{"title":"Hot Deals","description":null,"products":[{"product_id":"golden-age-project-r1-mk3-active-ribbon-microphone-r1activemk3","title":"Golden Age Project R1 MKIII Active Ribbon Microphone","description":"\u003cp\u003eThe R1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer ampilier. This means that you can use the R1 Active MKIII with long cables and virtually any pre-amp featuring 48V phantom power. A clean and clear sound, yet warm and punchy is what the R1 Active MKIII will deliver in most cases. We love it on drums, as an ambience mic or in pairs for O.H. pickup, but it sounds great on most instruments. The R1 Active MKIII is in fact a very versatile mic even suitable for some sensitve vocal recording! And even more so now when the mk3 version includes switches for low cut and 10dB pad.\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"New | In Stock","offer_id":46167936893211,"sku":"R1ACTIVEMK3","price":229.99,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":46167936925979,"sku":"R1ACTIVEMK3RP","price":166.66,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/R1ACTIVEMK3_0.jpg?v=1692021455"},{"product_id":"akg-c214-microphone-1069365","title":"AKG C214 Microphone Large Diaphragm Condenser Mic","description":"\u003cp\u003eAKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well. The new C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKGs patented Back-Plate Technology which results in an outstanding performance close to the famous C 414 B-XLS.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAKGs Legendary 1 Edge-Terminated Large Diaphragm Sound\u003c\/li\u003e\n\u003cli\u003eOutstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise)\u003c\/li\u003e\n\u003cli\u003eRoadworthy Design\u003c\/li\u003e\n\u003cli\u003eIntegrated Suspension to reduce mechanical Noise\u003c\/li\u003e\n\u003cli\u003eSwitchable 20 dB Attenuation Pad and Low Cut Switch\u003c\/li\u003e\n\u003cli\u003eRugged double mesh Grill for high RF immunity but unaffected Acoustics\u003c\/li\u003e\n\u003cli\u003eAll-metal Die-cast body with shock- and scratch-resistant Finish\u003c\/li\u003e\n\u003cli\u003eSpider-type Shock Mount included\u003c\/li\u003e\n\u003cli\u003eMetal Carrying Case included\u003c\/li\u003e\n\u003cli\u003eDesigned, Engineered and Built in Vienna, Austria\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Pre-Owned | In Stock","offer_id":46167937220891,"sku":"C214SPEBAYPRO","price":422.0,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46167937253659,"sku":"C214","price":469.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47321307218203,"sku":"C214SPRP","price":422.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/akg_c214_1_bbadb5f9-226a-4ee4-8743-17da205daf17.png?v=1701278715"},{"product_id":"api-5006b-6-slot-high-current-lunchbox-5006b","title":"API 500-6B 6 Slot High Current Lunchbox","description":"\u003ch2\u003eAPI 500-6B 6 Slot Lunchbox\u003c\/h2\u003e\n\u003cp\u003eThe lunchbox has an internal power supply with a rear panel selected AC voltage switch and a removable power cord. 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This will eliminate 48 volts from damaging the 560A series equalizers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167939842331,"sku":"5006B","price":699.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47103475908891,"sku":"5006BEBAYPRO","price":557.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/5006B_1.jpg?v=1692021467"},{"product_id":"api-235l-discrete-channel-noise-gate-235l","title":"API 235L Discrete-Channel Noise Gate","description":"\u003cp\u003e\n\t\u003cspan class=\"\" style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 235L Discrete Channel Noise Gate\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tThreshold control from -45 to +25 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\tVariable Fine Adjustable Depth to -80 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tAdjustable Release\/Hold Time, 50mS to 3 sec\u003c\/div\u003e\n\u003cdiv\u003e\n\t2:1 Expander or Noise Gate Selection\u003c\/div\u003e\n\u003cdiv\u003e\n\tRelease or Hold Switch for Release control knob\u003c\/div\u003e\n\u003cdiv\u003e\n\tAlways at Unity Gain, Regardless of settings\u003c\/div\u003e\n\u003cdiv\u003e\n\tLED Gain Reduction Meter\u003c\/div\u003e\n\u003cdiv\u003e\n\tUses the API 2510 and API 2520 Op-Amps\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Output, to +28 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 235L Noise Gate\/Expander has the ability to reduce noise in any type of program. The 235L can open unusually fast, without losing any part of the sound. Its extreme flexibility, repeatable settings, and superb sound make it ideal for all studio, live sound, and broadcast applications.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 235L is one of the fastest noise gates manufactured today. When an engineer is faced with program material with a high level of background noise, the 235L can either Gate the signal at a preset Threshold, or with the use of the Expander function, can reduce the background noise to an almost undetectable level. This can be achieved without the typical loss of the program material caused by slow triggering of the signal, or \"pinging\" caused by false triggering.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWith a wide range of adjustment, the 235L can operate from -45 to +25 dBu, fitting into any audio situation regardless of program level. Once the Threshold level is set, the Attack time can be selected to react faster than 100uS or slightly slower than 25mS to reduce false triggering. Although the Depth control has a full range of -80 dB, the scale is expanded in the first half of rotation so 0 to 9 dB is available for fine tuning of subtle, undetectable gating. The second half of rotation is from 10 to 80 dB for more drastic noise reduction.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Expander function uses a 1:2 ratio, allowing the signal to \"sneak up\" to the full signal level without any loss of \"under threshold\" vocal or percussion nuances. Setting the threshold in the Gate function to the desired level, then switching to the Expander mode is the perfect setup.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFor special gating functions such as the famed \"gated snare reverb\", the Release function can be switched to Hold, and the Release control becomes the Hold time. In both scenarios, the unselected function has a set time of 100mS.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWhen used with the other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 235L makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167939973403,"sku":"235L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_235l_1_l.jpg?v=1692021460"},{"product_id":"chandler-limited-little-devil-500-series-compressor-littledevilcomp","title":"Chandler Limited Little Devil 500-Series Compressor","description":"\u003ch2\u003eChandler Limited Little Devil 500 Series Compressor\u003c\/h2\u003e\n\u003cp\u003eCHANDLER LIMITED furiously enters the 500 race with its line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler’s best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level! \u003c\/p\u003e\n\u003cp\u003eThe Little Devil Compressor is a mixture of all that is Chandler. It combines elements of our LTD-2 and Germanium Compressor, as well as 2264 and 33609 units, into an all new compressor for a 500 format. Discrete transformer sound and handmade quality are the make up of the Devil Comp.\u003c\/p\u003e\n\u003cp\u003eIf you like any of the units that inspired it, you will enjoy seeing those sounds come to the next level. Revolutionary controls like wet\/dry, sidechain filter, and curve selection make the unit extremely flexible. 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No power issues here!\u003c\/p\u003e\n\u003cp\u003eLittle Devil EQs and Little Devil Compressors have been upgraded to eliminate the power conflict experienced with some 3rd party racks and lunchboxes.  The upgrade has been tested in the racks listed above.  Any Little Devil EQ or Little Devil Compressor with compatibility issues can be returned to Chandler Limited for a free upgrade (parts and labor), however, Chandler Limited will not cover shipping costs.\u003c\/p\u003e\n\u003cp\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks:  API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | On Order","offer_id":46167940923675,"sku":"LITTLEDEVILCOMP","price":1145.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317900427547,"sku":"LITTLEDEVILCOMPEBAYPRO","price":1080.65,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/LITTLEDEVILCOMP-0.jpg?v=1692021464"},{"product_id":"chandler-limited-little-devil-500-eq-1069479","title":"Chandler Limited Little Devil 500 EQ 500 Series Equalizer","description":"\u003ch2\u003eChandler Limited Little Devil 500 Series EQ\u003c\/h2\u003e\n\u003cp\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler’s best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level! \u003c\/p\u003e\n\u003cp\u003eThe Little Devil EQ is a small package with a huge sound. It is a Chandlerized British console sound in a 500 package.\u003c\/p\u003e\n\u003cp\u003eThis Devil has all discrete circuits with custom transformers, an inductor-based EQ that modern gyrator circuits can’t touch, and a classic Baxendall tone control that is simply huge sounding! These units are all handmade using through-hole components and handwiring. We don’t use surface mount components which, in our opinion, lowers the quality. 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Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp.\u003c\/p\u003e\n\u003cp\u003eThe extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Of course, the 2520's ability to drive low impedance loads is key when it is paired with API's custom output transformers. The results are quite audible with better low frequency reproduction and tighter imaging, which gives you that legendary API \"punch in your gut\" sound.\u003c\/p\u003e\n\u003cp\u003eThe 10 precision EQ bands make the 560 ideal for signal sweetening and room tuning. A great companion to a parametric EQ, the 560 utilizes API's unique \"Proportional Q\" design introduced during the '60s. This design intuitively widens the filter bandwidth at lower boost\/cut levels and narrows it at higher settings. 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The design, character and performance is comparable to some of the fine vintage tube mics of the 1950’s and 1960’s…but at a fraction of their cost! The rugged BV-1 microphone body and capsule assembly are precision machined of Brass. Aesthetically, it features an elegant Buttercream baked on finish, accented with polished nickel trim and grill. The transformer coupled tube circuitry has its origins in famous European vintage designs. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. Any studio can proudly offer the Avantone BV-1 as a primary vocal mic…It exudes class visually as well as sonically. The versatile Avantone BV-1 mic is able to produce professional results with a warm, pleasing sonic character. 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However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe original  5C Sound Cubes™  were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREAR PANEL CONTROLS\/CONNECTIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBalanced Input - This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.\u003c\/p\u003e\n\u003cp\u003eSystem Gain - This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.\u003c\/p\u003e\n\u003cp\u003eOn\/Off Switch - This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.\u003c\/p\u003e\n\u003cp\u003eAC Input - This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/p\u003e\n\u003cp\u003eGround Lift Switch - By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“…consistently flat in the midrange — the same characteristics that made the Auratone a valued listening reference. They got plenty loud without distortion and showed off the vocal, snare, toms, upper range of the kick and solo instruments in a number of mixes, just as I expected. I'm a big believer in listening to tracks across a wide range of speakers. The Avantone Active MixCubes offer another chance to evaluate creative studio output and make judgements regarding how my work would translate across a wide range of systems… these are a no-brainer for those wanting another quick-and-dirty reference to help in the quest for tracks that translate.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Kevin Becka    Technical Editor - Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"... the MixCubes yield a  microscopic-style view of critical  midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson    Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper    Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Probably the clearest Auratone substitute available as a current product is Avantone's MixCube. This is a great little speaker, which sees daily use in my own mix system and which in some respects actually improves on the original Auratone's specs...The MixCube would top my list in terms of price\/performance ratio...This speaker is one of the best monitoring tools there is, and I use it every day. No other speaker I've heard at anything like this price provides the kind of razor-sharp balance perspective that the MixCube can, and I'd not want to have to judge bass, kick, or vocal levels without it. It's also fantastic for working in the less-than-ideal acoustics of most real-world small studios, and in this respect it's easily one of the best bang-for-buck products available for anyone trying to create commercial-grade mixes on a shoe-string.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Mike Senior   Author of MIXING SECRETS FOR THE SMALL STUDIO, SOS Columnist \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Randy Bachman    Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Brian Lucey    Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Alessandro Giordani    Synchronia Studio - Rome \u003c\/p\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46167944298779,"sku":"MIXCUBESA","price":499.0,"currency_code":"USD","in_stock":true},{"title":"New - Bundle: CLA-100 | On Order","offer_id":47187458818331,"sku":"MIXCUBESACLA100BUNDLE","price":699.0,"currency_code":"USD","in_stock":false},{"title":"New - Type: FBA | Out Of Stock","offer_id":51735115923739,"sku":"MIXCUBESAFBA","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MIXCUBESA_0_1.jpg?v=1692021495"},{"product_id":"manley-labs-voxbox-combo-microphone-preamp-1069504","title":"Manley Labs Voxbox Combo Microphone Preamp","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eManley Labs VOXBOX Combo\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eIt looks awesome, but what is it?\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePrimarily, it is a voice processor which in itself is not a novel idea, but the time had come to pull out all the stops and make a truly professional high-end statement. One that covered the needs of the project songwriters and big-time major studios alike. One whose all-tube signal path could bring every instrument and overdub to life. One that, plain and simple, sounded unquestionably better than the rest, provided flexibility, simplicity, and well thought-out ergonomics. Full of features, timeless style, robust build quality, and that world-famous \"Manley Sound\", we present to you the MANLEY VOXBOX®\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eThat's nice. What's is good for?\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eWhile we were designing the VOXBOX® we couldn't help but notice how well it works on other instruments besides voice. There are some great settings for drums, bass, guitar, and keys and the two separate sections can be used together or independently. Stereo using two VOXBOXes? You know we couldn't resist planning for that as well. There are Stereo Links for both the compressor and the De-Ess\/Limiter sections, special compression settings and super-sweet EQ frequencies for your mix or pre-mastering. So don't just use it for voice. The name \"VOXBOX®\" represents only the beginning...\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eMICROPHONE PREAMPLIFIER SECTION:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe preamplifier is a clone of a highly regarded and popular mic pre: the Manley Mono Microphone Preamplifier! The mic input transformer is our own design wound in-house at the Manley Labs factory. High current 48V Phantom power is switchable from the front panel. A simple and effective passive BASS CUT switch kills rumble and reduces popping. The INPUT ATTENUATOR is a variable pad control situated before the first tube stage allowing the preamplifier to accommodate +4 line level signals via the balanced LINE INPUT and instruments via the front panel 1\/4\" DIRECT INPUT. These inputs are selected in the middle position of the dual-function phase invert switch. We provide both transformer balanced XLR output as well as a transformerless \"audiophile\" 1\/4\" phone jack output. The Gain switch is actually a clever variable feedback control that changes not only the gain but the slew rate and flavour of the circuit. With it you can choose how laid back and mellow or how up-front and aggressive you want it to get. See \"Notes on Variable Feedback\" for more info. Headroom is a strong point in this circuit, +31dBu capable. This is 5 to 10 dB better than almost all other pro gear. The music passes through only our super-clean pure Class A vacuum tube circuitry. There are obvious advantages to our purist approach and foremost is the un-electronic final sound that carries emotion into the digital realm.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eCOMPRESSOR SECTION:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis cool compressor design takes our opto-isolator approach of the Manley ELOP® Limiter to the max. We adjusted the Ratio down to 3:1 to turn our ELOP into a compressor and added ATTACK and RELEASE controls for more versatility. What is clever is how the signal is compressed before it hits the tubes with no detrimental effect on distortion or frequency response. This way, it can prevent mic-pre clipping and eliminate whole stages of electronics. This cuts the typical path of mic to tape in half! We also pioneered new thinking in the sidechain by using up to four different time constants simultaneously and controlling them with familiar simple attack, release and threshold controls. We call the approach \"Parametric Compression\". We developed optimum settings or presets based our favorite Vactrols that we use in our own fast ELOP® Limiter, the quick LA-2A's T-4 module, the slower LA-3A and then created more complex special settings. This extended range and method of timing delivers fresh sounds from powerhouse punching drums to super-solid bass yet can also emulate the way good engineers delicately ride a fader while recording. It is transparent and liquid-smooth on vocals, easy to use and accurate. Also rare for an opto-based dynamic processor, this compressor works great on mixes. Of course, you'll be needing two VOXBOXes linked in stereo...\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eEQ SECTION:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eLots of folks requested that we include the Pultec Mid Frequency Equalizer in the VOXBOX®, but they wanted MORE.... Now we've extended it to 33 frequencies in 3 bands with 6 new frequencies from 20 Hz to 150 Hz, and 6 more in the highs from 6.4 KHz to 20 KHz. Ever notice that only EQs with real inductors have the bottom end magic or that only Class A circuitry can keep the top end sweet? This is for you. The EQ INPUT switch patches in the Line Input, Preamp Output, or the INSERT return. This switch serves double-duty acting as a bypass switch for the preamp and\/or external processors or for processing two different tracks.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eDE-ESSER \u0026amp; LIMITER SECTION:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDesigned by folks with admittedly large gaps between their two front teeth, (Hutch and EveAnna) the VOXBOX® combo also includes a de-esser \u0026amp; peak limiter based on our original ELOP® Limiter design but with an added passive LC network to handle the de-essing four carefully chosen notch frequencies from 3KHz to 12KHz. (That 3KHz setting really tames those annoying frequencies!) The fifth position gives you a limiter which totally mimics the famous LA-2A. This means you can both compress pre-EQ then limit here post-EQ. Another cool feature is the ability to insert this de-esser silently and smoothly as the music plays, using it as needed.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eTHE METER:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe METER is a full size illuminated Sifam VU meter. A five-position switch shows three audio levels: the line input, the preamp output and the final output. It also shows compressor gain reduction and the de-esser\/limiter action. Other clever innovations incorporated into the VOXBOX® combo include warm-up muting circuitry, extensive magnetic field containment, 'smart -grounding', and silent switching. The sum-total is more than the separate parts: consider the reduced patching, the short path to tape and you having this much immediate control. As engineers, we choose what we use not based entirely on features and functions - there is a sound, a texture we reach for and the VOXBOX® combo puts the 'Manley Sound' together with 'Your Sound'.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Manley Labs","offers":[{"title":"New | On Order","offer_id":46167944462619,"sku":"VOXBOX","price":5499.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47187458916635,"sku":"VOXBOXRP","price":3788.0,"currency_code":"USD","in_stock":false},{"title":"Open Box | On Order","offer_id":52092574990619,"sku":"VOXBOXEBAYPRO","price":4198.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/manley-labs-voxbox-combo-microphone-preamp_1.jpg?v=1692021498"},{"product_id":"great-river-electronics-me1nv-me1nv","title":"Great River Electronics ME1NV Single Channel Microphone Preamp","description":"\u003ch2\u003eGreat River Electronics ME1NV Single Channel Microphone Preamp\u003c\/h2\u003e\n\u003cp\u003eThe ME-1NV (single channel mic preamp) greatly modernizes and improves classic British design. This desktop (and rackable) preamp offers the same definitive sonic fidelity and expert craftsmanship as all Great River products. Transparency and vintage harmonic structure are both achieved with NV-Series preamps.\u003c\/p\u003e\n\u003cp\u003eThe ME-1NV achieves new classic performance status with two discrete Class-A gain stages (the dual gain-stage meters are a Great River exclusive), a front-panel DI input jack which is routed via a FET and BJT buffer  through the input transformer (also unique to Great River preamps) for must-hear-to-believe sound from all Hi-Z instruments, and a discrete high-current Class-A \"big iron\" transformer-coupled output amplifier. The ME-1NV is a fundamentally important audio tool that brings out the best in every microphone and instrument.\u003c\/p\u003e\n\u003cp\u003eThe ME-1NV has an internal power supply suitable for operation on any power grid. A simple change of fuse and proper positioning of a voltage selector will adjust the unit for any voltage between 100 and 240 V AC.\u003c\/p\u003e","brand":"Great River Electronics","offers":[{"title":"Pre-Owned | On Order","offer_id":46167944659227,"sku":"ME1NVEBAYPRO","price":1019.27,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46167944691995,"sku":"ME1NV","price":1150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/great-river-electronics-me1nv_1.jpg?v=1692021497"},{"product_id":"focal-twin6-be-near-field-monitor-each-twin6be","title":"Focal Twin6 Be Monitor","description":"\u003cp\u003eThe Twin6 Be is the best seller of the Focal Professional range and the most versatile work tool of the SM6 line. It represents the only necessary solution for recording, mixing and mastering. The image precision, treble definition as well as midrange neutrality are at the heart of its reputation.\u003c\/p\u003e\u003cp\u003eThe excellent articulation of the bass and midbass registers, even at very high sound levels, makes it an unavoidable reference for engineers who require absolute transparency. Furthermore, the design of the Twin6 Be permits a high SPL while at the same time offering a stable tonal balance. One of the two 6.5\" woofers works in large band (midrange  bass) whereas the other reproduces from 40 to 150Hz. This creates a bass that preserves all the signal dynamics, without any masking effect in the midrange, thereby keeping all its neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning on the control plate on the back of the Twin6 Be in order to obtain a\u003c\/p\u003e","brand":"Focal","offers":[{"title":"New | On Order","offer_id":46167945249051,"sku":"FPST6","price":2299.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | In Stock","offer_id":46167945281819,"sku":"C103560","price":1373.44,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/twin6beface.jpg?v=1692021495"},{"product_id":"a-designs-audio-pacifica-pacifica","title":"A Designs Audio Pacifica 2 Channel Solid State Microphone Preamp \/ DI","description":"\u003cp\u003e\u003cstrong style=\"font-size: 16px;\"\u003eA Designs Audio Pacifica 2 Channel Solid State Microphone Preamp \/ DI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003eTwo-channel, solid-state preamp with custom, “ear-tested” transformers for the “Big Iron” sound of the ’70s\u003c\/div\u003e\n\u003cdiv\u003eThe A-Designs Audio Pacifica harkens back to the golden age of recording, when consoles were spec’d out by studio engineers and custom-built to provide a sound like no other. Designed, built, “ear tested,” and beta tested by long-time recording industry veterans, the Pacifica takes its sonic cues from the mythic Quad Eight console, a recording desk that easily stood toe-to-toe with API and Neve. However, the A-Designs Pacifica is by no means a vintage reissue—it has a sound and character all its own. Said by top professionals to have the depth of a Neve, the midrange of an API and the high-end of a Massenburg, the Pacifica has quickly established itself as the go-to preamp for numerous Grammy-winning and platinum-selling engineers and producers.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn keeping with A-Designs Audio’s mission of sound quality above all, the features of the Pacifica are just what an audio professional needs to record high-quality tracks and no more. Sonically compromising extra switches and components of dubious features are eliminated from the signal path. Plus, with 72dB gain and extremely low-noise operation (-128dB EIN) the ribbon mic-friendly Pacifica ensures clarity and fidelity—whether you’re going for transparency or plenty of punch and character.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePaying homage to the color scheme of the Quad Eight Pacifica console, the hand-crafted Pacifica sports a rich, cream-colored finish with solid-feeling, red metal gain knobs; a red +48V phantom-power push button with red LED indicator—both for easy identification if ribbon mics are involved; plus grey push buttons for phase reverse and –20dB pad—all giving the Pacifica a look reminiscent of California girls, beach boys, and classic Woodies.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIt also has two front-panel Hi-Z instrument inputs, but just like a classic Woodie, it’s what’s under the Pacifica’s hood that gives the DIs a special kick. Unlike other preamps, the Pacifica’s DIs are routed through the input transformer, which puts signal through two transformers for added depth and richer tone. And these aren’t just any transformers. Key to the Pacifica’s sound, they’re custom-designed input and output transformers built by Tom Reichenbach of Cinemag (whose father, Ed, built the transformers for the original Quad Eight desks). The output transformers are custom wound and share the same design as those found in the original Quad Eight. Input transformers are pure, proprietary A-Designs.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eBut transformers don’t tell the whole story. Another key factor to the Pacifica’s sound is its wide-bandwidth design, which ranges from 9Hz to 101kHz with less than 1% distortion. Along with its custom transformers, the linear response down below 10Hz provides the big, punchy sound that the Pacifica has become famous for. It also provides harmonic content well above the range of human hearing, which reduces in-band phase shift for more realism, along with the added benefit of more harmonic information to work with at mixdown—turning your EQ into a creative tool rather than a corrective one.\u003c\/div\u003e\n\u003cdiv\u003eWhile some may believe the glory days of recording are over, The Pacifica is “living” proof that those days have never left us, and better days are still ahead. 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With the advent of “prosumer” gear, the monitoring path is typically sacrificed to meet a price-point, and even some of the world’s most revered and expensive large-format consoles have less-than-accurate center sections that obscure the sound. To solve these problems, we’ve made zero compromises  in the MONITOR ST, employing audiophile-grade components in an unconditionally transparent design. Whether you’re working in a project studio or managing the complex monitor routing in a multi-room studio, the MONITOR ST will provide the most accurate and reliable monitoring available anywhere.\u003c\/p\u003e\n\u003ch3\u003eAll Analog Volume Knob \u0026amp; Switching\u003c\/h3\u003e\n\u003cp\u003eIf the studio were a car, the volume knob is the steering wheel, your connection to the whole mechanism through which all important feedback is routed. 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And because \u003cem\u003eall\u003c\/em\u003e the switching within the MONITOR ST is handled by relays, your audio signals are delivered to your speakers unadulterated, removing all the guesswork while tracking, mixing or mastering.\u003c\/p\u003e\n\u003ch3\u003eEffortless and Elaborate Signal Routing\u003c\/h3\u003e\n\u003cp\u003eAs the centerpiece of your studio, the MONITOR ST handles complex routing elegantly. There are four analog inputs, three speaker outputs, plus a stereo subwoofer output with programmable level offset and filter that can be assigned to any of the three speaker pairs (or used for a 4th pair of studio monitors). All of these ins and outs can be custom calibrated with onboard, programmable level offsets that you can recall instantly for different devices and configurations. Need to monitor a -10dBV commercial source like a CD player with levels perfectly matched? No problem. 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