{"title":"Drawmer","description":"\u003cp\u003eDrawmer\u003c\/p\u003e","products":[{"product_id":"drawmer-dl241-2-channel-auto-manual-compressor-limiter-xlr-ver-c01","title":"Drawmer DL241 XLR 2-Channel Auto\/ Manual Compressor Limiter (XLR Version)","description":"\u003cp\u003e\n\tThe Drawmer DL241 Dual Channel 'Auto-Compressor' highlights the beginning of a new generation of dynamic processors which set new standards of sonic excellence. Its combination of features, displays and well designed control functions make it an outstanding product for a vast range of broadcast, sound reinforcement, and recording applications.\u003cbr\u003e\n\t\u003cbr\u003e\n\tThe DL241 'Auto-Compressor' incorporates many automatic functions allowing the engineer to achieve optimum results in the minimum set up time but does not compromise skilled users with limited controls. Its sophisticated design produces a smooth, transparent and warm sonic performance.\u003cbr\u003e\n\t\u003cbr\u003e\n\tFacilities available on the DL241 include: Expander\/Gate. Drawmer's unique \"Programmed Adaptive Expansion\" circuitry allows effective 'single control operation' producing a fast smooth response and eliminating 'chatter' on or around threshold. This design differs from that of conventional Expanders in that the Expansion Ratio, Hold Attack and Release continually adapt themselves to the dynamics of the incoming signal.\u003cbr\u003e\n\t\u003cbr\u003e\n\tThe Expander\/Gate provides 80dB range and variable threshold from +20dB to 70dB with an OFF position._Switching is provided for 'Fast' or 'Slow' release characteristics. The 'Fast' mode can be used for instruments with rapid decay times or for additional tightening of the gating effect. The 'Slow' mode is more suitable for vocals and instruments with longer decay times or can be used to smooth over rough fade outs. A single LED indicates gating action. Compressor. A full Auto Attack\/Release Compressor with variable Threshold and Ratio successfully combines the smoothness of the 'Soft Knee' principle with the precision of a 'Ratio' control.\u003cbr\u003e\n\t\u003cbr\u003e\n\tThe advantage of this combination is that instead of the onset of compression being sudden at the threshold point the ratio increases over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression._Selectable manual or fully automatic Attack and Release times dramatically extend the application range and user scope of the DL241. Selecting the 'Auto' mode removes the need for manual adjustment and is particularly valuable when the program being treated does not have predictable or consistent dynamics, often the case when processing a complete mix or a virtuoso bass guitar performance. Under manual control the wide range of adjustment available gives the user the ability to create dynamic effects as well as normal compression.\u003cbr\u003e\n\t\u003cbr\u003e\n\tPeak Level. 'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from OdB to +16dB above system level. When set to the required level, any excessive peaks will be stopped and the gain momentarily decreased if necessary. The 'Zero Response Time' is essential to avoid unpleasant distortion when mastering for CD or sending any signal to digital equipment.\u003cbr\u003e\n\t\u003cbr\u003e\n\t'Zero Response Time' means that the DL241 provides complete protection from even the fastest and shortest signal 'spikes' (overloads), making the unit also ideally suited for speaker system protection in sound reinforcement applications.\u003cbr\u003e\n\t\u003cbr\u003e\n\tMetering. Comprehensive bar graph displays give 'at a glance' indications of gain reduction, and output signal level Gain reduction from 1dB to -30dB is shown simultaneously with signal level from -20dB to +15dB Other single LEDs indicate function status of Gating Acton, Auto Mode, Bypass, Peak Limiting, Stereo Linking, and Power On.\u003cbr\u003e\n\t\u003cbr\u003e\n\tStereo Link. When processing stereo signals, linking should be used to prevent image shifting. This facility ties both channels together. Using channel 1 (left) as the master channel removes the need to duplicate control settings for both channels.\u003cbr\u003e\n\t\u003cbr\u003e\n\tBypass. A fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied. In bypass the VU level meter displays the Input signal.\u003cbr\u003e\n\t\u003cbr\u003e\n\tOperating Level. The operating level of the DL241 can be instantly switched, independently on each channel, for either +4dBu or 10dBu operation using a rear panel push switch.\u003cbr\u003e\n\t\u003cbr\u003e\n\tInput\/Output. The DL241 is available with either XLR connections and fully balanced inputs and outputs, or with stereo jack (TRS) connections, fully balanced inputs and single ended outputs.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46168138613019,"sku":"DL241XLR","price":1279.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317844721947,"sku":"DL241XLREBAYPRO","price":812.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/drawmer-DL241XLR-0.png?v=1692023824"},{"product_id":"drawmer-dl441-quad-auto-compressor-limiter-dl441-c01","title":"Drawmer DL441 Quad Auto Compressor\/Limiter","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"style6\"\u003e\u003cspan class=\"style5\"\u003eDL441 \u003cspan class=\"style5BLUE\"\u003e- Quad Auto Compressor Limiter\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DL441 Quad Auto Compressor\/Limiter captures four channels of Drawmer's innovative DL241 'Auto Compressor' in only 1U of rack space. The inclusion of new sophisticated 'automated' circuitry allows the engineer to precisely control both the dynamic range and 'absolute' peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential. Each channel combines a fully professional 'Auto Attack\/Release' Compressor with a variable threshold 'Peak Level' Limiter on the output providing a transparent 'endstop'. High resolution bar-graph displays on each channel allow gain reduction and output level to be viewed simultaneously, of particular importance in darkened concert hall or control room situations.\u003c\/p\u003e\n\u003cp\u003eFacilities available on the DL441 include:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompressor :\u003c\/strong\u003e The compressor section can be switched to provide either HARD or SOFT knee compression In both the HARD and SOFT modes a Ratio control is available. In the SOFT mode the ratio increases gradually over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression In HARD mode the compressor provides a more precise means of controlling gain, where the ratio as set on the front panel is applied immediately the signal exceeds threshold. This is particularly useful in many broadcast applications. HARD knee compression can also be used creatively as an effect, particularly in the treatment of drum and guitar sounds, or for giving rock vocals a 'compressed sound'.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto Attack and Release \u003c\/strong\u003e: removes the need for manual adjustment by producing a response which constantly follows the dynamics of the signal. This enables the DL441 to preserve crisp transients without allowing excessive peaks to occur. A smooth yet lively recovery from compression minimizes side effects such as 'pumping' and 'breathing'. This feature is particularly valuable when the program being treated does not have predictable or consistent dynamics, such as complete mixes, vocals or 'slapped and pulled' bass guitar.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeak Level Limiter :\u003c\/strong\u003e 'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0db to +16dB above system level. 'Zero Response Time' transparent limiting means that the DL441 provides complete protection from even the fastest and shortest signal overloads, making the unit ideally suited for speaker system protection in sound reinforcement applications. The sophisticated circuitry will also prevent unpleasant distortion when used for digital mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMetering \u003c\/strong\u003e: Comprehensive bar graph displays give 'at a glance' indications of gain reduction, and input\/output signal level Gain reduction from 1dB to 30dB is shown simultaneously with signal level from 10dB to +10dB. When the channel is in BYPASS the output bar graph displays the input signal level. Other single LEDs indicate function status of Hard\/Soft compression, Bypass, Peak Limiting, Linking, and Power on.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBypass \u003c\/strong\u003e: A fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Linking :\u003c\/strong\u003e Channels 1-2 and\/or 3-4 can be stereo linked, where the left channel of the stereo pair becomes the master.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Level :\u003c\/strong\u003e The operating level of the DL441 can be instantly switched, independently on each channel, for either +4dBu or -10dBu operation using a rear panel push switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput\/Output :\u003c\/strong\u003e The DL441 is provided with balanced inputs and outputs on XLR connections.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46168359534875,"sku":"DL441","price":1525.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/drawmer-DL441-0.jpg?v=1692025100"},{"product_id":"drawmer-1960-1960-c01","title":"Drawmer 1960","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eDrawmer 1960 Solid State Mic Pre\/Tube Compressor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThere is little doubt in the minds of many engineers and producers that vacuum tubes possess a unique sound quality providing a \"warmer, more alive\" sound. Combining eight active tube stages and the low noise and reliability of solid state electronics, the Drawmer 1960 provides the ultimate direct interface between the sound source and the recording medium. The Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding \"soft knee\" vacuum tube compressor and an extremely low noise microphone pre-amplifier with switchable 48 volt phantom power. A further auxiliary instrument pre-amp with EQ is also provided. This powerful combination of the classic valve circuit, offering unsurpassed tonality, and the low noise balanced microphone input with up to 60dB of gain has allowed engineers throughout the world to exploit the full potential of high performance condenser microphones. An example of this would be the direct to digital stereo recording of live classical music without the necessity of a mixing console. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Compressor : Because the compressor is a soft knee type, it requires few controls. Strictly speaking, a soft knee design does not have a rigidly defined threshold but the title 'Threshold' has been retained for the \"amount of compression\" control for the sake of familiarity. The Threshold range is continuously variable between infinity and -24dB, the theory being that signals below the threshold are essentially unprocessed and the signals exceeding this threshold are subjected to increasing amounts of gain reduction dependent on by how much they exceed the threshold.\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe attack and release times are switchable rather than being continuously variable and this method of operation falls into line with that of its all valve predecessors. Attack simply offers a-choice of slow, medium and fast whilst release has six settings. Positions one to four have fixed release times whilst positions five and six are two different programme dependent release time modes making the unit ideally suited to programme material with complex dynamics such as complete stereo mixes and vocals. Interestingly, the attack times are further modified by the choice of release setting so the range of choices are wider than it might first appear.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tBecause compression is a form of controlled gain reduction, a stage of make-up amplification follows the compressor section giving a range of +20dB. The VU meters may be switched to monitor either the amount of gain reduction taking place or the output signal level and the two channels may be used either independently or as a stereo pair, depending on the setting of the stereo link switch. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe side chain access points may be used to patch in equalisers to enable the compressor to act as a de-esser. As with other Drawmer products, the by-pass switch offers a choice of Normal. By-pass and Side Chain Listen modes so that if you have patched in any additional side chain processing, you can easily monitor what effect it is having. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tIn addition to the balanced microphone and line inputs on the rear of the unit an auxiliary input on the front panel gives direct access for guitars or electronic instruments. Equalization is provided along with sufficient gain to overload the tube pre-amp for sustain effects. The Aux input is a valuable addition as it combines the virtues of a D.I. box and equalizer with the compressor allowing the instrument to be simultaneously processed and routed to the mixing console or directly to the recorder.\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"New | In Stock","offer_id":46168377098523,"sku":"1960","price":3029.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49780371423515,"sku":"1960EBAYPRO","price":1998.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/drawmer-1960-0.jpg?v=1692025319"},{"product_id":"drawmer-d-clock-dms-2-word-clock-measurement-distribution-amplifier-dclock-c01","title":"Drawmer D-Clock DMS-2 Word Clock Measurement \u0026 Distribution Amplifier","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eDrawmer D-Clock DMS-2 Word Clock Measurement \u0026amp; Distribution Amplifier\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe D-Clock is a dual input\/twenty output word clock distributor with a 16 character blue LCD display providing a reference measurement of the incoming sample rate. Both AES\/EBU and BNC word clock inputs feature a zero latency loopthrough output with switchable high impedance to maintain the correct level of the digital signal for onward distribution. The D-Clock displays incoming sample frequencies up to 768 kHz to an accuracy of 2ppm (parts per million) with two further modes - sample frequency with ±ppm error and sample frequency with % pull up\/down for video users. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSixteen BNC clock outputs are situated on the rear panel with a further four BNC clock outputs on the front panel for quick patching to other digital devices. The word clock outputs can be derived from either a word clock input or alternatively an AES\/EBU audio signal from which clock information can be stripped. In the latter case, one of the many mic pre’s with internal A\/D conversion but no word clock output can be utilised as the master clock source for the whole digital studio.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFeatures include: \u003c\/div\u003e\n\u003cdiv\u003e\n\tInputs: BNC with zero latency loopthrough\u003c\/div\u003e\n\u003cdiv\u003e\n\tAES with with zero latency loopthrough\u003c\/div\u003e\n\u003cdiv\u003e\n\tOutputs: BNC loopthrough \/ AES loopthrough\u003c\/div\u003e\n\u003cdiv\u003e\n\t20 BNC clock outputs - 33½ impedance\u003c\/div\u003e\n\u003cdiv\u003e\n\t3 sample rate measurement LCD modes accurate to 2ppm\u003c\/div\u003e\n\u003cdiv\u003e\n\tUniversal voltage filtered mains power input\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46168377131291,"sku":"DCLOCK","price":1229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/drawmer-DCLOCK-0.jpg?v=1692025300"},{"product_id":"drawmer-da6-balanced-distribution-amplifier-da6-c01","title":"Drawmer DA6 Balanced Distribution Amplifier","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eDrawmer DA6 Balanced Distribution Amplifier\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe distribution of mono and stereo balanced audio signals from a single source to multiple destinations has many applications including multi-zone sound reinforcement installations, live sports events coverage, broadcast studios, video suites, duplication or indeed anywhere high quality audio has to be distributed to a number of locations down long cable runs.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Drawmer DA-6 is a six channel stereo (or twelve channel mono) distribution amplifier featuring XLR balanced inputs and outputs with optional transformer balancing where remote amplifiers and recorders are fed from separate power supplies.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe stereo Input features individual left\/right level controls with LED bargraph metering enabling the correct balancing of stereo material or two mono signals. Each of the six outputs incorporate further left\/right level controls and a Mono\/Stereo switch providing the selection of either one stereo output or two mono outputs per channel. This feature allows the DA-6 to function as either a 1 x stereo input\/6 x stereo outputs or 2 x mono input\/12 x mono output unit or any combination of the two.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe output section consists of a Channel Select so that the individual left\/right output level of each channel is displayed on the output LED bargraph and can be monitored by the Headphone jack socket. A pair of auxiliary link stereo jack sockets (TRS) are provided via the rear panel for connection to further DA-6 units for the distribution of even more channels.\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46168377196827,"sku":"DA6","price":1089.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/drawmer-da6-balanced-distribution-amplifier.jpg?v=1692025305"},{"product_id":"drawmer-ds201-dual-noise-gate-ds201-c01","title":"Drawmer DS201 Dual Noise Gate","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eDrawmer DS201 Dual Noise Gate\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates.\u003c\/div\u003e\n\u003cdiv\u003e\n\tvariable high pass and low pass filters for \"frequency conscious\" gating\u003c\/div\u003e\n\u003cdiv\u003e\n\tcomprehensive envelope control, attack, hold, decay, and range\u003c\/div\u003e\n\u003cdiv\u003e\n\tkey input for external triggering\u003c\/div\u003e\n\u003cdiv\u003e\n\t\"key listen\" facility\u003c\/div\u003e\n\u003cdiv\u003e\n\textremely fast attack time, to preserve the natural attack of the sound\u003c\/div\u003e\n\u003cdiv\u003e\n\tbalanced inputs and outputs\u003c\/div\u003e\n\u003cdiv\u003e\n\tstereo linkable\u003c\/div\u003e\n\u003cdiv\u003e\n\tcan be used for \"Gating\" or \"Ducking\"\u003c\/div\u003e\n\u003cdiv\u003e\n\thigh audio specification\u003c\/div\u003e\n\u003cdiv\u003e\n\tThese features and its \"user friendliness\" have made it the \"industry standard\" throughout the world.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSetting up noise gates can be tedious and unrewarding. For example, when attempting to separate a signal from unwanted noise or crosstalk that is relatively high in level, spurious triggering of the gate by unwanted components within the sound can be a serious problem. This can often be experienced in the studio when recording a drum kit. If a gate is used to clean up the snare drum sound it is quite likely that the nearby hi-hats will spill into the snare drum microphone and cause the gate to open. Increasing the threshold level may cure this problem, but then there is a very real danger that any quieter snare drum beats may not cause the gate to open at all and the performance can easily be ruined.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe DRAWMER solution to this problem is the inclusion of two variable filters, one high-pass and one low-pass, which act upon the side-chain keying circuitry. By setting the output switch to key listen the user can hear the action of the filters and adjust them to reject high frequency spillage from the hi-hats. This now enables the gate to only open on the lower frequencies present in the snare drum.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tDrawmer pioneered the concept of frequency conscious gating, and the Drawmer DS201 was the first noise gate to include this feature.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe very fast attack of the DS201 means that it can open in a matter of micro seconds, thus preserving the natural attack of whatever sound is being gated and the comprehensive envelope controls mean that the gain can be changed at whatever rate best suits the material being processed. With vocals for example, a fairly fast attack is needed so as not to clip the leading consonants but a slower release time will prevent the end of words being clipped off and will also fade out any noise gradually rather than cutting it off abruptly. This latter point is very important as the human ear is far more sensitive to rapidly changing noise levels than to a constant low level noise.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAnother important role played by the gate is in the reshaping of existing sounds. An example of this might involve a simple sampling delay line used to store a sound to be re-triggered later and added to a mix. A gate can be used to impart a slower attack or faster decay to the sound and careful setting of the decay envelope can effectively hide any noise present at the end of the sample. When using a sampler or drum machine the gate can be considered a triggered envelope shaper, and the wide range allowed by the envelope controls make the DS201 ideal for this application.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe unit can be switched to accept a key input, which allows the gate to be triggered externally. An example of this would be to use a snare drum signal to open the gate on a separate ambient microphone to create a natural alternative to gated reverb.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEach channel can be individually switched from Gating to Ducking for 'voice over' applications or the removal of 'clicks' and 'pops'.\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46168377262363,"sku":"DS201","price":1099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/drawmer-DS201-0.jpg?v=1692025310"},{"product_id":"drawmer-sp2120-speaker-protector-sp2120-c01","title":"Drawmer SP2120 Speaker Protector","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eDrawmer SP2120 Speaker Protector\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tSound System Protection in 2 easy steps...\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tStep 1: Insert key to ‘unlock’ front panel and adjust VU meter pre-set until the peaks of the incoming audio illuminate the red endstop 0dB LEDs.\u003c\/div\u003e\n\u003cdiv\u003e\n\tStep 2: Adjust max output level pre-set until sound system volume reaches the maximum permitted SPL as specified by the installer or client. Remove key... and sleep soundly.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe new Drawmer SP2120 Speaker Protector offers both strict level control and tremendous peace of mind to the contractor, installer and venue in the knowledge that only the maintenance engineer and the venue manager hold a key. As its name suggests the 1U, two channel processor eliminates the possibility of ‘unauthorised’ excessive sound pressure levels on speaker systems which could result in damage to both chassis drivers and amplifier electronics. The unit also gives a wide variety of venues, such as clubs, theatres, pubs, schools, universities etc. the opportunity to comply with the local legislation regarding noise levels.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFeatures include: \u003c\/div\u003e\n\u003cdiv\u003e\n\tKey Holder access only\u003c\/div\u003e\n\u003cdiv\u003e\n\tTakes only minutes to install\u003c\/div\u003e\n\u003cdiv\u003e\n\tDual 16 segment Left\/Right bargraphs for ‘at a glance’ level metering\u003c\/div\u003e\n\u003cdiv\u003e\n\t‘Protection’ processing 16 segment bargraph display\u003c\/div\u003e\n\u003cdiv\u003e\n\tNo sound quality loss even during heavy protection processing\u003c\/div\u003e\n\u003cdiv\u003e\n\tOnce installed and calibrated completely eliminates the possibility of ‘unauthorised’ volume levels\u003c\/div\u003e\n\u003cdiv\u003e\n\tEliminates sound system abuse and the resulting cost of chassis speaker re-cones, HF diaphragm replacements and amplifier repairs\u003c\/div\u003e\n\u003cdiv\u003e\n\tReduces ‘call-out’ costs of sound system service\/repair engineers\u003c\/div\u003e\n\u003cdiv\u003e\n\tReduces sound system ‘down time’ and the consequential loss of venue income\u003c\/div\u003e\n\u003cdiv\u003e\n\tIsolation transformer output option\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe SP2120 front panel features an integral security lock to ensure that adjustments to maximum volume levels are implemented by key holders only. In ‘unlocked’ mode two front panel pre-sets are exposed and available for adjustment by the installer. The first calibrates the 16 segment Left\/Right bargraphs to the incoming audio and dictates the point at which ‘protection’ processing commences. The second sets the absolute volume level to which the sound system is allowed to perform. If the SP2120 receives increased signal levels, the transparent ‘protection’ circuitry is activated which maintains the specified system volume level without degradation in sound quality.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe SP2120 greatly benefits from Drawmer’s 25 years experience in designing industry standard dynamic processing devices. Its signal path combines a mixture of ‘multiple time constant’ circuitry and automatic gain control (AGC) which allow small overloads to sound louder - even though they’re not. Its concept and development was encouraged by Drawmer distributors and installers dissatisfied with other protection systems currently available. These often take the form of a crude switch, either turning off the power or disconnecting the speakers, both of which are ‘disruptive’ in any event. The SP2120 is intended to be inserted in the sound system immediately prior to the amplifier stage.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSP2120 Tamper Proof Security Panel (only available for serial number 0845 or higher):\u003c\/div\u003e\n\u003cdiv\u003e\n\tDrawmer have gone to great lengths to make the Speaker Protector tamper-proof by incorporating the locking mechanism on the front. However, if the rear of the unit, along with the power amplifier, were reconnected, by an engineer\/dj trying to gain more level, then the protection system would effectively be bypassed. For this reason Drawmer have designed the Speaker Protector Tamper-proof Bracket - trapping the XLR’s in place and making it extremely difficult to disconnect them without removing the bracket. This bracket could be specified in order to conform to Local Authority noise abatement regulations.\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46168377327899,"sku":"SP2120","price":1029.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/sp2120_large_63a77930-b424-474a-b51e-aeaec2972aa1.jpg?v=1692025310"},{"product_id":"drawmer-ds101-single-channel-noise-gate-500-series-module-ds101-c01","title":"Drawmer DS101 Single-Channel Noise Gate 500-Series Module","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tDS101 - Noise Gate for the 500 Series\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Industry-Standard High-End Noise-Gate comes to the 500 Series!\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe DS101 is the first noise gate designed specifically for the 500 Series rack system and takes its place alongside the Drawmer family of industry standard Noise Gates, such as the DS201, DS501 and DS404. Anyone familiar with those units will immediately be at home with the DS101.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tBased on a single-channel of the DS201 the DS101 is a sophisticated noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, such as variable high and lowpass filters for “frequency conscious gating.”\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOther features include comprehensive envelope control, attack, hold, decay, and range, plus a whole host of other features, all adding up to one amazing processor.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWhen placed side by side in a 500 series rack two or more gates can be linked using the new infra red triggering mechanism employed on the DS101. This means that any number of gates can be linked with each having their own envelope shaping whilst the trigger pulse passes through unchanged, this opens up a whole world of “envelope follower” effects limited only by your imagination.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFeatures:\u003c\/div\u003e\n\u003cdiv\u003e\n\tFully featured noise gate based on the industry standard DS201.\u003c\/div\u003e\n\u003cdiv\u003e\n\tTakes up a single 500 series slot.\u003c\/div\u003e\n\u003cdiv\u003e\n\tProprietary Hysteris or “trigger stabilization” to prevent “chatter” around the threshold.\u003c\/div\u003e\n\u003cdiv\u003e\n\tFully variable high pass and low pass filters for “frequency conscious” gating.\u003c\/div\u003e\n\u003cdiv\u003e\n\tComprehensive envelope control, attack, hold, decay, and range.\u003c\/div\u003e\n\u003cdiv\u003e\n\tExternal triggering via key input or the new IR trigger pulse from another DS101.\u003c\/div\u003e\n\u003cdiv\u003e\n\t“Key Listen” facility.\u003c\/div\u003e\n\u003cdiv\u003e\n\tExtremely fast attack time, to preserve the natural attack of the sound.\u003c\/div\u003e\n\u003cdiv\u003e\n\tLinkable - up to ten units in one rack space - with individual envelope shaping.\u003c\/div\u003e\n\u003cdiv\u003e\n\tDrawmer “traffic lighting” metering.\u003c\/div\u003e\n\u003cdiv\u003e\n\tCan be used for “Gating” or “Ducking”.\u003c\/div\u003e\n\u003cdiv\u003e\n\tLow noise design.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSetting up noise gates can be tedious and unrewarding. For example, when attempting to separate a signal from unwanted noise or crosstalk that is relatively high in level, spurious triggering of the gate by unwanted components within the sound can be a serious problem. This can often be experienced in the studio when recording a drum kit. If a gate is used to clean up the snare drum sound it is quite likely that the nearby hi-hats will spill into the snare drum microphone and cause the gate to open. Increasing the threshold level may cure this problem, but then there is a very real danger that any quieter snare drum beats may not cause the gate to open at all and the performance can easily be ruined.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe DRAWMER solution to this problem is the inclusion of two variable filters, one high-pass and one low-pass, which act upon the side-chain keying circuitry. By setting the output switch to key listen the user can hear the action of the filters and adjust them to reject high frequency spillage from the hi-hats. This now enables the gate to only open on the lower frequencies present in the snare drum.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe very fast attack of the DS101 means that it can open in a matter of micro seconds, thus preserving the natural attack of whatever sound is being gated and the comprehensive envelope controls mean that the gain can be changed at whatever rate best suits the material being processed. With vocals for example, a fairly fast attack is needed so as not to clip the leading consonants but a slower release time will prevent the end of words being clipped off and will also fade out any noise gradually rather than cutting it off abruptly. This latter point is very important as the human ear is far more sensitive to rapidly changing noise levels than to a constant low level noise.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAnother important role played by the gate is in the reshaping of existing sounds. An example of this might involve a simple sampling delay line used to store a sound to be re-triggered later and added to a mix. A gate can be used to impart a slower attack or faster decay to the sound and careful setting of the decay envelope can effectively hide any noise present at the end of the sample. When using a sampler or drum machine the gate can be considered a triggered envelope shaper, and the wide range allowed by the envelope controls make the DS101 ideal for this application.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe unit can be switched to accept a key input, which allows the gate to be triggered externally. An example of this would be to use a snare drum signal to open the gate on a separate ambient microphone to create a natural alternative to gated reverb.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWith a rack full of DS101's each can be individually switched from Gating to Ducking for 'voice over' applications or the removal of 'clicks' and 'pops'.\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"New | In Stock","offer_id":46168964137243,"sku":"DS101","price":515.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/drawmer-DS101-0.jpg?v=1692027399"},{"product_id":"drawmer-1978-stereo-tone-shaping-fet-compressor-1978draw-c01","title":"Drawmer 1978 Stereo Tone Shaping FET Compressor","description":"\u003ch2\u003eWhy you need the Drawmer 1978 Stereo Tone Shaaping FET Compressor\u003c\/h2\u003e\u003cdiv\u003e\n\u003cp\u003eThe Drawmer 1978 builds on the success of the award winning 1973 multiband FET compressor and adorns an unparalleled array of controls to give complete mastering over your mix, and all in a deceptively simple 1U frame. In addition to the usual Ratio, Threshold, Attack and Release controls, the 1978 features four character switches offering a wide range of compression flavours, as well as a variable saturation control to add harmonic distortion to the signal. Side chain functionality is also included with side chain insert points on both channels and a very comprehensive and flexible Side Chain EQ section which offers LF and HF controls with a choice of specific shapes and frequencies for precise frequency-conscious compression such as de-essing. A wet\/mix control also allows you to blend the processed signal with the dry for parallel compression. In addition, a fast reacting Dual colour backlit VU Meter is employed to provide a visual indication of the amount of saturation added. Time delay relays are incorporated into the outputs to provide clean power-up and down with no pops or bangs, and a low hum toroidal linear power supply. The Drawmer 1978 is a truly flexible compressor made in the UK with high-quality components. The 1978 is a Buss Compressor like no other - compression with character, controlled distortion, tonal shaping, wet\/dry mixing - others have tried but have never managed to build a compressor that is this versatile and yet intuative. It's never been easier to get that elusive characteristic sound that sets you apart from the rest. Glue your mix, bring out the bass, control the highs, add warmth, distortion, smoothen, widen, sound less digital more analogue - and at a price that's right for even the smallest studio.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003c\/div\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003eFast Reacting Stereo FET Design compressor with excellent Left\/Right Tracking across the Full Range of compression and in a 1u rack mount housing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003eThreshold, Ratio, Attack and Release controls and Gain Reduction Metering provide familiar and intuative control over the audio. Anyone that knows how to use a compressor can operate the 1978.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003e4 character switches provide a multitude of compression flavour combinations that allow the 1978 to take on the characteristics of other compressors.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003eComprehensive side chain EQ giving simultaneous control of frequency and level of filtering for the low and high bands. This works in conjunction with the rear panel stereo insert points that provide even further control.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003eVariable Wet\/Dry Mix plus Output Gain Knobs give a 'Parallel Compression' function without the need for external mixing devices, providing Complete and Effortless Control over the amount of compression used and Output Levels.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003eTwo Analogue V.U. Meters with Switchable +10dB Meter Rescale Mode. These have additional dual colour backlighting that act as a visual indication for the amount of saturation.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003eTime delay relays on outputs for clean power up\/down.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003eInternal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003eClassic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003eDesigned and manufactured by Drawmer in the UK.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"Pre-Owned | Out Of Stock","offer_id":46172770894107,"sku":"1978DRAWEBAYPRO","price":999.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46172770926875,"sku":"1978DRAW","price":1369.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1978draw-0.jpg?v=1692030691"},{"product_id":"drawmer-1973-3-band-stereo-fet-compressor-1973draw-c01","title":"Drawmer 1973 3-Band Stereo FET Compressor","description":"\u003ch2\u003eWhy you need the Drawmer 1973 3 Band Stereo FET Compressor\u003c\/h2\u003e\u003cdiv\u003e\n\u003cp style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline; word-wrap: break-word;\"\u003eThe all-analog Drawmer 1973’s features include three independent compressor sections with two variable-frequency 6dB\/octave crossovers to separate them into low, middle, and high frequency compression sections. Each section contains familiar threshold, gain, attack, and release controls, along with gain-reduction metering. Moreover, each section can be independently muted or bypassed for straightforward setup and monitoring. The low section possesses a \"Big\" switch for enhanced low-end, whereas the high section possesses an \"Air\" switch for enhanced high-end. The three sections are recombined to form the \"wet\" signal, which can be mixed to variable degree with the dry signal for easy parallel compression. Illuminated VU meters are designed to make monitoring compression and output intuitive.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\u003cdiv\u003e\n\u003carticle style=\"widows: 1;\"\u003e\u003cdiv class=\"message_data\"\u003e\u003cdiv class=\"alt1\" id=\"post_message_9929746\"\u003e\u003cul\u003e\n\u003cli\u003eStandard intuitive controls such as Threshold, Gain, Switched Attack \u0026amp; Release with Gain Reduction Metering on Each Band.\u003c\/li\u003e\n\u003cli\u003eFast Reacting Soft Knee F.E.T. Design with excellent Left\/Right Tracking across the Full Range of compression.\u003c\/li\u003e\n\u003cli\u003eVariable Wet\/Dry Mix plus Output Gain Knobs give a 'Parallel Compression' function without the need for external mixing devices, providing Complete and Effortless Control over the amount of compression used and Output Levels.\u003c\/li\u003e\n\u003cli\u003eVariable Band Split Filters at a 6dB Per Octave slope with Switch-able Mute and Bypass on Each Band make 'Tuning In' to a Frequency Simple.\u003c\/li\u003e\n\u003cli\u003e‘Big’ and 'Air' Modes Help to preserve the Very Deep Lows and Enhance the Sparkling Highs.\u003c\/li\u003e\n\u003cli\u003eTwo Analogue V.U. Meters with Switchable +10dB Meter Rescale Modes and a Switchable ‘Peak’ mode to Display Fast Transients Not Normally Seen on Conventional V.U.s.\u003c\/li\u003e\n\u003cli\u003eDedicated Gain Reduction Meters On Each Band.\u003c\/li\u003e\n\u003cli\u003eInternal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.\u003c\/li\u003e\n\u003cli\u003eClassic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003cdiv class=\"smallfont\" style=\"font-size: 10px; font-family: verdana, geneva, lucida, 'lucida grande', arial, helvetica, sans-serif; widows: 1; background-color: rgb(245, 245, 255);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"New | In Stock","offer_id":46172772204827,"sku":"1973DRAW","price":1979.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":51924387856667,"sku":"1973DRAWEBAYPRO","price":1799.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1973_large_ecf226eb-f027-4002-932a-8f26782604da.jpg?v=1692030700"},{"product_id":"drawmer-mxpro-60-front-end-one-mxpro60-c01","title":"Drawmer MXPRO-60 Front End One","description":"\u003ch3\u003eWhy you need the Drawmer MXPRO-60:\u003c\/h3\u003e\u003cp style=\"margin: 0.8em 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"margin: 0.8em 0px;\"\u003eThe MX60 Pro Front End One is a unique mic\/line\/instrument input channel in a single rack space providing high quality Drawmer processing prior to tape\/hard disc recording. The MX60 is also ideally suited to project studio and live sound applications. Functioning as a studio grade mic pre-amp, Program AdaptiveTM gate, de-esser, compressor, limiter, three band EQ and multi band tube saturation stage, the MX60 offers the user more options than competitive units currently available.\u003c\/p\u003e\u003cp style=\"margin: 0.8em 0px;\"\u003eDrawing on our many years experience in professional audio we have developed a series of lower-cost Drawmer dynamic signal processors, the MX Pro range. Aimed at the musician, project studio and live performer, who is determined not to compromise on quality, but have to work to a tighter budget. By using circuit elements drawn from existing top-of-the-line Drawmer products and by simplifying the control systems where possible, the MX Pro range is no less sophisticated than our other units, despite the price tag. As a result the inexperienced user gains the benefits of Drawmer quality and performance, combined with lower cost and simplicity of operation.\u003c\/p\u003e\u003cp style=\"margin: 0.8em 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eFeatures: \u003c\/h3\u003e\u003cp style=\"margin: 0.8em 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul style=\"widows: 1;\"\u003e\n\u003cli style=\"margin: 0.8em 0px;\"\u003eGrass Roots - The MX60 draws its technology from the most successful of Drawmer products. The mic pre-amp features the same discrete component design found in the legendary Drawmer 1960, the de-esser is derived from the MX50, the VCA based compressor is similar to the MX30, while the peak limiter and gate can be tracked back to the DL241 compressor\/limiter.\u003c\/li\u003e\n\u003cli style=\"margin: 0.8em 0px;\"\u003eInput Stage: The input stage may be switched to accept mic, line, or instrument level signals - the XLR mic input has switchable 48V phantom power and phase reverse, while the line input is on both a balanced +4dB TRS jack and an unbalanced -10dB jack. A high impedance Instrument jack is located on the front panel for use with electric guitars, basses, synths and drum machines.\u003c\/li\u003e\n\u003cli style=\"margin: 0.8em 0px;\"\u003eProgram Adaptive™ Gate: Drawmer's proprietary Program AdaptiveTM circuitry means that all the time constants are automatically optimised for the material being processed. This enables stable gating and eliminates 'chatter' around threshold. Controls via a single variable threshold and switchable fast\/slow auto release.\u003c\/li\u003e\n\u003cli style=\"margin: 0.8em 0px;\"\u003eDe-Esser: Floating threshold de-ess operation where the de-esser automatically and continually readjusts its own threshold level. The MX60 de-esser is almost completely automatic requiring the user only to select a switchable male or female setting and to adjust the amount of de-essing required. Only the sibilant sounds are subjected to gain reduction so that the lisping effect of simpler de-essers is avoided.\u003c\/li\u003e\n\u003cli style=\"margin: 0.8em 0px;\"\u003eEQ: High and low shelving sections as well as fully parametric mid range EQ with variable frequency, 'Q', and ±18dB cut\/boost.\u003c\/li\u003e\n\u003cli style=\"margin: 0.8em 0px;\"\u003eCompressor: High quality VCA compressor based on that of the MX30 and DL241. Both the attack and release times are Program Adaptive™ leaving the user with only ratio, threshold and make-up gain to adjust.\u003c\/li\u003e\n\u003cli style=\"margin: 0.8em 0px;\"\u003eTubesound: Multi band 'tube saturation' allows users to create subtle warming, high frequency effects or out-and-out obvious effects via three separate, independently adjustable audio bands. Low settings on all bands enable replication of classic tube mic sounds.\u003c\/li\u003e\n\u003cli style=\"margin: 0.8em 0px;\"\u003eOutput: The output stage includes a limiter with a preset threshold (+16dB) and a variable master fader with output bargraph metering which sets the overall output level from OFF to +15dB. A two stage soft\/hard limiting approach has been adopted with yellow and red LEDs signifying soft (approaching limit point) and hard limiting (hitting limit point).\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46172772761883,"sku":"MXPRO60","price":1139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MXPRO60-0_3.jpg?v=1692030692"},{"product_id":"drawmer-mc3-1-monitor-controller-mc3-1-c01","title":"Drawmer MC3.1 Monitor Controller","description":"\u003ch2\u003eWhy you need the Drawmer MC3.1 Monitor Controller:\u003c\/h2\u003e\u003cdiv\u003eBuilding on the success of the MC2.1, the MC3.1 Monitor Controller is just as accurate and transparent and of the same build quality. It can still faithfully reproduce what has been recorded without coloring the sound, but comes with a much expanded feature set, including more inputs, better control, extended channel routing and a desk top 'wedge' form factor.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eAdditions include a combined digital AES\/SPDIF (24 bit\/192kHz) input, giving a total of 5 individually switchable sources, including a front panel auxilary input with level control for the easy connection of your mp3 player, smartphone or tablet. Full cue mix facilities, with level control, provide separate source selection for main or cue outputs and the two headphone amplifiers, so the artist can listen to a completely different mix to the engineer, for example. A dedicated cue mix output is also available.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eA secondary preset volume control on the front provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eThe MC3.1 incorporates three stereo balanced speaker outputs, plus a dedicated mono speaker\/sub-woofer output each with individual left\/right trims under the unit to provide complete control over level matching. Furthermore each can be switched individually and simultaneously and in any order. You can listen to multiple speakers with the same sub-woofer, or turn the sub-woofer off altogether.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eOther improvements include additional mix checking capabilities, which now incorporate low, mid, high solo switches to hear how the lows bleed into the mid, or the stereo width of each, for example, and also the ability to swap the left and right channels. The talkback has been expanded to include an external mic in addition to the internal, and footswitch operation.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eCan you trust the audio that your current monitor controller is providing? Is it coloring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46174452351259,"sku":"MC3.1","price":1359.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47215153512731,"sku":"MC3.1EBAYPRO","price":901.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mc31_large_1.jpg?v=1692032893"},{"product_id":"drawmer-ds201-2-channel-gate-c101545","title":"Drawmer DS201 2-Channel Gate (C101545)","description":"\u003cp\u003e*Please note this item is pre-owned and may show signs of use. Please see photos\u003c\/p\u003e\n\u003cp\u003eSetting up noise gates can be tedious and unrewarding. For example, when attempting to separate a signal from unwanted noise or crosstalk that is relatively high in level, spurious triggering of the gate by unwanted components within the sound can be a serious problem. This can often be experienced in the studio when recording a drum kit. If a gate is used to clean up the snare drum sound it is quite likely that the nearby hi-hats will spill into the snare drum microphone and cause the gate to open. Increasing the threshold level may cure this problem, but then there is a very real danger that any quieter snare drum beats may not cause the gate to open at all and the performance can easily be ruined.\u003cbr\u003e\u003cbr\u003eThe DRAWMER solution to this problem is the inclusion of two variable filters, one high-pass and one low-pass, which act upon the side-chain keying circuitry. By setting the output switch to key listen the user can hear the action of the filters and adjust them to reject high frequency spillage from the hi-hats. This now enables the gate to only open on the lower frequencies present in the snare drum.\u003cbr\u003e\u003cbr\u003eDrawmer pioneered the concept of frequency conscious gating, and the Drawmer DS201 was the first noise gate to include this feature.\u003cbr\u003e\u003cbr\u003eThe very fast attack of the DS201 means that it can open in a matter of micro seconds, thus preserving the natural attack of whatever sound is being gated and the comprehensive envelope controls mean that the gain can be changed at whatever rate best suits the material being processed. With vocals for example, a fairly fast attack is needed so as not to clip the leading consonants but a slower release time will prevent the end of words being clipped off and will also fade out any noise gradually rather than cutting it off abruptly. This latter point is very important as the human ear is far more sensitive to rapidly changing noise levels than to a constant low level noise.\u003cbr\u003e\u003cbr\u003eAnother important role played by the gate is in the reshaping of existing sounds. An example of this might involve a simple sampling delay line used to store a sound to be re-triggered later and added to a mix. A gate can be used to impart a slower attack or faster decay to the sound and careful setting of the decay envelope can effectively hide any noise present at the end of the sample. When using a sampler or drum machine the gate can be considered a triggered envelope shaper, and the wide range allowed by the envelope controls make the DS201 ideal for this application.\u003cbr\u003e\u003cbr\u003eThe unit can be switched to accept a key input, which allows the gate to be triggered externally. An example of this would be to use a snare drum signal to open the gate on a separate ambient microphone to create a natural alternative to gated reverb.\u003cbr\u003e\u003cbr\u003eEach channel can be individually switched from Gating to Ducking for 'voice over' applications or the removal of 'clicks' and 'pops'.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Pre-Owned | On Order","offer_id":46178265399579,"sku":"C101545","price":405.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/C101545_0.jpg?v=1692035072"},{"product_id":"drawmer-cmc3-4-source-3-out-compact-monitor-controller-cmc3","title":"Drawmer CMC3 4 Source 3 Out Compact Monitor Controller","description":"\u003cp\u003eThe CMC3 Compact Monitor Controller consolidates the feature sets of Drawmer's 3 most popular monitor controllers: Whilst retaining the famed accurate, and transparent audio quality of the MC2.1, it has the precision and control of the MC3.1 and the low profile, compact design of the CMC2. It is equally at home in a serious home studio as in a professional recording facility.\u003c\/p\u003e\n\u003cp\u003eThere is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller. Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? There are far to many monitor controllers available that do in one way or another - Drawmer monitor controllers do not flavour, colour, warm, improve or brighten the signal, the active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccurate \u0026amp; Transparent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the same Drawmer pedigree as the MC2.1, the CMC3 circuit is just as transparent and accurate. It has been designed to remove the limitations that a passive circuit brings, such as the ability to increase the volume for quiet passages and improved mix checking, without adding the artifacts that lesser quality active circuits introduce.\u003c\/p\u003e\n\u003cp\u003eYou hear exactly what you've recorded!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrecision\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CMC3 supports 3 sets of stereo monitors, plus a dedicated mono speaker\/sub-woofer output, each can be switched individually and simultaneously and in any order, especially useful for A\/B comparisons. You can listen to multiple speakers with the same sub-woofer, or turn the sub-woofer off altogether.\u003c\/p\u003e\n\u003cp\u003eThe volume control utilizes a parallelled custom quad pot for excellent channel matching and smooth feel, as does the secondary preset volume control on the front. This provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple Connections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CMC3 is very well connected with 4 stereo inputs in total: 1x SPDIF digital input (24 bit\/192kHz), using the same DAC chipset as our established MC3.1 monitor controller, 2 stereo balanced jack inputs, plus a 3.5mm jack with variable level control for your Smartphone\/MP3 Player.\u003c\/p\u003e\n\u003cp\u003eIn addition, it has a 2 professional quality headphone outputs with a separate amplifier and level control, that provide the same audio quality and mix checking as the CMC3 does through the speakers. Talkback is also included with internal or external microphone, level control and audio routing to a dedicated mono output jack \u0026amp; headphones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced Mix Checking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe comprehensive mix checking facilities of the CMC3 include dim, mono, phase reverse, left and right cut as well as an easy access mute switch, allowing you to check the quality of your recordings: tune into your mix to hear any unwanted artefacts, test the effectiveness of the stereo mix, check for phase cancellation, listen to the stereo difference. Features that many monitor controllers lack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CMC3 packs a lot of features into a small unit. The whole package is presented in a very low profile desktop enclosure of just 3.5cm high with a footprint of 27x16cm (10.5”x6.5”x1.4”).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTough \u0026amp; Secure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC3 is built to last. In addition, a Kensington security slot provides protection from thieves.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46180872225051,"sku":"CMC3","price":889.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/CMC3_0_3.jpg?v=1692037386"},{"product_id":"drawmer-1974-four-band-stereo-parametric-eq-1974drawmer","title":"Drawmer 1974 Four Band Stereo Parametric EQ","description":"\u003cp\u003eThe vintage-style fully stereo 1974 four band Parametric Equaliser provides exceptional analogue musicality and sonic clarity, taking it's inspiration from 1970's-era gear. It has the ability to perform subtle shaping for mastering purposes that require a delicate touch and easy recall, but is just as capable of tonal sculpting, adding the analogue warmth and character that is near impossible to emulate in the digital domain.\u003c\/p\u003e\n\u003cp\u003eGet immersive with the stereo operation, with one set of controls for both channels. The versatile design features dual channel precision stepped potentiometers, providing exceptional accuracy for fast and simple recall. The fully variable bandwidth allows you to control the parametric mid bands, making adjustments as surgically precise or as broad and natural sounding as you could ever require. Fully adjustable low and high cut filters are also included, ideal for tuning out undesirable signals at the frequency extremes. It also features a switchable slope allowing you to alter the focus at the high and low frequencies plus a low peak setting that magnifies the bottom end. The 1974 is perfect for tonal shaping, staying true to the sound of the 70s and ideal for any musician.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"New | In Stock","offer_id":46182453510427,"sku":"1974DRAWMER","price":1369.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1974DRAWMER_0.jpg?v=1692039266"},{"product_id":"drawmer-1976-stereo-3-band-saturation-width-process-1976drawmer","title":"Drawmer 1976 Stereo 3-Band Saturation \u0026 Width Process","description":"\u003cp\u003eThe 1976 3 band stereo saturation and width processor has been designed to inject character, colour \u0026amp; life into your recordings and live sound in a style endemic of the classic equipment of the 1970's. The completely analogue saturation of the 1976 will provide the realism that plug-ins can only aspire to, replacing the harsh, sterile digital sound with fullness, softness and warmth. Why emulate saturation when you can have the real thing?\u003c\/p\u003e\n\u003cp\u003eInspired by the highly acclaimed saturation and width features of our DC2476 Digital Mastering Processor the 3 bands of independent saturation of the 1976 have been designed to add the pleasing imperfections that are so endemic in classic gear. Saturation is ideal for adding fullness to your music, taking your music from a cold, bleak landscape to a warm, bright vista.\u003c\/p\u003e\n\u003cp\u003eIn addition, however, unlike conventional saturation products the 1976 also features 3 bands of stereo width control to really bring out the depth and add real presence to your mix, and all with a single, yet comprehensive set of controls that provide genuine stereo operation.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"New | In Stock","offer_id":46182458458395,"sku":"1976DRAWMER","price":1369.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":48152687771931,"sku":"1976DRAWMEREBAYPRO","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1976DRAWMER_0_1.jpg?v=1692039270"},{"product_id":"drawmer-cmc7-surround-monitor-controller-cmc7","title":"Drawmer CMC7 Surround Monitor Controller","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"style1\"\u003eSURROUND CONTROL THAT'S COMPACT, ACCURATE \u0026amp; AFFORDABLE.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CMC7 is a compact 8 channel \/ 7.1 \/ 5.1 surround volume controller and cost-effective alternative to the more complex and feature rich MC7.1. In order to maintain it's compact proportions and to keep the product budget friendly the CMC7 does away with controls that can often be found within your workstation software and concentrates on essential features such as ease of use and the quality of the signal path, ensuring that the audio is transparent and accurate across all channels and operation intuitive.\u003c\/p\u003e\n\u003cp\u003eWhether it is producing audio for film or television, or transporting the listener directly into the venue of an all-encompassing orchestral piece, one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever-increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind. The budget friendly CMC7 allows you to do this without the large financial outlay that other setups will produce.\u003c\/p\u003e\n\u003cp class=\"style12\"\u003e\u003cstrong\u003eAccurate \u0026amp; Transparent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing from the same stable as the MC2.1, MC3.1 and MC7.1 you can be sure of the same high quality for the Drawmer CMC7 Surround Monitor Controller. The circuit is just as transparent and accurate. It's controls have the same quality feel and operation and the huge volume knob provides excellent channel matching, and smooth feel.\u003c\/p\u003e\n\u003cp\u003eYou hear exactly what you've recorded!\u003c\/p\u003e\n\u003cp class=\"style12\"\u003e\u003cstrong\u003eSurround Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 8 inputs and outputs are provided via two balanced 25 pin d-sub connectors wired to the Tascam standard making connecting easy. It allows for 8 independent channels, 5.1, 7.1, quadraphonic, DTS®, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos®, etc, the setup is up to the user.\u003c\/p\u003e\n\u003cp\u003eWith the Stereo Mix switch active the surround mix can be bounced down to a 2.1 signal in the front left and right monitors and sub-woofer, to test the quality of the recording when in stereo. In addition, it has a professional quality stereo headphone output with a separate amplifier and level control, that provides private mix checking, a DIM switch reduces output by 20dB and a MUTE switch is also available to cut the output completely.\u003c\/p\u003e\n\u003cp class=\"style12\"\u003e\u003cstrong\u003ePrecision\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe circuit design of the CMC7 ensures that the channel matching of all 8 channels is consistent throughout the full range of the volume control. Other manufaturers of surround controllers use multi-ganged potentiometers to achieve the levels of the 8 channels, this is especially true of passive surround controllers, this simplifies the circuit but leads to discrepancies in the level of each channel, especially at the lower and upper volumes, where accurate channel matching can vary wildly.\u003c\/p\u003e\n\u003cp class=\"style12\"\u003e\u003cstrong\u003eCompact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe CMC7 packs a lot of features into a small package. With a footprint of just 18x16cm and a very low profile the CMC7 won't hog your desk space like some other controllers do. And if your on the move it's small enough to pop into a bag to take anywhere.\u003c\/p\u003e\n\u003cp class=\"style12\"\u003e\u003cstrong\u003eTough \u0026amp; Secure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC7 is built to last. In addition, a Kensington security slot provides protection from thieves.\u003c\/p\u003e\n\u003cp\u003eCan you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46183171817755,"sku":"CMC7","price":889.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/cmc7_top_mid.png?v=1692041400"},{"product_id":"drawmer-mc7-1-surround-monitor-controller-mc7-1","title":"Drawmer MC7.1 Surround Monitor Controller","description":"\u003cp\u003e\u003cstrong\u003eMC7.1 \u003cspan class=\"style5BLUE\"\u003e- Surround Monitor Controller\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Drawmer MC7.1 Surround Monitor Controller is a combined 7.1\/5.1 and stereo monitor controller. Designed to provide all the mix checking features required for surround recordings without compromising on those used in stereo monitoring. It has the same pristine \u0026amp; transparent design as others from the Drawmer monitor controller pedigree, with a rugged desk top \"wedge\" form factor as used in the popular MC3.1.\u003c\/p\u003e\n\u003cp\u003eWhether it is producing audio for film or television, or transporting the listener directly into the venue of an all encompassing orchestral piece, be it in 5.1, 7.1, quadraphonic, DTS®, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos®, etc., one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind.\u003c\/p\u003e\n\u003cp\u003eBoasting two sets of balanced 7.1 Inputs, a 7.1 through, 1 Balanced Stereo Input and a convenient front panel Aux Input, with Balanced 7.1 Speaker outs and an independent Stereo main out with its own sub woofer option, there are no shortage of connectivity options. The Drawmer MC7.1 is capable of supporting any speaker seup, from mono, to stereo, various modes of surround, or 8 independent channels, depending on input type and speaker positioning.\u003c\/p\u003e\n\u003cp\u003eThe MC7.1 is a powerful Surround Monitor Controller in its own right, but is also perfect for controlling and checking your stereo mixes. This is one area where other surround monitoring controllers fall short. All studios, whether dedicated to film audio post production, or small home studio will at at some time (if not most of the time) work in stereo as well as surround. Aside from the surround capabilities, the MC7.1 contains the same comprehensive set of stereo \"mix check\" functions that are presented on the MC3.1 and which can of course be applied to the stereo input channel or any of the surround channels when these are routed to stereo.\u003c\/p\u003e\n\u003cp\u003eThe ability to \"mix down\" the surround mix to the FL and FR speakers OR the independent Stereo main speakers combined with the comprehensive cut or solo matrix means any combination of the surround channels can be listened to in the front mains. Want to focus in on the rear channels? Simply mix down to the front stereo speakers then solo them out of the mix! Whilst soloing out the centre or LFE channels give a central mono representation across the fronts or stereo mains!\u003c\/p\u003e\n\u003cp\u003eSpeaker level matching with switchable Mono\/Sub output, the popular Low\/Mid\/High band solo feature, Internal Talkback Mic with footswitch control, and External Talkback Mic input are all brought over from the MC3.1, completing the rich array of features available on the MC7.1.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46183186759963,"sku":"MC7.1","price":1979.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mc71_top.jpg?v=1692041415"},{"product_id":"drawmer-cmc2-compact-monitor-controller-cmc2","title":"Drawmer CMC2 Compact Monitor Controller","description":"\u003cp\u003eThe CMC2 possesses all of the critical features of Drawmer’s popular MC2.1 and MC3.1 monitor controllers, including superlative fidelity, balanced stereo inputs, a 3.5mm unbalanced stereo aux input (with independent volume control), mix check facilities (phase reverse, summed mono, \u0026amp; dim), and support for two sets of stereo monitors, a subwoofer, and volume-independent headphones. It leaves off the MC2.1 and MC3.1’s additional features, making it more cost-effective and well-suited to smaller studios.\u003ca href=\"http:\/\/www.transaudiogroup.com\/wp-content\/uploads\/2017\/06\/CMC_rear.jpg\" target=\"_blank\" rel=\"noopener\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eMost importantly, the CMC2 uses the same transparent audio circuitry that Ivor Drawmer and his engineering team developed for their hugely popular MC2.1 and MC3.1 monitor controllers. Its sound, or really lack of sound, is exactly what smaller studios so often lack and why they so often fail to produce recordings that successfully translate to other systems. Of course, smaller studios are often on a tight budget, and some of the advanced features of the MC2.1 and MC3.1 are unnecessary for their needs. The new Drawmer CMC2 fits its niche perfectly, giving small studio owners big studio sound at a price they can afford.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Pre-Owned | On Order","offer_id":46183515160859,"sku":"CMC2EBAYPRO1","price":318.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46183515226395,"sku":"CMC2","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/CMC2_0.jpg?v=1692042049"},{"product_id":"drawmer-mc1-1-headphone-monitor-pre-amp-1221386","title":"Drawmer MC1.1 Headphone\/Monitor Pre-amp","description":"\u003ch2\u003eDrawmer MC1.1 Headphone\/Monitor Pre-Amp\u003c\/h2\u003e\n\u003cp\u003eHot on the heels of the Drawmer MC2.1, well known for its functionality and transparency, comes its new sibling the MC1.1, offering the same fantastic sound but with a revised feature set more suitable for a less complex post production booth or HiFi use where multiple speaker setups are not permissible or even required. And with the addition of a new RIAA phono stage the MC1.1 is a great solution for your precious turntable setup.\u003c\/p\u003e\n\u003cp\u003eThe front panel is dominated by the two large, independent volume controls for the main line outs and the headphone amplifier. Both incorporate a paralleled custom quad pot for excellent channel matching and the smoothest possible action. There are also individual switches for each input source and output section making an elegantly simple yet functional user interface.\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThree input sources, Balanced, 3.5mm jack \u0026amp; RCA switchable between line and RIAA Phono\u003c\/li\u003e\n\u003cli\u003eTwo switchable output stages, Balanced XLR and RCA\u003c\/li\u003e\n\u003cli\u003eMono Sub-woofer output available simultaneous to balanced outs\u003c\/li\u003e\n\u003cli\u003eIndependent volume control for headphones\u003c\/li\u003e\n\u003cli\u003eQuad interleaved parallel pots for excellent L-R channel matching\u003c\/li\u003e\n\u003cli\u003eTime delay relays on line outputs for clean power up\/down.\u003c\/li\u003e\n\u003cli\u003eInternal Low Hum Toroidal Linear Power Supply With Voltage Selector Switch\u003c\/li\u003e\n\u003cli\u003eRugged steel chasis and stylish brushed aluminium cover, unboxed weight 2.5kg.\u003c\/li\u003e\n\u003cli\u003eDimensions: L 250mm x W 210mm x H 82mm\u003c\/li\u003e\n\u003cli\u003eDesigned and manufactured by Drawmer in the UK.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Repack | On Order","offer_id":47041992098075,"sku":"MC1.1EBAYPRO","price":499.0,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":47402102096155,"sku":"MC1.1","price":749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/61xfWpOIjZL._AC_SL1500.jpg?v=1711485467"},{"product_id":"drawmer-1971-dual-4-band-parametric-eq","title":"Drawmer 1971 Dual 4 Band Parametric EQ","description":"\u003cp class=\"p1\"\u003eThe 1971 offers 2 channels of fully featured 4-band parametric EQ. It has the ability to perform subtle shaping for mastering purposes that require a delicate touch and easy recall, but is just as capable of tonal sculpting, adding the analogue warmth and character that is near impossible to emulate in the digital domain.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe versatile design features dual channel precision stepped potentiometers, providing exceptional accuracy for fast and simple recall. All four bands have fully variable frequency controls and each offer a cut and boost function. Additionally, the two mid bands have completely variable filter bandwidth controls, enabling the user to focus on very narrow sections of the audio spectrum, or apply a broad natural sounding filter, and anything in between. Fully adjustable low and high cut filters are also included, ideal for tuning out undesirable signals at the frequency extremes. It also features switchable slopes on the low and high bands, allowing you to alter the focus at the top and bottom frequencies plus a low peak setting that magnifies the bottom end. The 1971 is perfect for tonal shaping, staying true to the sound of the 70s and ideal for any recording engineer or musician.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFully Parametric with Totally Variable Bandwidth.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe 1971 is a true ‘parametric’ equalizer, with the four bands having fully variable frequency controls and offer cut and boost of +\/-12dB’s. However, unlike EQ’s with a no bandwidth adjustment, or a simple switch, the two mid bands have completely variable filter bandwidth controls enabling the user to focus in on very narrow sections of the audio spectrum or apply a broad natural sounding filter, or, of course, anything in between the two. This makes the 1971 incredibly versatile and capable of modifying everything from subtly fine tuning mixes to tone sculpting problematic recordings.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eVariable Low and High Cut Filters.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe 1971 includes fully variable low and high cut filters (10Hz-225Hz and 4kHz-32kHz respectively), ideal for tuning out undesirable signals. The beauty of being fully variable is that, unlike fixed frequency filters, it is easy to sweep both controls to find the perfect setting and remove sounds with pinpoint accuracy. This is especially useful when bracketing individual tracks.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSwitchable Slope Setting. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVery few analogue parametric equalizers have an adjustable slope on the low and high band filters, and is yet another feature of the 1971 that allows you to take control of your audio. The filter slopes of the 1971 have been chosen for their musicality - allowing you to adjust the focus of the audio at the bottom and top ends of your recording but not so harsh as to be a very noticeable brick wall filter. At the bottom end filter slopes of 6, 9 and 12dB per octave plus a Peak setting are available, and at the high end 6 and 12dB’s per octave.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Peak setting adds a narrow bell shape to the 12dB per octave low band filter at the knee frequency just before it rolls off. Especially useful on kick drums, it magnifies and gives extra weight to the hit whilst still filtering out any subsonic junk and without muddying the lower mid. It’ll give your kick an added sense of power and precision.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCrush\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA feature that is unique to the 1971 is the CRUSH button. A switchable option available on each band, it adds a fixed time constant, auto gain makeup compressor, whilst also giving a wider rounder bandwidth. In addition it introduces some musically pleasing harmonics.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe effectiveness of the Crush button will vary depending on the frequency band that it is used in and also on the instrument that it is applied to. Use it in the lower frequencies to fatten up the kick, tom or snare drums, bass guitar and other elements of the rhythm section. In the mid frequencies it will help to warm the mix and enhance the presence. It will thicken the guitars and add punch to the percussion, increase the attack of a piano, as well as help to bring out the raspiness in a vocal, for example. At the high frequencies it will bring out the shimmer of cymbals and brighten the string instruments.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe effect is progressive, so as more boost is added to the band the CRUSH effect is more apparent. If you wish to apply much more boost to a band in order to obtain more ‘crush’ be sure to keep an eye on the EQ O\/L Led to ensure that the band level doesn’t reach the rails. Use the switch to listen to A\/B comparisons to hear the effectiveness of the feature.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":48730117308699,"sku":"DRAWMER1971","price":1979.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1716421537_IMG_2245111.jpg?v=1716482990"},{"product_id":"drawmer-1979-channel-strip-mic-pre-eq-compressor","title":"Drawmer 1979 Channel Strip - Mic Pre, EQ, Compressor","description":"\u003ch3 class=\"my-4\"\u003e\u003cstrong\u003eCapture Every Detail, Every Time\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"card-text align-self-center my-4\"\u003eThe Drawmer 1979 is a modern take on the classic channel strip, combining pristine clarity, tone shaping, and vintage compression in a single 1U unit.\u003c\/p\u003e\n\u003cp\u003eIt delivers the transparency of an ultra-clean pre-amplifier, the natural control of Lift, the precision of a three-band parametric equaliser, and the warmth of a soft-knee FET compressor - all designed to bring true analogue musicality to your recordings.\u003c\/p\u003e\n\u003cp\u003eWith switchable EQ and compressor order in the signal path, plus independent bypass for each section, the 1979 offers complete flexibility for shaping tone and dynamics.\u003c\/p\u003e\n\u003csection id=\"opening\" class=\"row\"\u003e\n\u003cdiv class=\"row justify-content-center align-items-center no-gutters\"\u003e\n\u003cdiv class=\"col-lg-6 col-xl-7 dr-right px-md-5  py-lg-0 py-3\"\u003e\n\u003cdiv data-aos-duration=\"400\" data-aos-delay=\"300\" data-aos=\"zoom-in-up\" class=\"card aos-init aos-animate\"\u003e\n\u003cdiv class=\"card px-2 mx-2\"\u003e\n\u003ch3\u003e\u003cstrong\u003ePristine \u0026amp; Versatile Pre-Amplifier\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe 1979's pre-amplifier offers mic, line, and instrument DI inputs with up to 66dB of stepped gain, allowing you to capture ultra-clean, transparent recordings, enhance dull sources, or refine your instrument tone.\u003c\/p\u003e\n\u003cp\u003eSwitched impedance matching helps every microphone perform at its best - from high-end condensers to ribbons and older dynamics - revealing each mic's perfect sweet spot.\u003c\/p\u003e\n\u003cstrong\u003eLift - Bring Quiet Details to Life\u003c\/strong\u003e\n\u003cp\u003eLift - first introduced on the 1972 - is a dynamic gain module that boosts quieter signals below 0dB while leaving louder passages untouched, naturally reducing dynamic range without compression artefacts. It adjusts gain in real time for a smooth, musical response - a genuine 'set and forget' solution.\u003c\/p\u003e\n\u003cp\u003eIdeal for vocals, finger-picked guitars, piano, or ambient recordings, Lift enhances subtle detail and balance without introducing noise or distortion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrecise Parametric Equaliser\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"accurate\" class=\"row\"\u003e\n\u003cdiv class=\"row justify-content-center align-items-center no-gutters\"\u003e\n\u003cdiv class=\"col-lg-6 col-xl-7 dr-right px-md-5  py-lg-0 py-3\"\u003e\n\u003cdiv data-aos-duration=\"400\" data-aos-delay=\"500\" data-aos=\"zoom-in-right\" class=\"card aos-init aos-animate\"\u003e\n\u003cdiv class=\"card px-2 mx-2\"\u003e\n\u003cp\u003eThe 1979 features a fully variable three-band parametric equalizer with ±12dB of cut or boost and a switchable bandwidth control on the mid band.\u003c\/p\u003e\n\u003cp\u003eSmooth, musical, and highly controllable, it excels at gentle tonal shaping as well as more surgical work to tame problem frequencies in a mix.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eVintage FET Compression\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe soft-knee FET compressor delivers the smooth, musical control for which Drawmer is renowned. It offers everything from transparent vocal levelling and mix glue to more assertive drum or instrument compression.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eOutput Stage \u0026amp; Final Control\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe output section includes a wet\/dry mix for parallel processing, allowing you to fine-tune how much EQ and compression you blend into the signal. Output gain provides make-up level or lets you match interface inputs with precision.\u003c\/p\u003e\n\u003cp\u003eA large backlit VU meter ensures accurate level monitoring, while a bypass switch disables both EQ and compression for an ultra-clean, direct pre-amplifier output.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Drawmer","offers":[{"title":"New | In Stock","offer_id":51417258197275,"sku":"1979","price":1369.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1979photomassive.jpg?v=1764623188"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/collections\/drawmer.jpg?v=1691749013","url":"https:\/\/www.altomusic.com\/collections\/drawmer.oembed","provider":"Alto Music","version":"1.0","type":"link"}