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Now your DAW or computer will sport the famous Orange look every time you want to rock out.\u003c\/p\u003e\n\u003cp\u003eBecause AmpliTube Orange runs from within AmpliTube, you get the full-rig signal path:\u003cbr\u003etuner —\u0026gt; pedalboards —\u0026gt; amp head preamp —\u0026gt; effects loop —\u0026gt; power amp —\u0026gt; speaker cabs —\u0026gt; mics with room effects —\u0026gt; rack effects. 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Almost any dynamics processing and EQ task can be handled with the modules in the Classic collection, which include both analog-modeled and digital processors.\u003c\/p\u003e\n\u003cp\u003eYou can easily set up custom signal chains when you open these plug-ins inside the T-RackS Custom Shop application. You can also open them in the T-RackS CS plug-in, which offers the same routing and flexible setups as the application, or you can open the modules individually as plug-ins. The T-RackS CS plug-ins support all major formats, including VST, RTAS, AAX (32- and 64-bit), and Audio Units. In addition to the four Classic modules, with their distinctive yellow front panels, you get the excellent T-RackS metering suite, which offers you peak, RMS, phase correlation, a spectrum analyzer, and lots of calibration options.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4 processors\u003c\/li\u003e\n\u003cli\u003eModules can be opened under T-RackS shell or as individual plug-ins\u003c\/li\u003e\n\u003cli\u003eCustom Shop functionality lets you purchase additional modules from inside the program\u003c\/li\u003e\n\u003cli\u003eComplete built-in metering section with Peak, Perceived Loudness, Phase, and RMS meters, plus a Spectrum analyzer with Peak, RMS and Averaging indicators\u003c\/li\u003e\n\u003cli\u003eStandalone integration with ARC System 2 processing\u003c\/li\u003e\n\u003cli\u003eAll processors available as individual plug-ins\u003c\/li\u003e\n\u003cli\u003e64-bit native support\u003c\/li\u003e\n\u003cli\u003e32-bit 192 kHz support\u003c\/li\u003e\n\u003cli\u003eHigh-fidelity oversampling for high-quality audio processing through the entire signal path\u003c\/li\u003e\n\u003cli\u003eSCC™ technology coupled with IK’s unique DSM™ technology provides the most realistic software emulation of vintage gear to date\u003c\/li\u003e\n\u003cli\u003eExtremely easy to use, with style-based presets, full chain visualization, one-click single module or chain bypass, “compare” function and more\u003c\/li\u003e\n\u003cli\u003e32- \u0026amp; 64-bit AAX Compatibility. Will run in Pro Tools 11, and under AAX in Pro Tools 10\u003c\/li\u003e\n\u003cli\u003eCustom Shop feature, which can be turned on from within T-RackS, lets you browse, audition, and purchase new modules from our ever-expanding collection\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"IK Multimedia","offers":[{"title":"New | On Order","offer_id":46177876476187,"sku":"TR-300-SDD-IN","price":74.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TR300SDDIN_0.jpg?v=1692034799"},{"product_id":"ik-multimedia-t-racks-mix-bus-compressor-tr-400-buscmp-dd","title":"IK Multimedia T-Racks Mix Bus Compressor Plug-in","description":"\u003cp\u003eThe Bus Compressor is based on the mix bus VCA type compressor of a worldwide known and acknowledged British large format mixing console from the 80's. It was used on practically every hit record and major production from the 80's to present days, so much that its sound has almost become a trademark. This compressor was so widely used that it later became a stand-alone rackmount unit, so that it could be used separately from the large format console. This made for even more success; a thing that led to many hardware and software clones trying to emulate it.\u003c\/p\u003e\n\u003cp\u003eThis legendary processor has been painstakingly analyzed and measured down to the very single component, compression curve, soft knee behavior and detection circuit; this in order to obtain a dead on reproduction that will impart a cohesiveness to mixes that is often referred to as \"glue effect\" where every instrument blends nicely with the others, and mixed tracks suddenly start to sound like \"music\".\u003c\/p\u003e\n\u003cp\u003eLike many of our hardware based modules we've added several nice and handy features not present on the original; in this case we added the \"Grit\" switch that will reproduce the slightly increased 2nd harmonic distortion of an out of calibration unit, a behavior favored by many engineers for its more characterful sound.\u003c\/p\u003e\n\u003cp\u003eThe Sidechain HP filter has been added to filter low frequencies out of the detection circuit path so that they wont overmodulate compression, thus avoiding the \"pumping\" effect at lower threshold and higher ratios. When not engaged though the “pumping” effect delivered by this module is astonishing, making it equally at home on loud rock mixes or slamming dance tracks.\u003c\/p\u003e\n\u003cp\u003eThe 1.5:1 ratio has been added for subtle and even compression making mixes \"shine\" without sounding compressed.\u003c\/p\u003e\n\u003cp\u003eWe like to see it sitting on the mix buss of your DAW, where it was ideally designed to be, but it also rules on other stereo sources, like drums submixes or parallel compression buses: this use is also well known to engineers and producers the world over, a very effective for “obscene” amounts of compression, punching and pumping drum rooms and creative effects.\u003c\/p\u003e\n\u003cp\u003e{{asset=837, align=center, width=75%}}\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"New | On Order","offer_id":46177884012827,"sku":"TR-400-BUSCMP-DD","price":124.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TR400BUSCMPDD_0.jpg?v=1692034814"},{"product_id":"ik-multimedia-t-racks-single-black-76-tr-400-b76-dd","title":"IK Multimedia T-RackS Black 76 Limiting Amplifier Plug-in","description":"\u003cp\u003eThe Black 76 Limiting Amplifier is modeled after what is probably the most used, most known and most universally recognized compressor\/limiter in the audio industry. There are probably no professionally recorded tracks where this unit wasn't used. It's a true legend and a piece of music production history.\u003c\/p\u003e\n\u003cp\u003eThe engineers that made this FET based compressor reached a level of cleverness and magic that only true visionary geniuses can achieve. While there are many revisions of this hardware, we modeled the LN version, revision E, because it's the one that has the most sonically recognized and sought after character thanks to its input transformer and class A output stage.\u003c\/p\u003e\n\u003cp\u003eAll of its features have been closely modeled, from its lightning fast attack, a peculiarity of this model, to the \"all buttons in\" mode: this is a trick that engineer use to create some pretty intense and wild effects, since when all ratio buttons are pressed together distortion drastically increases due to continuous and radical time constants shifts; this is a good way to hit room tracks hard or smack parallel busses for distinctive sonic signatures.\u003c\/p\u003e\n\u003cp\u003eIt's also a “go to” unit for standard compression duties, thanks to the quality of the sound it imparts to a track, even when not compressing, and to the simplicity of its controls: just set the input and output level to get in the ballpark of how much gain reduction is needed, then once set the Ratio the compression is quickly fine tuned with the time constants controls.\u003c\/p\u003e\n\u003cp\u003eIt is difficult to find a track or source where this compressor won't sound good; it is practically able to give authority and personality even to the most sterile track; bass is one of the most common uses for this plug-in but its very fast attack makes it very handy on percussive sources, like snare drum; vocals will benefit from its solid compression, standing out in the mix with presence and boldness. It's not out of the ordinary to see a pair of these compressors stereo-linked across the main bus of a mixer, so the fact that the T-RackS model is either mono or stereo makes it easy to replicate this technique.\u003c\/p\u003e\n\u003cp\u003e{{asset=838, align=center, width=75%}}\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"New | On Order","offer_id":46177885094171,"sku":"TR-400-B76-DD","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TR400B76DD_0.jpg?v=1692034816"},{"product_id":"ik-multimedia-t-racks-brickwall-limiter-tr-400-bwl-dd","title":"IK Multimedia T-RackS Brickwall Limiter Plug-in","description":"\u003cp\u003eLimiting is used in audio production to reduce the dynamic range of a track or program material. In audio mastering applications the limiting effect is used to raise the level of a track or mix, thus making it louder, by pumping more input level into the limiter and setting a “ceiling” threshold transient peaks will not exceed, avoiding any digital overs. The principle behind this is basically the same of a compressor where the ratio is set to ∞ :1, so that no signal is passing over the threshold, and time constants are set for very fast attack and release.\u003c\/p\u003e\n\u003cp\u003eThe IK Multimedia Brickwall Limiter was designed to be used in mastering applications (though it also can be creatively used in mix contexts) as a final tool to bring your track or mix to “industry standard” RMS levels. Its transparency and ease of use make it a very fast way of achieving finished, master quality tracks that stand out with all the level and boldness demanded by modern digital audio. Just set the Output Ceiling and raise the input until the desired loudness is achieved.\u003c\/p\u003e\n\u003cp\u003eThe possibility to choose among a set of custom designed algorithms (or “Styles”) makes the Brickwall Limiter very flexible, so that it can be tailored to best suit the program material it's being used on. The “Clean” settings are designed to have the most invisible result on the program material, so that distortion will be minimal. The advanced settings introduce a mix of very smooth saturation and limiting resulting in slightly more punch and color compared to the clean setting. The Sat settings use various forms of saturation as limiting for increased color.\u003c\/p\u003e\n\u003cp\u003eA few words should be spent on limiting use: a louder master will inevitably be perceived as “better sounding” to the human ear, though as too much limiting is applied to a mix, the end result will be squashed, dynamic-less or even worse distorted, so care should be used when applying limiting to a mix in order to achieve a perfect balance between loudness and sound quality.\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"New | On Order","offer_id":46177887551771,"sku":"TR-400-BWL-DD","price":74.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TR400BWLDD_0.jpg?v=1692034814"},{"product_id":"ik-multimedia-t-racks-classic-clipper-tr-400-ccl-dd","title":"IK Multimedia T-Racks Classic Clipper Plug-in","description":"\u003cp\u003eThis processor uses peak clipping to tame unruly peaks, rather than the usual peak limiting, giving you another dynamics control option. Peak clipping is often a more transparent process than standard peak limiting, which is why mastering engineers often employ it. Despite its powerful engine, the Classic T-RackS Clipper is easy to use, with only: Gain, Slope, and Output controls.\u003c\/p\u003e\n\u003cp\u003eOn top of acting as a last stage dynamic control, another clever use of this processor is to generate harmonic saturation: when set for high gain and lower output the track will get a range of saturation which, according to the levels set can go from some mild harmonics to a very pronounced distortion. This can be a very handy tool to breathe some more life and presence in a cold and sterile track, giving it boldness and personality, or to achieve some very special creative distortion effects, where a track processes with the T-RackS clipper will sound completely different.\u003c\/p\u003e\n\u003cp\u003eA good example of this can be a snare track, or bass track which may be weak or dynamically inconsistent: running them through the Clipper and raising the level will saturate them nicely making them more present and bold in the mix. Be careful not to overdo it as too much distortion can be difficult to blend well in the soundscape of a mix.\u003c\/p\u003e\n\u003cp\u003eOf course the clipping effect achieved with controls set according will prevent digital overs with a pleasing sound free of distortion.\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"New | On Order","offer_id":46177888502043,"sku":"TR-400-CCL-DD","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TR400CCLDD_0.jpg?v=1692034815"},{"product_id":"ik-multimedia-t-racks-classic-compressor-tr-400-cco-dd","title":"IK Multimedia T-RackS Classic Compressor Plug-in","description":"\u003cp\u003eThe T-RackS Classic Compressor emulates that analog, hi-end vintage gear used in mastering applications. This will give you that big, warm sound typical of highly acclaimed hardware devices. This compressor has some unique features on top of standard compressor parameters that make it very flexible but always very musical and creative.\u003c\/p\u003e\n\u003cp\u003eThe Sidechain HPF control allows to filter the bass content of the track before it hits the detection circuit; this avoids bass heavy mix elements (like kick or bass) to modulate the compression giving the well known \"pumping\" effect (unless that's desired).\u003c\/p\u003e\n\u003cp\u003eAlso included is a Stereo Enhancement control which works on the stereo field’s width: it practically equals the M\/S technique used in mastering applications, or on any stereo tracks; this is a very convenient and quick way to adjust the stereo field width, with a simple control to make it wider or narrow.\u003c\/p\u003e\n\u003cp\u003eConceived as a processor for mastering applications it is equally at home on any stereo source like keys, pianos, drums overheads and such.\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"New | On Order","offer_id":46177889845531,"sku":"TR-400-CCO-DD","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TR400CCODD_0.jpg?v=1692034820"},{"product_id":"ik-multimedia-t-racks-classic-multi-band-limiter-tr-400-clm-dd","title":"IK Multimedia T Racks Classic Multi-Band Limiter","description":"\u003cp\u003eThe peak limiting action is performed separately on three separate bands (low, mid, high) whose width can be set by adjusting the two crossover frequency controls. Each of the three bands has separate controls (threshold and level) to tailor the limiting action as precise as needed by the program material it's used on. Input drive and time constant controls are common to the three bands.\u003c\/p\u003e\n\u003cp\u003eYou will have a very loud master, without clipping, though as with any of these processors, use care and not to over-do it. Leaving the output knob set to 0 dB means that the limiter output signal can't go beyond -0.05 dBfs.\u003c\/p\u003e\n\u003cp\u003eThis kind of limiter is particularly useful to control audio material where processing needs to be applied only in certain spots, or where an EQ wouldn't fit, being not dynamic (such as in live recorded material where frequency content may drastically change over time). By carefully setting each band's threshold and level the limiting action will only take place when a selected band's level goes beyond the set threshold.\u003c\/p\u003e\n\u003cp\u003eThis allows very powerful frequency conscious dynamics control.\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"New | On Order","offer_id":46177890926875,"sku":"TR-400-CLM-DD","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TR400CLMDD_0.jpg?v=1692034816"},{"product_id":"ik-multimedia-de-esser-plug-in-tr-400-dees-dd","title":"IK Multimedia De-Esser Plug-in","description":"\u003cp\u003eDe-essing is also known as \"frequency dependent compression,\" but whatever you call it, the idea is to control excessive sibilance (exaggerated “s” sounds), which can be particularly problematic on vocal tracks.\u003c\/p\u003e\n\u003cp\u003eThe multiband capability is a feature that puts the De-Esser ahead of the competition making it precise and versatile on top of good sounding.\u003c\/p\u003e\n\u003cp\u003eWhen set as 2 band mode the De-Esser works in a broader fashion, effectively reducing the high end content of the area set by the frequency selector. Switching to 3 bands mode allows more precision and control, particularly useful in situations like vocal tracks where sibilance is in a narrow range, and where there is the need to leave the higher part “air” untouched. The dedicated control set also allows you to precisely tailor the operating mode, and audition the de-essing action or the part of the audio spectrum the processor is working on.\u003c\/p\u003e\n\u003cp\u003eThe primary use of this processor is obviously on vocal tracks: this is where the IK Multimedia De-esser shines thanks to its multiband capability which allows to zone in with extreme precision on the troublesome frequency and put it under control.\u003c\/p\u003e\n\u003cp\u003eHowever, there are several other instances where a de-esser can be a secret weapon where an EQ would be too a drastic solution: hi-hat or crash cymbals can sometimes sound harsh or overly bright in a mix; using an EQ would fix this, but would probably affect also the rest of the high end content of the mix. That's where frequency conscious compression comes to the rescue: setting the De-Esser on the right frequency and threshold will allow to reduce the harshness of too bright cymbals only when they are hit, and with the precise setting of release time the action would be unobtrusive and transparent to the rest of the mix.\u003c\/p\u003e\n\u003cp\u003e{{asset=951, align=center, width=75%}}\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"New | On Order","offer_id":46177896759579,"sku":"TR-400-DEES-DD","price":74.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TR400DEESDD_0.jpg?v=1692034820"},{"product_id":"ik-multimedia-quad-comp-plug-in-tr-400-mbc-dd","title":"IK Multimedia Quad Comp Plug-in","description":"\u003cp\u003eMultiband processing is a very powerful way of achieving control on the full frequency spectrum of a track which allows to apply the processing only to a selected part of the audio. This is achieved with the use of filters which split the full frequency range into separate bands. This way processing only affects a selected band while the others are left untouched (if desired). This part of the processing is critical as the nature of the filters used for the frequency splitting is crucial in order to achieve a transparent and natural sounding separation of the bands, where the crossover points don't generate artifacts.\u003c\/p\u003e\n\u003cp\u003eAs suggested by its name, Quad Comp is a multiband processor that incorporates up to four fully featured compressors of the Opto type, each one operating on a separate, user-definable frequency band. Each compressor has a full set of controls allowing to tailor the compression on the band it's applied on to achieve the desired result. The flexibility of this processor is also augmented by the selectable slope of the filters which can be as broad as 6 dB\/Oct or as steep as 24 dB\/Oct, for maximum separation. Even at the steepest slope the filters used in the Quad Comp always sound natural and musical, so that the processing applied to each band doesn't suffer from phasing issues.\u003c\/p\u003e\n\u003cp\u003eThe ability to compress each band separately allows you to tame unwanted peaks in a selected portion of the audio spectrum, only if and when a set threshold is exceeded. The possibility to set compression ratio and time constants independently for each band gives you extreme flexibility and precision. Solo and mute buttons make it easy to audition how the compressor is working on a selected band.\u003c\/p\u003e\n\u003cp\u003eBeing of the Opto type, the compressor on each band has a smooth compression, very transparent and without side effects, but more aggressive results can be achieved if the threshold and ratio are set accordingly.\u003c\/p\u003e\n\u003cp\u003eThe use of a this processor is very wide: combining gain reduction with frequency control it can practically act like a “dynamic EQ” as the gain reduction applied on each band depends on whether the level for that frequency exceeds the set threshold.\u003c\/p\u003e\n\u003cp\u003eMost of the times it sits on the stereo master bus of a mix where there is the need to control and even out possible problems with certain frequencies in selected spots of the program; it's also very useful on many other single tracks where frequency content can vary drastically over time and may need to be under control, like vocals or bass.\u003c\/p\u003e\n\u003cp\u003e{{asset=950, align=center, width=75%}}\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"New | On Order","offer_id":46177898889499,"sku":"TR-400-MBC-DD","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TR400MBCDD_0.jpg?v=1692034826"},{"product_id":"ik-multimedia-quad-lim-plug-in-tr-400-mbl-dd","title":"IK Multimedia Quad Lim Plug-in","description":"\u003cp\u003eQuad Lim is the limiter version of Quad Comp, which, according to the limiting principle, has a fixed, infinity-to-1 ratio. Time constants and makeup gain are user definable for increased control. As with Quad Comp you can adjust the slope of the filters that split the frequency bands, so that dynamics control is broader or sharper, depending on your needs.\u003c\/p\u003e\n\u003cp\u003eAs for the Quad Comp the quality and transparency of the filters used for the band splitting was particularly important so that no artifacts or ringing are generated at the crossover points.\u003c\/p\u003e\n\u003cp\u003eAs an additional layer of control, Quad Lim features a master brickwall limiter post multi-band processing that can be engaged to avoid overshoots. Being of the brickwall type this limiter makes sure the program cannot go past the 0 dBFS level no matter how the gain of the previous bands is set. By judiciously setting the gain structure of the band-limiters and master brickwall maximum loudness without distortion can be achieved.\u003c\/p\u003e\n\u003cp\u003eThis processor is incredibly handy as a finishing mastering tool on the stereo bus of your mix; by applying limiter only on selected parts of the audio spectrum and only when the level of that band overcomes the set threshold a double effect is achieved: frequency conscious dynamic control. This will allow the perfect EQ balance of a mix that wasn't properly right, particularly in situations where the program material can drastically change over time, like live recordings.\u003c\/p\u003e\n\u003cp\u003e{{asset=952, align=center, width=75%}}\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"New | On Order","offer_id":46177900429595,"sku":"TR-400-MBL-DD","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TR400MBLDD_0.jpg?v=1692034830"},{"product_id":"ik-multimedia-opto-compressor-plug-in-tr-400-opc-dd","title":"IK Multimedia Opto Compressor Plug-in","description":"\u003cp\u003eOptical compression has a special sonic character that audiophiles can truly appreciate. The technology behind its behavior and the way it achieves gain reduction is so ingenious and at the same time quite simple: the core of the circuit is an electro-optical attenuator, whose light source intensity is directly proportional to the level of the incoming signal. The second part of the gain reduction circuit is a photoconductive cell, which reads the light's intensity and in turn adjusts its resistance being applied to the signal. As a result, the output amplifier follows by adjusting its gain, thereby creating the compression.\u003c\/p\u003e\n\u003cp\u003eThis analog-modeled module faithfully recreates that particular (and extremely musical) \"movement\" that characterizes only the best opto compressors.\u003c\/p\u003e\n\u003cp\u003eAn important characteristic of optical compression is the total absence of distortion and coloration during gain reduction, and you can expect the same character and performance from this digital recreation.\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"New | On Order","offer_id":46177901183259,"sku":"TR-400-OPC-DD","price":74.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TR400OPCDD_0.jpg?v=1692034820"},{"product_id":"ik-multimedia-precision-comp-limiter-plug-in-tr-400-precl-dd","title":"IK Multimedia Precision Comp\/Limiter Plug-in","description":"\u003ch3\u003eA Legend Turned Plug-in\u003c\/h3\u003e\n\u003cp\u003eThe Precision Comp Limiter is based on one of the legendary British compressors found in top-level studios worldwide. Originally produced in the ‘70's as an evolution of the previous 2254 model, it quickly became a much sought after unit for many audio applications, including music recording\/mixing, mastering, post-production and broadcasting. Its sonic character is not as aggressive as that of many other popular units of the same era. Even when the unit is pushed to extreme settings, the compression is fairly gentle and retains a musical quality that doesn't \"choke\" or squash program material. Nevertheless, the compression effect is clearly distinguishable.\u003c\/p\u003e\n\u003cp\u003eThe modeling starts at the core, with the diode network used for the compression and the set of custom transformers responsible for the unique, fat and bold character; input and output transformers were so closely replicated that all of the hardware’s inherent sonic signature is in there.\u003c\/p\u003e\n\u003cp\u003eIt just takes a listen to appreciate the fully modeled signal path, where compressor and limiter can be engaged or excluded separately, combining gain reductions and time constants for more complex and articulate results.\u003c\/p\u003e\n\u003cp\u003eThe interaction between the class-A circuitry and the custom transformers used in the signal path really do make a difference in how this units affects the audio quality of the tracks it's processing, even when no compression is applied.\u003c\/p\u003e\n\u003ch3\u003eThe Mix Bus is Where The Magic Happens\u003c\/h3\u003e\n\u003cp\u003eAs its hardware counterpart, this module is equally at home in many applications; in mixing contexts it can easily be used to fatten up single tracks and have them in a precise space and dynamic range within the mix.\u003c\/p\u003e\n\u003cp\u003eThe series of controls so closely replicated has some added bonuses: the input control was not present on the hardware unit; in the T-RackS model this allows to feed more signal into the module thus producing a more pronounced compression effect. Additional flexibility is given by the standard stereo (L\/R) or Mid\/Side (M\/S) operation.\u003c\/p\u003e\n\u003cp\u003eThe dual nature of the unit, featuring a separate compressor and a limiter allows for some very interesting results: the combination of the two independent sections can lead to some complex gain reductions as the compressor can impart a lighter and gentler compression, while the limiter can be set for a more audible effect.\u003c\/p\u003e\n\u003cp\u003eIts sound quality is so euphonic and musical that even single tracks individually compressed, or simply passed through the Precision Comp\/Limiter will gain presence and character.\u003c\/p\u003e\n\u003cp\u003eNevertheless it really shines as a stereo master bus compressor, turning an “OK” mix into a finished song, where the effect of compression is there, but its subtle and gentle character really works the magic on a track.\u003c\/p\u003e\n\u003cp\u003e{{asset=954, align=center, width=75%}}\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"New | On Order","offer_id":46177902330139,"sku":"TR-400-PRECL-DD","price":124.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TR400PRECLDD_0.jpg?v=1692034821"}],"url":"https:\/\/www.altomusic.com\/collections\/dynamics-processing.oembed?page=6","provider":"Alto Music","version":"1.0","type":"link"}