The bandwidth is broad so you can boost or cut a lot without making things sound processed or unnatural. The hi band is shelving and is fixed at 12 kHz. 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Those familiar with these units can attest to the special sound of the germanium transistor. The GERMANIUM series runs on +40 volt power, high current, and has a huge +34 output before clipping. The sound is warm and smooth, as with many vintage style circuits, but you’ll find a whole new world of smooth here, as well as a sound that settles in perfectly to your tracks without fighting. The Germanium uses Chandler’s new custom wound transformers that combine the best parts of our favorite St Ives and Gardners input and output transformers.\u003c\/p\u003e\r\u003cp\u003eAll Germanium units require and function on the PSU-1, Chandler Limited power supply. 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Includes a six-month Alto Music warranty. \u003c\/p\u003e\n\u003cp\u003eThe BAE 1084 is as authentic as you can get to the original, featuring the same St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.\u003c\/p\u003e\n\u003cp\u003eThe BAE 1084 looks identical to the original vintage module and will happily retrofit in vintage Neve 80 Series consoles because the entire product is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.\u003c\/p\u003e\n\u003c!----\u003e","brand":"BAE","offers":[{"title":"Pre-Owned | On Order","offer_id":48741099471131,"sku":"C104224","price":2650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/4K0A9fvfv739.jpg?v=1716565050"},{"product_id":"audient-id22-high-performance-ad-da-interface-monitoring-system","title":"Audient iD22 High Performance AD\/DA Interface \u0026 Monitoring System","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e *Please note -- this item is pre-owned and may show signs of use; please see the photos. Includes a six-month Alto Music warranty!\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAudio Quality\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003ePRISTINE CONVERTER TECHNOLOGY\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003eiD22 provides two analogue inputs and six analogue outputs, these are driven by high quality 24-bit\/96kHz convertors. Through months of tests Audient optimized component selections and circuit topologies to obtain every last ounce of convertor performance. The results are simply stunning - pin sharp stereo imaging, a fast low end with an impeccably detailed and smooth top end.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWORLD CLASS MIC PRES\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003eiD22 provides two classic Audient microphone preamplifiers - the same pre amps that have become renowned with over 50,000 channels in use worldwide. Audient's hybrid design utilizes a class-A front end to provide clean and musical characteristics that sound stunning on any session. iD22 has the best mic preamp found on any audio interface and instantly provides a platform to produce outstanding recordings.\u003c\/p\u003e\n\u003cp\u003eBoth input channels have a pad to handle hot levels, phantom power for condenser microphones, a high pass filter to remove unwanted low frequencies and a polarity switch to help you phase align your inputs. Channel two features a discrete JFET DI input for you guitars, synths and other instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eListen\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDuring the development of iD22 Audient wanted to put it through it's paces. Audient has filmed three tracks in three different musical genres which have been recorded and mixed through iD22.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eGROWS WITH YOUR NEEDS\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003eiD22 is more than just a two in, six out interface. As your system grows iD22 can be expanded via the optical input and output connectors, supporting both ADAT and SPDIF. When tracking drums you can expand up to ten inputs via an eight-channel mic pre such as the Audient ASP880 into the iD22 via ADAT. When working with your favorite outboard reverb, this can be connected in stereo via S\/PDIF and integrated via the mixer app offering you a practical and flexible desktop package.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eFULLY BALANCED INSERTS\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003eThe two fully balanced insert points give you the chance to add your processing prior to conversion. Insert your favorite compression and EQ to build vocal chains that rival the very best. The insert return also gives you direct access to the analogue to digital converters - providing the cleanest signal path possible, making it great for print-backs or integrating outboard line level sources.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMonitor Control\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eCONSOLE STYLE MONITOR CONTROL\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003eiD22 has built-in console style monitor control functions - Mono, polarity, dim, cut, speaker switching, talkback \u0026amp; cue mix monitoring. This makes iD22 the first audio interface that truly is the hub of a studio.\u003c\/p\u003e\n\u003cp\u003eYou can assign any input channel to be the talkback source from the mixer app, and feed it straight into the two cue mixes.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eCUSTOMIZE YOUR CONTROL SURFACE\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003eAudient understands how important it is for you to be able to focus on the music and have designed the iD22 with that in mind. No more time spent searching for that software talkback control, just assign the functions you need to the three hardware function keys and allow the creativity to flow. The solid aluminum control knobs look and feel great, and the dedicated DIM and CUT controls give you the hands-on control that's familiar to large format console users.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLow Latency Mixer\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eBEAUTIFULLY SIMPLE MIXER APP\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003eAll the internal routing, mixing and configuration of iD22 can be done within the iD22 mixer app. Audient has focused on the features you really need and have made sure they are fast and easy to use. You can even label your channels ‘console-tape’ style for that authentic Audient experience! As well as being easy on the eye, the mixer app is designed to keep out of your way and let the music be the prime focus.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eBUILT TO LAST\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003eQuality deserves protection and iD22 has been designed to last. It's all-metal construction, machined aluminum knobs and toggle switches will stand up to countless late nights in the studio and days on the road.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"Audient","offers":[{"title":"Pre-Owned | On Order","offer_id":49228612600091,"sku":"C105352","price":298.76,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/4K0A097676760.jpg?v=1721923465"},{"product_id":"behringer-ultravoice-uv1-channel-strip-with-mic-pre-voice-processing-and-usb-audio-interface","title":"Behringer ULTRAVOICE UV1 Channel Strip with Mic Pre, Voice Processing, and USB Audio Interface","description":"\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eULTRAVOICE UV1\u003c\/h5\u003e\n\u003cp\u003eWhen it comes to vocals, sound engineers become critical and often prefer a channel strip over a mixing console because of its outstanding sound quality and flexibility. The ULTRAVOICE UV1 is a full-featured channel strip with high-end microphone preamplifier, versatile sound processing features, and the free choice to play out the processed sound via balanced analog outputs or pass it on to the internal USB interface.\u003c\/p\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eMidas Mic Preamp – Legend Inside!\u003c\/h5\u003e\n\u003cp\u003eDid you know that Midas is one of the most recognized brands used by audio professionals around the world? Now you can get the gear the pros use! ULTRAVOICE UV1 comes with a state-of-the-art Midas microphone preamplifier with +48 V phantom power, ultra-low noise, high gain and audiophile quality.\u003c\/p\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eCrystal Clear Signal Path at 192 kHz\u003c\/h5\u003e\n\u003cp\u003eThe ULTRAVOICE UV1 is more than just a mic preamp and voice processor – we added one of the best USB audio interfaces with the highest possible resolution and lowest latency. Full 192 kHz sampling rate at a clear 24-bit resolution will make you smile listening to the astonishingly crisp sound you’ll get.\u003c\/p\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eZero Latency Monitoring\u003c\/h5\u003e\n\u003cp\u003eRecording the voice is one of the most critical tasks in the studio. Singers are very sensitive to delays. A few milliseconds can make all the difference between a good or a great take! So, we added this simple but very effective monitoring section to the ULTRAVOICE UV1. Blend between direct input signal and USB playback makes it easy to find the best balance while you're recording. Just plug in your headphones and adjust the volume.\u003c\/p\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDigital or Analog? – Both!\u003c\/h5\u003e\n\u003cp\u003eSome people prefer to stay in the analog domain, some prefer the shorter path to record directly to the digital. On the ULTRAVOICE UV1 you will get both – simultaneously!\u003c\/p\u003e\n\u003cp\u003eConnect your PC or Mac directly via USB to get the best vocal sound without detours into your DAW. Connect any analog outboard equipment to the balanced outputs for further signal flow. It’s up to you.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"New | In Stock","offer_id":50252850790683,"sku":"000-E5902-00010","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1725977825_IMG_2333289.jpg?v=1746564888"},{"product_id":"drawmer-1979-channel-strip-mic-pre-eq-compressor","title":"Drawmer 1979 Channel Strip - Mic Pre, EQ, Compressor","description":"\u003ch3 class=\"my-4\"\u003e\u003cstrong\u003eCapture Every Detail, Every Time\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"card-text align-self-center my-4\"\u003eThe Drawmer 1979 is a modern take on the classic channel strip, combining pristine clarity, tone shaping, and vintage compression in a single 1U unit.\u003c\/p\u003e\n\u003cp\u003eIt delivers the transparency of an ultra-clean pre-amplifier, the natural control of Lift, the precision of a three-band parametric equaliser, and the warmth of a soft-knee FET compressor - all designed to bring true analogue musicality to your recordings.\u003c\/p\u003e\n\u003cp\u003eWith switchable EQ and compressor order in the signal path, plus independent bypass for each section, the 1979 offers complete flexibility for shaping tone and dynamics.\u003c\/p\u003e\n\u003csection id=\"opening\" class=\"row\"\u003e\n\u003cdiv class=\"row justify-content-center align-items-center no-gutters\"\u003e\n\u003cdiv class=\"col-lg-6 col-xl-7 dr-right px-md-5  py-lg-0 py-3\"\u003e\n\u003cdiv data-aos-duration=\"400\" data-aos-delay=\"300\" data-aos=\"zoom-in-up\" class=\"card aos-init aos-animate\"\u003e\n\u003cdiv class=\"card px-2 mx-2\"\u003e\n\u003ch3\u003e\u003cstrong\u003ePristine \u0026amp; Versatile Pre-Amplifier\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe 1979's pre-amplifier offers mic, line, and instrument DI inputs with up to 66dB of stepped gain, allowing you to capture ultra-clean, transparent recordings, enhance dull sources, or refine your instrument tone.\u003c\/p\u003e\n\u003cp\u003eSwitched impedance matching helps every microphone perform at its best - from high-end condensers to ribbons and older dynamics - revealing each mic's perfect sweet spot.\u003c\/p\u003e\n\u003cstrong\u003eLift - Bring Quiet Details to Life\u003c\/strong\u003e\n\u003cp\u003eLift - first introduced on the 1972 - is a dynamic gain module that boosts quieter signals below 0dB while leaving louder passages untouched, naturally reducing dynamic range without compression artefacts. It adjusts gain in real time for a smooth, musical response - a genuine 'set and forget' solution.\u003c\/p\u003e\n\u003cp\u003eIdeal for vocals, finger-picked guitars, piano, or ambient recordings, Lift enhances subtle detail and balance without introducing noise or distortion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrecise Parametric Equaliser\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"accurate\" class=\"row\"\u003e\n\u003cdiv class=\"row justify-content-center align-items-center no-gutters\"\u003e\n\u003cdiv class=\"col-lg-6 col-xl-7 dr-right px-md-5  py-lg-0 py-3\"\u003e\n\u003cdiv data-aos-duration=\"400\" data-aos-delay=\"500\" data-aos=\"zoom-in-right\" class=\"card aos-init aos-animate\"\u003e\n\u003cdiv class=\"card px-2 mx-2\"\u003e\n\u003cp\u003eThe 1979 features a fully variable three-band parametric equalizer with ±12dB of cut or boost and a switchable bandwidth control on the mid band.\u003c\/p\u003e\n\u003cp\u003eSmooth, musical, and highly controllable, it excels at gentle tonal shaping as well as more surgical work to tame problem frequencies in a mix.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eVintage FET Compression\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe soft-knee FET compressor delivers the smooth, musical control for which Drawmer is renowned. It offers everything from transparent vocal levelling and mix glue to more assertive drum or instrument compression.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eOutput Stage \u0026amp; Final Control\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe output section includes a wet\/dry mix for parallel processing, allowing you to fine-tune how much EQ and compression you blend into the signal. Output gain provides make-up level or lets you match interface inputs with precision.\u003c\/p\u003e\n\u003cp\u003eA large backlit VU meter ensures accurate level monitoring, while a bypass switch disables both EQ and compression for an ultra-clean, direct pre-amplifier output.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Drawmer","offers":[{"title":"New | In Stock","offer_id":51417258197275,"sku":"1979","price":1399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1979photomassive.jpg?v=1764623188"},{"product_id":"ams-neve-1073dpx-d-dual-1073-channel-strip-with-usb-adat-audio-interface","title":"AMS Neve 1073DPX-D Dual 1073 Channel Strip with USB \/ ADAT Audio Interface","description":"\u003cp class=\"p1\"\u003eCombining two complete 1073 channel strips with a premium 10-in\/12-out USB\/ADAT audio interface, the 1073DPX-D brings the unmistakable character of the world’s most famous microphone preamp directly into modern DAW-based production. Designed and hand-built in England, it offers a fully discrete class-A signal path, transformer-coupled tone shaping, inductor EQ, and seamless digital integration, all within a robust 2U rackmount chassis.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith dual mono and stereo tracking, digital re-amping, hardware insert capability, advanced monitoring, and scalable ADAT expansion, the 1073DPX-D is engineered to become the centrepiece of professional, project, and mobile studios alike.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eThe 1073DPX Evolved: Classic Analogue Meets Modern Digital Workflow\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe 1073DPX-D extends the original 1073DPX into the digital domain without sacrificing the warmth, saturation, and musicality that define the 1073. Each channel feeds directly into high-performance AD\/DA conversion, enabling immediate recording, processing, and monitoring via USB or ADAT. This hybrid design combines classic analogue tone with the flexibility, convenience, and recall of a modern digital workflow - no additional interface required.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e10×12 USB\/ADAT Interface: A Studio Hub in a Single Unit\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith ten inputs and twelve outputs, the 1073DPX-D becomes the central connection point for your entire studio. Its dual analogue signal paths handle mic, line, and DI sources, while ADAT expansion allows for larger multi-mic sessions. Four analogue outputs support monitoring and outboard routing, and eight ADAT outputs provide multi-channel playback. Whether tracking at home or building a full hybrid rig, the 1073DPX-D scales effortlessly and integrates seamlessly with units such as the 1073OPX or a second 1073DPX-D.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003ePlug-In and Record, Anywhere\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRequiring no drivers, the 1073DPX-D connects instantly to macOS and Windows. A single USB cable provides full bidirectional 10×12 audio routing, direct access to both 1073 channels, and digital return paths for monitoring and inserts. This simplicity makes it ideal for studio, live, and mobile recording environments where reliability and speed matter.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eFlexible ADAT Expansion Modes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe 1073DPX-D offers two ADAT operating modes. In USB\/ADAT Hub Mode, it acts as the central interface, expanding effortlessly with additional Neve preamps or external converters. In ADAT Audio Expander Mode, it becomes a dedicated analogue front end for an existing interface, delivering full 1073 preamp, EQ, and conversion over a single optical cable. This flexibility ensures compatibility with virtually any production setup.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eTrue Analogue Processing Inside Your DAW\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eActing as a dual-channel hardware insert, the 1073DPX-D lets users route vocals, instruments, stems, or buses through its class-A preamps, Marinair™ transformers, and inductor EQ, then return signals digitally via USB or ADAT. This brings genuine 1073 analogue colour and dynamics into a fully digital workflow - without patchbays or complex routing.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eMonitoring Command Centre\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDesigned to be a monitoring hub for smaller studios, the 1073DPX-D features independent loudspeaker control via the classic Neve red knob, direct blend between DAW playback and live inputs, zero-latency hardware monitoring, and a dedicated headphone output with independent control. This makes it equally suited for tracking, cue mixes, and critical listening.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eTrue Class-A Discrete Design with Hand-Wound Transformers\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe 1073DPX-D retains the original 1970s class-A architecture and exclusive hand-wound Marinair transformers that define the iconic 1073 sound. With enormous headroom (\u0026gt;+26 dBu), smooth transient response, and consistent analogue warmth, it delivers the unmistakable character engineers expect - while modern SMT and through-hole construction ensure long-term reliability.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eLegendary 1073 Gain Structure and Inductor EQ\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA stepped 5 dB Elma switch ensures accurate gain recall, while automatic input-stage selection and three transistor-based gain stages provide clean headroom or musical saturation across mic, line, and DI sources. The inductor EQ offers three musical bands with carefully chosen frequencies, smooth ±16 dB shelves, ±18 dB mid peaking, and a selectable high-pass filter, delivering bold, musical tone shaping on any source.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eFlexible Analogue I\/O for Real Studio Integration\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFront and rear mic\/line inputs, front DI access, pre\/post EQ insert loops, switchable phantom power, impedance, pad, and phase, plus dedicated output faders feeding balanced XLR outputs, make the 1073DPX-D suitable for everything from vocal tracking and stereo recording to reamping, live production, and broadcast work.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eA Complete Hybrid Studio Solution\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBy combining legendary analogue circuitry with modern digital integration and flexible routing, the 1073DPX-D stands as a complete recording and production system. It delivers the unmistakable character of the world’s most iconic preamp directly into today’s workflows—making it the ideal centrepiece for any modern hybrid studio.\u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"New | In Stock","offer_id":51647946490139,"sku":"1073DPX-D","price":4450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1073DPX-DRaised.jpg?v=1768858394"},{"product_id":"black-lion-audio-8dat-8-channel-auteur-packed-mic-pre","title":"Black Lion Audio 8DAT 8 Channel Auteur Packed Mic Pre","description":"\u003ch3\u003eThe biggest, baddest Auteur preamp to date.\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eFor many years, Black Lion Audio’s Auteur preamps have been lauded for their signal quality and versatility. With the Auteur 8DAT, you get a whopping 8 channels of Auteur character in a trim 2U enclosure. You also get ADAT outs; DB25 connections for the per-channel Sends and Returns; and a Macro-MMC word clock to drive your whole recording rig in perfect sync. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAuteur preamps are known for their fast, transparent, IC-based front-end that also provides a fat, colorful back end via Cinemag transformers. This hybrid of vintage and modern preamp designs makes Auteur preamps extraordinarily versatile; you get the transparent snap of American-style preamps with the saturation and warmth of British-style — if you want it. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhile Auteur sounds great on everything, it particularly shines on sources that require detail but also benefit from some added weight, such as drums or vocals. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe best mic preamp features.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Auteur 8DAT, you’ll track up to eight inputs simultaneously. You get independent +48v on every input, as well as polarity reverse and a -10 dB pad. Each channel is equipped with a front panel ¼” connection, switchable for DI or line-level recording. Use the analog XLR outs to connect to your mixer, or take advantage of the ADAT connections to add eight channels of Auteur preamps to your existing audio interface. \u003c\/p\u003e\n\u003cp\u003eYou also get eight insert connections via DB25 for integrating hardware processors; switchable from the front panel so you can easily A\/B test your processing when using the ADAT outputs! These connections double as mults, allowing you to split your signal across multiple modules for parallel processing or even mid-side. You also get eight-stage metering on all channels.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShocking clocking.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAuteur 8DAT supports all popular sample rates up to 192 kHz, and you can rest assured that your connected devices will run in perfect sync with the Auteur 8DAT thanks to our patented Macro-MMC clocking. Macro-MMC was developed from our experience creating dedicated word clocks, as well as modifying many embedded clocks found in other recording interfaces. You’ll get the best possible performance from its converters, and anything you connect via the BNC connections will benefit from maximum sync and ultra-low jitter; minimizing the phase distortions that can muddy your high-end and dull your transients. \u003c\/p\u003e\n\u003cp\u003eAt Black Lion Audio, we’ve been hot-rodding audio interfaces for a long time now, and have learned a thing or two about converters. The Auteur 8DAT includes the same crystal-clear converters made famous by our Revolution interfaces for maximum signal integrity and low noise. \u003c\/p\u003e\n\u003cp\u003eWe recommend that you confidently sync your entire rig with the Auteur 8DAT’s Macro-MMC Clock. But if you’ve already invested in a clock you like, that’s fine — the Auteur 8DAT graciously accepts clock input. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt from experience for I\/O you can trust.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWe’ve put everything we’ve learned about audio hardware from years of boutique modding into the Auteur 8DAT. As we like to say, it’s modded out of the box for crystal-clear audio that will move you and your fans. Highly-filtered power rails work with full-circuit power decoupling to further reduce noise contamination. And for the best possible capture and playback, Auteur 8DAT sports over two dozen high-end, hard-to-get Vishay, Wima, and Nichicon capacitors and thin film resistors. (A component-sourcing nightmare but an audiophile’s dream!) All internal gain-staging is optimized for the best signal-to-noise ratio. Last but not least, all analog I\/O is fully decoupled and balanced — right to the very core of the converter — for even further noise reduction.\u003c\/p\u003e\n\u003cp\u003eThe Auteur 8DAT is built Black Lion-tough, with black-anodized aluminum faceplates that make for a matched and sophisticated look. It’s right at home in-studio or on the road.\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"New | On Order","offer_id":52159612780827,"sku":"8DAT","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/BlackLionAudio-Auteur8DAT-Front.jpg?v=1777920082"},{"product_id":"chandler-limited-germanium-preamp-di-microphone-preamp","title":"Chandler Limited Germanium Preamp\/DI Microphone Preamp","description":"\u003cp\u003e*Please note  -- This pre-owned item may show signs of use. Please refer to the photos for details of the product. Power supply not included.\u003c\/p\u003e\n\u003cp\u003eThe Germanium Pre Amp\/DI from Chandler Limited is a single-channel microphone preamp that utilizes vintage-style germanium transistors, which help it achieve a variety of sounds. Gain and Feedback knobs are provided for setting levels and achieving various tones, as is a Thick button and a -20dB pad button. The Thick button brings out a subtle amount of low end in the signal, and the pad attenuates the input, making it possible to capture loud sounds, such as a cranked-up guitar amp. The pad is also useful for shaping other kinds of sounds. When you attenuate a relatively soft signal, you can then boost them up using various amounts of Gain and Feedback, bringing out interesting sonic characteristics.\u003c\/p\u003e\n\u003cp\u003eThe germanium transistors are used in a class A, transformer balanced circuit. An unbalanced 1\/4\" instrument input is available on the front panel for directly connecting guitars and basses. Phase Reverse and 48V phantom power buttons are also provided on the face of the unit, as well as a ten-segment LED meter. Input and output connections are provided on the back with balanced XLR jacks. The separately available Chandler Limited PSU-1 MKII power supply is required to operate this unit. A single PSU-1 MKII is capable of powering two Germanium Pre Amp\/DI units.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Pre-Owned | In Stock","offer_id":52295243628827,"sku":"C107802","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/4K0A9684.jpg?v=1780596376"}],"url":"https:\/\/www.altomusic.com\/collections\/channel-strips-w-mic-preamps.oembed?page=2","provider":"Alto Music","version":"1.0","type":"link"}