{"title":"FET","description":"","products":[{"product_id":"keeley-katana-mini-clean-fet-boost-pedal-kkatmini-c01","title":"Keeley Katana Mini Clean FET Boost Pedal","description":"\u003ch4\u003eClean and super powerful\u003c\/h4\u003e\n\u003cp\u003eMINI KATANA CLEAN BOOST! Keeley’s oldest design made smaller and with an additional feature. The Katana started back in 2002 within the Time Machine Boost. It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off. In fact they often ran two or three on stages like John Mayer! The Mini Katana boost provides over 35dB of boost. Enough for the most demanding players and sound reinforcement.\u003c\/p\u003e\n\u003ch4\u003eNew for the Mini Katana – 4 MODES!\u003c\/h4\u003e\n\u003cp\u003eThe new Mini Katana is now a 4 Mode Booster! With the dual micro switches you have a total of four sounds possible. Need drive, just flip the micro Hi-Gain Switch inside and you’ve got overdriven tone! Flip the Hi-Cut Switch (NEW for the Katana Mini!) on the inside and you have a warmer tone to soften any Strat or Tele. Flip both switches and you have the ultimate sounding boost, thick, creamy, tube-amp sounding, and plenty of volume on tap!\u003c\/p\u003e\n\u003cp\u003eObsessed with cleanest, most enjoyable tone boosted? Well, Before other people started using Blue LED’s and non-diode clipping stages, there was the TMB and Katana…. Cascading FET stages do the tube-amp-thing like nothing else!\u003c\/p\u003e\n\u003cp\u003eNow made smaller, it will fit any board and any budget. Enjoy the pedal that redefined clean boost in the boutique era.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Pre-Owned | In Stock","offer_id":46172538011931,"sku":"KKATMINIEBAYPRO","price":84.15,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46172538044699,"sku":"KKATMINI","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/katana_mini_clean_boost_scale_face_keeley_49971124-b186-4b3f-af1f-e4dee6f3ab0d.jpg?v=1755796974"},{"product_id":"electrodyne-petes-place-bac-500-fet-compressor-500-series-bac-500-c01","title":"Electrodyne Pete’s Place BAC-500 Fet Compressor 500-Series","description":"\u003ch3\u003eElectrodyne BAC-500 Fet Compressor 500 Series\u003c\/h3\u003e\n\u003cp\u003eFrom the top down, the BAC’s faceplate features a large silver rotary input knob, smaller pots for attack, release and ratio, and a large output knob at the bottom. Additional features include a three-position sidechain contour switch, eight-LED gain reduction meter, and pushbuttons for distortion and bypass.\u003c\/p\u003e\n\u003cp\u003eThe module’s attack control runs from fast to quite fast, while the release control exhibits a fairly wide range, enabling the compressor to go from “pumping, breathing fast” up to approximately a second and a half. This allows sounds to “hang” a bit when using the device purely as a leveler or limiter.\u003c\/p\u003e\n\u003cp\u003eThe ratio control features five positions ranging from 2:1 to 20:1, with a sixth position marked as “∞!”. According to Avenson, “The infinity control has a little exclamation point next to it because, not only is it really flat, but it also puts you in that spot where you can do some over-compression and other interesting things. It changes where the threshold starts to compress as well, so it gives you different varieties of tonal characteristics to play with.”\u003c\/p\u003e\n\u003cp\u003eThe BAC’s sidechain toggle switch offers a choice of three possible settings: flat, high-pass filter (cut off around 70 to 100 Hz), and an option that somewhat exaggerates the high end while simultaneously cutting the low end. “The overall effect of this third setting is somewhat like a de-esser fed into the sidechain, but it’s a little wider than that and quite good for taming a variety of things that are overly bright,” Avenson notes.\u003c\/p\u003e\n\u003cp\u003eWith all of the controls essentially cranked between the input and output knobs, the BAC is capable of delivering nearly 50 dB of gain, which can be very helpful in compensating for serious gain reduction issues caused by greatly compressing dynamic range.\u003c\/p\u003e\n\u003cp\u003eThe bypass button found below the output knob is a true relay bypass, while the adjacent distortion button allows the user to achieve a true bench FET compression sound. “A lot of FET compressors use tricks to linearize the FET as a compression element and make it sound cleaner because if they’re used solely by themselves, they’re really pretty raunchy sounding,” says the designer. “So this switch allows you to play with how much of the frequency response and distortion characteristics of the FET you get. By engaging it, you’re getting a lot more second harmonic distortion and aggressive sounds because we’re taking away some of the linearizing elements. It’s basically a way to kick in a more aggressive sounding compressor without changing any of the other settings. You can dial in the amount of dirt you want.”\u003c\/p\u003e\n\u003cp\u003eAvenson sums the BAC up by adding, “Although this product is largely designed to provide a bit of color and flavor—and not be too heavy handed—it really does possess that nice ‘bite’ that is characteristic of FET compressors and perfect for cranking down on things like drum room mics when you need it.”\u003c\/p\u003e","brand":"Electrodyne","offers":[{"title":"New | In Stock","offer_id":46172759261467,"sku":"BAC-500","price":995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/electrodyne-pete-s-place-bac-500-fet-compressor-500-series.jpg?v=1692030668"},{"product_id":"drawmer-1973-3-band-stereo-fet-compressor-1973draw-c01","title":"Drawmer 1973 3-Band Stereo FET Compressor","description":"\u003ch2\u003eWhy you need the Drawmer 1973 3 Band Stereo FET Compressor\u003c\/h2\u003e\u003cdiv\u003e\n\u003cp style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline; word-wrap: break-word;\"\u003eThe all-analog Drawmer 1973’s features include three independent compressor sections with two variable-frequency 6dB\/octave crossovers to separate them into low, middle, and high frequency compression sections. Each section contains familiar threshold, gain, attack, and release controls, along with gain-reduction metering. Moreover, each section can be independently muted or bypassed for straightforward setup and monitoring. The low section possesses a \"Big\" switch for enhanced low-end, whereas the high section possesses an \"Air\" switch for enhanced high-end. The three sections are recombined to form the \"wet\" signal, which can be mixed to variable degree with the dry signal for easy parallel compression. Illuminated VU meters are designed to make monitoring compression and output intuitive.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\u003cdiv\u003e\n\u003carticle style=\"widows: 1;\"\u003e\u003cdiv class=\"message_data\"\u003e\u003cdiv class=\"alt1\" id=\"post_message_9929746\"\u003e\u003cul\u003e\n\u003cli\u003eStandard intuitive controls such as Threshold, Gain, Switched Attack \u0026amp; Release with Gain Reduction Metering on Each Band.\u003c\/li\u003e\n\u003cli\u003eFast Reacting Soft Knee F.E.T. Design with excellent Left\/Right Tracking across the Full Range of compression.\u003c\/li\u003e\n\u003cli\u003eVariable Wet\/Dry Mix plus Output Gain Knobs give a 'Parallel Compression' function without the need for external mixing devices, providing Complete and Effortless Control over the amount of compression used and Output Levels.\u003c\/li\u003e\n\u003cli\u003eVariable Band Split Filters at a 6dB Per Octave slope with Switch-able Mute and Bypass on Each Band make 'Tuning In' to a Frequency Simple.\u003c\/li\u003e\n\u003cli\u003e‘Big’ and 'Air' Modes Help to preserve the Very Deep Lows and Enhance the Sparkling Highs.\u003c\/li\u003e\n\u003cli\u003eTwo Analogue V.U. Meters with Switchable +10dB Meter Rescale Modes and a Switchable ‘Peak’ mode to Display Fast Transients Not Normally Seen on Conventional V.U.s.\u003c\/li\u003e\n\u003cli\u003eDedicated Gain Reduction Meters On Each Band.\u003c\/li\u003e\n\u003cli\u003eInternal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.\u003c\/li\u003e\n\u003cli\u003eClassic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003cdiv class=\"smallfont\" style=\"font-size: 10px; font-family: verdana, geneva, lucida, 'lucida grande', arial, helvetica, sans-serif; widows: 1; background-color: rgb(245, 245, 255);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"New | In Stock","offer_id":46172772204827,"sku":"1973DRAW","price":1979.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":51924387856667,"sku":"1973DRAWEBAYPRO","price":1799.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1973_large_ecf226eb-f027-4002-932a-8f26782604da.jpg?v=1692030700"},{"product_id":"dod-410-bifet-boost-pedal-dod410-14-c01","title":"DOD 410 Bifet Boost Pedal (DOD410-14)","description":"\u003ch2\u003eDOD 410 Bifet Boost:\u003c\/h2\u003e\u003cp style=\"box-sizing: border-box; margin-top: 0px; margin-right: 0px; margin-bottom: 20px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; text-rendering: optimizelegibility; background-color: rgb(255, 255, 255); \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin-top: 0px; margin-right: 0px; margin-bottom: 20px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; text-rendering: optimizelegibility; background-color: rgb(255, 255, 255); \"\u003eSparkly or darkly, the DOD Bifet Boost 410 (2014) has the tone and volume to boost your solos into orbit. New for the DOD Bifet Boost 410 (2014), is a selectable Buffer On\/Off toggle switch. This switch affects the bypass state of the undefined Bifet Boost and gives it the flexibility to be used anywhere in your FX chain. Use it first in the chain with the buffer off so that the buffer won’t affect fuzz pedals, or put it last in the chain with the buffer on to counter the signal loss of today’s larger packed pedalboards.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin-top: 0px; margin-right: 0px; margin-bottom: 20px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; text-rendering: optimizelegibility; background-color: rgb(255, 255, 255); \"\u003eThe Bifet Boost can deliver a huge amount of output to hit the front of your amp and drive it into distortion. The DOD 410 is often described as a clean boost, but there is just a little hint of grit in there that works well with already cooking tube amps.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin-top: 0px; margin-right: 0px; margin-bottom: 20px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; text-rendering: optimizelegibility; background-color: rgb(255, 255, 255); \"\u003eThe DOD Bifet Boost also works very well as an “always on”, touch-sensitive and dynamic, tone sweetener in conjunction with guitar volume knob usage practiced by experienced players. The DOD Bifet Boost also has all of the added features of the new DOD pedals: True Bypass, LED, and modern PSU jack.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin-top: 0px; margin-right: 0px; margin-bottom: 20px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; text-rendering: optimizelegibility; background-color: rgb(255, 255, 255); \"\u003eLike its predecessor, the DOD Bifet Boost 410 (2014) offers independent Volume and Tone controls. Volume controls the amount of boost, and Tone allows for either bass or treble boost. True bypass allows your guitar tone to remain pristine even when the new DOD 410 (2014) is off. This is a big difference from the original, which would color your bypassed tone. The modern 9V DC power supply input also makes the pedal more pedalboard friendly.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin-top: 0px; margin-right: 0px; margin-bottom: 20px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; text-rendering: optimizelegibility; background-color: rgb(255, 255, 255); \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003eThis mint condition product includes the original packaging, manual, and all original accessories.\u003c\/h4\u003e","brand":"DOD","offers":[{"title":"Default Title | On Order","offer_id":46172878733595,"sku":"DOD410","price":99.95,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317694152987,"sku":"DOD410EBAYPRO","price":71.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/DOD410-0.jpg?v=1692030867"},{"product_id":"josephson-c42-cardioid-fet-condenser-microphone-with-clip-and-pouch-c42","title":"Josephson C42 Cardioid FET Condenser Microphone with Clip and Pouch","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\t\t\t\u003cdiv class=\"section\"\u003e\n\t\t\t\t\u003cdiv class=\"layoutArea\"\u003e\n\t\t\t\t\t\u003cdiv class=\"column\"\u003e\n\t\t\t\t\t\t\u003ch2\u003eWhy you need the Josephson C42 Cardioid FET Condenser Microphone with Clip and Pouch:\u003c\/h2\u003e\n\u003cp\u003eThe Josephson Engineering C42 is an all-purpose cardioid condenser\nmicrophone suitable for multiple recording applications including spot miking\nacoustic and amplified instruments, drums and drum overheads, ensemble and\nchoir pickups, concert recording, sound effects and vocals. Standard C42\nmicrophones are satin machined stainless steel for years of rugged use.\u003c\/p\u003e\n\t\t\t\t\t\t\u003cp\u003eC42 electronics feature a selected discrete FET driving a fully balanced\nsymmetrical transformerless discrete class-A output stage. The output\nimpedance is low enough that very long cable runs may be used without signal\ndegradation. Although the microphone is specified for full P48 phantom power,\nit will function with phantom power as low as 24 volts, with some limitation in\nmaximum SPL. \u003c\/p\u003e\n\t\t\t\t\t\u003c\/div\u003e\n\t\t\t\t\u003c\/div\u003e\n\t\t\t\u003c\/div\u003e\n\t\t\u003c\/div\u003e","brand":"Josephson","offers":[{"title":"New | In Stock","offer_id":46174825742619,"sku":"C42","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/C42_0.jpg?v=1692033165"},{"product_id":"fender-351-shape-classic-picks-12-pack-confetti-medium-0980351850","title":"Fender 351 Shape Classic Picks (12-Pack) - Confetti Medium","description":"\u003cp\u003eExperience the classic feel of Fender no matter what guitar or bass you play. Fender picks provide comfort and high-performance flexibility for every performer, with a variety of sizes, shapes and thicknesses to suit the playing styles and preferences of every guitarist.   Celluloid is a premier pick material and the cornerstone of the Fender pick collection for decades. Celulloid picks give the traditional feel and a warm, round musical tone. The traditional 351 shape, our most popular pick design, is a perfect accessory for players of versatile styles and techniques.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eComfortable and familiar feel provided by the traditional 351 shape\u003c\/li\u003e\n\u003cli\u003eCelluloid picks give the traditional feel, with a smooth striking surface and a warm, round musical tone\u003c\/li\u003e\n\u003cli\u003eMedium gauge picks are ideal for the player looking for a warmer tone of a heavy pick, but the flexibility of a thin pick.\u003c\/li\u003e\n\u003cli\u003eFender picks provide comfort and high-performance flexibility for every performer\u003c\/li\u003e\n\u003cli\u003eSold as a convenient 12-pack\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fender","offers":[{"title":"New | In Stock","offer_id":46176266518811,"sku":"0980351850","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/0980351850_0.jpg?v=1692033874"},{"product_id":"avantone-ck-6-large-capsule-cardioid-fet-condenser-microphone-ck6","title":"Avantone CK-6+ Plus Large Capsule Cardioid FET Condenser Microphone","description":"\u003cp\u003eThe Avantone \"Cabernet (C-series)\" mics are designed to offer true professional performance at an absolutely unbeatable price. Featuring high grade Polystyrene and Metalized Polypropylene capacitors in the audio path as well as our own proprietary single backplate 34mm 6 micron capsule, the CK6+ has the component set that is normally attributed to modded or hot rodded microphones.\u003c\/p\u003e\n\u003cp\u003eOur new larger capsule coupled with a transformer less circuit allows an incredibly airy open top end with a solid low end, making the CK6+ the most versatile microphone at its price point.\u003c\/p\u003e\n\u003cp\u003eMilled from a single piece solid brass, the body of the CK6+ was designed to give the microphone a solid feel and the included custom retro shock mount prevents unwanted vibrations from traveling up into the microphone. The CK6+ has separate -10 dB pad \u0026amp; 80 Hz LF roll off switches.... The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics.\u003c\/p\u003e\n\u003cp\u003eThe 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from \"muddying up\" the track. All of these features come together to give you a fully professional microphone and a completely unbeatable value.\u003c\/p\u003e","brand":"Avantone","offers":[{"title":"Repack | In Stock","offer_id":46180471144731,"sku":"CK6PLUSRP","price":138.0,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":51800816877851,"sku":"CK6PLUS","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ck6classic_1_2500x2500_2.jpg?v=1692022475"},{"product_id":"avantone-ck-6-classic-large-capsule-cardioid-fet-condenser-microphone-ck6classic","title":"Avantone CK-6 Classic Large Capsule Cardioid FET Condenser Microphone","description":"\u003cp\u003eThe CK-6 Classic in its normal stock version uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents our commitment to quality as these normally are the type of \"upgrade\" components that are implemented by microphone modders\/hot-rodders! Any studio can proudly offer the CK-6 for instrumental and vocal mikingIt exudes class visually as well as sonically.\u003c\/p\u003e\n\u003cp\u003eManufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-6 mic is able to produce professional results with a clean sonic character.\u003c\/p\u003e\n\u003cp\u003eThe included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.\u003c\/p\u003e\n\u003cp\u003eThe CK-6 has separate -10 dB pad \u0026amp; 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from \"muddying up\" the track.\u003c\/p\u003e","brand":"Avantone","offers":[{"title":"Pre-Owned | In Stock","offer_id":46180683743515,"sku":"CK6CLASSICEBAYPRO","price":99.99,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":46180683776283,"sku":"CK6CLASSICRP","price":99.99,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46180683809051,"sku":"CK6CLASSIC","price":119.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: new | On Order","offer_id":51072794788123,"sku":"CK6CLASSICFBA","price":119.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ck6classic_1_2500x2500_388ba86a-093c-41f7-b944-576a71e88020.jpg?v=1692037119"},{"product_id":"klark-teknik-1176-kt-fet-style-single-channel-compressor-1176kt","title":"Klark Teknik 1176-KT FET-Style Single-Channel Compressor (1176KT)","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eRepack with 6 Month Alto Music Warranty\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned as an homage to the classic 1176LN, every effort was made to keep the 1176-KT FET-Style Compressor true to the original D and E versions of the iconic signal processor. At the same time, we modernised the completely discrete signal path using hand-selected components and custom-engineered MIDAS input and output transformers – for the ultimate in pristine sonic performance.\u003c\/p\u003e\n\u003ch3\u003eMIDAS - The Legend in Sound Quality\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eEver since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations worldwide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards.\u003c\/p\u003e\n\u003cp\u003eMIDAS has earned their impeccable reputation due to their no-compromise approach for audio and build-quality and in particular for their Award-winning Mic Preamps, which are considered by industry experts as the industry’s best sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.\u003c\/p\u003e\n\u003cp\u003eKLARK TEKNIK is proud to incorporate MIDAS designed input and output transformers for the ultimate in high-quality audio reproduction in both live and studio environments. \u003c\/p\u003e\n\u003ch3\u003eSublimely Easy to Operate\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe compression ratio is selected by pushing any, or all, of the Ratio buttons located to the left of VU meter. Ratios available are: 4:1 for moderate compression; 8:1 for severe compression; 12:1 ratio for mild limiting; and 20:1 for hard limiting. Using the “All-Button” mode can be especially effective when applied to drums, bass, guitar, and room mics – or for more aggressive “in your face” vocals.\u003c\/p\u003e\n\u003ch3\u003eAttack \u0026amp; Release\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e1176-KT’s Attack knob adjusts the amount of time it takes the compressor to respond to audio that exceeds the threshold. The response time is slower at the fully counterclockwise position and faster when turned clockwise. The Release knob adjusts how long the compressor remains engaged after the incoming audio falls below the threshold. The response time is also slower at the fully counterclockwise position and faster when adjusted clockwise.\u003c\/p\u003e\n\u003ch3\u003eVintage Style VU Meter\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn keeping with the design of the original processor, the 1176-KT features an illuminated, vintage-style VU meter for visual confirmation of gain reduction (GR) and output levels. A meter reading of 0 corresponds to an output level of +4, +6 or +8 dBm, depending on which button is engaged.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Klark Teknik","offers":[{"title":"Repack | In Stock","offer_id":46181978243355,"sku":"1176KTRP","price":147.77,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1176KTRP_0_2.jpg?v=1692038569"},{"product_id":"mojave-audio-ma-201fetvg-vintage-gray-large-diaphragm-microphone-ma-201fetvg","title":"Mojave Audio MA-201FETVG Vintage Gray Large Diaphragm Microphone","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe MA-201fet is a large diaphragm, phantom-powered, solid-state condenser microphone with a fixed cardioid pattern. With its roots in a lineage of microphone designs by David Royer, the MA-201fet gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.\u003c\/p\u003e\n\u003cp\u003eUtilizing a 3-micron gold-sputtered capsule, high-quality Jensen audio transformer, military-grade FET and custom designed low-noise resis- tors, the MA-201fet performs at a level reminiscent of some of the best loved classic condenser microphones. 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Based upon the popular MA-201fet designed by David Royer, the MA-301fet adds a 3-posistion pickup pattern selec- tor, a15dB pad and a switchable bass roll-off.\u003c\/p\u003e\n\u003cp\u003eUtilizing a 3-micron gold-sputtered capsule, high-quality Jensen audio transformer, military-grade FET and custom designed low-noise resis- tors, the MA-301fet performs at a level reminiscent of some of the best loved classic condenser microphones. 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Hand-machined and tensioned capsules – all Soyuz microphones are, like the finest musical instruments and works of art, completely handmade and enable detail to be captured with stunning depth, warmth, and a silky transparence in the upper frequencies. These sonic characteristics, inherent to the 017’s design, allow it to complement the subtle nuances of vocals and strings while accurately capturing complex instruments with difficult transients across the entire frequency spectrum.\u003c\/p\u003e\n\u003cp\u003eThe 017 FET features a cardioid capsule with a gold-sputtered, hand-tuned 34mm diaphragm; an omni-directional capsule is currently available, with additional patterns in development. As with all Soyuz microphones, the 017 TUBE is completely handmade: bodies and capsules are manually machined, transformers are wound in-house, and all wiring is true point-to-point.\u003c\/p\u003e\n\u003cp\u003eThe 017 FET has quickly become the go-to vocal microphone of such artists as Coldplay, Radiohead, Shawn Mendes, the Lumineers, and Paramore, among others. Well-known producers and engineers who have adopted it include Nigel Godrich (Radiohead, Paul McCartney, Beck), Ryan Hewitt (Red Hot Chili Peppers, the Lumineers, Lady Gaga), Sylvia Massy (Prince, Johnny Cash), and Butch Walker (Pink, Katy Perry, Taylor Swift, Avril Lavigne) and many more.\u003c\/p\u003e\n\u003cp\u003eThe engineers at Soyuz have spent decades studying, servicing, and building classic microphones; this unique pool of knowledge, craft and skill – combined with the ears of numerous musicians, producers and audio engineers – has culminated in the creation of the 017 Series’ custom S17 capsule.  Featuring a gold-sputtered, hand-tuned 34mm diaphragm, the S17 is loosely based on the original K67 capsule developed in 1960. Far from creating another clone of a classic, however, Soyuz has further developed the design, modifying its assembly and tuning. The result, when paired with Soyuz’s original schematic, is unique – and uniquely musical.\u003c\/p\u003e\n\u003cp\u003eThe 017 Series is comprised of FET (field effect transistor) and tube (valve) powered models. Though the FET and Tube models are similar – the two share identical capsules, form factors, and sonic signatures – there are subtle differences between them. 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The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications.\u003c\/p\u003e\n\u003cp\u003eThe M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone’s XLR connector shell complements the look with a matte black nickel plated finish engraved with the model and serial number. 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This tightened polar pattern is great for use on cymbals, percussion, and as a stereo pair for live performance recording.\u003c\/p\u003e\n\u003cp\u003eThe M60 FET’s incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources.\u003c\/p\u003e\n\u003cp\u003eUtilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +\/- 2dB from 20 Hz to 50 kHz. 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Unlike traditional microphone designs that utilize a transformer to introduce color and saturation, the LA-120 is built around a US-made JFET to capture the vibrance and character of a sound with unprecedented realism and authenticity. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORE THAN MEETS THE EYE\u003c\/strong\u003e\u003cbr\u003eThe LA-120’s onboard sound-shaping eliminates the need for mic swaps and wasted time. Jump from crisp to smooth to ribbon-like sonics at the flip of a switch. Take the edge off harsh overheads, or warm up a bright piano. Add picking articulation to an acoustic guitar or perfectly capture a string quartet, all at the flip of a switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCUSTOM CAPSULES\u003c\/strong\u003e\u003cbr\u003eOur hand-tuned 17mm capsules provide transparent, lifelike sound with a musical blend of transient response and natural compression. 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The LA-220’s onboard analog sound-shaping eliminates the need for mic swaps and downtime, which means you can focus on the main thing --- making music. Capture vocals with presence and punch or an electric guitar without any annoying high-end sizzle effortlessly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCUSTOM CAPSULE\u003c\/strong\u003e\u003cbr\u003eThe LA-220 utilizes the same capsule as its larger tube sibling, the LA-320. Unlike traditional capsule designs, our hand-tuned 32mm transducer naturally imparts gentle compression and balance to any sound source, making it ideal for use in an array of string, percussion, and vocal applications.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCLASSIC SOUND WITHOUT THE SIGNAL CHAIN\u003c\/strong\u003e\u003cbr\u003eThe LA-220 isn’t flat – it sounds like music. We believe every Lauten Audio microphone should stand on its own and make your life easier. Does the LA-220 sound great with a fancy signal chain? You bet! Does it need one to deliver powerful, present sound? Nope.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT'S INSIDE MATTERS\u003c\/strong\u003e\u003cbr\u003eHand-soldered with high resolution, low distortion polypropylene capacitors and resistors, a US-made ultra-low noise JFET, and a vintage-inspired output transformer. The result is a crisp, clear, mix-ready sound brimming with life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDESIGNED \u0026amp; TESTED IN SILICON VALLEY, CA\u003c\/strong\u003e\u003cbr\u003eEach LA-220 is lovingly designed and built to last a lifetime by the Lauten Audio family.\u003c\/p\u003e","brand":"Lauten Audio","offers":[{"title":"New | In Stock","offer_id":46186377675035,"sku":"LA-220V2","price":359.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/la-220_front_1_1.jpg?v=1692046260"},{"product_id":"klark-teknik-1176-kt-fet-style-single-channel-compressor-1176-kt","title":"Klark Teknik 1176-KT FET-Style Single-Channel Compressor","description":"\u003cp\u003eDesigned as an homage to the classic 1176LN, every effort was made to keep the 1176-KT FET-Style Compressor true to the original D and E versions of the iconic signal processor. At the same time, we modernised the completely discrete signal path using hand-selected components and custom-engineered MIDAS input and output transformers – for the ultimate in pristine sonic performance.\u003c\/p\u003e\n\u003ch3\u003eMIDAS - The Legend in Sound Quality\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eEver since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations worldwide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards.\u003c\/p\u003e\n\u003cp\u003eMIDAS has earned their impeccable reputation due to their no-compromise approach for audio and build-quality and in particular for their Award-winning Mic Preamps, which are considered by industry experts as the industry’s best sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.\u003c\/p\u003e\n\u003cp\u003eKLARK TEKNIK is proud to incorporate MIDAS designed input and output transformers for the ultimate in high-quality audio reproduction in both live and studio environments. \u003c\/p\u003e\n\u003ch3\u003eSublimely Easy to Operate\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe compression ratio is selected by pushing any, or all, of the Ratio buttons located to the left of VU meter. Ratios available are: 4:1 for moderate compression; 8:1 for severe compression; 12:1 ratio for mild limiting; and 20:1 for hard limiting. Using the “All-Button” mode can be especially effective when applied to drums, bass, guitar, and room mics – or for more aggressive “in your face” vocals.\u003c\/p\u003e\n\u003ch3\u003eAttack \u0026amp; Release\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e1176-KT’s Attack knob adjusts the amount of time it takes the compressor to respond to audio that exceeds the threshold. The response time is slower at the fully counterclockwise position and faster when turned clockwise. The Release knob adjusts how long the compressor remains engaged after the incoming audio falls below the threshold. The response time is also slower at the fully counterclockwise position and faster when adjusted clockwise.\u003c\/p\u003e\n\u003ch3\u003eVintage Style VU Meter\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn keeping with the design of the original processor, the 1176-KT features an illuminated, vintage-style VU meter for visual confirmation of gain reduction (GR) and output levels. A meter reading of 0 corresponds to an output level of +4, +6 or +8 dBm, depending on which button is engaged.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Klark Teknik","offers":[{"title":"Repack - Version: KT76 | On Order","offer_id":46243404251419,"sku":"1176KTAMZN","price":298.0,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":47321605931291,"sku":"1176KT","price":209.0,"currency_code":"USD","in_stock":true},{"title":"Repack | In Stock","offer_id":47865685606683,"sku":"1176KTREFURB","price":166.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: fba | On Order","offer_id":50108233351451,"sku":"1176KTFBA","price":219.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | In Stock","offer_id":50399833194779,"sku":"1176KTEBAYPRO","price":188.0,"currency_code":"USD","in_stock":true},{"title":"Display | In Stock","offer_id":51904947093787,"sku":"1176KTDIS","price":188.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1176KT_0_98976044-b707-490f-a5c4-553d50ce689b.jpg?v=1752617468"},{"product_id":"fender-fet-610-electric-guitar-gig-bag-tweed-0991512255","title":"Fender FET-610 Electric Guitar Gig Bag - Tweed","description":"\u003cp\u003eFender's 610 Series gig bag is a stylish and affordable way to keep your electric guitar safe while traveling. Featuring our iconic asymmetrical Fender shape, its durable outer layer is constructed of tough 600 Denier polyester that protects against impacts while avoiding ripping and tearing. Its interior is filled with 10mm padding and lined with soft touch microfiber that keeps your instrument secure while preventing potential finish damage. The 610 gig bag also comes with a comfortable two-piece handle and ergonomic air mesh backpack straps with easily adjustable ladder lock buckles, so you can comfortably carry your instrument without unnecessary physical strain. Plus, the front storage pocket offers additional storage space for small accessories and a business card window.\u003c\/p\u003e","brand":"Fender","offers":[{"title":"New | In Stock","offer_id":47041933902107,"sku":"0991512255","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/0991512255_fen_acc_frt_1_nr.png?v=1697448628"},{"product_id":"lauten-audio-snare-mic-fet-condenser-microphone-snaremic","title":"Lauten Audio Snare Mic Fet Condenser Microphone","description":"\u003cp\u003eSnare drums are the lifeblood of music. The materials, tuning, and way they are played tell us exactly how and what we should feel about a composition. Snare drums should be honored, but instead, they are often poorly recorded, heavily manipulated, or replaced entirely for various reasons. \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSnare Mic is the only purpose-built FET condenser microphone made explicitly for snare drums. It ensures that each snare drum's distinct characteristics, impact, tone, and dynamics are captured with sample-quality sound at the microphone. Snare Mic’s frequency response, SPL handling, and ultra-high dynamic range are made to ensure chest-pounding fundamental frequencies, tangible timbre, and explosively musical top-end impact with every note. Add on Snare Mic’s ability to reject up to 28dB of off-axis sounds, and you get professional, mix-ready results straight out of the box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMASSIVE SOUND. MINIMIZED BLEED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSnare Mic captures a snare drum's true impact, body, and timbre while rejecting up to 28dB of off-axis sounds. This means clear, mix-ready sonics with optimal phase coherence straight out of the microphone.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONE AND DONE \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA single Snare Mic can replace the traditional multi-mic setup needed to capture the full spectrum of a snare drum. Its 3D sound even lets you hear the bottom snares through the top head when Snare Mic is placed at lower positional angles. \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSMALL BUT MIGHTY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt only 4.2 inches, placement on even the most densely populated drum kit becomes effortless. And its vibration-resistant capsule means Snare Mic is ideal for both stand and rim-mounted applications.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMADE FOR REAL-WORLD USE\u003cbr\u003e\u003c\/strong\u003eA solid brass headframe with a mildew-resistant dust filter protects Snare Mic from stick hits, dust, and debris on stage or in the studio.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEVERY SNARE EVERY TIME\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSnare Mic is not an instrument mic that works on snare drums. It is purpose-built to ensure the best snare drum sound in every situation, regardless of player, snare type, or location.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLAUTEN LINEAGE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSnare Mic’s hand-tuned capsule and dual-bias circuitry are based on the same technologies utilized in Lauten Audio’s award-winning Synergy Series microphones.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONBOARD SOUND SHAPING\u003c\/strong\u003e: \u003c\/p\u003e\n\u003cp\u003eSnare Mic’s filters differ from those found on a mixing console, preamp, or DAW. Their impact on sonics and overall performance is much more significant than the labeling may lead you to believe.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlat High Cut \u003c\/strong\u003e– Snare Mic’s unaltered high-frequency response is designed for mix-ready sound. It maximizes stick crack and playing dynamics while delivering open, lifelike top-end air.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e12kHz High Cut\u003c\/strong\u003e – Smooth out high-end for a dynamic microphone-style sound. This setting balances the microphone's sound and adds a dip after 7kHz to help reduce cymbal bleed, followed by a slight increase from 12kHz-15kHz to help maintain a natural, open snare attack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5kHz High Cut\u003c\/strong\u003e – Reduce extreme bleed caused by cymbal or stage volume. This setting creates a much smoother response from 1kHz-7kHz, with a slight rise in the 5-7kHz range, followed by an immediate drop-off after 7kHz so that more character, presence, and attack can be EQ’d back into a sound without accentuating problematic high-frequency information.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlat Low Cut\u003c\/strong\u003e- Allow all low-frequency information to pass for chest-pounding bottom-end with each snare strike.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e80Hz Low Cut\u003c\/strong\u003e – Reduce low-frequency spillover from kick drums and toms while adding a slight presence boost to the sound of your snare drum.    \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e140Hz Low Cut\u003c\/strong\u003e – Retain the presence boost of your snare drum’s fundamental frequency while significantly reducing phase incoherence and spillover from kick drums and toms. \u003c\/p\u003e","brand":"Lauten Audio","offers":[{"title":"New | In Stock","offer_id":47041960968475,"sku":"SNAREMIC","price":398.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47187906625819,"sku":"SNAREMIC-EBAYPRO","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/snare_mic_front.jpg?v=1697448923"},{"product_id":"black-lion-audio-bluey-fet-limiting-amplifier","title":"Black Lion Audio Bluey FET Limiting Amplifier","description":null,"brand":"Black Lion Audio","offers":[{"title":"Pre-Owned | In Stock","offer_id":47403694162203,"sku":"C103923","price":748.0,"currency_code":"USD","in_stock":true}]},{"product_id":"soyuz-microphones-su-013-small-diaphragm-fet-microphone-cream","title":"Soyuz Microphones SU-013 Small-Diaphragm FET Microphone - Cream","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Soyuz SU-013 Small Diaphragm FET Condenser Microphone is the newest member of the Soyuz family. In a break from tradition, the SU-013 is available in both Soyuz signature cream and brass and in black, for applications requiring a less visually conspicuous appearance.\u003c\/span\u003e","brand":"Soyuz","offers":[{"title":"New | In Stock","offer_id":47527744307483,"sku":"013FET","price":899.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":50595588538651,"sku":"013FETEBAYPRO","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/61Jc1P5GY8L._AC_SL1500.jpg?v=1703790380"},{"product_id":"soyuz-1973-deluxe-large-diaphragm-transformerless-fet-condenser-black","title":"Soyuz 1973 DELUXE Large Diaphragm Transformerless FET Condenser - Black","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe 1973 is a high-end yet affordable LDC microphone that features a handmade capsule and world-class build quality. Like the other mics in the Soyuz family, the 1973 is neither a copy nor a clone but rather a “modern classic”. It was developed and built in the old-fashioned way: in-house with maximum attention to detail and no corners cut.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTHE CAPSULE\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe 1973 features a version of our own S23 capsule also found in our acclaimed 023 Bomblet microphone. The S23 is a completely unique capsule with a fascinating history. In the early 1970s LOMO redesigned an AKG CK12 capsule, giving it three backplates to increase consistency. In 2015 our Soyuz engineers redesigned it for the 023 Bomblet and have now further adapted it for the 1973, keeping the same smooth response and punchy character it’s become known for.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTHE RESONATOR\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe 1973 features a custom resonator that reduces unwanted resonance and also adds a degree of plosive protection, making the 1973 extremely well suited for vocals, voiceovers and podcasts. \u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTHE DESIGN\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe form factor of the 1973 makes it perfect for miking those hard-to-reach places and making it the perfect travel companion for any recording setup or live performance. The 1973 is solid, compact and extremely durable— built to last a lifetime.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTHE PAD\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe 1973 has both a -10 and -20 dB pad, making it well-suited for high-volume sources such as kick drums and amps.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTHE SOUND\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe 1973 features a transformerless design and has the lowest self-noise of any of our microphones. Nonetheless, it retains what many people call “the Soyuz Sound,” with lows that are present but not boomy, a midrange that’s forward but not boxy, and a high end that’s open and airy without being harsh.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soyuz","offers":[{"title":"New | In Stock","offer_id":47890487705883,"sku":"1973BDLX","price":1199.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49011409486107,"sku":"1973BDLXEBAYPRO","price":876.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1973-BClipFront.jpg?v=1709061703"},{"product_id":"warm-audio-wa87-fet-condenser-microphone-1","title":"Warm Audio WA87 FET Condenser Microphone","description":"\u003cp\u003e*Please note -- this item is pre-owned and may show signs off use. Includes a six-month Alto Music warranty.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe classic ‘87 is arguably the most widely-used large diaphragm condenser microphone in pop recording history.  Rather than base the WA-87 circuit on current incarnations of this mic, they decided to closely follow the early circuit designs that date back nearly half a century.  As is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models.  The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe WA-87 features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a Cinemag USA output transformer.  The WA-87 proudly uses our own Lens Kondensator custom reproduction of the classic K-87 dual backplate\/dual diaphragm capsule, as found in early ‘87 mics.  \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe importance of a good microphone cannot be understated; but unfortunately, finding a truly great microphone within a budget has always been a challenge for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones have simply been out of reach for most people.  Warm Audio applied all that we know about bridging this barrier into crafting a microphone that reaches the level of quality and sonics mostly found only in top shelf products, yet sells for a price that is down to earth.  \u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"Pre-Owned | In Stock","offer_id":47981096927515,"sku":"C103852BROOKLYN","price":468.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/4K0A9480.jpg?v=1709843581"},{"product_id":"wampler-pedals-mofetta-overdrive","title":"Wampler Pedals MOFETTA Overdrive","description":"\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Wampler Mofetta Overdrive \/ Distortion is Brian Wampler’s tribute to the MOSFET-driven magic of a 1990s classic - the MT10 MOSTORTION\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. A mainstay of countless top session players, the Mofetta honors the soul of that elusive yet classic circuit while revealing its untapped potential. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThink of the Mofetta as a supercharged MOSTORTION\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, reborn and amplified. We made sure that it delivered the classic, amp-like overdrive, massive headroom, and versatile 3-band EQ that made the original so famous. But Brian also wanted more and added a Texture Switch that introduces actual MOSFETs into the pedal’s overdrive section for a bolder, more responsive \/ tube-like tone. The Mofetta preserves everything you love about the early ‘90s legend with a powerful new dimension. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wampler Pedals","offers":[{"title":"New | In Stock","offer_id":48236909166875,"sku":"MOFETTA","price":199.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/Mofetta_Top.png?v=1712338842"},{"product_id":"telefunken-tf17-fet-condenser-microphone","title":"Telefunken TF17 FET Condenser Microphone","description":"\u003cp\u003eThe TF17 is the newest voice in the Alchemy Series and the latest offering of Telefunken’s vintage-inspired phantom-powered condenser microphones. Combining an iconic mid-forward “German” voicing with modern FET technology, the TF17 is sonically bold with a punchy transient response, high SPL handling, and very low self-noise. Its extended low frequency response, strong midrange, and a smooth top end benefit sources including voice, drums, electric guitar, and piano. Designed with all recording environments in mind, the fixed true cardioid TF17 is perfect for home, studio, or stage. The TF17 features a K47-style center-terminated capsule, premium through-hole components and a UK-made OEP\/Carnhill transformer with a high-grade nickel-iron core. \u003c\/p\u003e","brand":"Telefunken","offers":[{"title":"New | In Stock","offer_id":48564473430299,"sku":"TF17FET","price":895.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":51588193616155,"sku":"TF17FETEBAYPRO","price":828.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1714520745_1824285.jpg?v=1714569240"},{"product_id":"warm-audio-pedal76-fet-compressor-pedal","title":"Warm Audio Pedal76 FET Compressor Pedal","description":"\u003ch3\u003eClassic Studio Compression Recreated For Your Pedalboard\u003c\/h3\u003e\n\u003cp\u003ePedal76 accurately reproduces one of the fastest and most powerful studio compressors of all time, known for having ultra-fast attack and release and adding sweet analog tone to any source. Just like in the studio, Pedal76 has Attack \u0026amp; Release, Ratio, and Input controls, critical for taming unwanted changes in volume on stage. Backed by over 10 years of expertise delivering premium, award-winning studio compression with the Warm Audio WA76, the Pedal76 is capable of bringing out the wide range of legendary compression tones from subtle to hard-limiting as favored by celebrated artists such as Led Zeppelin, Pink Floyd, Periphery, Jack White and many more.\u003c\/p\u003e\n\u003ch3\u003eStudio-Quality Sound, Stage-Ready Control\u003c\/h3\u003e\n\u003cp\u003eTo achieve authentic 76-style FET compression, Pedal76 is built with an all-analog circuit and premium components, including a custom CineMag USA transformer. Spec’d to duplicate the professional performance of the studio units, this transformer adds rich harmonic content, and, in high gain mode, a bit of audible overdrive reminiscent of the most prized studio originals. 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From artists such as Norah Jones to John Mayer, and producers like Tony Visconti and Jack Puig, the 6176 has contributed to the recordings of numerous chart-topping hits and critically acclaimed albums, further solidifying its reputation in the industry.\u003c\/p\u003e\n\u003cp\u003eWe want to keep that classic alive with the Behringer 676, a classic mic\/line tube preamp and compressor with custom-built Midas transformers, premium 12AX7\/ECC83S and 12AT7\/6072 tubes for a warm and rich sound. In just a single rack unit, the 676 provides a versatile range of tonal possibilities that can bring that same timeless quality to any recording.\u003c\/p\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eFreedom to Fine-Tune\u003c\/h5\u003e\n\u003cp\u003e676 is made for simplicity and ease of use. The preamp section features controls for input gain, impedance, polarity, high or low frequency shelf, as well as high or low boost\/cut. It can even be operated independently of the compressor with the flip of the Join\/Split switch.\u003c\/p\u003e\n\u003cp\u003eThis circuit has been praised by so many producers and engineers for its ability to give you complete freedom to fine-tune and bring the best out of any vocal or instrument before it hits the compressor.\u003c\/p\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eEffortless Dynamic Control\u003c\/h5\u003e\n\u003cp\u003eFeaturing a powerful FET compressor with an ultra-fast attack time of 20 to 800 microseconds, 676 ensures precise control over transients. Its adjustable release time, from 50 to 1100 milliseconds, allows for tailored control over dynamics. A vintage-style meter displays both gain reduction and output levels, providing essential visual feedback. This blend of speed, versatility, and classic aesthetics makes 676 an invaluable asset for any audio setup. 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A rear-angled Jackson pointed 6-in-line headstock allows for evenly distributed tension, while a sculpted heel paves the way for easy upper fret playing.\u003c\/p\u003e\n\u003cp\u003eA pair of Jackson high-output humbucking pickups with ceramic magnets crank out clear tone with plenty of girth. The neck position delivers bright highs while the bridge adds plenty of crunchy distortion. 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There are two primary compression modes: in Dual Stage mode, the FET and OPTO compressors are used in series for complete dynamic control over critical sources, accomplishing a common recording \u0026amp; mixing technique with ease. In Dual Band mode, each compressor is assigned to either a low or high frequency band that can then be processed independently, which expands the tone-shaping and dynamic control of the OptoFET into uncharted territory. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFrom transparent vocal smoothing to extreme envelope shaping with massive harmonic texture, the OptoFET offers seemingly infinite creative control. Not only does each compressor have fully variable attack, release, threshold, make-up gain and parallel blend controls – plus side-chain high pass filters and special ‘GRIT’ and ‘BLOOM’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eharmonic modes – the OptoFET also includes global controls to flip the order of the two compressors in Dual Stage mode, plus a unique variable crossover control to fine-tune the compression across upper and lower frequency bands in Dual Band mode. And though it is a single-channel unit, a pair of OptoFETs in dual mono – with 31-position fully detented controls – can add massive impact to stereo stems, groups, or even full mixes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIntended for tracking, touring, mixing, mastering \u0026amp; sound design, the OptoFET provides immense control over the dynamics and tonal shape of your source. Compress creatively with the OptoFET. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eAll New FET Compressor Design \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor many years, the engineering team at RND has experimented with FET compressor designs – but it wasn’t until the OptoFET concept was solidified that releasing our first FET circuit felt ‘right’. While this FET compressor has some familiar characteristics, including ultra-fast attack times and common ratio settings, there are also several features that make it instantly feel like a Rupert Neve Designs product and nothing else. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTo start with, all variable controls for the OptoFET are via high quality, 31-detent potentiometers, standard to most of our current products. The FET compressor includes variable Attack (with the fastest time being a blazing 100 microseconds), Release, Threshold, +20 dB of Make-up Gain and a parallel Blend control from 0% (dry) to 100% (wet). Ratio can be set to either 4:1 or 8:1 and the 125Hz S\/C high pass filter can be toggled on to leave the low end of a source untouched. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTo further expand the OptoFET’s creative capabilities, a unique new ‘GRIT’ mode transforms the FET compressor into a powerful wave shaper, introducing ample harmonic distortion focused in the upper frequency range. GRIT can be used to either slightly accentuate sources so they ‘pop’ in just the right way or transform them into something entirely new. GRIT is also especially useful when combined with the blend control to achieve an exacting amount of distortion character for a wide range of sources. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eOptimized Optical Compressor Design \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRND has created several optical compression circuits over the years – including the Color Comp in the wildly popular MBT (Master Bus Transformer) – but the circuit in the OptoFET was further developed to be the ideal complement to the faster, high-frequency focused FET compressor. In contrast, the OPTO compressor generates low-order harmonics while also having much slower attack and release settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor controls, the OPTO compressor includes variable Attack (starting at 5 milliseconds), Release, Threshold, +20 dB of Make-up Gain and parallel Blend controls, arranged in the same way on the front panel as the FET section. Ratio can be set to either 2:1 or 5:1, and it also includes a 125Hz S\/C high pass filter. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhere the FET section has its new ‘GRIT’ mode, the OPTO section contains another unique new mode called ‘BLOOM’. With BLOOM engaged, the low-order harmonics increase significantly, instantly making sources warmer, rounder and more pronounced in the low end. BLOOM can help make final adjustments without the use of a traditional EQ, especially when used with the Blend control. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDual Stage or Dual Band? You Decide. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSome of the OptoFET’s most unique \u0026amp; powerful features lie in the global control section. In this section, the serial order of the 2 compressors can be ‘flipped’ while in Dual Stage mode. However, the OptoFET can also become a Dual Band compressor by simply pressing the ‘X-OVER IN’ button, which engages the Crossover filters and the corresponding ‘CROSSOVER’ variable frequency control. With this mode engaged, each compressor is assigned to either the low or high frequency band, allowing for independent processing of both bands simultaneously. The variable frequency selection control dials in exactly where the crossover is applied, from 50Hz to 500Hz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe ‘FLIP’ button also works while in Dual Band mode, assigning the FET or OPTO to process either frequency band as desired. This can be especially helpful for bass sources, providing complete control over the low-end while boosting the mids and highs to dial in the perfect amount of string noise and texture. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMultiple Gain Stages \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe OptoFET contains several gain staging options, starting with +\/- 12dB input \u0026amp; output trim controls, ensuring the compression stays smooth \u0026amp; transparent. Alternatively, they can be used to drive the compressors, bringing out novel \u0026amp; interesting harmonic tones without clipping the custom transformer-balanced output stage. In addition, each compressor has its own make-up gain, with one driving into the next in Dual Stage mode. In Dual Band mode, the make-up gains can be used for tonal balance adjustments ranging from subtle to dramatic. As with most exceptional compressors, many of the controls and settings are gain dependent, which is why the OptoFET begs for experimentation at every turn.\u003c\/span\u003e\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"New | In Stock","offer_id":51614215897371,"sku":"5046","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/OptoFET-front-v2.jpg?v=1768235352"},{"product_id":"jhs-fumble-preamp-jfet-clean-boost-pedal","title":"JHS Fumble Preamp JFET Clean Boost Pedal","description":"\u003cp\u003eThe Fumble is a faithful production version of the other circuit Josh Scott cloned for John Mayer: the Dumble BBC-1. Once the NOTADÜMBLË V1 was discontinued, customers started telling JHS how much they loved that circuit and how they wished it was sold separately. The Fumble is that exact circuit, now in its own compact enclosure with its own self-deprecating name, an $89 price point, and no kit to build.\u003c\/p\u003e\n\u003cp\u003eHere is where the story gets stranger than fiction. While digging back through the original Dumble unit's history, JHS realized the BBC-1 isn't really a Dumble circuit at all. It's a JFET preamp lifted almost part for part from a Barcus Berry acoustic preamp made in the 1970s — the kind of small utility box that bridged piezo pickups into electric guitar amps in an era when nobody had a modern acoustic preamp. Howard cloned it, put it in his own enclosure for a handful of local LA players, then used the same JFET stage inside his amplifiers and called it the FET mode.\u003c\/p\u003e\n\u003cp\u003eWhich means the legendary Dumble FET sound — the one inside $200,000 to $400,000 amps — is a clone of a 1970s piezo preamp.\u003c\/p\u003e\n\u003cp\u003eThe Fumble is a clone of that clone of that clone. Three generations deep into one of the strangest chains of events in pedal history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT IT DOES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fumble has two knobs, true bypass switching, and creates a particularly enhanced clean tone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT\u003c\/strong\u003e is the master volume. Turn it up for more volume.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINPUT\u003c\/strong\u003e is the control that surprises people. It is not a standard gain knob. It attenuates bass and input gain at the front of the circuit simultaneously. Fully right has no cut — consider it a bypass of the control. As the knob is turned to the left, bass and gain are gradually attenuated. Roll it down for a thinner, tighter response. Roll it up for a fuller, louder one. There is almost nothing else on the market that boosts in this way.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse the Fumble four ways:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAs a permanent buffer and clean boost at the front of a board. Set the output low and dial the input to taste. It tightens up everything downstream and gives players a sweetener they stop noticing because they never want to turn it off.\u003c\/li\u003e\n\u003cli\u003eTo slam the front of overdrives. This is the secret most players miss. Players default to stacking gain after gain after gain. Putting a clean JFET boost like this before a Timmy, a King of Tone, a Klon, or a Morning Glory — that's often the better second stage players have been hunting for without realizing it.\u003c\/li\u003e\n\u003cli\u003eTo slam the front of a dirty amp. Tweed, Plexi, anything broken up. The Fumble makes it bigger and more articulate. 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