{"title":"MCDSP","description":null,"products":[{"product_id":"mcdsp-emerald-pack-4-0-native-emeraldpacknat","title":"McDSP Emerald Pack Native V7","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eMCDSP Emerald Pack 4.0 Native\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\tA versatile, powerful, professional plug-in suite for Pro Tools users.\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe McDSP Emerald Pack digital signal processing software delivers world-renowned emulations of vintage equalizers, compressors, tape machines, and channel amplifiers. This Native version combines custom console modeling, and the latest technology in convolution reverb and mastering limiters for Pro Tools users. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tHere's more information about each of the McDSP Emeral Pack's emulations:Analog Channel\u003c\/div\u003e\n\u003cdiv\u003e\n\tAnalog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers, through it's two plug-ins, AC1 (emulates analog channel amplifier circuits) and AC2 (emulates analog tape machines).The AC1 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio \"sits\" in the saturation\/compression region, and even the attack and release times of the distortion character are adjustable.The AC2 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1\/2 equalization, AC2 offers controls well beyond the limits of reel-world devices, including adjustable low-frequency roll off and head bump — independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.Channel G\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tChannel G delivers the big board sound with excellent flexibility and seamless integration with the Digidesign D-Control and D-Command control surfaces. Channel G features three plug-ins:•G Dynamics: a fully featured console style dynamics section with an Expander \/ Gate, Compressor \/ Limiter, and a versatile filter section•G Equalizer: a five-band professional grade console style EQ with a versatile filter section•G Console: a combination of the G Dynamics and G Equalizer configurationsAll Channel G configurations feature calibration modes for music, post production, and models of the world's most popular analog mixing desks.Channel G Compact\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tJust like Channel G, Channel G Compact's user interface seamlessly integrates with the Digidesign D-Control and D-Command control surfaces. It also works with the Venue D-Show and Profile live sound consoles. It delivers the same sonic experience as Channel G with a smaller DSP footprint. It comes with the G Console Compact Dynamics plug-in which is a fully featured console style Compressor \/ Limiter, 4-band EQ, and versatile filter set.Chrome Tone Amp\u003c\/div\u003e\n\u003cdiv\u003e\n\tChrome Tone Amp brings the world of custom guitar amps, boutique outboard gear, and pedal effects inside your audio workstation. It has 5 plug-ins, including Amp, Wah, Chorus, Trem, and Stack. These plug-ins provide you with a configuration that includes ultra-flexible distortion, compressor, and sustain circuits; gating; 3-band EQ; spring reverb; a pre-amp simulator; and several guitar cabinet models. Each Chrome Tone modulation configuration (Chorus, Wah, Trem) has a Dynamic envelope follower and Auto LFO to modulate the effect itself or the incoming audio.CompressorBank\u003c\/div\u003e\n\u003cdiv\u003e\n\tCompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression. It includes four plug-ins: CB1 for basic compression, CB2 for compression with pre-filtering, CB3 for compression for pre-filtering ad static\/dynamic EQ, and CB4 for emulations of six of world's most popular compressors.In addition to the standard threshold and ratio controls, the actual shape and response of the compression curve can be adjusted with the Knee and BITE controls. Flexible compression control is complimented with pre-filtering and post-compression EQ.DE555\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility. Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level — no manual input threshold adjustment required.Other options include continuously adjustable ratio and release controls to fine-tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the 'sss' and not the original dialog.Key filter options include high pass and band-pass filtering. A unique focus control further enhances the key filter's ability to separate 'essing' from actual dialog. The key filter output can also be monitored. Realtime displays of de-essing amounts and key filter response enable quick and easy setup.FilterBank\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFiterBank is a high-end equalizer plug-in designed to emulate the sounds of vintage and modern equalizers and filters. With its Peak, Slope Dip, controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ. It includes ten plug-ins:•E2 \/ E4 \/ E6 — parametric, high and low shelving EQ, high and low pass filters, in 2, 4, and 6 band configurations•P2 \/ P4 \/ P6 — parametric EQ with variable Q modes in 2, 4, and 6 band configurations•F1 \/ F2 \/ F3 — steep high and low pass filtering with resonant Q control•B1 — super notch filteringFutzBox\u003c\/div\u003e\n\u003cdiv\u003e\n\tFutzBox is a distortion and noise generator plug-in for creating low-fidelity versions of audio signals. It includes one plug-in which provides configurable 'futz' effect including filtering, EQ, and distortion.Typical post-productions require distorted, or 'futzed' versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less dsp power than conventional convolution based products. Furthermore, SIMs can be scaled in realtime and changed on the fly.In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in realtime to accommodate scene changes or other automation requirements.MC2000\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe MC2000 is a high-end multiband compressor plug-in designed to emulate the sounds of vintage and modern compressors. The three plug-ins (MC2 for 2-band compression, MC3 for 3-band compression, and MC4 for 4-band compression) give you complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24dB\/Oct crossover filters minimize signal leakage into adjacent compression bands.ML4000\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe ML4000 is a high-resolution limiter and multiband dynamics processor designed for music, mastering, post, and live sound. It has two plug-ins, the ML1, a mastering limiter, and ML4, a multiband Gate, Expander, and Compressor fed into the ML1 mastering limiter.The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive. The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band's Gate, Expander, and Compressor can be configured separately or linked together. Steep 24dB\/Oct crossover filters minimize signal leakage into adjacent bands. Multiple realtime metering options in each band allow quick visualization of all signal dynamics. The ML4 crossover page shows the overall frequency response in real time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies. Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.NF575\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe NF575 Noise Filter is a high-resolution filter set designed to remove a wide variety of noise types from audio. Its single plug-in provides filtering and five bands of notch-filtering with linkable frequency control.Accurate high-pass and low-pass filters reduce low frequency rumble and high-frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36dB\/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60Hz hum.Revolver\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tRevolver provides you with a compelling impulse library, with hundreds of sounds from rare holy grail, out-of-production reverbs and acoustic spaces. Additional acoustic spaces and outboard gear can be modeled in a few minutes with Revolver and the Revolver impulse response tools. Controls for the total reverb time (in percent and RT60 values), as well as wet and dry levels are always displayed. The remainder of the Revolver plug-in interface is separated into several control pages and views. Graphical representations of signal flow, impulse response data, EQ responses, and even images of the impulse response source are available.All parameter adjustments are heard immediately, and the outputs are not muted during any control updates. The user does not need to wait while the reverb is re-rendered.Synthesizer One\u003c\/div\u003e\n\u003cdiv\u003e\n\tSynthesizer One combines wave table and analog oscillators, a completely modular design, flexible filtering, and a dedicated effects section to produce inspiring leads, fat basses, and evolving synthetic textures. The Synthesizer One wavetable editor allows users to create unique waveforms for oscillators and LFOs. Waveforms may be drawn, generated from a suite of tools, or imported from an audio track.\u003c\/div\u003e","brand":"McDSP","offers":[{"title":"0 | On Order","offer_id":46167937974555,"sku":"EMERALDPACKV5NAT","price":899.0,"currency_code":"USD","in_stock":true},{"title":"New | On Order","offer_id":46167938007323,"sku":"EMERALDPACKNAT","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/emerald_pack_native_hd_2_copy_1.jpg?v=1692021454"},{"product_id":"mcdsp-ae400-active-eq-v6-ae400natv6","title":"McDSP AE400 Active EQ Native V7","description":"\u003cp\u003eThe AE400 is made up of 4 bands of fixed and active equalization. Each band is completely overlapping with all other bands and has its own Q (bandwidth), fixed gain, and active gain controls. A key filter for each band allows the active gain response to be as selective or broad as needed, based on the Q (bandwidth) control. Each band can use the input signal or selected side chain signal to trigger the active EQ response.\u003c\/p\u003e\n\u003cp\u003eThe active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot. The AE400’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE400.\u003c\/p\u003e\n\u003cp\u003ePeak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE400.\u003c\/p\u003e","brand":"McDSP","offers":[{"title":"New | On Order","offer_id":46177208336667,"sku":"AE400NATV6","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ae400_front_high-res_1.jpg?v=1692034422"},{"product_id":"mcdsp-retro-pack-hd-retropackhd","title":"McDSP Retro Pack HD","description":"\u003cp\u003eRetro plug-ins are designed for the ultimate vintage vibe, using new and original designs based on McDSP’s decade of industry experience. Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eIncludes\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e4020 Retro EQ\u003c\/li\u003e\n\u003cli\u003e4030 Retro Compressor\u003c\/li\u003e\n\u003cli\u003e4040 Retro Limiter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAll Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.\u003c\/p\u003e\n\u003cp\u003eRetro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.\u003c\/p\u003e\n\u003ch3\u003e4020 Retro EQ\u003c\/h3\u003e\n\u003cp\u003eThe 4020 Retro EQ is a 4 band EQ (LF shelf, LMF and HMF parametrics, HF shelf) with a high pass and low pass filter section. Ok boring right? Hold on audio dweeb.\u003c\/p\u003e\n\u003cp\u003eStarting with the EQ section – the slope \/ Q of the shelving and parametric equalizers varies as gain is adjusted, in a manner unique to the 4020 Retro EQ. McDSP savvy customers might wonder if FilterBank, being the ‘Every EQ Ever Made’ plug-in, could duplicate the response curves of the 4020 Retro EQ. It might get close, but then those curves would have to be adjusted every time the EQ gain was updated. So think of the 4020 Retro EQ of having all those Peak-Slope-Dip and Q smarts under the hood, and then being able to adjust those parameters based on the user selected frequency and gain settings. Furthermore, the gain staging, EQ algorithm, and fabulous (hey this is my article) Anti-Clip circuit at the output stage are all new design elements not present in previous McDSP equalizer plug-ins.\u003c\/p\u003e\n\u003cp\u003eBoth the EQ and filter section frequency controls are calibrated in octaves (instead of decades) for a different twist on the audio effects when you twist those controls. The EQ section frequency ranges do not completely overlap, however they are designed for the optimum range their dynamic shape can cover in the audio spectrum.\u003c\/p\u003e\n\u003cp\u003eThe filter section uses a new design that varies the slope from a gradual 6 dB\/Oct at the selected frequency to a maximum of 24 dB\/Oct. As with the EQ section, the widely popular McDSP FilterBank plug-in could not match the varying slope response in the filter section of the 4020 Retro EQ.\u003c\/p\u003e\n\u003ch3\u003e4030 Retro Compressor\u003c\/h3\u003e\n\u003cp\u003eThe 4030 Retro Compressor comes with the standard Threshold, Ratio, Attack and Release controls we’ve come to expect, but with a subtle variance. As the input signal is received, some smarts in the 4030 adjust these very parameters in real-time to minimize artifact generation (such distortion is caused by all compressors, analog or digital by the way). Furthermore the Mix control is awesome! Being able to balance the original (and highly transient) signal with the compressed version is so easy with the mix control built right into the plug-in.\u003c\/p\u003e\n\u003cp\u003eDrawing some comparisons to previous McDSP dynamic range control designs, there are some notable big differences. First and foremost, the 4030 Retro Compressor has brains. Ok, CompressorBank and Channel G are by no means slackers, but the 4030 is our first design that adjusts compressor response based on input signal changes. And neither CompressorBank nor any of the Channel G variants have a mix control, the butt kicking (still my article) new Anti-Clip circuit at the output stage. And by the way, each McDSP compressor sounds different, so take my word for it, you’ll have to get them all!\u003c\/p\u003e\n\u003ch3\u003e4040 Retro Limiter\u003c\/h3\u003e\n\u003cp\u003eFinally the 4040 Retro Limiter comes with, well, not too much control! But it has the features that make any look ahead brick wall limiter jealous. For starters there’s the low latency issue that curses all limiters of this type (except the ones McDSP makes!). The TEC Award nominated ML4000 ML1 mastering limiter has about 1 millisecond of delay (55 samples at a 48 kHz sample rate). The 4040 Retro Limiter has even less latency than the ML1 algorithm (37 samples at a 48 kHz sample rate). But where the ML1 is designed (mostly!) to be a transparent processor, the 4040 Retro Limiter has a significant amount of tweaking under the hood for a highly stylized sound. Based on anything in particular? Nope, we do dsp all by ourselves at McDSP. Note that up to 36 dB of gain can be drawn out of the limiter while maintaining a very un-limiter-like characteristic (i.e. natural, yet vintage-vibe-like). Did I mention that incredible Anti-Clip circuit at the output stage?\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MCDSP","offers":[{"title":"0 | On Order","offer_id":46177219543323,"sku":"RETROPACKHDV5","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/bundles_glamour_shot_v7_retro_pack_2.png?v=1692034420"},{"product_id":"mcdsp-futzbox-hd-futzboxhdv6","title":"McDSP FutzBox HD","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eMCDSP FutzBox HD v5\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tFutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.\u003c\/div\u003e\n\u003cdiv\u003e\n\tFutzBox is available individually and in the Emerald Pack bundle. Individual sales are electronic only.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tTypical post productions require distorted, or ‘futzed’ versions of dialog and other tracks.  Simulations of radios, cell phones, and televisions are now available in a single software product.  These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products.  Furthermore, SIMs can be scaled in real-time and changed on the fly.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tIn addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required.  Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFor more information, check out the Colin's Corner article about this product.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFutzBox YouTube Video\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFeatures:\u003c\/div\u003e\n\u003cdiv\u003e\n\tLibrary of Synthetic Impulse Models (SIMs)\u003c\/div\u003e\n\u003cdiv\u003e\n\tConfigurable ‘futz’ effects including filtering, EQ, and distortion\u003c\/div\u003e\n\u003cdiv\u003e\n\tFlexible noise generator with ducking capability\u003c\/div\u003e\n\u003cdiv\u003e\n\tHyper-sensitive gate for signal dropout effects\u003c\/div\u003e\n\u003cdiv\u003e\n\tDouble Precision Processing\u003c\/div\u003e\n\u003cdiv\u003e\n\tUltra Low Latency\u003c\/div\u003e\n\u003cdiv\u003e\n\tMono and Stereo versions\u003c\/div\u003e","brand":"McDSP","offers":[{"title":"New | On Order","offer_id":46177221181723,"sku":"FUTZBOXHDV6","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mcdsp-FUTZBOXHDV5-0_1.jpg?v=1692034416"},{"product_id":"mcdsp-futzbox-native-futzboxnatv6","title":"McDSP FutzBox Native","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eMCDSP FutzBox Native v5\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tFutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.\u003c\/div\u003e\n\u003cdiv\u003e\n\tFutzBox is available individually and in the Emerald Pack bundle. Individual sales are electronic only.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tTypical post productions require distorted, or ‘futzed’ versions of dialog and other tracks.  Simulations of radios, cell phones, and televisions are now available in a single software product.  These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products.  Furthermore, SIMs can be scaled in real-time and changed on the fly.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tIn addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required.  Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFor more information, check out the Colin's Corner article about this product.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFutzBox YouTube Video\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFeatures:\u003c\/div\u003e\n\u003cdiv\u003e\n\tLibrary of Synthetic Impulse Models (SIMs)\u003c\/div\u003e\n\u003cdiv\u003e\n\tConfigurable ‘futz’ effects including filtering, EQ, and distortion\u003c\/div\u003e\n\u003cdiv\u003e\n\tFlexible noise generator with ducking capability\u003c\/div\u003e\n\u003cdiv\u003e\n\tHyper-sensitive gate for signal dropout effects\u003c\/div\u003e\n\u003cdiv\u003e\n\tDouble Precision Processing\u003c\/div\u003e\n\u003cdiv\u003e\n\tUltra Low Latency\u003c\/div\u003e\n\u003cdiv\u003e\n\tMono and Stereo versions\u003c\/div\u003e","brand":"McDSP","offers":[{"title":"New | On Order","offer_id":46177223508251,"sku":"FUTZBOXNATV6","price":129.0,"currency_code":"USD","in_stock":true}]},{"product_id":"mcdsp-emerald-pack-hd-m-b-ep-e","title":"McDSP Emerald Pack HD","description":"\u003cp\u003eThe Emerald Pack is a complete music production bundle for the user who needs powerful plug-ins to make their audio sound as good or better than the latest software and hardware audio processors on the market today.\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eIncludes\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e6030 Ultimate Compressor\u003c\/li\u003e\n\u003cli\u003eAnalog Channel\u003c\/li\u003e\n\u003cli\u003eChannel G\u003c\/li\u003e\n\u003cli\u003eChannel G Compact\u003c\/li\u003e\n\u003cli\u003eCompressorBank\u003c\/li\u003e\n\u003cli\u003eDE555\u003c\/li\u003e\n\u003cli\u003eFilterBank\u003c\/li\u003e\n\u003cli\u003eFutzBox\u003c\/li\u003e\n\u003cli\u003eMC2000\u003c\/li\u003e\n\u003cli\u003eML4000\u003c\/li\u003e\n\u003cli\u003eNF575\u003c\/li\u003e\n\u003cli\u003eRevolver\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"MCDSP","offers":[{"title":"0 | On Order","offer_id":46177226096923,"sku":"EMERALDPACKHDV5","price":2395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/bundles_glamour_shot_v7_emerald_pack.png?v=1692034427"},{"product_id":"mcdsp-6030-ultimate-compressor-native-6030nat","title":"McDSP 6030 Ultimate Compressor Native","description":"\u003cp\u003eThe 6030 Ultimate Compressor is the next generation of dynamic range control technology. Building from the entire McDSP compression algorithm code base, the 6030 adds new sonic capabilities, stunning new interfaces, and quality only McDSP could deliver.\u003c\/p\u003e\u003cp\u003eUsing the popular module format, the 6030 Ultimate Compressor offers ten different compressors. All of these designs are by McDSP – some completely from the ground up, while others are emulations of existing gear with unique variations created by McDSP. Each 6030 Ultimate Compressor module is easy to operate, and yet has enough sophistication for the most discerning professional.\u003c\/p\u003e\u003cp\u003eWhatever your style, from smooth tube emulations to aggressive solid-state designs, the 6030 Ultimate Compressor has a custom-made dynamic range control module that is just right for you.\u003c\/p\u003e\u003ch2\u003e6030 Compressor Modules\u003c\/h2\u003e\u003cdiv\u003e\n\u003ch3\u003eU670\u003c\/h3\u003e\n\u003cp\u003eBased on the acclaimed Fairchild 670, a new set of attack ballistics was created to accommodate modern production styles, the ‘warmth’ factor was tweaked, and the U670 was born.\u003c\/p\u003e\n\u003ch3\u003eMoo Tube\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eAn all tube design emulation, with some unique twists. Mid range sensitivity, attack and recovery time ranges, and output frequency response characteristics were all re-worked by McDSP engineering.\u003c\/p\u003e\n\u003ch3\u003eiComp\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eAttack and release times are not adjustable, but are instead automatically updated based on user selected threshold and ratio control values. Good on songs headed to iTunes.\u003c\/p\u003e\n\u003ch3\u003eOpto-C\/Opto-L\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eThese Opto models use McDSP designed key signal circuits for an improved response from the originals. The Opto models also use a different release characteristic, because we like to tweak!\u003c\/p\u003e\n\u003ch3\u003eBritish-C\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eThe British-C model offers the standard compressor control set, but McDSP added internal smarts to prevent unwanted distortion, even at extreme compression settings – not unlike other high-end analog compressors from this part of the world.\u003c\/p\u003e\n\u003ch3\u003eOver EZ\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eThe Over EZ module incorporates a smooth knee response with a flexible control configuration, making it useful in a variety of situations.\u003c\/p\u003e\n\u003ch3\u003eSST'76\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eThe SST’76 is a fast reactive design that sounds great on drums and other percussive sources. The solid-state (SST) circuit model uses a McDSP designed key circuit to boot.\u003c\/p\u003e\n\u003ch3\u003eFRG444\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eReferred to as ‘The Frog’, the FRG444 uses a moderately aggressive compression design for a more, well, aggressive kind of sound. The FRG444 will give you goose bumps, especially on big rock drum kits.\u003c\/p\u003e\n\u003ch3\u003eD357\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eThe D357 is the most aggressive compressor in the 6030 collection. An LED style gain reduction meter is used to display the rapid dynamic range control changes the D357 is capable of enacting on unsuspecting audio.\u003c\/p\u003e\u003c\/div\u003e","brand":"MCDSP","offers":[{"title":"0 | On Order","offer_id":46177227866395,"sku":"6030NATV5","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/6030_ultimate_compressor_copy_1.jpg?v=1692034428"},{"product_id":"mcdsp-6030-ultimate-compressor-hd-m-pi-uc","title":"McDSP 6030 Ultimate Compressor HD","description":"\u003cp\u003eThe 6030 Ultimate Compressor is the next generation of dynamic range control technology. Building from the entire McDSP compression algorithm code base, the 6030 adds new sonic capabilities, stunning new interfaces, and quality only McDSP could deliver.\u003c\/p\u003e\u003cp\u003eUsing the popular module format, the 6030 Ultimate Compressor offers ten different compressors. All of these designs are by McDSP – some completely from the ground up, while others are emulations of existing gear with unique variations created by McDSP. Each 6030 Ultimate Compressor module is easy to operate, and yet has enough sophistication for the most discerning professional.\u003c\/p\u003e\u003cp\u003eWhatever your style, from smooth tube emulations to aggressive solid-state designs, the 6030 Ultimate Compressor has a custom-made dynamic range control module that is just right for you.\u003c\/p\u003e\u003ch2\u003e6030 Compressor Modules\u003c\/h2\u003e\u003cdiv\u003e\n\u003ch3\u003eU670\u003c\/h3\u003e\n\u003cp\u003eBased on the acclaimed Fairchild 670, a new set of attack ballistics was created to accommodate modern production styles, the ‘warmth’ factor was tweaked, and the U670 was born.\u003c\/p\u003e\n\u003ch3\u003eMoo Tube\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eAn all tube design emulation, with some unique twists. Mid range sensitivity, attack and recovery time ranges, and output frequency response characteristics were all re-worked by McDSP engineering.\u003c\/p\u003e\n\u003ch3\u003eiComp\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eAttack and release times are not adjustable, but are instead automatically updated based on user selected threshold and ratio control values. Good on songs headed to iTunes.\u003c\/p\u003e\n\u003ch3\u003eOpto-C\/Opto-L\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eThese Opto models use McDSP designed key signal circuits for an improved response from the originals. The Opto models also use a different release characteristic, because we like to tweak!\u003c\/p\u003e\n\u003ch3\u003eBritish-C\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eThe British-C model offers the standard compressor control set, but McDSP added internal smarts to prevent unwanted distortion, even at extreme compression settings – not unlike other high-end analog compressors from this part of the world.\u003c\/p\u003e\n\u003ch3\u003eOver EZ\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eThe Over EZ module incorporates a smooth knee response with a flexible control configuration, making it useful in a variety of situations.\u003c\/p\u003e\n\u003ch3\u003eSST'76\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eThe SST’76 is a fast reactive design that sounds great on drums and other percussive sources. The solid-state (SST) circuit model uses a McDSP designed key circuit to boot.\u003c\/p\u003e\n\u003ch3\u003eFRG444\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003eReferred to as ‘The Frog’, the FRG444 uses a moderately aggressive compression design for a more, well, aggressive kind of sound. The FRG444 will give you goose bumps, especially on big rock drum kits.\u003c\/p\u003e\n\u003ch3\u003eD357\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eThe D357 is the most aggressive compressor in the 6030 collection. An LED style gain reduction meter is used to display the rapid dynamic range control changes the D357 is capable of enacting on unsuspecting audio.\u003c\/p\u003e\u003c\/div\u003e","brand":"MCDSP","offers":[{"title":"0 | On Order","offer_id":46177229373723,"sku":"6030HDV5","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/6030_ultimate_compressor_copy.jpg?v=1692034425"},{"product_id":"mcdsp-retro-pack-native-retropacknat","title":"McDSP Retro Pack Native V7","description":"\u003cp\u003eRetro plug-ins are designed for the ultimate vintage vibe, using new and original designs based on McDSP’s decade of industry experience. Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eIncludes\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e4020 Retro EQ\u003c\/li\u003e\n\u003cli\u003e4030 Retro Compressor\u003c\/li\u003e\n\u003cli\u003e4040 Retro Limiter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAll Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.\u003c\/p\u003e\n\u003cp\u003eRetro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.\u003c\/p\u003e\n\u003ch3\u003e4020 Retro EQ\u003c\/h3\u003e\n\u003cp\u003eThe 4020 Retro EQ is a 4 band EQ (LF shelf, LMF and HMF parametrics, HF shelf) with a high pass and low pass filter section. Ok boring right? Hold on audio dweeb.\u003c\/p\u003e\n\u003cp\u003eStarting with the EQ section – the slope \/ Q of the shelving and parametric equalizers varies as gain is adjusted, in a manner unique to the 4020 Retro EQ. McDSP savvy customers might wonder if FilterBank, being the ‘Every EQ Ever Made’ plug-in, could duplicate the response curves of the 4020 Retro EQ. It might get close, but then those curves would have to be adjusted every time the EQ gain was updated. So think of the 4020 Retro EQ of having all those Peak-Slope-Dip and Q smarts under the hood, and then being able to adjust those parameters based on the user selected frequency and gain settings. Furthermore, the gain staging, EQ algorithm, and fabulous (hey this is my article) Anti-Clip circuit at the output stage are all new design elements not present in previous McDSP equalizer plug-ins.\u003c\/p\u003e\n\u003cp\u003eBoth the EQ and filter section frequency controls are calibrated in octaves (instead of decades) for a different twist on the audio effects when you twist those controls. The EQ section frequency ranges do not completely overlap, however they are designed for the optimum range their dynamic shape can cover in the audio spectrum.\u003c\/p\u003e\n\u003cp\u003eThe filter section uses a new design that varies the slope from a gradual 6 dB\/Oct at the selected frequency to a maximum of 24 dB\/Oct. As with the EQ section, the widely popular McDSP FilterBank plug-in could not match the varying slope response in the filter section of the 4020 Retro EQ.\u003c\/p\u003e\n\u003ch3\u003e4030 Retro Compressor\u003c\/h3\u003e\n\u003cp\u003eThe 4030 Retro Compressor comes with the standard Threshold, Ratio, Attack and Release controls we’ve come to expect, but with a subtle variance. As the input signal is received, some smarts in the 4030 adjust these very parameters in real-time to minimize artifact generation (such distortion is caused by all compressors, analog or digital by the way). Furthermore the Mix control is awesome! Being able to balance the original (and highly transient) signal with the compressed version is so easy with the mix control built right into the plug-in.\u003c\/p\u003e\n\u003cp\u003eDrawing some comparisons to previous McDSP dynamic range control designs, there are some notable big differences. First and foremost, the 4030 Retro Compressor has brains. Ok, CompressorBank and Channel G are by no means slackers, but the 4030 is our first design that adjusts compressor response based on input signal changes. And neither CompressorBank nor any of the Channel G variants have a mix control, the butt kicking (still my article) new Anti-Clip circuit at the output stage. And by the way, each McDSP compressor sounds different, so take my word for it, you’ll have to get them all!\u003c\/p\u003e\n\u003ch3\u003e4040 Retro Limiter\u003c\/h3\u003e\n\u003cp\u003eFinally the 4040 Retro Limiter comes with, well, not too much control! But it has the features that make any look ahead brick wall limiter jealous. For starters there’s the low latency issue that curses all limiters of this type (except the ones McDSP makes!). The TEC Award nominated ML4000 ML1 mastering limiter has about 1 millisecond of delay (55 samples at a 48 kHz sample rate). The 4040 Retro Limiter has even less latency than the ML1 algorithm (37 samples at a 48 kHz sample rate). But where the ML1 is designed (mostly!) to be a transparent processor, the 4040 Retro Limiter has a significant amount of tweaking under the hood for a highly stylized sound. Based on anything in particular? Nope, we do dsp all by ourselves at McDSP. Note that up to 36 dB of gain can be drawn out of the limiter while maintaining a very un-limiter-like characteristic (i.e. natural, yet vintage-vibe-like). Did I mention that incredible Anti-Clip circuit at the output stage?\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MCDSP","offers":[{"title":"0 | On Order","offer_id":46177235370267,"sku":"RETROPACKNATV5","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/retro_pack_native_hd_2.jpg?v=1692034428"},{"product_id":"mcdsp-mc2000-native-m-pi-mcn-e","title":"McDSP MC2000 Native","description":"\u003cp\u003eThe MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.\u003cbr\u003eMC2000 is 3 plug-ins:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMC202\u003c\/strong\u003e – two-band compression\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMC303\u003c\/strong\u003e – three-band compression\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMC404\u003c\/strong\u003e – four-band compression\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB\/Oct crossover filters minimize signal leakage into adjacent compression bands.\u003c\/p\u003e","brand":"McDSP","offers":[{"title":"New | On Order","offer_id":46177246478619,"sku":"MC2000NAT","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MC404_Front-High-Res_1_583c9ff7-50f2-4f2c-87c5-8d2eae326ae8.jpg?v=1754408063"},{"product_id":"mcdsp-analog-channel-native-m-pi-acn-e","title":"McDSP Analog-Channel Native","description":"\u003cp\u003eAnalog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers.\u003cbr\u003eAnalog Channel is 2 plug-ins:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAC101\u003c\/strong\u003e – Emulates analog channel amplifier circuits\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAC202\u003c\/strong\u003e – Emulates analog tape machines\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation\/compression region, and even the attack and release times of the distortion character are adjustable.\u003c\/p\u003e\u003cp\u003eThe AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1\/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.\u003c\/p\u003e","brand":"MCDSP","offers":[{"title":"0 | On Order","offer_id":46177254277403,"sku":"ANALOGCHANNELNATV5","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ac-all_perspective_2.jpg?v=1692034442"},{"product_id":"mcdsp-4020-retro-eq-hd-m-pi-4020","title":"McDSP 4020 Retro EQ HD","description":"\u003cp\u003eThe 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope\/Q system for a vintage smooth sound and increased boost\/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB\/Oct slope near the selected frequency, and a maximum slope of 24 dB\/Oct.\u003c\/p\u003e\n\u003cp\u003eAll Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.\u003c\/p\u003e\n\u003cp\u003eRetro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.\u003c\/p\u003e\n\u003cp\u003eThe 4020 Retro EQ is a 4 band EQ (LF shelf, LMF and HMF parametrics, HF shelf) with a high pass and low pass filter section. Ok boring right? Hold on audio dweeb.\u003c\/p\u003e\n\u003cp\u003eStarting with the EQ section – the slope \/ Q of the shelving and parametric equalizers varies as gain is adjusted, in a manner unique to the 4020 Retro EQ. McDSP savvy customers might wonder if FilterBank, being the ‘Every EQ Ever Made’ plug-in, could duplicate the response curves of the 4020 Retro EQ. It might get close, but then those curves would have to be adjusted every time the EQ gain was updated. So think of the 4020 Retro EQ of having all those Peak-Slope-Dip and Q smarts under the hood, and then being able to adjust those parameters based on the user selected frequency and gain settings. Furthermore, the gain staging, EQ algorithm, and fabulous (hey this is my article) Anti-Clip circuit at the output stage are all new design elements not present in previous McDSP equalizer plug-ins.\u003c\/p\u003e\n\u003cp\u003eBoth the EQ and filter section frequency controls are calibrated in octaves (instead of decades) for a different twist on the audio effects when you twist those controls. The EQ section frequency ranges do not completely overlap, however they are designed for the optimum range their dynamic shape can cover in the audio spectrum.\u003c\/p\u003e\n\u003cp\u003eThe filter section uses a new design that varies the slope from a gradual 6 dB\/Oct at the selected frequency to a maximum of 24 dB\/Oct. As with the EQ section, the widely popular McDSP FilterBank plug-in could not match the varying slope response in the filter section of the 4020 Retro EQ.\u003c\/p\u003e","brand":"McDSP","offers":[{"title":"New | On Order","offer_id":46177256833307,"sku":"4020RETROHD","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rp-4020_front-high-res.png?v=1692034437"},{"product_id":"mcdsp-4020-retro-eq-native-m-pi-4020n","title":"McDSP 4020 Retro EQ Native","description":"\u003cp\u003eThe 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope\/Q system for a vintage smooth sound and increased boost\/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB\/Oct slope near the selected frequency, and a maximum slope of 24 dB\/Oct.\u003c\/p\u003e\n\u003cp\u003eAll Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.\u003c\/p\u003e\n\u003cp\u003eRetro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.\u003c\/p\u003e\n\u003cp\u003eThe 4020 Retro EQ is a 4 band EQ (LF shelf, LMF and HMF parametrics, HF shelf) with a high pass and low pass filter section. Ok boring right? Hold on audio dweeb.\u003c\/p\u003e\n\u003cp\u003eStarting with the EQ section – the slope \/ Q of the shelving and parametric equalizers varies as gain is adjusted, in a manner unique to the 4020 Retro EQ. McDSP savvy customers might wonder if FilterBank, being the ‘Every EQ Ever Made’ plug-in, could duplicate the response curves of the 4020 Retro EQ. It might get close, but then those curves would have to be adjusted every time the EQ gain was updated. So think of the 4020 Retro EQ of having all those Peak-Slope-Dip and Q smarts under the hood, and then being able to adjust those parameters based on the user selected frequency and gain settings. Furthermore, the gain staging, EQ algorithm, and fabulous (hey this is my article) Anti-Clip circuit at the output stage are all new design elements not present in previous McDSP equalizer plug-ins.\u003c\/p\u003e\n\u003cp\u003eBoth the EQ and filter section frequency controls are calibrated in octaves (instead of decades) for a different twist on the audio effects when you twist those controls. The EQ section frequency ranges do not completely overlap, however they are designed for the optimum range their dynamic shape can cover in the audio spectrum.\u003c\/p\u003e\n\u003cp\u003eThe filter section uses a new design that varies the slope from a gradual 6 dB\/Oct at the selected frequency to a maximum of 24 dB\/Oct. 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An active attack and release design allows aggressive compression settings with minimal artifact generation.\u003c\/p\u003e\u003cp\u003eAll Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.\u003c\/p\u003e\u003cp\u003eRetro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.\u003c\/p\u003e\u003cp\u003eThe 4030 Retro Compressor comes with the standard Threshold, Ratio, Attack and Release controls we’ve come to expect, but with a subtle variance. As the input signal is received, some smarts in the 4030 adjust these very parameters in real-time to minimize artifact generation (such distortion is caused by all compressors, analog or digital by the way). Furthermore the Mix control is awesome! 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This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.\u003c\/p\u003e\n\u003cp\u003eRetro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.\u003c\/p\u003e\n\u003cp\u003eFinally the 4040 Retro Limiter comes with, well, not too much control! But it has the features that make any look ahead brick wall limiter jealous. For starters there’s the low latency issue that curses all limiters of this type (except the ones McDSP makes!). The TEC Award nominated ML4000 ML1 mastering limiter has about 1 millisecond of delay (55 samples at a 48 kHz sample rate). The 4040 Retro Limiter has even less latency than the ML1 algorithm (37 samples at a 48 kHz sample rate). But where the ML1 is designed (mostly!) to be a transparent processor, the 4040 Retro Limiter has a significant amount of tweaking under the hood for a highly stylized sound. Based on anything in particular? Nope, we do dsp all by ourselves at McDSP. Note that up to 36 dB of gain can be drawn out of the limiter while maintaining a very un-limiter-like characteristic (i.e. natural, yet vintage-vibe-like). 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Each module is easy to operate, and yet has enough sophistication for the most discerning professional.\u003cbr\u003eWhatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10 EQ modules in a single interface\u003c\/li\u003e\n\u003cli\u003eInput \u0026amp; output control\u003c\/li\u003e\n\u003cli\u003eAnalog Saturation modeling\u003c\/li\u003e\n\u003cli\u003eDouble precision processing\u003c\/li\u003e\n\u003cli\u003eUltra low latency\u003c\/li\u003e\n\u003cli\u003eMono and stereo versions\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"McDSP","offers":[{"title":"New | On Order","offer_id":46177373618459,"sku":"6020HDV6","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/6020_FrontView_d5529255-d2b6-476f-94a5-fdb15428dfd6.jpg?v=1754409720"},{"product_id":"mcdsp-6020-ultimate-eq-native-6020natv6","title":"McDSP 6020 Ultimate EQ Native","description":"\u003cp\u003eThe 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.\u003c\/p\u003e\n\u003cp\u003eAll 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. 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Each band is completely overlapping with all other bands and has its own Q (bandwidth), fixed gain, and active gain controls. A key filter for each band allows the active gain response to be as selective or broad as needed, based on the Q (bandwidth) control. Each band can use the input signal or selected side chain signal to trigger the active EQ response.\u003c\/p\u003e\n\u003cp\u003eThe active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot. The AE400’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE400.\u003c\/p\u003e\n\u003cp\u003ePeak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. 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