{"title":"Get 5% Back in Alto Bucks","description":"","products":[{"product_id":"golden-age-project-r1-mk3-active-ribbon-microphone-r1activemk3","title":"Golden Age Project R1 MKIII Active Ribbon Microphone","description":"\u003cp\u003eThe R1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer ampilier. This means that you can use the R1 Active MKIII with long cables and virtually any pre-amp featuring 48V phantom power. A clean and clear sound, yet warm and punchy is what the R1 Active MKIII will deliver in most cases. We love it on drums, as an ambience mic or in pairs for O.H. pickup, but it sounds great on most instruments. The R1 Active MKIII is in fact a very versatile mic even suitable for some sensitve vocal recording! 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The unit is still receiving power from the transformer however.\u003c\/p\u003e\n\u003cp\u003eAC Input - This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/p\u003e\n\u003cp\u003eGround Lift Switch - By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. 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The Avantone Active MixCubes offer another chance to evaluate creative studio output and make judgements regarding how my work would translate across a wide range of systems… these are a no-brainer for those wanting another quick-and-dirty reference to help in the quest for tracks that translate.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Kevin Becka    Technical Editor - Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"... the MixCubes yield a  microscopic-style view of critical  midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson    Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper    Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Probably the clearest Auratone substitute available as a current product is Avantone's MixCube. This is a great little speaker, which sees daily use in my own mix system and which in some respects actually improves on the original Auratone's specs...The MixCube would top my list in terms of price\/performance ratio...This speaker is one of the best monitoring tools there is, and I use it every day. No other speaker I've heard at anything like this price provides the kind of razor-sharp balance perspective that the MixCube can, and I'd not want to have to judge bass, kick, or vocal levels without it. 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The next stage is an efficient, transformerless output circuit, that guarantees an extremely low self-noise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic. The M 147 Tube can feed extremely long microphone cables without affecting the quality of the audio signal. Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish. The microphone is delivered as a complete set in a high-quality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains sockets. 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QSC designers, headed by Pat Quilter, have optimized output and appearance of the rackmountable GX5 while reducing raw material cost and weight.\u003c\/p\u003e\n\u003cp\u003eThe GX5 power amplifier provides full performance for 500 watt (Program) speakers and supplies maximum possible power to 4 ohm and 8 ohm loads. Owners of popular 4 ohm loudspeakers (dual-woofer, two-way models and many subwoofers) will find the 700 watt (4 ohm) power of the GX5 an ideal match.\u003c\/p\u003e\n\u003cp\u003eThe GX5 power amp uses a Class H system, based on key elements of the PLX Series, almost doubling power in the same size and weight. 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Retro products keep what made the originals the best of the best, updating vintage design with modern features to improve functionality - creating unique and innovative gear that sounds, looks, and feels vintage and state-of-the-art in equal measure.\u003c\/p\u003e","brand":"Retro Instruments","offers":[{"title":"New | In Stock","offer_id":46167952458011,"sku":"STALEVEL","price":3295.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47190534586651,"sku":"STALEVELEBAYPRO","price":2966.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/STALEVEL-0.jpg?v=1692021568"},{"product_id":"retro-instruments-176-176","title":"Retro Instruments 176 Tube Limiting Amplifier","description":"\u003ch3 class=\"p1\"\u003eWhy You Need The Retro Instruments 176 Tube Limiting Amplifier:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned to provide the character of vintage tube compression in the modern recording studio \u003c\/li\u003e\n\u003cli\u003eModeled after the superb UA 176 limiter with added features and conveniences.\u003c\/li\u003e\n\u003cli\u003eProvides one of the most desirable compression signatures in recording history\u003c\/li\u003e\n\u003cli\u003eEasy stereo strapping of two or more units\u003c\/li\u003e\n\u003cli\u003eXLR input and output connections\u003c\/li\u003e\n\u003cli\u003eFour settings of compression ratio\u003c\/li\u003e\n\u003cli\u003ePrecision Knob scales for easy recallability\u003c\/li\u003e\n\u003cli\u003eAuthentic variable-mu tube design\u003c\/li\u003e\n\u003cli\u003e115\/230V AC Mains \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\"\u003e \u003c\/p\u003e\n\u003ch4 class=\"p4\" style=\"text-align: center;\"\u003eVintage Design for modern recording\u003c\/h4\u003e\n\u003cp class=\"p4\"\u003eRetro Instruments is changing the way the world sounds by creating classic style audio gear for modern recording. Retro products keep what made the originals the best of the best, updating vintage design with modern features to improve functionality - creating unique and innovative gear that sounds, looks, and feels vintage and state-of-the-art in equal measure.\u003c\/p\u003e","brand":"Retro Instruments","offers":[{"title":"New | On Order","offer_id":46167952523547,"sku":"176","price":3695.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47190618046747,"sku":"176EBAYPRO","price":2941.0,"currency_code":"USD","in_stock":false},{"title":"Display | On Order","offer_id":47318253732123,"sku":"176BROOKLYNDIS","price":2553.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/176-1.jpg?v=1692021572"},{"product_id":"genelec-8030-bi-amplified-monitoring-system-c01","title":"Genelec 8030 Bi-amplified Monitoring System","description":"\u003cp\u003eThe very compact 8030A is a powerful bi-amplified nearfield monitor system ideal for project and home studios, workstations, installations, and surround sound monitoring. The MDE (Minimum Diffraction Enclosure) enclosure has rounded edges and a gently curved front and sides to achieve a very smooth frequency response and superb imaging qualities with minimized cabinet edge diffraction.\u003c\/p\u003e\n\n\u003cp\u003eLike all Genelec 8000 Series monitors, the 8030A also features the advanced Genelec Directivity Control Waveguide (DCW), a revolutionary flow-optimized reflex port design, optimized die-cast aluminium structure with extremely durable semi-matt finish and acoustically optimized metal grilles. Low distortion drivers are driven by dedicated amplifiers after sophisticated filtering. Magnetic shielding, overload protection circuitry and versatile room response controls are standard. The versatile mounting features include integrated rear support points for wall and floor stands plus a further 3\/8\" thread for mounting on the cabinet base.\u003c\/p\u003e\n\n\u003cp\u003eEvery Genelec 8030A monitor comes with an Iso-Pod(Isolation Positioner\/Decoupler) as standard. The Iso-Pod is a clever mounting stand, which allows the system to perform in either the vertical or horizontal position. It also enables the acoustic axis of the monitor to be aimed at the listener, while acoustically and mechanically decoupling the monitor from the surface it is resting on.\u003c\/p\u003e","brand":"Genelec","offers":[{"title":"Pre-Owned | On Order","offer_id":46167953408283,"sku":"8030A-EBAYPRO","price":709.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003890.jpg?v=1692021590"},{"product_id":"avantone-mixcubes-passive-full-range-mini-reference-monitors-in-butter-creme-mixcubes","title":"Avantone MixCubes Passive Full-Range Mini Reference Monitors in Butter Creme","description":"\u003cp\u003eThe AVANTONE MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENGINEERING OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe wanted to take it up a notch though...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFORMANCE OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMPLIFICATION and WIRING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...the MixCubes yield a microscopic-style view of critical midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson, Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper, Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eRandy Bachman, Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBrian Lucey, Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Alessandro Giordani, Synchronia Studio - Rome\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46167957209371,"sku":"MIXCUBES","price":299.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47187371917595,"sku":"MIXCUBESRP","price":219.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mixcubes_0.jpg?v=1692021595"},{"product_id":"burl-b1d-burlb1d","title":"Burl Audio B1D 500 Series Microphone Preamp and DI","description":"\u003ch2\u003eBurl B1D 500 Series Microphone Preamp and DI\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eStep Back – Here come the B1and B1D…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntroducing the B1 and B1D Microphone Pre Amps from Burl Audio. Based on the API 500 series form factor, the B1 was designed to compliment the B2 Bomber ADC, and give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 Mic Pre delivers warmth with depth and clarity. The B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.\u003c\/p\u003e\n\u003cp\u003eThe B1 and B1D come complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select.   The B1 was rigorously tested with the popular Royer R-121 in the low impedance setting, and we think it sounds pretty f***ing bitchin’’ on guitar amps. The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon.\u003c\/p\u003e\n\u003cp\u003eUse the B1’s 1\/4” instrument\/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there.  Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that’s about all you will need.\u003c\/p\u003e","brand":"Burl","offers":[{"title":"New - Version: B1D | In Stock","offer_id":46167961796891,"sku":"BURLB1D","price":1050.0,"currency_code":"USD","in_stock":true},{"title":"Demo | On Order","offer_id":47317792751899,"sku":"BURLB1DDISBROOKLYN","price":598.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/burl-b1-500-series-microphone-preamp-di.jpg?v=1692021597"},{"product_id":"telefunken-ela-m-251e-large-diaphragm-tube-microphone-elam251e","title":"Telefunken ELA M 251e Large Diaphragm Tube Microphone","description":"\u003cp\u003eArguably one of the most beautiful microphones ever produced, the TELEFUNKEN ELA M 251E has been featured on countless hits and classic recordings over the decades. By virtue of its smooth, yet present and \"open\" sonic character, the ELA M 251E large diaphragm tube microphone is a true classic with very few rivals.\nToday, prime examples of vintage ELA M 250 \/ 251 [both \"E\" and \"non E\"] microphones have become rare and highly sought after jewels, commanding tens of thousands of dollars on the vintage market. TELEFUNKEN Elektroakustik's historic recreations of the ELA M 251E exemplify the best qualities of the finest specimens of these legendary beasts, and while more expensive than most modern microphones, they are true to the heritage of their 50+ year old brethren.\u003c\/p\u003e\n\u003cp\u003eThe TELEFUNKEN ELA M 251E includes an edge terminated, dual backplate CK12 capsule capable of cardioid, omnidirectional and bidirectional polar patterns, a New Old Stock 6072a vacuum tube and a Haufe 14:1 ratio output transformer (the same found in the AKG Acoustics GmbH C12). Each reissue is 100% true in every detail to the original [the parts are interchangeable with the 50+ year old originals], and will deliver the same sonically opulent response that made the ELA M 251E one of the world's most sought after recording tools.\u003c\/p\u003e\n\u003cp\u003eEach ELA M 251E microphone system comes complete with M950E power supply, M850E 25' quad-shielded Accusound ACX-7 tube microphone cable, FC50 locking flight case and WB50 wooden microphone box.\u003c\/p\u003e\n\u003ch3\u003eHISTORY\u003c\/h3\u003e\n\u003cp\u003eThe TELEFUNKEN ELA M 250 \/ 251 was originally sold in two variations: the \"ELA M 250E \/ 251E\" version utilized a 6072a tube, while the \"ELA M 250 \/ 251\" version contained a TELEFUNKEN AC701 tube. The \"no-suffix\" microphones were built to satisfy the standardized requirements of the German and Austrian national broadcast systems. While both versions of these microphones have achieved legendary stature in the modern recording industry, the road to achieving this legendary status was far from instantaneous.\u003c\/p\u003e\n\u003cp\u003eIn 1947 Neumann GmbH first built the U47 microphone. From 1947 to 1958 TELEFUNKEN GmbH used their established global distribution network for the products produced by Neumann GmbH, which were sold under the TELEFUNKEN name with a TELEFUNKEN logo badge.\u003c\/p\u003e\n\u003cp\u003eIn 1958 when Neumann GmbH notified TELEFUNKEN GmbH that they had decided to not renew their distribution contract, TELEFUNKEN reached out to AKG Acoustics about the possibility of AKG creating a \"U47-like\" model for TELEFUNKEN to plug into their global distribution network.\u003c\/p\u003e\n\u003cp\u003eThis U47-esque microphone was to be known as the ELA M 250. Like the U47 this new microphone featured the polar pattern selection (cardioid and omnidirectional) switch on the head of the microphone. Around 1958 Neumann GmbH also released their U48 microphone, which featured cardioid and bidirectional pattern selection. The TELEFUNKEN ELA M 251 was an amalgam of these two microphones as it was capable of switching between all three patterns (cardioid, omnidirectional, and bidirectional).\u003c\/p\u003e\n\u003cp\u003eThe switch housing at the base of the capsule assembly is where the similarity between the Neumann GmbH U47\/48 and the ELA M 250 \/ 251 microphone series ends.\u003c\/p\u003e\n\u003cp\u003eWhile the C12 accomplished pattern selection with an outboard switching device that was connected to the power supply, the ELA M 250 \/ 251 eliminated that addition to the system and minimized both the quantity of wires that had to run to the microphone as well as the expense of the external pattern selection box.\nThe design engineers at AKG Acoustics also came up with another very handy feature, which was the capability to minimize the time necessary to accomplish \"field repairs\" of the microphone. Both the C12 and U47\/48 microphones require a fair bit of knowledge, a steady hand, as well as a couple of screwdrivers to get to the internal workings of the mic\u003c\/p\u003e\n\u003cp\u003eIn order to perform a \"field repair\" of the ELA M 251E, one simply needed to unscrew the base ring from the bottom of the mic and the metal body tube would slide right off (no tools necessary!!). Once the body tube was removed either the capsule or the amplifier could be replaced in under a minute, saving precious time during an expensive broadcast or orchestral recording session.\u003c\/p\u003e\n\u003cp\u003eThe amplifier in the ELA M 250 \/ 251 series is housed in a molded plastic enclosure. The capsule and head grill assembly is held in place by two metal struts that run up the exterior of the amplifier housing. By implementing this system, either of these critical components could be replaced in seconds and the session could continue while the faulty system element could be sent to the technical shop for in-depth repair. This convenience was something the broadcasters of the time found to be a major plus as they had thousands of dollars of musicians sitting around for the live music broadcasts of the day. Any time saved cut down on the expense of the session, and added to the quality of the broadcast.\u003c\/p\u003e\n\u003cp\u003eUnfortunately for TELEFUNKEN GmbH, these field replacement provisions also proved to be a sales impediment outside of the orchestral recording world as the plastic bits employed in these microphones added significant cost to the construction of the microphones.\u003c\/p\u003e\n\u003cp\u003eThe added cost made them markedly more expensive at the time than the Neumann GmbH and AKG Acoustics GmbH products, thus the non-government owned facilities of the time did not adopt these systems as readily as TELEFUNKEN GmbH would have liked. It is thought that fewer than 3700 total original ELA M systems were built from 1960 to 1965 when TELEFUNKEN GmbH discontinued sales of the microphone.\u003c\/p\u003e\n\u003cp\u003eToday, prime examples of vintage ELA M 250 \/ 251 [both \"E\" and \"non E\"] microphones have become rare and highly sought after jewels, commanding tens of thousands of dollars on the vintage market. TELEFUNKEN Elektroakustik's historic recreations of the ELA M 251E exemplify the best qualities of the finest specimens of these legendary beasts, and while more expensive than most modern microphones, they are true to the heritage of their 50+ year old brethren.\u003c\/p\u003e\n\u003cp\u003eToday TELEFUNKEN Elektroakustik has brought advancement to this classic system through the development of the CK-13™ capsule. While the CK-13 can be fit to any existing ELA M 250 \/251 system it can also be found in the ELA M 251 T which is available through your favorite reseller via the \"custom shop.”\u003c\/p\u003e","brand":"Telefunken","offers":[{"title":"New | On Order","offer_id":46167963664667,"sku":"ELAM251E","price":12995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/elam251e.jpg?v=1692021596"},{"product_id":"telefunken-c12-large-diaphragm-tube-condenser-microphone-tfc12","title":"Telefunken C12 Large Diaphragm Tube Condenser Microphone","description":"\u003cp\u003eIf there were ever a microphone that was the epitome of classic, hi-fidelity sound, it would be the AKGC-12. The first of the AKG line of selectable pattern condenser mics, theC-12is revered for its smooth, airy response. Considered by many to be the finest sounding microphone ever produced, originalC-12microphones are still in use in recording studios throughout the world.\u003c\/p\u003e","brand":"Telefunken","offers":[{"title":"New | On Order","offer_id":46167963697435,"sku":"TFC12","price":9995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10004640.jpg?v=1692021595"},{"product_id":"telefunken-u48-large-diaphragm-tube-condenser-microphone-tfu48","title":"Telefunken U48 Large Diaphragm Tube Condenser Microphone","description":"\u003cp\u003eAccording to the book Recording The Beatles, the U48 was one of George Martin's favorite microphones when actually \"recording The Beatles\". Utilizing the same M7 capsule, BV8 output transformer and VF14K vacuum tube as TELEFUNKEN's historic reissue of the U47, the Telefunken U48 features cardioid and bidirectional capsule capabilities (instead of the cardioid and omnidirectional found in the U47). Its authoritative mid-range and extended low-end response have made the TELEFUNKEN U48 an excellent tool for recording vocals and acoustic instruments, both near and far.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType : Condenser Pressure Gradient\u003c\/li\u003e\n\u003cli\u003eCapsule : M7\u003c\/li\u003e\n\u003cli\u003eFrequency Range : 20Hz \/ 20kHz\u003c\/li\u003e\n\u003cli\u003ePolar Pattern : Cardioid and Figure 8\u003c\/li\u003e\n\u003cli\u003eTube Type : VF-14K\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003ci\u003e*TELEFUNKEN Elektroakustik is not affiliated or connected with, and this product is not produced or licensed by, Georg Neumann GmbH\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Telefunken","offers":[{"title":"New | On Order","offer_id":46167963861275,"sku":"TFU48","price":9995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/U48-White-newnew.jpg?v=1726590661"},{"product_id":"neumann-tlm103-anniversary-condenser-microphone-tlm103ann","title":"Neumann TLM 103 Anniversary Condenser Microphone","description":"\u003cp\u003eThe TLM 103 anniversary edition is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Repack - Version: Nickel | In Stock","offer_id":46167967367451,"sku":"TLM103ANNRP","price":1188.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: Nickel | In Stock","offer_id":46167967400219,"sku":"TLM103ANN","price":1495.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: Black | On Order","offer_id":46167967432987,"sku":"TLM103MTANN","price":1595.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned - Version: Nickel | Out Of Stock","offer_id":46167967465755,"sku":"TLM103ANN-PO350805DAMAGEDCASE","price":1208.06,"currency_code":"USD","in_stock":false},{"title":"Repack - Version: Black | In Stock","offer_id":46167967498523,"sku":"TLM103MTANNRP","price":1018.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/tlm103annnrp-4_1.jpg?v=1692021675"},{"product_id":"heil-pr40-dynamic-microphone-pr40","title":"Heil PR40 Dynamic Microphone, Champagne","description":"\u003cp\u003eThe Heil PR 40 represents completely new dynamic microphone technology designed for a wide range of professional applications such as sophisticated recording, live sound, and commercial broadcast. Producing the widest frequency range available in a dynamic microphone, the PR 40 outperforms most condenser microphones, and can withstand huge amounts of SPL. At the same time, it maintains the 25 year Heil Sound tradition of superbly natural voice articulation.\u003c\/p\u003e","brand":"Heil","offers":[{"title":"Pre-Owned | On Order","offer_id":46167968416027,"sku":"PR40EBAYPRO","price":298.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46167968448795,"sku":"PR40","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/pr-40-1.jpg?v=1692021725"},{"product_id":"sennheiser-md421-ii-dynamic-studio-microphone-md421","title":"Sennheiser MD 421-II Dynamic Cardioid Studio Microphone","description":"\u003cp\u003eThe MD 421 II continues the tradition of the MD 421, which has been one of Sennheiser's most popular dynamic mics for over 35 years. The large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern and five-position bass control make it an excellent choice for most instruments, as well as group vocals or radio broadcast announcers. One listen and you'll know why it's a classic.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRugged professional microphone\u003c\/li\u003e\n\u003cli\u003eFive position bass roll-off switch\u003c\/li\u003e\n\u003cli\u003eEffective feedback rejection\u003c\/li\u003e\n\u003cli\u003eClear sound reproduction\u003c\/li\u003e\n\u003cli\u003eEasy handling due to pronounced directivity\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sennheiser","offers":[{"title":"Repack | In Stock","offer_id":46167969759515,"sku":"MD421RP","price":344.44,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46167969825051,"sku":"MD421","price":449.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46167969890587,"sku":"MD421EBAYPRO","price":348.88,"currency_code":"USD","in_stock":true},{"title":"New - Bundle: 3-Pack | On Order","offer_id":46167969988891,"sku":"MD421-3PACK","price":1199.0,"currency_code":"USD","in_stock":false},{"title":"Repack - Version: Amazon | In Stock","offer_id":47198841798939,"sku":"MD421AMZN","price":348.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/tps_1281_128331_128331_33621n_f7576302-1509-4ab0-9f5a-90310738aa84.jpg?v=1758735660"},{"product_id":"summit-audio-dcl-200-1069967","title":"Summit Audio DCL-200","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\t\u003cp class=\"p1\"\u003e\n\t\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eSummit Audio DCL-200 Dual Channel Tube Compressor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe DCL-200 from Summit Audio is a dual channel compressor\/limiter with stereo linking capabilities, suitable for both live sound and studio environments. The unit is a hybrid processor that uses solid state technology to provide reliability, while the vacuum tube amplifier delivers tube \"warmth\" and provides gain to overcome any loss of level during heavy compression.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe DCL-200 imparts a soft-knee and program-dependent transition characteristic on the source audio, while providing variable threshold, attack and release controls. Selected 12AX7A vacuum tubes with high reliability 990 op-amps in a transformerless signal path deliver sound that is not sterile, muddy or pinched, but rather clean and precise, and rich in desirable overtones.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tDual channel compressor limiter with tube\/solid state signal path\u003c\/div\u003e\n\u003cdiv\u003e\n\tContinuously variable attack and release times\u003c\/div\u003e\n\u003cdiv\u003e\n\tAdjustable threshold and variable ratio\u003c\/div\u003e\n\u003cdiv\u003e\n\tSoft-knee transition characteristic\u003c\/div\u003e\n\u003cdiv\u003e\n\tSidechain insert for EQ dependent processing or ducking\u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput gain control\u003c\/div\u003e\n\u003cdiv\u003e\n\tStereo link switch links both channels for stereo operation with the AC Threshold, Slope, Attack and Release controls of the top channel controlling both channels\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformerless signal path\u003c\/div\u003e\n\u003cdiv\u003e\n\t990 output stage (balanced or unbalanced)\u003c\/div\u003e\n\u003cdiv\u003e\n\tDual true VU meters\u003c\/div\u003e\n\u003cdiv\u003e\n\tUniversal internal power supply\u003c\/div\u003e\n\u003cdiv\u003e\n\tHand crafted in the USA\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFunction\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e Compressor\/Limiter\u003c\/div\u003e\n\u003cdiv\u003e\n\tNumber of Channels\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 2\u003c\/div\u003e\n\u003cdiv\u003e\n\tInputs\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 2 x XLR\u003c\/div\u003e\n\u003cdiv\u003e\n\t2 x 1\/4\" TRS phone Inserts\u003c\/div\u003e\n\u003cdiv\u003e\n\tOutputs\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 2 x XLR\u003c\/div\u003e\n\u003cdiv\u003e\n\tMaximum Input Level\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e +24dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\tCompression Threshold\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e Variable\u003c\/div\u003e\n\u003cdiv\u003e\n\tCompression Ratio\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 1.1:1 to 7:1\u003c\/div\u003e\n\u003cdiv\u003e\n\tAttack Time\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 0.1mS to 100mS\u003c\/div\u003e\n\u003cdiv\u003e\n\tRelease Time\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 45mS to 10S\u003c\/div\u003e\n\u003cdiv\u003e\n\tMaximum Output Level\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e +24dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\tMake-up Gain\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e Yes\u003c\/div\u003e\n\u003cdiv\u003e\n\tFrequency Response\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 5Hz to 70kHz, -3.0dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tDynamic Range\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e Not specified by manufacturer\u003c\/div\u003e\n\u003cdiv\u003e\n\tNoise\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e Less than -80dBu at unity, 10Hz to 80kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\tPower Requirements\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 115 or 230VAC, 50\/60Hz\u003c\/div\u003e\n\u003cdiv\u003e\n\tDimensions (WxDxH)\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 19 x 10.5 x 3.5\" (483 x 267 x 89mm)\u003c\/div\u003e\n\u003cdiv\u003e\n\tWeight\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 17 lbs (7.7kg) shipping\u003c\/div\u003e\n\u003cdiv\u003e\n\tSpecialties\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e The clip LED will light between 0.25 and 0.5dB before clipping\u003c\/div\u003e\n\u003cdiv\u003e\n\tLED is always in the main signal path\u003c\/div\u003e","brand":"Summit Audio","offers":[{"title":"New | On Order","offer_id":46167971954971,"sku":"DCL200","price":4749.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49690790854939,"sku":"DCL200EBAYPRO","price":4749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10006360.gif?v=1692021988"},{"product_id":"qsc-k8-8-powered-pa-speaker-k8","title":"QSC K8 8\" Powered PA Speaker","description":"\u003cp\u003eQSC K8 Powered Speaker with bag\u003c\/p\u003e","brand":"QSC","offers":[{"title":"New | On Order","offer_id":46167972741403,"sku":"K8","price":249.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":47316574667035,"sku":"K8EBAYPRO","price":525.0,"currency_code":"USD","in_stock":false},{"title":"Display | On Order","offer_id":48960303759643,"sku":"K8SP","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/K8-0.jpg?v=1692022020"},{"product_id":"qsc-k12-12-powered-pa-speaker-k12","title":"QSC K12 12\" Powered PA Speaker (K12)","description":"\u003ch2\u003eWhy you need the QSC K12 12\" Powered PA Speaker\u003c\/h2\u003e\n\u003cp\u003eThe QSC K Series is quite simply the new standard in lightweight powered loudspeaker systems. Under the direction of Pat Quilter, QSC's team of amplifier engineers have created a new standard in Class D power modules unparalleled in the industry. Next, breaking from the traditional loudspeaker paradigm, all full-range models (K8, K10, K12) are fitted with the identical 1.75\" high-frequency (HF) device for unparalleled performance, regardless of speaker size. Extensive digital signal processing (DSP) is employed throughout, providing levels of sonic clarity and total output that defy the system's size and weight. Premium-grade materials, advanced construction processes and multiple mounting and suspension options allow for a wide range of live and installed applications.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 year factory warranty \u003c\/li\u003e\n\u003cli\u003eLightweight design for all mobile applications while still delivering quality sound  \u003c\/li\u003e\n\u003cli\u003eThis speaker is a wedge designed so it can be used as a floor monitor\u003c\/li\u003e\n\u003cli\u003eEquipped with a multifunctional functional interface which can be used as part as a system or stand alone with 2 separate inputs for audio and microphones \u003c\/li\u003e\n\u003cli\u003eQSC Deep Switch feature adds more depth to your sound \u003c\/li\u003e\n\u003cli\u003eThe input for the speaker in a standard 1” 3\/8 inch    \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePerfect for the traveling, solo, or beginning musician performing in intimate and often unprepared and unequipped venues, this portable speaker delivers the same high quality sound you would expect from a larger loudspeaker at a fraction of the size.\u003c\/p\u003e\n\u003cp\u003eThe K12 12” Powered PA Speaker is the solution for performing or practicing in small spaces due to its unparalleled performance and durable, compact design. As part of the QSC K Series, the K12 guarantees quality, portability, and reliability and has the “punchiest sound and highest sound pressure level” out of the four speakers in the QSC K compact series.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eQuality\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSound quality is a musician’s number one concern, and QSC constructed the K12 with that in mind. The K12 has a 1.75” diaphragm compression driver for quality sound, a 90 degree nominal coverage angle and 35 mm pole sockets with Tilt-Direct for easily customizable sound coverage, an onboard mixer, and extensive DSP including DMT™, Intrinsic Correction™, DEEP™, and GuardRail™ for enhanced system performance. Audiences will be blown away by the quality of sound emanating from such a subtle speaker and your performance space won’t be overwhelmed by equipment, giving you, and the crowd, more room to move around.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003ePortability\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMusicians spend about 1\/3 of their lifetime packing, unpacking, and setting up equipment. The K12 eases the process with its lightweight design, compact size, and comfortable ergonomic handles for easy lifting and carrying. The K12 helps you avoid the wheels, ramps, and back problems usually associated with travel and setup.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eReliability\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs a portable piece of equipment, the K12 was designed to live an active, vagabond lifestyle. Due to its ABS (acrylonitrile butadiene styrene, aka the same material used for constructing football helmets) enclosures and 16-gauge powder coated steel grille, the K12 can handle the wear and tear of travel while maintaining an attractive and professional appearance. In addition to its durability, the K12 12” comes with a 6 year factory warranty.\u003c\/p\u003e","brand":"QSC","offers":[{"title":"Default Title | On Order","offer_id":46167973003547,"sku":"K12","price":799.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47316577616155,"sku":"K12EBAYPRO","price":637.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/K12-0.jpg?v=1692022020"},{"product_id":"qsc-k10-speaker-tote-bag-k10tote","title":"QSC K10 Speaker Tote Bag","description":"\u003ch2\u003eWhy you need the QSC K10 Tote\u003c\/h2\u003e\n\u003cp\u003eYou need the K10 Tote to keep your QSC K10 looking and sounding its best! Perfect for the gigging band, the K10 Tote is a soft padded bag with weather-resistant, heavy-duty Nylon\/Cordura material. It's just the kind of trusted protection you need when bringing your valuable PA system from the back of your car to the gig. Designed with the same quality standards as the makers of your favorite QSC K10 speakers, you've got lightweight, affordable, dependable speaker protection with the QSC K10 Tote — don't be without it!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eInternal Length 20.4\"\u003c\/li\u003e\n\u003cli\u003eInternal Width 12.6\"\u003c\/li\u003e\n\u003cli\u003eInternal Height 11.8\"\u003c\/li\u003e\n\u003cli\u003eExternal Materials Cordura Nylon\u003c\/li\u003e\n\u003cli\u003eHandle\/Straps Handles\u003c\/li\u003e\n\u003cli\u003ePockets 1 x Exterior\u003c\/li\u003e\n\u003cli\u003eWeight 3 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"QSC","offers":[{"title":"New | In Stock","offer_id":46167973101851,"sku":"K10TOTE","price":119.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":49623649321243,"sku":"K10TOTEEBAYPRO","price":108.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/51xkwO1xipL._AC_SL1500.jpg?v=1731009421"},{"product_id":"qsc-k12-speaker-tote-bag-k12tote","title":"QSC K12 Speaker Tote Bag","description":"\u003ch2\u003eQSC K12 Speaker Tote Bag\u003c\/h2\u003e\n\u003cp\u003eSoft, padded tote made with weather resistant, heavy-duty Nylon\/Cordura® material for K12. Side-flap access to K12 aluminum top handle for vertical carry.\u003c\/p\u003e","brand":"QSC","offers":[{"title":"New | In Stock","offer_id":46167973134619,"sku":"K12TOTE","price":139.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49623642046747,"sku":"K12TOTEEBAYPRO","price":105.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/K12TOTE-0.jpg?v=1692022005"},{"product_id":"chandler-limited-tg-channel-mkii-tgchannelmk2","title":"Chandler Limited TG-Channel MKII","description":"\u003ch2\u003eChandler Limited TG Channel MK2\u003c\/h2\u003e\n\u003cp\u003eThe Chandler Limited Channel is a recreation of several classic circuits and combines a TG2 pre amp section with an equalizer that was redesigned from an equalization circuit used in the TG12410 Transfer or mastering console. The mastering counterpart to the original \"Beatles desks\". Our version has been remade using original design information and circuit board drawings as provided by Abbey Road to ensure extreme authenticity! We've even remolded the old TG style pointer knobs.\u003cbr\u003e \u003cbr\u003e The active portions of the unit use the same discrete amplifiers and transformers as in the TG1 Limiter and TG2 pre amp. The passive equalizer portion of the EQ is an all inductor design and offers sweet high frequencies with large inductor based lows, and a very high \"Q\" mid cut section. Designed to sound like a fine musical instrument instead of a modern surgical tool, it's sound is very comparable to Pultec and Lang program eqs but made from TG circuits. 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UBK), is a dear friend of the Empirical Labs family who took it upon himself to “modify” his beloved Empirical Labs FATSO to have some very interestingly different character options.\u003c\/p\u003e\n\u003cp\u003eWhile the UBK “FATSO” is similar in nature (overall potential for amazing sonic quality, lack of power supply noise that can get in the way with other devices, and impeccable reliability) its like putting a new set of pipes on a Harley® which can help with performance, overall volume, and \/ or tonal character of the sound of that motorcycle.\u003c\/p\u003e\n\u003cp\u003eThe UBK “FATSO” brings seven (7!!) unique and versatile compression curves to the table via 4 “name” presets with 3 “hidden gem” additions. There are the “Splat”, “Smooth”, and “Spank” options which can combine the best parts of “Smooth” and “Splat” to create “Glue” (and who doesn’t love sniffing a little “glue” every now and again?). “Splat” was designed to give you a stunningly similar character to an API® inspired compressor while “Smooth” is intended to give you a “tracking style” classic limiter texture. 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Add these wonderful features to the already famous collection of “warmth” and “transformer” capabilities and you have yourself a lovely walk in the park that just makes your job easier while granting the music the necessary lack of dynamics to sound competitive in the marketplace.\u003c\/p\u003e\n\u003cp\u003eThe UBK “FATSO” has the same linking and I\/O capabilities of Empirical Labs “FATSO” with different sonic options that make the two units go together in any studio like chocolate and peanut butter.\u003c\/p\u003e","brand":"Empirical Labs","offers":[{"title":"New | On Order","offer_id":46167987585307,"sku":"UBKFATSO","price":2799.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47102199726363,"sku":"UBKFATSODEMO","price":2198.0,"currency_code":"USD","in_stock":false},{"title":"Repack | Out Of Stock","offer_id":47103914574107,"sku":"UBKFATSORP","price":2498.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/100096702.jpg?v=1692022131"},{"product_id":"marshall-1936-150-watt-2-x-12-cabinet-1936","title":"Marshall 1936 150-Watt 2x12 Cabinet","description":"\u003cp\u003eThe Marshall 1936 2x12 Cabinet has 2 - 12\" Celestion G12T75 speakers to handle 150W. 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Some folks maintain that there’s no basis for it; that it’s a sort of modern “emperor’s new clothes.” The reasoning behind this is that the device being clocked externally will simply filter the incoming clock signal through its phase locked loop, thereby eliminating any sort of benefit associated with the superior clock. In addition, the simple act of accepting the incoming signal and creating a new signal that’s in phase will add some jitter.\u003c\/p\u003e\n\u003cp\u003eThe biggest problem with this theory is that we know nothing about the PLL filter in question; it’s completely hypothetical. Many PLL’s in pro audio are designed to filter out unwanted signals that are outside of the desired bandwidth, although some are configured to filter out unwanted harmonics that lie within the signal’s frequency band. It’s incredibly rare to find one that does both at the same time. In the case of the Micro Clock MKII, it outputs a high bandwidth signal that is rare to find in internal clocks. Whether or not an external word clock can improve the sound quality of a receiving device is completely dependent on how the receiving device accepts an external word clock signal, and is dependant on the quality of the receiving device’s internal clock. It’s best to do an A\/B listening comparison to know whether the external clock is making a positive impact on the sound or not.\u003c\/p\u003e\n\u003cp\u003eThe Micro Clock MKII is simple and probably even boring looking by most standards. It’s housed in a rugged 3” x 4” chassis that provides optimum RF shielding. It has no lights, no frequency display, and none of the usual visual candy that your friends might envy. However, for a modest black box, it does its job incredibly well and at a price that’s unheard of for this level of performance!\u003c\/p\u003e\n\u003cp\u003eIt features six selectable output frequencies from 44.1 kHz on up to 192 kHz. The output level is approximately 5 volts peak to peak. 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The clock is compatible with all modern digital devices that have 75 ohm BNC word clock inputs.\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"New | In Stock","offer_id":46167993483547,"sku":"MICROCLOCKMK2","price":299.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47238393954587,"sku":"MICROCLOCKMK2SP1EBAYPRO","price":177.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/black-lion-audio-micro-clock-mk2_1.jpg?v=1692022180"},{"product_id":"golden-age-project-fc3-multi-pattern-large-diaphragm-condenser-microphone-gapfc3","title":"Golden Age Project FC3 Multi-pattern Large Diaphragm Condenser Microphone","description":"\u003cp\u003eThe FC3 is a high quality dual capsule condenser microphone, inspired by classical microphone models.\u003c\/p\u003e\n\u003cp\u003eThe FC3 is a very versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications.\u003c\/p\u003e\n\u003cp\u003eIt´s sound character is similair to vintage microphones and it is well suited to be used with most instruments and voices. Use it on vocals and choirs, acoustic and electric guitars and other fretted instruments, as a drum overhead or room mic and in any other application where you would use a big capsule condenser mic.\u003c\/p\u003e\n\u003cp\u003eThe FC3 is, in spite of it´s low cost, suitable for critical recording applications.\u003c\/p\u003e\n\u003cp\u003eThe FC3 comes with a spider style shock mount.\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"New | On Order","offer_id":46167997120795,"sku":"GAPFC3","price":179.0,"currency_code":"USD","in_stock":true},{"title":"Repack | In Stock","offer_id":47316872691995,"sku":"GAPFC3RP","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/GAPFC3_0.jpg?v=1692022227"},{"product_id":"golden-age-project-r1-mk2-ribbon-microphone-r1mk2","title":"Golden Age Project R1 MKII Ribbon Microphone","description":"\u003cp\u003eThe R1 MKII is a high quality vintage style ribbon microphone. It offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today, after almost 70 years.\u003c\/p\u003e\n\u003cp\u003eThe R1 MKII is very well suited for the recording of most sound sources like vocals, acoustic instruments, strings, horns, orchestras and choral groups and many live sound applications.\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"Repack | On Order","offer_id":46167997186331,"sku":"R1MK2RP","price":158.0,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46167997219099,"sku":"R1MK2","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":52361544368411,"sku":"R1MK2EBAYPRO","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/R1MK2_0.jpg?v=1692022233"},{"product_id":"golden-age-project-r1-tube-active-ribbon-microphone-r1tubeactive","title":"Golden Age Project R1 Tube Active Ribbon Microphone","description":"\u003cp\u003eThe R1 TUBE ACTIVE is like a missing link of true old-school vintage recording in that it combines three vintage elements:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA classic ribbon transducer.\u003c\/li\u003e\n\u003cli\u003eTwo transformers.\u003c\/li\u003e\n\u003cli\u003eA tube buffer amplifier.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eYou might think that a ribbon, transformers and a tube amplifying stage will make the signal too smooth? \u003c\/p\u003e\n\u003cp\u003eIt´s true that the sound of the R1 Tube Active is truly warm and fat, but the combination of the tube stage and the transformers will generate overtones that makes the signal come alive.\u003c\/p\u003e\n\u003cp\u003eIf you are into mics, if instant no-need-to-mix good-sounding recording is your thing, if you are looking for a unique yet versatile mic, this is it!\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"Repack | In Stock","offer_id":46167997317403,"sku":"R1TUBEACTIVERP","price":266.66,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46167997350171,"sku":"R1TUBEACTIVE","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/R1TUBEACTIVE_0.jpg?v=1692022239"},{"product_id":"golden-age-project-r2-mk2-ribbon-microphone-r2mk2","title":"Golden Age Project R2 Mk2 Ribbon Microphone","description":"\u003cp\u003eThe R2 MKII is quite different from the R 1 series of mics. It features a ribbon transducer with a shorter and more narrow ribbon. It is darker sounding than the R 1 series since the higher frequencies roll off earlier.\u003c\/p\u003e\n\u003cp\u003eThe R2 MKII will do wonders with both clean and distorted electrical guitar, with brass instruments and more. It is delivered with a metal shock mount.\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"New | In Stock","offer_id":46167997415707,"sku":"R2MK2","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/R2MK2_0.jpg?v=1692022235"},{"product_id":"ibanez-ibz10g-10-watt-guitar-combo-amplifier-ibz10g","title":"Ibanez IBZ10G 10-Watt Guitar Combo Amplifier","description":"\u003cp\u003eThe Ibanez IBZ10 Guitar Amp is an excellent small scale amplifier producing 10 Watts of power and incredible sound. The 6? speaker delivers a tone which can be adjusted with the 3-band EQ for fine-tuning your treble, mid and bass. The IBZ10 features switchable boost, to give your guitar that extra kick. Practice in private with the headphone output, and customize your sound by adding reverb.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10 Watt guitar amp\u003c\/li\u003e\n\u003cli\u003e6-1\/2\" speaker\u003c\/li\u003e\n\u003cli\u003e3-band active EQ\u003c\/li\u003e\n\u003cli\u003eSealed back\u003c\/li\u003e\n\u003cli\u003eSwitchable boost\u003c\/li\u003e\n\u003cli\u003eCD input\u003c\/li\u003e\n\u003cli\u003eHeadphone output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e","brand":"Ibanez","offers":[{"title":"New | On Order","offer_id":46167997776155,"sku":"IBZ10","price":79.99,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":47103392284955,"sku":"IBZ10EBAYPRO","price":65.09,"currency_code":"USD","in_stock":false},{"title":"Display | On Order","offer_id":47320719229211,"sku":"IBZ10GDIS","price":79.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/IBZ10_1.jpg?v=1692022252"},{"product_id":"avantone-ck40-stereo-multi-pattern-fet-microphone-ck-40","title":"Avantone CK-40 Stereo Multi-Pattern FET Microphone","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\t\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAvantone Stereo Multi-Pattern FET Microphone\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe AVANTONE “Cabernet (C-series)” mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe AVANTONE CK-40 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the world's finest Stereo FET Mics…but at a fraction of their cost!\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOur rugged CK-40 microphone body and capsule assembly are precision machined of BRASS.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Discreet Class A Low-Noise FET circuitry will yield pleasing professional results comparable to much more expensive designs.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAny studio can proudly offer the STEREO CK-40 as a group vocal mic, room mic, piano mic, or utility condenser due to its versatility…It exudes class visually as well as sonically.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tManufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe versatile AVANTONE CK-40 Stereo Class A FET microphone features twin LARGE 35mm center-terminated pressure gradient transducers. Their close physical proximity places them in a tight vertical array to allow accurate stereo imaging without phase issues arising. The top capsule\/grill assembly rotates UP TO 90 degrees relative to the lower capsule\/grill assembly. This feature along with the multi-pattern independent selector choices allow for all stereo recording techniques to be utilized. (XY-Coincident \/ Blumlein, M-S)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 2 sets of pad, pattern select  \u0026amp; LF rolloff switches independently control the capsules. (Front switches control the lower fixed grill\/capsule while the rear switches control the upper rotating headgrill.)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 3 patterns allow the CK-40 to be used in a variety of situations including M-S recording.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 80Hz HIGH-PASS filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from “muddying up” the track.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe CK-40 operates on standard 48 volt phantom power and includes a 5-Pin mic cable that plugs into the included 1x2 stereo splitter box. Two standard XLR mic cables are then all that is required to connect to a phantom powered mic preamp\/console channel.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSo many sonic and spatial options are available with this microphone and we encourage you to experiment and use your ears as the final judge for stereo panning spread, use of omni –vs- cardioid or whether utilizing M-S miking techniques will better serve your particular situation etc…\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEach CK-40 Mic is individually serialized.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tUses Include:\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tStudio group vocals, acoustic guitar, mandolin, drum overheads, piano, room mic, etc…\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tStandard Included Items:\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAVANTONE CK-40 Stereo FET Microphone\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAVANTONE Custom Retro Shockmount W\/ Extra Elastic bands\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t1 x 2 Splitter Box (Stereo Breakout Box)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tElegant padded genuine wooden Mic box\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t30' 5-pin cable\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFoam wind filter\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPadded Aluminum storage \/ travel case\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOwners Manual\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e\"I love the sound of the CK-40 !!! I have been using it on overheads. percussion, and group vocals!! Just did a session at the legendary Sunset Sound in Hollywood with Los Lobos and Herbie Hancock where I used the CK-40 and I just loved the way the mic captured the true essence of the vocals!! Love this mic!!\"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003eCesar Mejia\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tType:\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eStereo True Condenser Microphone\u003c\/div\u003e\n\u003cdiv\u003e\n\tPolar Patterns\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eCardioid, Omni, Figure-8 (x2)\u003c\/div\u003e\n\u003cdiv\u003e\n\tCapsule(s)\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e(2) Dual plate 35mm gold sputtered diaphragm  \/ brass assembly\u003c\/div\u003e\n\u003cdiv\u003e\n\tFrequency Response\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e20-20,000 Hz +\/- 3dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput Impedance\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u0026lt;=250 Ohms \/ transformer isolated\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tMaximum SPL\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t147 dB (0.5% THD @1000Hz)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEquivalent noise level\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t17dB (A weighted EC651)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tS\/N Ratio\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t77dB re 1Pa\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSensitivity\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t-40dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput Connector\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tMale XLR 5 pin with included breakout box and cable\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tIncluded Accessories\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWood Box, Shockmount, Foam Filter, 2x1 splitter box, 30' Cable, Metal road case\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tHigh-Pass Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t80 Hz 6dB\/octave\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAttenuation Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t-10dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPower Requirements\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eStandard 48 Volt Phantom (x2) 3mA current consumption\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFinish\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPolished Nickel trim \/ Metallic Cabernet Red Body\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWeight\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t.95 kgs \/ 2.1 lbs\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tDimensions: 27.6cm X 49mm\u003c\/div\u003e","brand":"Avantone","offers":[{"title":"New | On Order","offer_id":46167999152411,"sku":"CK40","price":599.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47186889933083,"sku":"CK40RP","price":389.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ck40_1_2500x2500_1.jpg?v=1692022262"},{"product_id":"electro-harmonix-big-muff-pi-distortion-pedal-made-in-nyc-bigmuffpi","title":"Electro Harmonix Big Muff Pi Distortion Pedal","description":"\u003cp\u003eThe NYC original. The USA Big Muff Pi is the distortion that Hendrix and Santana, up to the top contemporary guitarists and rock legends, rely on for its rich, creamy, violin-like sustain. A timeless piece, the Big Muff Pi has been defining the sound of rock guitar for almost 40 years. 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The talent of these artists is reflected in their beautiful warm tone and comfortable playability. The SVC-110 plays and sounds so similar to a fine acoustic cello, that players will find it surprisingly expressive and comfortable to use. They will also appreciate being able to practice whenever, and wherever they want thanks to the \"silent\" function. The SVC-210 and the SVC-50 were created for easier portability, and feature slim designs with folding (SVC-210) or removable (SVC-50) leg supports. Despite their convenience, both instruments offer rich, beautiful characteristic cello tone and are capable of great expression.\u003cbr\u003e\n\t\u003cbr\u003e\n\t\"These instruments have incredible potential. Although first developed for use as a practice instrument, they have opened a new door of possibilities for the cello by the use of electronic technology. And the SVC-110 has gone a step further by adding more power and depth to the sound. 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