{"title":"Multi-Channel Mic Preamps","description":null,"products":[{"product_id":"chandler-limited-tg2-emi-abbey-road-stereo-microphone-preamp-tg2","title":"Chandler Limited TG2 EMI Abbey Road Stereo Microphone Preamp","description":"\u003ch2\u003eChandler Limited TG2 EMI Abbey Road Stereo Microphone Preamp\u003c\/h2\u003e\n\u003cp\u003eThe Chandler Limited TG2 Pre Amp\/DI is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road recording and mastering consoles in the late 60s and early 70s. The sound was used on many famous recordings done at Abbey Road including The Beatles “Abbey Road” and Pink Floyd “Dark Side of the Moon.”\u003c\/p\u003e\n\u003cp\u003eThis microphone pre-amplifier features the same discrete transformer balanced amplifiers as the TG series limiter and offers a creamy, smooth tone with a surprisingly open, clear top end. The sound, as explained by many users, has “warmth” and punch, but with a “beautiful” expanded top end. In fact the unit does have a small rise in its top end frequency response and some warmth inducing distortion which contribute to its sound.\u003c\/p\u003e\n\u003cp\u003eOptions: Stepped Output (Stereo)\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V).\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | In Stock","offer_id":46167961698587,"sku":"TG2","price":2850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/tg2-02.jpg?v=1692021601"},{"product_id":"universal-audio-4-710d-4710d","title":"Universal Audio 4-710D 4-Channel Tone-Blending Mic Preamp w\/ DI and Dynamics","description":"\u003ch2\u003eUniversal Audio 4-710d Four-Channel Tone-Blending Mic Preamp w\/ Dynamics\u003c\/h2\u003e\n\u003ch3\u003eFour Channels of Tone-Blending “Twin-Finity” Preamps and 1176-Style Compression with Built-In A\/D Converters\u003c\/h3\u003e\n\u003cp\u003eThe Universal Audio 4-710d is a boutique quality, four-channel microphone\/line preamplifier with unique tube and solid-state tone blending capabilities — perfect for a wide range of microphone and instrument sources. This versatile multi-channel preamp offers selectable 1176-style compression circuitry on each channel, plus four additional line inputs feeding eight channels of pristine analog-to-digital conversion. Building upon UA’s classic analog design approach, combined with smart modern features, the 4-710d is the most flexible preamp in the UA lineup.\u003c\/p\u003e\n\u003cp\u003eAt the core of the 4-710d are four channels of tone-blending “Twin-Finity” mic preamps with true-bypass 1176-style compression, including specially tuned \"fast\" and \"slow\" settings. Each of the four mic preamp channels allows for continuously variable phase-aligned tone, between a 100% tube and 100% solid-state signal path. Send and return jacks are available for external processing or signal access.\u003c\/p\u003e\n\u003cp\u003eThe eight analog inputs are digitized via ultra high-quality 24-bit A\/D converters at selectable sample rates up to 192 kHz. Digital output is available via dual ADAT “lightpipe” or AES\/EBU DB-25 connectors, facilitating integration with most popular audio interfaces.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"New | In Stock","offer_id":46168019960091,"sku":"4710D","price":1999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47186672124187,"sku":"4710DRP","price":1849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/4-710d_front.jpg?v=1692022515"},{"product_id":"universal-audio-solo-610-c01","title":"Universal Audio SOLO\/610 Classic Tube Preamplifier \u0026 DI Box","description":"\u003ch2\u003eUniversal Audio SOLO\/610 Classic Tube Preamplifier \u0026amp; DI Box\u003c\/h2\u003e\n\u003ch4\u003eThe All-Tube 610 Console Mic Preamp Sound in a Rugged “Go Anywhere” Design\u003c\/h4\u003e\n\u003cp\u003eThe SOLO\/610 delivers the classic Putnam 610 tube console sound in a rugged, highly versatile mic preamp design. This unit provides the silky, vintage warmth of the original console’s mic amp design, and will flatter any microphone or instrument with its signature sound. Thanks to its convenient form factor, the SOLO\/610 can be conveniently used in the control room or the recording room, on stage, or on a desktop. Functionally lean but sonically mean, the SOLO\/610 maintains the character of the 610 console — at a price every serious project studio can afford.\u003c\/p\u003e\n\u003cp\u003eThe SOLO\/610 offers Mic and DI inputs, and features Gain and Level control for a wide variety of clean to colored tones. Unlike its predecessors, the SOLO\/610 has continuous Gain control with even greater range, allowing for more precise gain structuring — doubling as input signal padding. The SOLO\/610 has all the essential features like 48v Phantom Power, Lo-Cut filtering, Phase Reverse and flexible dual impedance selection for both Mic and DI inputs. The SOLO\/610 includes essential DI features like Thru use in conjunction with an amplifier, plus Ground Lift and and a versatile Mic\/Line level output switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic Putnam 610 console mic preamplifier and DI\u003c\/li\u003e\n\u003cli\u003eLegendary all-tube sound, at a project studio price\u003c\/li\u003e\n\u003cli\u003eGain, Level, and Impedance selection for maximum tonal variety\u003c\/li\u003e\n\u003cli\u003ePortable design for studio, desktop or stage\u003c\/li\u003e\n\u003cli\u003eRugged construction-steel chassis\u003c\/li\u003e\n\u003cli\u003eDI features include Thru and Mic\/Line level output\u003c\/li\u003e\n\u003cli\u003eHand-built in USA; backed by 1-year limited warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Repack | On Order","offer_id":46168039129371,"sku":"SOLO610RP","price":888.0,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46168039162139,"sku":"SOLO610","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/solo_610_carouse.jpg?v=1692022699"},{"product_id":"apogee-a8mp-c01","title":"Apogee A8MP 8 Microphone Preamp Module","description":"\u003ch2 class=\"p1\"\u003eApogee A8MP 8 Microphone Preamp Module\u003c\/h2\u003e\n\u003cp\u003eThe Symphony 8 Mic Preamp Module adds Apogee's incredible digitally controlled microphone preamplifiers to eight of your analog I\/O module's line inputs. Based on Apogee's amazing Trak2 preamp technology, these ultra-transparent microphone preamps deliver the results that pro studios demand. Plus, the Symphony 8 Mic Preamp Module also adds four incredible hi-Z instrument inputs as well as eight fully balanced insert points.\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8 digitally controlled, 85dB microphone preamps\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003eUpgrades functionality of Analog I\/O Module by adding microphone preamps to the existing line inputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003eCreates a direct connection between the Mic Preamp Module and the Analog I\/O Module by inserting a microphone preamp stage before the line inputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003ePhantom power individually switchable (via Maestro)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003eFour Hi-Z 1\/4\" instrument inputs capable of handling high level instruments\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"widows: 1;\"\u003e8 fully balanced insert points on 25-pin D-Sub connectors\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Apogee","offers":[{"title":"New | In Stock","offer_id":46168047485211,"sku":"A8MP","price":1695.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47318436905243,"sku":"A8MPEBAYPRO","price":1393.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/apogee-a8mp-8-microphone-preamp-module.png?v=1692022815"},{"product_id":"art-tubeopto8-c01","title":"Art TUBEOPTO8","description":"\u003cp\u003e\n\tEver wish you could add more of that \"tube sound\" to your recordings, without breaking the budget or filling up your rack with a clutter of gear? Now you can, with ART's Tubeopto 8! This flexible 8-channel tube preamp features ADAT input and output connectors, so you can easily expand the I\/O capabilities of your existing interface rig — it's the perfect way to prepare for full-band recording, with a real-deal tube pre! Each channel has a class-A vacuum tube mic preamp, 70dB of gain, and balanced 1\/4\" phone or XLR inputs for flexibility. We'll say it again: you just can't beat the TubeOpto 8's value!\u003c\/p\u003e\n\u003cp\u003e\n\tBeyond offering a full complement of eight tube preamp channels, the TubeOpto 8 is ready to integrate with all of your existing studio gear. You can pipe in the eight channels to your favorite ADAT-equipped audio interface via lightpipe. You can also use the word clock connectors onboard to get all your digital gear in sync with each other. Beyond all that, the TubeOpto 8 has you in mind. Ever wish you could plug in an acoustic and lay down a quick song sketch? Now you don't have to hunt down an open channel or crawl around to the back of your rack. Just plug righ tinto one of the two convenient frot-panel hi-Z instrument inputs and you've got the benefit of a tube warming up your sound.\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cul style=\"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 30px; \"\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\t8-channel Tube Microphone Preaamp with ADAT and 1\/4\" output\u003c\/li\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\tEight fully featured Class-A tube mic preamps\u003c\/li\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\tEight channels of ADAT digital 24-bit audio I\/O at 44.1 or 48kHz\u003c\/li\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\tInput gain and output level controls on every channel\u003c\/li\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\tInput pad, phase flip and low frequency roll off switches on every channel\u003c\/li\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\tTwo additional front-mounted hi-Z instrument line inputs\u003c\/li\u003e\n\t\u003cli style=\"padding-top: 2px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; \"\u003e\n\t\tEight 1\/4\" TRS Balanced Outputs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ART","offers":[{"title":"New | On Order","offer_id":46168049680667,"sku":"TUBEOPTO8","price":599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TUBEOPTO8_0.jpg?v=1692022833"},{"product_id":"focusrite-isa428-mk2-4-channel-microphone-preamp-428mkii","title":"Focusrite ISA 428 MK2 4-Channel Microphone Preamp","description":"\u003cp\u003eThe ISA 428 MkII provides four of Focusrite’s prestigious transformer-based microphone preamps. It features the same classic circuitry and renowned audio quality found in the original at a new level of affordability. With selectable input impedance, direct instrument inputs and an optional eight channels of high-quality analogue to digital conversion, the ISA 428 MkII creates the perfect front end for the discerning recording professional.\u003c\/p\u003e\n\u003cp\u003eFirst introduced in 1985, the ISA microphone preamp holds a reputation for outstanding transparency along with subtle warmth contributed by transformer core saturation. The addition of a variable impedance circuit allows ISA users to perfectly match the preamp with any microphone, or to use different settings creatively to shape the sound of the microphone. Unchanged for decades, the ISA microphone preamp topology offers incredible clarity and the signature Focusrite sound that makes it the top choice among many audio professionals today.\u003c\/p\u003e\n\u003cp\u003eThe optional class-leading eight channel A-D converter option used with the ISA 828 is also compatible with the ISA 428 MkII. Along with the four mic preamp inputs, four additional inputs allow you to route other line signals through the converter. High quality Burr-Brown Pro Audio Amplifiers and flagship PCM4220 A-D converter chips seated within Focusrite custom analogue circuitry deliver unparalleled performance. Specifications include a dynamic range of 122dB and jitter performance below 250 picoseconds. The card can be retrofitted at any time. Thanks to its convenient 25-pin D-Type connector, it integrates seamlessly with most digital workstations, including Pro Tools.\u003c\/p\u003e\n\u003cp\u003eFour instrument inputs, instantly accessible on the front panel, allow quick and easy connection without the need for a separate DI box. Extra processing can be placed between preamp and conversion via the units dedicated insert points, featured on every channel. Finally, accurate six-segment LED metering is designed to catch even the fastest transients on every channel.\u003c\/p\u003e\n\u003cp\u003eOver 25 years, Focusrite has earned a reputation for bringing superb audio quality and engineering excellence to an array of audio professionals. Whether you’re looking to preserve the sound of your classic microphones, or searching for the perfect front end for your digital studio, the ISA 428 MkII brings legendary tools to your studio at an exceptional new price.\u003c\/p\u003e\n\u003ch4\u003eThe ISA Pre\u003c\/h4\u003e\n\u003cp\u003eThe ISA microphone preamplifier was first introduced back in 1985. This transformer-based preamplifier formed the first half of the ISA110 mic pre and EQ module on Focusrite's critically acclaimed Forté console. This console, and the later Studio console were hailed by many as the finest sounding consoles ever built. \u003c\/p\u003e\n\u003cp\u003eThe ISA microphone preamplifier went on to form the cornerstone of all ISA and RED Focusrite products. The topology has never changed, except for the addition of a variable impedance circuit, allowing ISA users to either perfectly match the preamp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used. The original ISA 110 setting was supplemented by three further impedance settings.\u003c\/p\u003e\n\u003cp\u003eThe Focusrite preamp is renowned for its transparency, but there's also a subtle warmth that transformer core saturation contributes. This seeming contradiction of warmth plus beautifully open, unrestricted high frequencies, is a classic hallmark of the mid 80's Focusrite designs.\u003c\/p\u003e\n\u003cp\u003eWith processors whose bandwidth is strictly limited to the audible (20Hz to 20kHz) bandwidth alone, significant roll-off can still occur, affecting the higher audible frequencies of the signal. Therefore, in order to capture every subtle nuance, exactly as it occurs whilst avoiding any roll-off, the preamp must operate over a far greater bandwidth. The extremely broad frequency response of Focusrite preamps - close to 200kHz at the top end - guarantees accurate phase response across the much narrower range of human hearing, the roll-off point being moved entirely outside of the audible hearing range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrainworx bx_console Focusrite SC plugin exclusively free for Clarett, Red, RedNet and ISA customers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/www.altomusic.com\/media\/wysiwyg\/enhanced-product\/brainworx-banner-1366-768.png\" alt=\"\"\u003e\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Pre-Owned | On Order","offer_id":46168117018907,"sku":"ISA428MK2EBAYPRO","price":1594.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46168117051675,"sku":"ISA428MK2","price":2299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1283418480_img_177092.jpg?v=1692023611"},{"product_id":"rme-octamic-2-c01","title":"RME OctaMic 2 8-Channel Microphone Preamp","description":"\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eRME OctaMic 2 8 Channel Mic Pre Amp\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial;\"\u003e \u003c\/p\u003e\n\u003cdiv\u003eThe OctaMic II provides 8-Channel 192 kHz \/ 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLowest distortion, excellent signal to noise ratio and perfectly linear frequency response transmit and amplify the microphone signals truly unchanged.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eOctaMic II offers 8 balanced XLR mic \/ line inputs via Neutrik XLR\/TRS combo jacks. Each channel contains switches for 48V phantom power, a low cut filter and phase reversal. Amplification can be set between 6 and 60 dB. LEDs for signal, clip, and activated phantom power give a complete overview on the unit's status. When the special Clip Hold mode is activated, any detected clip-state will cause the corresponding LED to flash once per second. With this, the user gets a long-term peak detection, and no longer needs to constantly watch the LEDs. At the same time momentary overloads are still displayed correctly.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eFrontside switches include power on\/off and output level, for a choice of -10 dBV, +4 dBu or Hi Gain (+19 dBu) as reference level. This unusual feature offers two advantages. First, the reference level can be easily switched to match any of RME's current interface devices, from HDSP 9632 through Multiface up to the renowned ADI-8 series converters. Second, the Signal to Noise ratio is optimized, and the Clip-LED will exactly match the ones of the ADI-8 (2 dB below 0 dBFS).\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe balanced line level output signal is available at the back of the unit via 8 stereo TRS jacks. The specially developed, internal hi-performance switch mode power supply lets the OctaMic II operate in the range of 100V to 240V AC. It is short-circuit-proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe 8-Channel AD-conversion of the OctaMic II operates at up to 192 kHz. The digitized signal is available simultaneously at the double ADAT output (S\/MUX, up to 96 kHz), and at a DB-25 connector (4 AES\/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES\/EBU and SPDIF.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe 8-Channel AD-conversion of the OctaMic II operates at up to 192 kHz. The digitized signal is available simultaneously at the double ADAT output (S\/MUX, up to 96 kHz), and at a DB-25 connector (4 AES\/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES\/EBU and SPDIF.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eRME's outstanding SteadyClock ensures perfect AD-conversion, as jitter on the external sync-sources is nearly completely removed. All settings are done via DIP-switches on the back of the OctaMic II. Analog outputs and both digital outputs operate fully simultaneously. The choice of reference level affects the analog outputs only, the signal\/clip indication and the AD-conversion will react only to the Gain-pots.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":46168351932699,"sku":"OCTAMIC2","price":1899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/octamic-ii_1_063e7ee2-77fc-452c-9dff-eac5562ad724.png?v=1726761435"},{"product_id":"crane-song-spider-spider-c01","title":"Crane Song Spider","description":"\u003cp\u003e\u003cstrong\u003eCrane Song Spider 8 Channel Mic Pre \u0026amp; AD Converter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpider is a high-quality eight 8-channel mic-pre amplifier\/mixer with two types of digital outputs: stereo and eight (8) channel. The stereo output is for recording engineers who do live stereo or multi-channel recording and want a very flexible audio path. The 8 channel output allows the system to function as an analog front end for DAW's, digital mixers, and modular digital recorders.\u003c\/p\u003e\n\u003cp\u003eIn addition, the stereo bus can be assigned to digital channels 7 and 8. This allows a stereo mix of 6 channels to be assigned to digital outs 7 and 8 and leaves 2 channels independent. (eg. drums; kick, snare, and stereo left to right.)\u003c\/p\u003e\n\u003cp\u003eBoth the discrete class A pre-amp and the convertor modules are of a very high quality, low noise design. The maximum analog level at the insert points is +25 dBm. The digital modules include a DSP process to provide tape emulation.\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e6 to 66 DB input preamp gain in 6 DB steps\u003c\/li\u003e\n\u003cli\u003eChannel level control\u003c\/li\u003e\n\u003cli\u003ePan control for the stereo output bus\u003c\/li\u003e\n\u003cli\u003ePhantom power switch\u003c\/li\u003e\n\u003cli\u003eLine - Mic switch\u003c\/li\u003e\n\u003cli\u003ePhase switch\u003c\/li\u003e\n\u003cli\u003eLow cut filter\u003c\/li\u003e\n\u003cli\u003eStereo bus assignment switch\u003c\/li\u003e\n\u003cli\u003eFat amp switch for a fat sounding audio path\u003c\/li\u003e\n\u003cli\u003e16 segment meter peaking reading 0=clipping referenced to the A\/D convertor\u003c\/li\u003e\n\u003cli\u003eClip light on the pre-amp section\u003c\/li\u003e\n\u003cli\u003ePeak limiter for the A\/D convertor. LED indicator showing limit action\u003c\/li\u003e\n\u003cli\u003eChannel insert point may be used as a pre-amp output\u003c\/li\u003e\n\u003cli\u003eSample rate to 96KHz\u003c\/li\u003e\n\u003cli\u003eWC input and output\u003c\/li\u003e\n\u003cli\u003eStereo bus can be assignable to outputs 7 and 8\u003c\/li\u003e\n\u003cli\u003eSwitch selectable Analog Dither control, 15 to 24 bits\u003c\/li\u003e\n\u003cli\u003eDSP analog tape emulation, adjustable by channel. The level is indicated by the LED's around the process knob. The level is changed by selecting the channel and turning the process knob.\u003c\/li\u003e\n\u003cli\u003eDigital output as AES, and ADAT Optical, or TDIF\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Crane Song","offers":[{"title":"New | On Order","offer_id":46168376017179,"sku":"SPIDER","price":8000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/crane-song-SPIDER-0.jpg?v=1692025285"},{"product_id":"summit-audio-mpc-100a-mpc-100a-c01","title":"Summit Audio MPC-100A","description":"\u003ch2\u003eSummit Audio MPC-100A Microphone Preamp \/ Compressor\u003c\/h2\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe MPC-1OOA from Summit Audio is a single channel, tube preamplifier and tube compressor\/limiter featuring 3 input types - microphone, line level and front panel Hi-Z input. By utilizing both tube and solid state technology, and working in synch with the Jensen microphone input transformer, the unit is able to deliver detailed sound with varying amounts of harmonically complex, yet pleasing overtones.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 3 position ultra-fast attack of the compressor section yields highly optimized signals for working in the digital domain. The Hi-Z input features an impedance matching (load) control so that passive guitars and bass pickups have a wide level of tone control. 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We've added new features to every channel of the original PAFOUR to make this new version a definite plus.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPAFOURplus New Features: \u003c\/div\u003e\n\u003cdiv\u003e\n\t1) NEW Beefy Output Stage added just before Output Transformer.\u003c\/div\u003e\n\u003cdiv\u003e\n\t2) Discrete Active HP Filter.\u003c\/div\u003e\n\u003cdiv\u003e\n\t3) Output fader.\u003c\/div\u003e\n\u003cdiv\u003e\n\t4) Improved Gain switches, over 3 x the gold contact area per switch position. \u003c\/div\u003e\n\u003cdiv\u003e\n\t5) Light Pipe Pushbuttons replaces small C\u0026amp;K toggle switches.\u003c\/div\u003e\n\u003cdiv\u003e\n\t6) LED metering with Green signal indicator and Red clip light.\u003c\/div\u003e\n\u003cdiv\u003e\n\t7) Gain knob has one extra position to achieve -6db less gain (-24dB).\u003c\/div\u003e\n\u003cdiv\u003e\n\t8) Redesigned Enclosure with thicker gauge metal and tack welded with better RF protection.\u003c\/div\u003e\n\u003cdiv\u003e\n\t9) Thicker faceplate.\u003c\/div\u003e\n\u003cdiv\u003e\n\t10) 1% Metal Film resistors for lower noise floor and better matching from channel to channel.\u003c\/div\u003e\n\u003cdiv\u003e\n\t11) Sturdier amp compensation or RF rejection capacitors\u003c\/div\u003e\n\u003cdiv\u003e\n\t12) New PCB with revised and optimized component layout with beefier traces.\u003c\/div\u003e\n\u003cdiv\u003e\n\t13) RF filtering\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe PAFOURplus is a fully Class-A discrete 1970's-style mic-pre utilizing the exact mic-pre circuit as the PEQ2. 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The mic pre is identical to what we use in the PEQ2 series but we added an additional amplifier stage at the tail end of the existing output amp for even more headroom .\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPeak LEDs for each channel.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tCustom designed knob sets are milled from aluminum and anodized red. 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Bypass the mic pres and converters in your current interface and achieve the same audio excellence as the top studios.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorld Class Mic Pres\u003c\/strong\u003e - \u003cem\u003eThe professional sound you deserve\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAudient's renowned Class-A, console mic pre outshines the competition and gives you the same sonic quality of products costing three or four times the price. Capture the detail and excitement of your audio sources, all with a hint of analogue colouration that will sound stunning on any project!\u003c\/p\u003e\n\u003cp\u003eDeveloped by design legend David Dearden, our mic pre is used by thousands of professional studios around the world. 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It also works on your other mics, just more subtly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt To Last\u003c\/strong\u003e - \u003cem\u003eQuality deserves protection\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eASP880 has been designed to last, its all-metal construction and hand milled aluminium knobs will stand up to countless late nights in the studio and days on the road.\u003c\/p\u003e\n\u003ch4\u003eAll this in 1RU!\u003c\/h4\u003e","brand":"Audient","offers":[{"title":"Pre-Owned | On Order","offer_id":46172502753563,"sku":"ASP880EBAYPRO","price":1498.0,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46172502982939,"sku":"ASP880","price":1799.99,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47602062065947,"sku":"ASP880RP","price":948.88,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ASP880-Top-Image.png?v=1716566510"},{"product_id":"drawmer-mxpro-60-front-end-one-mxpro60-c01","title":"Drawmer MXPRO-60 Front End One","description":"\u003ch3\u003eWhy you need the Drawmer MXPRO-60:\u003c\/h3\u003e\u003cp style=\"margin: 0.8em 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"margin: 0.8em 0px;\"\u003eThe MX60 Pro Front End One is a unique mic\/line\/instrument input channel in a single rack space providing high quality Drawmer processing prior to tape\/hard disc recording. The MX60 is also ideally suited to project studio and live sound applications. Functioning as a studio grade mic pre-amp, Program AdaptiveTM gate, de-esser, compressor, limiter, three band EQ and multi band tube saturation stage, the MX60 offers the user more options than competitive units currently available.\u003c\/p\u003e\u003cp style=\"margin: 0.8em 0px;\"\u003eDrawing on our many years experience in professional audio we have developed a series of lower-cost Drawmer dynamic signal processors, the MX Pro range. Aimed at the musician, project studio and live performer, who is determined not to compromise on quality, but have to work to a tighter budget. By using circuit elements drawn from existing top-of-the-line Drawmer products and by simplifying the control systems where possible, the MX Pro range is no less sophisticated than our other units, despite the price tag. 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The mic pre-amp features the same discrete component design found in the legendary Drawmer 1960, the de-esser is derived from the MX50, the VCA based compressor is similar to the MX30, while the peak limiter and gate can be tracked back to the DL241 compressor\/limiter.\u003c\/li\u003e\n\u003cli style=\"margin: 0.8em 0px;\"\u003eInput Stage: The input stage may be switched to accept mic, line, or instrument level signals - the XLR mic input has switchable 48V phantom power and phase reverse, while the line input is on both a balanced +4dB TRS jack and an unbalanced -10dB jack. A high impedance Instrument jack is located on the front panel for use with electric guitars, basses, synths and drum machines.\u003c\/li\u003e\n\u003cli style=\"margin: 0.8em 0px;\"\u003eProgram Adaptive™ Gate: Drawmer's proprietary Program AdaptiveTM circuitry means that all the time constants are automatically optimised for the material being processed. 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A two stage soft\/hard limiting approach has been adopted with yellow and red LEDs signifying soft (approaching limit point) and hard limiting (hitting limit point).\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46172772761883,"sku":"MXPRO60","price":1139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MXPRO60-0_3.jpg?v=1692030692"},{"product_id":"ams-neve-4081-quad-mic-preamp-4081-c01","title":"AMS Neve 4081 Quad Mic Preamp","description":"\u003ch2\u003eAMS Neve 4081 Quad Mic Preamp\u003c\/h2\u003e\n\u003cp\u003eEvery function of the 4081 can be controlled directly from the front panel or by remote control using a Mac or PC with Neve Remote Control software. This provides a simple and elegant solution for users of ProTools, Nuendo, Cubase and similar DAW systems. Multiple 4081 units can be linked together to create up to 64 independent channels of Mic Preamps or Line Level inputs – all controlled from a single computer.\u003c\/p\u003e\n\u003cp\u003eAnd now with Version 2.00 software, metering information is displayed within the Remote Mic Control window, which is passed back from the 4081 unit(s) to the Remote Mic Control software running on the computer being used for remote control.\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\n\u003cul\u003e\n\u003cli\u003eRemote Control of legendary Neve microphone preamp design\u003c\/li\u003e\n\u003cli\u003eFour genuine 1081 Mic preamp channels in a single 9.5” wide unit\u003c\/li\u003e\n\u003cli\u003eTwo units can be linked together to provide 8-channels in a 19” unit with optional 19″ rack-mount kit\u003c\/li\u003e\n\u003cli\u003eRemote control using a Mac or PC with Neve Remote Control software\u003c\/li\u003e\n\u003cli\u003eXLR Mic input can be switched between Mic and electronically balanced Line\u003c\/li\u003e\n\u003cli\u003eSwitchable 48V Phantom power supply\u003c\/li\u003e\n\u003cli\u003eDigital I\/O Option: Firewire\/AES interface with four channels of A\/D conversion to either AES or FireWire and 4 channels of D\/A conversion. Analogue Insert (pre A\/D converter) per channel.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"New | In Stock","offer_id":46174256070939,"sku":"4081","price":4115.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":51207976714523,"sku":"4081EBAYPRO","price":3595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/8801_front_kmr_1.jpg?v=1692032749"},{"product_id":"ams-neve-1081cv-vertical-module-1081cv-c01","title":"AMS Neve 1081cv Vertical Module","description":"\u003ch2\u003eWhy you need the AMS Neve 1081cv Vertical Module:\u003c\/h2\u003e\u003cdiv\u003eA glance through the credits on today’s platinum-selling albums reveals that these vintage consoles are still widely used to great effect, confirming the 1081’s status as a truly classic component in a recording front-end or mixing environment. We are still hand-building 1081 modules in Burnley, UK much the same way as the original modules, using the original components, hand-wound transformers, and time-honed construction methods.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe 1081 provides remarkable sensitivity, fast and musical response to transients, plus inimitable Neve equalization featuring effective high- and low-pass filters designed to separate unwanted signal outside the passband. This gives users a flexible tool with which to shape new sounds and control any part of the audio spectrum. The curves and slopes have been carefully tailored to enable users to exercise maximum technical and artistic skill.\u003c\/div\u003e\u003cdiv\u003eOver three decades of engineers have found the 1081 an indispensable tool for recording and mixing drums, bass and percussion. As with all Neve outboard gear, users are assured the highest quality signal acquisition, thanks to uncompromising Class AB circuitry, hand-wound Neve-designed transformers, and unrivalled attention to every last component and construction detail.\u003c\/div\u003e\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003eLegendary Neve microphone preamp and equalizer design (Class AB)\u003c\/li\u003e\n\u003cli\u003eHand-built and wired precisely to original 1972 specifications\u003c\/li\u003e\n\u003cli\u003e5 switchable EQ bands\u003c\/li\u003e\n\u003cli\u003eHP and LP selectable filters (18dB per octave)\u003c\/li\u003e\n\u003cli\u003eSeparate 48V phantom power supply\u003c\/li\u003e\n\u003cli\u003eSolo button selects channel unbalanced output\u003c\/li\u003e\n\u003cli\u003eNeve-designed hand-wound transformers\u003c\/li\u003e\n\u003cli\u003eBoth inputs transformer-balanced and earth free\u003c\/li\u003e\n\u003cli\u003eMicrophone input: gain +80db to +10dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eLine input: gain +20dB to -10dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eOutput: maximum output \u0026gt;+26dBu into 600Ω; output impedance 75Ω @1kHz\u003c\/li\u003e\n\u003cli\u003eDistortion: not more than 0.07% at +20dBu output\u003c\/li\u003e\n\u003cli\u003eFreq response: ±0.5dB 20Hz to 20kHz, -3dB at 45kHz. EQ Out.\u003c\/li\u003e\n\u003cli\u003eOutput noise better than -80 dB at all line levels\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e","brand":"AMS Neve","offers":[{"title":"Repack | On Order","offer_id":46174259118363,"sku":"1081CVEBAYPRO","price":3999.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46174259151131,"sku":"1081CV","price":5095.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1081_classic_v_front_rt_copy.jpg?v=1692032757"},{"product_id":"ams-neve-1081ch-horizonal-1081ch-c01","title":"AMS Neve 1081ch Horizonal","description":"\u003ch2\u003eWhy you need the AMS Neve 1081ch Horizonal:\u003c\/h2\u003e\u003cdiv\u003eA glance through the credits on today’s platinum-selling albums reveals that these vintage consoles are still widely used to great effect, confirming the 1081’s status as a truly classic component in a recording front-end or mixing environment. We are still hand-building 1081 modules in Burnley, UK much the same way as the original modules, using the original components, hand-wound transformers, and time-honed construction methods.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe 1081 provides remarkable sensitivity, fast and musical response to transients, plus inimitable Neve equalization featuring effective high- and low-pass filters designed to separate unwanted signal outside the passband. This gives users a flexible tool with which to shape new sounds and control any part of the audio spectrum. The curves and slopes have been carefully tailored to enable users to exercise maximum technical and artistic skill.\u003c\/div\u003e\u003cdiv\u003eOver three decades of engineers have found the 1081 an indispensable tool for recording and mixing drums, bass and percussion. As with all Neve outboard gear, users are assured the highest quality signal acquisition, thanks to uncompromising Class AB circuitry, hand-wound Neve-designed transformers, and unrivalled attention to every last component and construction detail.\u003c\/div\u003e\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003eLegendary Neve microphone preamp and equalizer design (Class AB)\u003c\/li\u003e\n\u003cli\u003eHand-built and wired precisely to original 1972 specifications\u003c\/li\u003e\n\u003cli\u003e5 switchable EQ bands\u003c\/li\u003e\n\u003cli\u003eHP and LP selectable filters (18dB per octave)\u003c\/li\u003e\n\u003cli\u003eSeparate 48V phantom power supply\u003c\/li\u003e\n\u003cli\u003eSolo button selects channel unbalanced output\u003c\/li\u003e\n\u003cli\u003eNeve-designed hand-wound transformers\u003c\/li\u003e\n\u003cli\u003eBoth inputs transformer-balanced and earth free\u003c\/li\u003e\n\u003cli\u003eMicrophone input: gain +80db to +10dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eLine input: gain +20dB to -10dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eOutput: maximum output \u0026gt;+26dBu into 600Ω; output impedance 75Ω @1kHz\u003c\/li\u003e\n\u003cli\u003eDistortion: not more than 0.07% at +20dBu output\u003c\/li\u003e\n\u003cli\u003eFreq response: ±0.5dB 20Hz to 20kHz, -3dB at 45kHz. EQ Out.\u003c\/li\u003e\n\u003cli\u003eOutput noise better than -80 dB at all line levels\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e","brand":"AMS Neve","offers":[{"title":"New | In Stock","offer_id":46174259839259,"sku":"1081CH","price":5095.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1081CH-0.jpg?v=1692032743"},{"product_id":"warm-audio-wa412-4-channel-mic-pre-c01","title":"Warm Audio WA412 4-Channel Mic Pre","description":"\u003ch2\u003eWhy you need the Warm Audio WA412 4 Channel Mic Pre:\u003c\/h2\u003e\u003cdiv\u003e\n\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003eThe WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as \"the sound of Rock n' Roll\" for its BIG punchy low end and smooth open top end. \u003c\/span\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003eThe price\/performance ratio of the WA-412 is almost unfathomable to the experienced studio engineer who has possibly paid much more for preamps of this style during their career. Featuring fully discrete socketed 6-pin opamps and custom wound Altran USA input and output transformers, the WA-412 leaves nothing to be desired. If you are looking for multiple channels of world class tone in an affordable package, the WA-412 might be the right choice for you.\u003c\/span\u003e\n\u003c\/div\u003e\u003cdiv\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003eThe WA-412 has all of the features one would expect from this style of preamp... and more. \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003eOutput Trim has been added to every channel for precise control and creative gain structuring\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e. They also added a Tone switch (transformer input impedance) \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003eto each channel, which allows you to choose the warm and punchy classic console tone, or \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003ea more open \u0026amp; neutral sound.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cp class=\"font_8\" style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003eEach channel utilizes a fully discrete\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e socketed opamp that can be swapped with other opamps. Discrete opamp circuitry is known for its high headroom and low distortion characteristics and has much to do with the coveted sound of these classic console preamps.  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003eCarefully choosing the WA-412 components has resulted in an \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003eamazing four channel ‘workhorse’ preamp\/DI that performs at the highest levels, while still adding a \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline;\"\u003etouch of vintage console magic to your signal.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"New | On Order","offer_id":46174557798683,"sku":"WA412","price":1399.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":49888818463003,"sku":"WA412RP","price":998.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/WA412_0.jpg?v=1692032989"},{"product_id":"wa-12-mkii-discrete-mic-pre-w-di-wa12mk2","title":"Warm Audio 12 MKII Discrete Mic Pre W\/DI","description":"\u003cdiv\u003eA lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume.  The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e​\u003c\/div\u003e\n\u003cdiv\u003eThe WA12 MKII is based around a discrete op-amp, the X731, which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp.  The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels.  The effects can be subtle, but very pleasing to the ear.  The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +\/-16v, 2520 pinout standard.  \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIf you are looking for a preamp to improve and shape your signal you will most definitely love the WA12 MKII. The WA12 MKII is designed to transform plain instruments and vocals into exciting tone.  If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, there is a good chance you will love the WA12 MKII.\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"New | On Order","offer_id":46174747427099,"sku":"WA12MK2","price":469.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47320467702043,"sku":"WA12MK2RP","price":298.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/WA12MK2_0.jpg?v=1692033105"},{"product_id":"manley-labs-force-4-channel-vacuum-tube-microphone-preamplifier-mfrc","title":"Manley Labs Force 4-Channel Vacuum Tube Microphone Preamplifier","description":"Your relationship with the FORCE begins with the ergonomic facia through its thoughtfully organized controls, silky and bulletproof rotary potentiometers, positive latching feature switches, and convenient Direct Input 1\/4\" jacks. Seven-way LED metering for each channel provides instant visible feedback for audio levels which are enhanced with a double-inlay CNC-milled accent. A feast for the eyes, yeah, we know. This is investment grade audio equipment that you will be as proud to showcase in your studio.\u003cp\u003eYour microphone signals enter through gold-plated XLR connectors straight into our MANLEY IRON® Mic input transformer. Your line level or instrument level guitars and keyboards come in via the front panel 1\/4\" Hi-Z 10 megOhm jacks before hitting the input level control which also acts as a Variable Input Pad. Phase Reverse and 120Hz High Pass filters can be invoked here in the circuit and then we're into the 12AX7 dual triode amplifying stage operating in pure Class A, of course. The amount of GAIN for each channel can be selected as 40dB or 50dB via the front panel switches. An additional 10dB of gain is available via internal jumpers. \u003cbr\u003e\u003cbr\u003eThe power supply is an innovative design developed specifically for Manley Labs, specifically for High Voltage vacuum tubes, and specifically for audio by the world expert team in this technology led by Bruno Putzeys. Proven reliable and sonically superior in the Manley CORE, this power supply provides 300 Volt DC rails to run the vacuum tubes, beefy 6 Volt lines to power them up, along with several other voltage rails for the phantom power and various solid-state control voltages. High Voltage = High Headroom, folks. You will not get near this sonic performance with in any 500-series design. Trust us. This is Full FORCE audio excellence which starts with this superior power supply. All lines are importantly regulated, low impedance, efficient, and super-quiet in this low radiating high frequency design. The universal mains input accepts any voltage or frequency from anywhere in the world making travel with the FORCE a breeze.Vacuum Tubes: 4x 12AX7WA dual triodes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMicrophone Input Impedance: Balanced Transformer Coupled XLR: 1250Ohms\u003c\/li\u003e\n\u003cli\u003eUnbalanced 1\/4\" Direct Input Impedance: 10MOhm\u003c\/li\u003e\n\u003cli\u003eMaximum Input: Mic input (Low Gain Setting): -5dBu or 435mV RMS at 0.5% THD\u003c\/li\u003e\n\u003cli\u003eMic input (High Gain Setting): -25dBu or 44mV RMS at 0.5% THD\u003c\/li\u003e\n\u003cli\u003eDirect input (Low Gain Setting): +24dBu or 12V RMS at 0.5% THD\u003c\/li\u003e\n\u003cli\u003eDirect input (High Gain Setting): +17dBu or 5.5V RMS at 0.5% THD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manley Labs","offers":[{"title":"New | In Stock","offer_id":46174998364443,"sku":"MFRC","price":2999.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47181736116507,"sku":"MFRCEBAYPRO","price":2500.0,"currency_code":"USD","in_stock":false},{"title":"Repack | On Order","offer_id":47322098270491,"sku":"MFRCRP","price":2088.88,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mfrc_0_1.jpg?v=1692033284"},{"product_id":"focusrite-scarlett-octopre-ams-scarlett-octopre","title":"Focusrite Scarlett OctoPre 8-Channel Microphone Preamp","description":"\u003cp\u003eExpand your studio via ADAT with eight 2nd generation Scarlett mic preamps.\u003c\/p\u003e\n\u003cp\u003eThe Scarlett OctoPre is the ideal 8-channel expansion for any Scarlett - or other digital interface with ADAT inputs. ADAT is a simple and easy way of increasing the number of simultaneous recording channels available in your studio. With eight channels of Focusrite's 2nd generation Scarlett preamps and precision A-D conversion at sample rates up to 192 kHz, Scarlett OctoPre is the ideal way of increasing the number of inputs in your studio. It also offers eight balanced line outputs, sourced directly from their respective mic preamps for use on stage in a live environment.\u003c\/p\u003e\n\u003cp\u003eEight natural-sounding 2nd generation Scarlett mic\/line inputs deliver high headroom, plenty of clean gain, low noise and minimal distortion - ideal for tracking drums as well guitars, keyboards, vocals and more. The front panel features two newly-designed instrument inputs with extended headroom. ADAT outputs let you connect to any interface or digital system with ADAT optical inputs, and analogue line outputs let you feed an analogue console at the same time as recording with the digital outputs.\u003c\/p\u003e\n\u003ch2\u003eIncluded\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAddictive Keys is now included for free with all Focusrite audio interfaces. So register your new or existing Focusrite audio interface today!\u003c\/li\u003e\n\u003cli\u003eRed 2 \u0026amp; 3 Plug-In Suite is now included as a free download when you purchase the OctoPre Dynamic audio interface.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"New | On Order","offer_id":46175365529883,"sku":"AMS-SCARLETT-OCTOPRE","price":579.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":50121030369563,"sku":"C104045","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/scarlett-octopre_front.jpg?v=1692033470"},{"product_id":"api-3124v-discrete-4-channel-mic-line-pre-3124v","title":"API 3124V Discrete 4-Channel Mic\/Line Pre","description":"\u003cdiv\u003eLike the API 3124+, the 3124V is a high quality, compact, 4-channel mic preamp. It is equipped with the RE-115 K mic input transformer and the proprietary output transformer found in all API mic pres and throughout the API product line. Additionally, the 3124V offers Variable Output Level Control and switchable 3:1 output transformer selection. The unit has an internal 48-volt phantom power supply, which is switchable for each channel, as well as -20dB pad switches that affect both the mic and Hi-Z instrument inputs, both located on the front panel.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe 3124V also features up to 65dB of gain. Additionally, the Hi-Z front panel inputs feed directly to the op amps, which allow a low level input such as a guitar or bass to be amplified without a matching transformer or direct box. These Hi-Z inputs can take levels as high as +20dBu, making them perfect for keyboards and other high level devices. 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This mixture of vintage and modern design approaches has led the Auteur to be known as as the “Swiss army knife of preamps” that sounds great on just about everything. It especially shines on sources that require detail but also benefit from some thickness such as drums or vocals. Some of the major additions to the Quad over the 2 channel half rack unit would be the all new meters on all four channels as well as borrowing the loved DI circuit from our 500 series Auteur on the first 2 channels. 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Each mic pre has variable input impedance, to provide a range of subtly different sonic options when using microphones, including an ‘ISA 110’ setting, which replicates the impedance of the original Focusrite mic pre. \u003c\/p\u003e\n\u003cp\u003eUp to 60dB of gain is available, with a further +20dB of continuously variable trim, providing a huge 80dB gain range. The high-pass filter features variable cut-off frequency between 16 and 420Hz. ISA 828 MkII features high-pass filters, calibratable per-channel, six-segment LED meters, and switchable rear-panel insert points, which allow the use of inline processors such as compressors or EQs. \u003c\/p\u003e\n\u003cp\u003eDedicated connectors for mic and line-level inputs allow all sources to be connected simultaneously, making ISA 828 MkII perfect for permanent installation in a rack. 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On the conversion side, the extraordinary SNR values show anastonishing 121.2 dB(A) on all channels. All twelve front-facing XLR connections accept microphone and line level signals, whilst the first four connections also accept TRS connectors, with switchable high impedance (Hi-Z) for instruments.\u003c\/p\u003e\n\u003ch1\u003eMADI \u0026amp; ADAT for maximum flexibility\u003c\/h1\u003e\n\u003cp\u003eBoth coaxial and optical (via an SFP module) MADI I\/O is available for independent or redundant operation, and can be used for daisy chaining, merging and converting MADI signals at incredibly low latency. Three optical ADAT outputs provide up to 24 channels of audio at single speed (for example, a combination of microphone inputs, MADI signals and AVB signals), or 12 output channels at 96 kHz sampling rate, ensuring compatibility with a wide range of audio interfaces. 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Mic input sources benefit from the Marinair(R) transformer-coupled input stage and sources can be connected directly to the front-mounted Mic\/Line\/DI input for recording in the studio control-room.\u003c\/p\u003e\n\u003cp\u003eThe 1073OPX’s analogue and digital monitor signal path allows use as a complete standalone I\/O interface or as a live room remote preamp with a full, latency-free monitoring cue mix signal path. The optional digital I\/O card comes with Neve’s industry-revered mastering-grade converters with up to 192kHz\/24-Bit A\/D conversion over USB connection for use as a Primary Audio Interface to any connected DAW-enabled computer as well as Primary and Secondary Dante®  connectivity for Audio-over-IP applications.\u003c\/p\u003e\n\u003cp\u003eWhen Legend meets future. The 1073OPX Optional Digital card provides a USB and Dante AD\/DA interface with eight channels of analogue to digital conversion for each 1073OPX preamp output and two channels of Digital to Analogue conversion for the digital monitor return signal path. The USB connection allows the 1073OPX to be connected to a DAW enabled PC\/MAC computer to be used as a Primary\/Core audio interface. In addition to the USB connection,  Primary and Secondary Dante connections  allow for  the 1073OPX to be connected to any Dante Audio-Over-Ip network as a Dante enabled preamp. The Digital card can be retrofitted easily to any existing 1073OPX unit.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe digital option will be shipped within the unit unless otherwise stated. \u003c\/strong\u003e\u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"New - Bundle: with Adat USB Digital Option Card | In Stock","offer_id":46183648067867,"sku":"1073OPX-ADAT-USB","price":5000.0,"currency_code":"USD","in_stock":true},{"title":"New - Bundle:   Digital Option Card | On Order","offer_id":46183648133403,"sku":"1073OPX-DIG","price":5455.0,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46183648166171,"sku":"1073OPX","price":4585.0,"currency_code":"USD","in_stock":true},{"title":"Repack - Bundle:   Digital Option Card | On Order","offer_id":47582527914267,"sku":"1073OPX-DIGDEMO","price":4288.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ams_neve_1073opx-1_1.jpg?v=1692042324"},{"product_id":"daking-mic-pre-4t-4-channel-preamp-with-jensen-transformers-micpre4t","title":"Daking Mic Pre 4T 4 Channel Preamp with Jensen Transformers","description":"\u003cp\u003eThe Daking Mic Pre 4T is a cost-effective solution for high-end preamps, housed in a compact single rack space chassis to be used in studio or live applications. The latest iteration of Daking’s 4 channel preamp adds dual concentric control, combining 75dB of variable gain with variable high pass filter. It uses all-discrete transistor Class A circuits, Jensen input and output transformers, and is manufactured from the ground up in USA. Every unit is hand-finished, tested, burned in, and tested again by TransAudio Group in Las Vegas, NV. The new Mic Pre 4T is the latest example of exemplary audio quality and craftsmanship in the tradition of the great British console manufacturers.\u003c\/p\u003e\n\u003cp\u003eUsed standalone or in conjunction with a console, each input offers 75dB of gain and 0-200Hz high pass filter control using Daking's signature aluminum knobs. It also features a 20-segment LED level meter with +25db peak indicator, switchable 1\/4” DI or mic input, switchable +48V phantom power, switchable input phase and switchable 20dB pad.\u003c\/p\u003e\n\u003cp\u003eThe Daking Mic Pre 4T is housed in a robust all stainless-steel enclosure with an outboard DC power supply in a separate housing, offering not only durability but immunity from noise and RF interference. The attention to detail extends to the internal components, which include gold bifurcated contacts on all relay switching. The supplied universal power supply can operate at any voltage for use worldwide.\u003c\/p\u003e","brand":"Daking","offers":[{"title":"New | On Order","offer_id":46184046297371,"sku":"MICPRE4T","price":2999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47194670170395,"sku":"MICPRE4TRP","price":2311.67,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mic_pre_4t_front2_1.jpg?v=1692043024"},{"product_id":"grace-design-m108-8-channel-remote-controlled-mic-preamp-adc-am108","title":"Grace Design M108 8-Channel Remote Controlled Mic Preamp \/ ADC","description":"\u003ctable style=\"width: 100%; border-collapse: collapse;\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%;\"\u003e\n\u003ch3\u003eTHE FINEST SOUNDING, MOST CAPABLE MIC PREAMP WE HAVE EVER CREATED\u003c\/h3\u003e\n\u003cp\u003eFrom 25 years experience of creating acclaimed professional audio products, comes the latest evolution of our mic preamplifier design: the m108. With eight channels of our transparent, musical mic preamplification, state of the art A\/D conversion, multiple digital output formats, and flexible local or remote controlled operation, the m108 is a vital addition to any modern audio production environment.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 50%;\"\u003e\u003cimg src=\"https:\/\/gracedesign.com\/wp-content\/uploads\/2020\/03\/m108_closeup.jpg\" alt=\"\" width=\"400\" height=\"266\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%;\"\u003e\u003cimg src=\"https:\/\/gracedesign.com\/wp-content\/uploads\/2020\/03\/m108_in-studio.jpg\" alt=\"\" width=\"400\" height=\"225\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 50%;\"\u003e\n\u003ch3\u003eUNRIVALED PERFORMANCE\u003c\/h3\u003e\n\u003cp\u003eOur transformerless, transimpedance mic preamp design is unmatched in its ability to effortlessly resolve complex sonic waveforms, resulting in recordings of amazing clarity and depth. Integrated A\/D conversion delivers digital signals to the workstation that are pure and beautiful. Latest generation s-Lock PLL ensures pristine, jitter free sample clock when clocking from external word clock or Dante clock. And an asynchronous mode USB interface provides the best possible jitter performance when connected to a computer.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%;\"\u003e\n\u003ch3\u003eSIMPLE OPERATION\u003c\/h3\u003e\n\u003cp\u003eA push-button rotary encoder is used for navigating and operation, with a user interface that is simple and intuitive. Dedicated push-buttons are assigned to core functions: 48V phantom power, phase reverse, channel grouping and meter peak clear. A crisp OLED screen displays complete system information, including channel gain settings, metering, peak status, and the system setup menu.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 50%;\"\u003e\u003cimg src=\"https:\/\/gracedesign.com\/wp-content\/uploads\/2020\/03\/m108_closeup2.jpg\" alt=\"\" width=\"400\" height=\"267\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%;\"\u003e\u003cimg src=\"https:\/\/gracedesign.com\/wp-content\/uploads\/2020\/03\/m108-dante-option.jpg\" alt=\"\" width=\"400\" height=\"266\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 50%;\"\u003e\n\u003ch3\u003ePOWERFUL CONFIGURATION\u003c\/h3\u003e\n\u003cp\u003eBased on the acclaimed success of our m802 remote controlled mic preamplifier, the m108 distills the best of these achievements into a sleek, elegant 1U chassis design. Our transformerless, transimpedance mic preamp design is unmatched in its ability to effortlessly resolve complex sonic waveforms, resulting in recordings of amazing clarity and depth. Integrated A\/D conversion delivers digital signals to the workstation that are pure and beautiful. Latest generation s-Lock PLL ensures pristine, jitter free sample clock when clocking from external word clock or Dante clock. And an asynchronous mode USB interface provides the best possible jitter performance when connected to a computer.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Grace Design","offers":[{"title":"New | On Order","offer_id":46184667316507,"sku":"AM108","price":3966.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":50155719754011,"sku":"AM108EBAYPRO","price":3500.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/m108.jpg?v=1692044414"},{"product_id":"audient-evo-sp8-8-channel-smart-preamp-with-ad-and-da-evosp8","title":"Audient EVO SP8 8 Channel Smart Preamp with AD and DA","description":"\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe ultimate studio preamp expander is here. EVO SP8 is designed to be the perfect partner for expanding your existing audio interface. Give your studio the performance and capability boost it needs, providing eight intelligent EVO Preamps that set their own levels with Smartgain, advanced AD\/DA converter technology and a versatile range of I\/O connectivity. Add to that two JFET instrument inputs, the all new, groundbreaking Motion UI control system and exceptional audio performance across the board. The EVO SP8 might just be the world’s smartest Mic Preamp.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe perfect partner for your audio interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBigger sessions demand more channels and expanding your existing audio interface via ADAT might be the most cost effective solution to scale up your studio. EVO SP8 provides eight mic\/line inputs, eight line outputs and 2 x ADAT connections, giving you enough I\/O firepower to easily tackle multi-mic sessions like recording drums, or taking on a full band.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet studio quality recordings The EVO Mic Preamp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSay hello to the preamps your studio needs. Eight sonically stunning EVO preamps will effortlessly level up your recordings, delivering professional grade audio performance backed by 25 years of engineering experience. 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Also included is a helpful ‘pre EQ\/post EQ’ push button to place the compressor either before or after the EQ section, plus an independent bypass button.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVariable Silk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the end of the Newton’s signal path is the unique \u0026amp; highly coveted variable Silk circuit, providing the power \u0026amp; control to amplify 2nd and 3rd order harmonics by saturating our custom Rupert Neve Designs output transformers for a vintage tonality.\u003c\/p\u003e\n\u003cp\u003eWith the variable Texture knob, the engineer is able to precisely dial in the desired amount of harmonic density – with Silk Red mode highlighting harmonics in the highs and upper mid frequencies, and Blue mode accentuating harmonics in the lows and low mids. From a subtle transformer tonality without Silk, to significantly more color than vintage modules with the Silk \/ Texture circuit fully pushed, the Newton’s output stage can fill out tracks with enhanced power and sparkle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom Transformer Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Newton Channel has a custom transformer output stage with a balanced MAIN standard line level output. Additionally, a separate -6dBu XLR output can compensate for high levels of input and Silk harmonic saturation, enabling engineers to fully drive the Newton to achieve more transformer harmonics without clipping the next device in the chain. Both outputs are active and can be used concurrently.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Rupert Neve Designs","offers":[{"title":"New | In Stock","offer_id":46185282535707,"sku":"5034","price":1999.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":48989286170907,"sku":"5034EBAYPRO","price":1874.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/newton-straight-cut.jpg?v=1692045387"},{"product_id":"phoenix-audio-theata-8-channel-class-a-discreet-instrument-preamp-theata","title":"Phoenix Audio Theata 8 Channel Class A Discreet Instrument Preamp","description":"\u003cp\u003eTheata is truly a unique professional audio product which is so unusual in todays audio products market, the Theata have been custom designed for the studio, live \u0026amp; broadcast markets.\u003c\/p\u003e\n\u003cp\u003eAs the demand for electronic instruments like synths, electronic drums and sequencers has exploded the need for high quality amplification has become increasingly critical as well as having the best possible quality instrument pre-amps for guitars \u0026amp; basses or even routing virtual instruments from your DAW. Phoenix Audio is committed to making sure that we maintain the sonic integrity of the instrument whilst enhancing the sound with the very best in modern analog circuitry with a strong nod to our vintage 70’s design background through our custom designed and wound transformers which can add a pleasing color and tone to enhance the instruments best characteristics.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you want to capture every syllable and every single frequency of every single note played you need ultra high impedance input amplification capture as lower resolution impedance simply means you lose the natural wide frequency of your instruments and they become dull and lifeless and often seem flat and 2D sounding, the Theata input amplification allows you to capture everything and then you the ability to modify and sculpt the sound with our Class A discrete output amplifiers and transformers.\u003c\/p\u003e\n\u003cp\u003eThe Theata has eight channels and if you see each channel as an individual channel strip then the advantage of active electronics is you can have great control with 30db of gain, this can be used to drive synths to add color and tone or to simply bring levels up like guitars which need extra amplification, it might even be enough gain to power a tube mic or dynamic \u0026amp; condenser mic (with an additional gain clean booster). Each channel has its own dedicated 15 pad for gain reduction, phase reverse and ground lift and to really sculpt sounds or remove unwanted noise rumble, there is a variable high pass filter\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003ewith a great number of frequency options to allow great flexibility.\u003c\/p\u003e\n\u003cp\u003eThe Theata has huge variety of input and output options, with over 24 inputs and 20 outputs there are eight unbalanced TRS inputs on the front, an eight channel D-sub input connector on the rear panel and a further eight TRS through inputs also on the front, these can be used to present another input source or for real creativity mix another signal with the input \u0026amp; through to create a new mixed sound which can have really exciting results.\u003c\/p\u003e\n\u003cp\u003eOn the rear the Theata has 20 outputs, these come in the form of 16 direct D-sub outputs with two dedicated to each channel, then two XLR mix master outputs and two master monitor outs.\u003c\/p\u003e\n\u003cp\u003eBut the really exciting part of the Theata is its routing matrix, each channel has its own left and right switching options, these can be used to route any and all of the eight channels to a master bus so that you can sum to the two channel mixing board that is part of the Theata. You can even send a mono signal to a stereo bus which can create some exciting options. When you route your channels to the master bus you allow the eight channels to be summed to a pair of outputs which is free up valuable inputs on your DAW interface or FOH or to essentially mix your instruments, the mixing bus of the Theata is a Class A active high gain voltage earth solution.\u003c\/p\u003e\n\u003cp\u003eOn the master bus you even more options like the main stereo output, additional left and right monitor outputs and stereo width effect which has the great ability to widen the mix or create a narrow mono mix, this has the ability to create some really exciting sonic opportunities. Also if you want to insert you favorite outboard like your favorite outboard compressors or EQ’s then the master bus has its own dedicated insert send and return connectors and if eight channels aren’t enough for all the instruments then the linking function can be used so two channels can be merged into a 16 channel unit.\u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"New | On Order","offer_id":46185450307867,"sku":"THEATA","price":2799.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49545018212635,"sku":"THEATAEBAYPRO","price":2399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/theata-face.jpg?v=1692045495"},{"product_id":"universal-audio-8110-precision-class-a-multi-channel-preamp-c104023","title":"Universal Audio 8110 Precision Class A Multi-channel Preamp","description":"\u003cp\u003e*Please note -- this item is pre-owned and may show signs of use. Please see photos. \u003c\/p\u003e\n\u003cdiv id=\"overview\" class=\"csp2-sidebar__section\"\u003e\n\u003cdiv class=\"csp2-sidebar__description\"\u003e\n\u003cdiv\u003eUniversal Audio's 8110 is an 8-channel mic preamp with Class-A discrete electronics, three-position tone control through switchable transformer loading, and separate input and output gain controls for various sonic characteristics. Polarity inversion, attenuation, and fixed high-pass filter are standard. Features mic and line inputs, but is without the Hi-Z instrument inputs of the 4110.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"gallery\" class=\"csp2-sidebar__section\"\u003e \u003c\/div\u003e","brand":"Universal Audio","offers":[{"title":"Pre-Owned | On Order","offer_id":46185620439323,"sku":"C104023","price":3999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/4k0a4611.jpg?v=1692045614"},{"product_id":"avedis-audio-keyprer-kp6-electronic-instrument-preamplifier","title":"Avedis Audio KeyPre® KP6 – Electronic Instrument Preamplifier","description":"\u003cp\u003eThe KeyPre® was designed for professional keyboard, synthesizer, and drum machine users who want to use something better than a mixer input channel or a DI (direct injection).\u003c\/p\u003e\n\u003cp\u003eElectronic instruments often have a wide range of different output levels and impedances, and with much wider bandwidth than traditional passive instruments such as electric guitars.\u003c\/p\u003e\n\u003cp\u003eThis presents a challenge for any outboard device following it. A high performance preamplifier, specifically designed for electronic instruments, is needed to ensure nothing is being compromised or bottlenecked as your sound is being processed.\u003c\/p\u003e\n\u003cp\u003eOver two years have been dedicated to research, test, and develop the KeyPre® and we are confident it will preserve the integrity of your electronic instrument for both recording and live applications.\u003c\/p\u003e","brand":"Avedis","offers":[{"title":"New | On Order","offer_id":46186223436059,"sku":"KP6","price":1875.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/expozme-photography_s-img0326-stacked.jpg?v=1692046146"},{"product_id":"behringer-di4000-v2-4-channel-rackmount-active-di-box-di4000v2","title":"Behringer DI4000 V2 4-Channel Rackmount Active DI-Box","description":"\u003cp\u003eThe Direct Box is the “standard” way to make high-impedance, unbalanced line signals (like guitar, bass, or keyboard) compatible with recording and live sound consoles. An age-old and essential part of any pro-audio engineer's toolbox, the DI Box is effective, practical, and simple enough--until things get more complex, and they nearly always do. That’s where the Behringer DI4000 shines. For less money than most single-channel DI boxes, the D4000 V2 has enough channels to connect up to 4-instruments at once, and there is a lot more. \u003c\/p\u003e\n\u003cp\u003eThanks to a pair of switchable -20 dB attenuators per channel, each active DI can cover signals up to 3,000 watts directly from a speaker output or boost weak, low-power signals 20dB to solid, balanced XLR outs. The internal power story can also overcome voltage fluctuations common in many live venues and adapt to worldwide variances from 100-240 volts. Each channel is fitted with gold-plated XLR connectors and features a ground lift and reverse phase switch for noise-free performance and optimal signal alignment. It also has a high-cut filter in the 8k range that’s great for use with guitars. On top of the already long list of features, a high-quality buffer preserves signal integrity and delivers optimally balanced, 600-ohm low impedance output. \u003c\/p\u003e","brand":"Behringer","offers":[{"title":"New | On Order","offer_id":46243997974811,"sku":"DI4000V2","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1592997393_img_1379004.jpg?v=1692040840"},{"product_id":"rupert-neve-designs-portico-5017-1217867","title":"Rupert Neve Designs Portico 5017","description":"\u003cp\u003e\n\t\u003cb\u003eComprised of a rugged, portable chassis with world class Portico pre-amp, compressor and DI circuits as well as two channel operation, variphase, silk and DI\/mic blending capabilities, the Portico 5017 is an innovative and powerful tool for recording or live performance. In replacing the Portico 5016 Mic Pre \/ Variphase DI, the 5017 Mobile DPC adds single knob compression, DI \/ Mic Pre blending, and a go anywhere design to a well established classic.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\n\tWith Portico Series custom transformers and silk mode, the Mobile DPC’s sonic signature is nothing short of legendary. It’s the 5017′s revolutionary feature set however that make it an indispensable tool for studio recording, live recording and stage performances.\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003ch3\u003e\n\tDual Channel Use\u003c\/h3\u003e\n\u003cp\u003e\n\tUsed as a two channel device, a lead singer and guitar player, can take the classic studio quality of the 5017 wherever they go; using the DPC for a Vocal mic pre and compressor, as well as a separate DI preamplifier. To achieve this, the blend control should be selected as fully DI (blend off), and an internal jumper can be selected to apply the compressor to the mic pre signal. When engaged, Silk mode would effect both vocal and guitar tracks, and the HPF control would effect only the mic path.\u003c\/p\u003e\n\u003ch3\u003e\n\tBlended Use\u003c\/h3\u003e\n\u003cp\u003e\n\tUsed as a single channel device for instruments, the 5017 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e\n\u003ch3\u003e\n\tThe Compressor\u003c\/h3\u003e\n\u003cp\u003e\n\tBased around a new LDR (light dependent resister) design, the 5017′s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with an internal jumper to change between standard and fast time constants. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e\n\u003ch3\u003e\n\tVari-Phase\u003c\/h3\u003e\n\u003cp\u003e\n\tIn addition to the standard polarity reverse, the 5017 also incorporates a vari-phase control to adjust the phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e\n\u003cp\u003e\n\tFor instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e\n\u003cp\u003e\n\tThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 5017, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e\n\u003cp\u003e\n\tWith the 5017, the Portico sound is always within reach.\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv id=\"features\"\u003e\n\t\u003ch3\u003e\n\t\tTwo Channel Operation\u003c\/h3\u003e\n\t\u003cp\u003e\n\t\tWith two transformer coupled outputs, the 5017 has separate line outputs for the DI\/Blend and Mic signals when the blend control is set to fully DI. The mic output is always independent.\u003c\/p\u003e\n\t\u003ch3\u003e\n\t\tSilk\u003c\/h3\u003e\n\t\u003cp\u003e\n\t\tMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003c\/p\u003e\n\t\u003ch3\u003e\n\t\tMic Gain\u003c\/h3\u003e\n\t\u003cp\u003e\n\t\tMic gain is from 0dB to 66dB. Overall gain to restore the apparent program level\u003c\/p\u003e\n\t\u003ch3\u003e\n\t\tDI Gain\u003c\/h3\u003e\n\t\u003cp\u003e\n\t\tDI Gain is from 0dB to 30dB\u003c\/p\u003e\n\t\u003ch3\u003e\n\t\tDI input\u003c\/h3\u003e\n\t\u003cp\u003e\n\t\tBalanced or unbalanced Hi-Z input for instruments\u003c\/p\u003e\n\t\u003ch3\u003e\n\t\tHigh pass filter\u003c\/h3\u003e\n\t\u003cp\u003e\n\t\tThe high pass filter is a valuable aid in any signal chain but particularly so in a microphone preamplifier. Signals below 80hz can be attenuated at a rate of 12db \/ octave, getting rid of building rumble, air handling motor hum etc.\u003c\/p\u003e\n\t\u003ch3\u003e\n\t\tPhantom power\u003c\/h3\u003e\n\t\u003cp\u003e\n\t\tProvides 48v phantom power to microphones. Controlled by a switch on the back of the unit.\u003c\/p\u003e\n\t\u003ch3\u003e\n\t\tPhase invert\u003c\/h3\u003e\n\t\u003cp\u003e\n\t\tReverses the polarity of the mic input\u003c\/p\u003e\n\t\u003ch3\u003e\n\t\tThreshold\u003c\/h3\u003e\n\t\u003cp\u003e\n\t\tWhen signals exceed the \"threshold\"  level, the gain is reduced at a controlled 2:1 ratio, with attack and release time constants set to standard or fast depending on the internal jumper setting.\u003c\/p\u003e\n\t\u003ch3\u003e\n\t\tIndicators\u003c\/h3\u003e\n\t\u003cp\u003e\n\t\tIndicators on the 5017 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.\u003c\/p\u003e\n\t\u003ch3\u003e\n\t\tInternal jumpers\u003c\/h3\u003e\n\t\u003cp\u003e\n\t\tTwo internal jumpers in the 5017 can be set to change the compressor from the mic channel to the di \/ blend channel, and to change the compressor time constant from standard to fast.\u003c\/p\u003e\n\t\u003cp\u003e\n\t\t \u003c\/p\u003e\n\t\u003cp\u003e\n\t\t \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Repack | On Order","offer_id":47041968996635,"sku":"5017EBAYPRO","price":1198.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":47402013131035,"sku":"5017","price":1499.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49452586959131,"sku":"5017RP","price":1200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/5017EBAYPRO-1.jpg?v=1700673351"},{"product_id":"solid-state-logic-ssl-pure-drive-quad-microphone-preamp","title":"Solid State Logic SSL Pure Drive Quad Microphone Preamp","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eStrap: Mic Pre’s with prestige: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePURE DRIVE OCTO harnesses the renowned SuperAnalogue PureDrive™ microphone preamp technology originally featured in Solid State Logic's ORIGIN console, introduces a new DRIVE mode and connectivity, and makes it available in a 4-channel 2U rackmount unit. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eSSL's contemporary-classic recording console, ORIGIN, introduced the PureDrive™ microphone preamplifier. This innovative preamp retains the clarity and punch of previous SSL designs while offering the added versatility of switching its character to a warm, harmonically rich, and driven tone that varies with gain. ORIGIN, along with the PureDrive™ microphone preamp, has made its mark in the world's premier studios. Whether it's capturing the delicate nuances of a piano concerto in PURE mode or imparting warmth on a drum recording when set to DRIVE, the PureDrive™ microphone preamp has become an essential tool in some of the most prestigious studios and recording facilities due to its flexibility and superb sonic signature. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePURE DRIVE QUAD continues the legacy into rack format, delivering four microphone preamps with ORIGIN’s renowned PURE and DRIVE modes, but takes it further, adding a new ‘Asymmetric’ DRIVE, advanced digital connectivity, and an onboard USB interface. PURE DRIVE QUAD offers four mic preamp input impedance options, enabling engineers to explore various tonal possibilities or match the mic pre's impedance closely to the microphone. Additionally, each mic pre includes independent +48V phantom power, polarity inversion, and a sweepable High Pass Filter. PURE DRIVE QUAD stands as one of the most capable and feature-rich outboard microphone preamplifiers available, introducing a host of new sonic possibilities and workflows for the discerning producer and recording engineer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e3 Flavors, 1 Mic Pre \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePURE DRIVE QUAD is a testament to SSL's commitment to progressive analogue circuit design. No electro-mechanical components (potentiometers, mechanical switches, relays etc) are used in the critical audio signal path of PURE DRIVE QUAD, increasing product longevity, and allowing impeccable ‘matching’ between all channels – not just a stereo pair. The use of digitally controlled analogue circuits, controlled by detented pots and electronic switches simplifies recall and precision of settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eEach of PURE DRIVE QUAD’s mic pre’s can be independently switched between three distinct DRIVE modes: Clean, Classic Drive, and Asymmetric Drive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eClean mode delivers the highly regarded, ultra-low noise floor, linear SSL preamp that is recognized for its ability to faithfully capture the sound of the source with exceptional clarity and detail. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eClassic Drive is the symmetrical mode that generates predominantly odd harmonics; the same drive sound found on the ORIGIN console.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eAsymmetric Drive offers up a new colouration option, specifically designed for the PURE DRIVE range, making the even harmonic content dominant and providing more pronounced thickness, colouration and softening of transients.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAdvanced Connectivity\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePURE DRIVE QUAD’s advanced connectivity opens a world of recording possibilities. Its comprehensive selection of analogue and digital I\/O offers microphone preamps with exceptional performance and flexibility, whether you're tracking a band in a world-class studio or adding warmth to stems in a production scenario. It's also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePURE DRIVE QUAD features four rear-mounted combo XLR inputs, four front-panel Hi-Z\/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE QUAD’s insert returns\/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePURE DRIVE QUAD’s versatile digital connectivity features an integrated USB soundcard providing four channels of audio into your DAW up to 32-Bit\/192 kHz. Two AES\/EBU output pairs, and ADAT out, offering four channels at 24-bit\/48 kHz, or cascade two PURE DRIVE QUADs via its convenient ADAT LINK IN connection and access up to eight channels. The AES and ADAT outputs can even be individually repurposed to be fed from the onboard USB soundcard as outputs from your DAW. Finally, there's an auto-ranging word clock input and output for robust digital clocking.\u003c\/span\u003e\u003c\/p\u003e","brand":"Solid State Logic","offers":[{"title":"New | On Order","offer_id":47176629158171,"sku":"729744X2","price":1399.99,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":48703630606619,"sku":"729744X2RP","price":1499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/QUADFront.jpg?v=1699282765"},{"product_id":"solid-state-logic-ssl-pure-drive-octo-microphone-preamp","title":"Solid State Logic SSL Pure Drive Octo Microphone Preamp","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eStrap\u003c\/b\u003e: Mic Pre’s with prestige: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePURE DRIVE OCTO harnesses the renowned SuperAnalogue PureDrive™ microphone preamp technology originally featured in Solid State Logic's ORIGIN console, introduces a new DRIVE mode and connectivity, and makes it available in an 8-channel 2U rackmount unit. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eSSL's contemporary-classic recording console, ORIGIN, introduced the PureDrive™ microphone preamplifier. This innovative preamp retains the clarity and punch of previous SSL designs while offering the added versatility of switching its character to a warm, harmonically rich, and driven tone that varies with gain. ORIGIN, along with the PureDrive™ microphone preamp, has made its mark in the world's premier studios. Whether it's capturing the delicate nuances of a piano concerto in PURE mode or imparting warmth on a drum recording when set to DRIVE, the PureDrive™ microphone preamp has become an essential tool in some of the most prestigious studios and recording facilities due to its flexibility and superb sonic signature. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePURE DRIVE OCTO continues the legacy into rack format, delivering eight microphone preamps with ORIGIN’s renowned PURE and DRIVE modes, but takes it further, adding a new ‘Asymmetric’ DRIVE, advanced digital connectivity, and an onboard USB interface. PURE DRIVE OCTO offers four mic preamp input impedance options, enabling engineers to explore various tonal possibilities or match the mic pre's impedance closely to the microphone. Additionally, each mic pre includes independent +48V phantom power, polarity inversion, and a High Pass Filter. PURE DRIVE OCTO stands as one of the most capable and feature-rich outboard microphone preamplifiers available, introducing a host of new sonic possibilities and workflows for the discerning producer and recording engineer. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e3 DRIVE Flavors, 1 Mic Pre \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePURE DRIVE OCTO is a testament to SSL's commitment to progressive analogue circuit design. No electro-mechanical components (potentiometers, mechanical switches, relays etc) are used in the critical audio signal path of PURE DRIVE OCTO, increasing product longevity, and allowing impeccable ‘matching’ between all channels – not just a stereo pair. The use of digitally controlled analogue circuits, controlled by detented pots and electronic switches simplifies recall and precision of settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eEach of PURE DRIVE OCTO’s mic pre’s can be independently switched between three distinct DRIVE modes: Clean, Classic Drive, and Asymmetric Drive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eClean mode delivers the highly regarded, ultra-low noise floor, linear SSL preamp that is recognized for its ability to faithfully capture the sound of the source with exceptional clarity and detail. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eClassic Drive is the symmetrical mode that generates predominantly odd harmonics; the same drive sound found on the ORIGIN console.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eAsymmetric Drive offers up a new colouration option, specifically designed for the PURE DRIVE range, making the even harmonic content dominant and providing more pronounced thickness, colouration and softening of transients.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAdvanced Connectivity\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePURE DRIVE OCTO's advanced connectivity opens a world of recording possibilities. Its comprehensive selection of analogue and digital I\/O offers microphone preamps with exceptional performance and flexibility, whether you're tracking a band in a world-class studio or adding warmth to stems in a production scenario. It's also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePURE DRIVE OCTO features eight rear-mounted combo XLR inputs, four front-panel Hi-Z\/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE OCTO’s insert returns\/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePURE DRIVE OCTO's versatile digital connectivity features an integrated USB soundcard providing eight channels of audio into your DAW up to 32-Bit\/192 kHz. Four AES\/EBU output pairs, and ADAT out, offering eight channels at 24-bit\/48 kHz, or up to four channels at 24-bit\/192 kHz via SMUX. The AES and ADAT outputs can even be individually repurposed to be fed from the onboard USB soundcard as outputs from your DAW. Finally, there's an auto-ranging word clock input and output for robust digital clocking.\u003c\/span\u003e\u003c\/p\u003e","brand":"Solid State Logic","offers":[{"title":"New | On Order","offer_id":47435171004699,"sku":"729745X2","price":2499.99,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":51884960907547,"sku":"729745X2RP","price":2299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/OCTOfront.jpg?v=1702409876"},{"product_id":"ams-neve-1073spx-d-mono-mic-preamp-eq-and-digital-interface","title":"AMS Neve 1073SPX-D Mono Mic Preamp, EQ and Digital Interface","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eLegendary Preamps\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eFor six decades, Neve preamps have led the charge in studio technology, offering a premium front-end system that instils confidence in engineers, artists, and producers, allowing their creativity to flourish. The 1073SPX propelled this technology forward, catering to modern workflow demands. Now, the 1073SPX-D elevates this legacy to even greater heights.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eDigital Innovation\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe 1073SPX-D represents Neve’s drive for innovation in the esteemed 1073 line, by seamlessly integrating a full and genuine 1073 channel strip with a robust digital audio interface. USB and ADAT digital connections transform the 1073SPX-D into a versatile one-stop solution for recording, mixing, and monitoring in any studio setting or audio application.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eCustom Workflows\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe SPX-D’s innovative digital interface offers versatile functionality, catering to a multitude of workflows. Musicians can seamlessly connect the 1073SPX-D directly to a PC\/Mac, streamlining the process with a simple ‘plug \u0026amp; play’ setup. Additionally, the 1073SPX-D acts as an ADAT audio expander for existing audio interfaces, allowing home studio users to integrate a complete 1073 channel strip into their setup with ease.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eAnalogue Legacy\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe 1073 reigns supreme as the epitome of preamp excellence, embodying the Neve sound revered by professionals. Attempts to replicate its essence have all fallen short. The 1073SPX-D combines class-A circuit design with pristine AD\/DA conversion technology derived from their immensely popular range of converters, delivering unparalleled sonic character.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eMeticulously crafted by the expert Neve engineering team, the 1073SPX-D offers pure audio, to audio purists.\u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"New | In Stock","offer_id":48193465057563,"sku":"1073SPXD","price":2995.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":48705953759515,"sku":"1073SPXDEBAYPRO","price":2512.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1073SPXD50RT.jpg?v=1712063775"},{"product_id":"behringer-1273-vintage-stereo-microphone-preamp","title":"Behringer 1273 Vintage Stereo Microphone Preamp","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eEvery so often, an iconic piece of hardware takes the music industry by storm and transforms into a beloved fixture in studios worldwide, and the “1073” was one such piece of gear\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e--Uli Behringer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn some of the most exciting pro-audio news this year, Behringer announced the arrival of the 1273 Mic preamp, based on the priceless 1073, at a price you can’t afford to miss. Indeed, one of the most highly coveted professional recording components ever made, the Neve 1073 pre-amp first appeared as a custom addition to London’s first 24-track console in 1970. Loved for its unique musical character and outstanding computability with virtually any microphone or sound source, the 1073 quickly found its way into the most prestigious studios around the world. Over a half-century after its introduction, today's top producers and engineers still consider it the “Holy Grail” of microphone preamps. While every sound engineer understands the value of a top-shelf mic pre, spending tens of thousands on a vintage 1073 is a cost-prohibitive roadblock….\u003c\/p\u003e\n\u003cp\u003eThe Behringer design team (led by former Neve engineer John Price) pulled out all the stops and faithfully recreated the 1073’s sonic potential and a fantastic range of performance compatibility.\u003c\/p\u003e\n\u003cp\u003eBuilt on a discrete, transistorized circuit for low-noise and minimal tonal coloration, the 1073 sounds clear and natural even before the EQ is engaged. The reliable linear class-A power plant and high-quality custom-designed Midas input \u003cem\u003eand\u003c\/em\u003e output transformers accurately maintain signal integrity without unwanted distortion. Of course, the full potential for elevating the quality of your tacking is unlocked with the inductor-based equalizers and 3rd order high-pass filter. Controls in this section feature controls for Low, Mid, and High-frequency boost\/cut, each with 4 set frequency levels 35\/60\/110\/220hz, and a 5-position high pass filter for fine-tuning—plus a by-pass function for comparing with the raw signal. \u003c\/p\u003e\n\u003cp\u003eThe resistor-stepped 80 dB variable gain control at the input stage will maximize any input signal, including Ribbon, Dynamic and Transducer mics, or line sources. Additionally, each channel features dedicated switches for phase, tone, insert, instrument, and Phantom power for ultimate adaptability. \u003c\/p\u003e","brand":"Behringer","offers":[{"title":"New | Pre-Order (ETA: 7\/31\/2026)","offer_id":48712826650907,"sku":"1273","price":779.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":50001536549147,"sku":"1273EBAYPRO","price":779.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/Image_BE_0838-AAW_1273_Front_XL.png?v=1718906616"},{"product_id":"wunder-audio-pafour-plus-4-channel-microphone-preamp","title":"Wunder Audio PAFOUR Plus 4-Channel Microphone Preamp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Please note -- this item is pre-owned and may show signs of use. Includes a six-month Alto Music warranty!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe Wunder Audio PAFOURplus is the 19\" rack mount, four-channel microphone preamplifier version of the PEQ2. We've added new features to every channel of the original PAFOUR to make this new version a definite plus.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Wunder Audio","offers":[{"title":"Pre-Owned | On Order","offer_id":48849956798747,"sku":"C104253","price":3098.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/4K0A9967984.jpg?v=1717175902"},{"product_id":"tk-audio-dp3-stereo-microphone-preamp","title":"TK Audio DP3 Stereo Microphone Preamp","description":"\u003cp class=\"p1\"\u003eThe DP3 is a versatile, hybrid-design stereo mic preamp that includes vintage \u003ci\u003eand \u003c\/i\u003emodern circuits to deliver a broad range of creative tonal options. With the DP3, you’ll get\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003ethe mid-range germanium crunch of the mid ‘60s; the low-mid punch and thick sound associated with British class-A preamps from the early ‘70s; and the more modern tones of the ‘80s and ‘90s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGet vintage color, modern transparency, or even something in between — all in one rack space. The DP3 from TK Audio.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eTons of Tones\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile the DP3 includes TK’s proven input stage and germanium circuit from the DP2, we’ve also incorporated a new saturation circuit that — together with the vintage class-A stage — gives you a broad palette of character choices.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe input stage is designed around a high quality Swedish Lundahl transformer and high gain stage, followed by selectable saturation and germanium circuits for even more color and harmonics.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInstead of switching output stages, as was done in previous models, the class-A stage is now inserted in front of the Output level control, letting you drive the transformer harder without overloading your A\/D converters while making the output less sensitive to different impedances. The class-A stage uses a heavy, custom-made Carnhill transformer that produces a fat, punchy sound with mid-range character and a warm top end.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eIdeal for colorful DI recording\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Hi-Z direct mode function bypasses the input transformer and input stage, and sends the instrument signal directly to the high-pass filter and the selectable saturation and germanium circuits. The dedicated Hi-Z instrument input has a separate activation switch, so you can leave your instrument connected all the time!\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDirect mode gain is +14 dB, which is perfect for bass recording together with the class-A stage. The sweepable high-pass filter goes from 30 Hz to 400 Hz for precision crafting of the low end.\u003c\/p\u003e\n\u003c!----\u003e","brand":"TK Audio","offers":[{"title":"New | On Order","offer_id":49234611667227,"sku":"DP3TK","price":1899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/DP3P-3k.jpg?v=1722007193"},{"product_id":"altec-1612a-limiter-mic-pre","title":"Altec 1612A Limiter \/ Mic Pre","description":"\u003cp\u003e*Please note  -- This pre-owned item may show signs of use. Please see the photos for details.\u003c\/p\u003e\n\u003cp\u003eThe Altec 1612A Limiter \/ Mic Pre is a classic tube-based dynamics processor and microphone preamp, renowned for its smooth, musical compression and warm, vintage tone. Originally designed for broadcast, recording, and live sound applications, the 1612A has become a studio favorite for adding rich harmonic character and dynamic control to vocals, drums, bass, and more.\u003c\/p\u003e\n\u003cp\u003eEquipped with a built-in tube preamp, the 1612A provides high-quality gain for microphones and line-level sources, making it a versatile front-end processor for any studio setup. The variable threshold and recovery time controls allow precise compression tailoring, while the all-tube circuitry delivers a thick, smooth response reminiscent of classic analog recordings. Whether used as a mic preamp, limiter, or both, the Altec 1612A is an excellent choice for achieving warm, vintage-style dynamics processing.\u003cbr\u003e\u003c\/p\u003e","brand":"Altec","offers":[{"title":"Pre-Owned | In Stock","offer_id":50016325009691,"sku":"C105536","price":1188.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/4K0A926598.jpg?v=1741206764"},{"product_id":"schoeps-vms-5-u-stereo-microphone-preamplifier","title":"Schoeps VMS 5 U Stereo Microphone Preamplifier","description":"\u003cp\u003e\u003cspan\u003e*Please note  -- This pre-owned item may show signs of use. Please see photos for details of the product.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Schoeps VMS 5 U Stereo Microphone Preamplifier is a portable microphone preamp that can be powered by either the 6 included AA batteries or an optional power adapter (sold separately). It has both a standard XLR input as well as a special socket that accepts the Active Y-Cable from the Colette modular system.\u003c\/p\u003e\n\u003cp\u003eThe VMS 5 U features a built-in M\/S matrix for mid-side decoding and has switchable phantom power for use with condenser mics. It features 2 low-cut filters: a permanent 20Hz filter and a selectable 150Hz cut. The preamp can detect if voltage is too low and automatically shuts off. An automatic switchover quickly changes the power source to internal batteries if AC power is lost. A 1\/4\" headphone jack allows you to monitor directly from the preamp itself.\u003c\/p\u003e","brand":"Schoeps","offers":[{"title":"Pre-Owned | On Order","offer_id":50515730858267,"sku":"C105653","price":1199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/4K0A3523.jpg?v=1753291139"}],"url":"https:\/\/www.altomusic.com\/collections\/multi-channel-mic-preamps.oembed","provider":"Alto Music","version":"1.0","type":"link"}