{"title":"Pre-Owned Deals","description":null,"products":[{"product_id":"api-235l-discrete-channel-noise-gate-235l","title":"API 235L Discrete-Channel Noise Gate","description":"\u003cp\u003e\n\t\u003cspan class=\"\" style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 235L Discrete Channel Noise Gate\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tThreshold control from -45 to +25 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\tVariable Fine Adjustable Depth to -80 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tAdjustable Release\/Hold Time, 50mS to 3 sec\u003c\/div\u003e\n\u003cdiv\u003e\n\t2:1 Expander or Noise Gate Selection\u003c\/div\u003e\n\u003cdiv\u003e\n\tRelease or Hold Switch for Release control knob\u003c\/div\u003e\n\u003cdiv\u003e\n\tAlways at Unity Gain, Regardless of settings\u003c\/div\u003e\n\u003cdiv\u003e\n\tLED Gain Reduction Meter\u003c\/div\u003e\n\u003cdiv\u003e\n\tUses the API 2510 and API 2520 Op-Amps\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Output, to +28 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 235L Noise Gate\/Expander has the ability to reduce noise in any type of program. The 235L can open unusually fast, without losing any part of the sound. Its extreme flexibility, repeatable settings, and superb sound make it ideal for all studio, live sound, and broadcast applications.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 235L is one of the fastest noise gates manufactured today. When an engineer is faced with program material with a high level of background noise, the 235L can either Gate the signal at a preset Threshold, or with the use of the Expander function, can reduce the background noise to an almost undetectable level. This can be achieved without the typical loss of the program material caused by slow triggering of the signal, or \"pinging\" caused by false triggering.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWith a wide range of adjustment, the 235L can operate from -45 to +25 dBu, fitting into any audio situation regardless of program level. Once the Threshold level is set, the Attack time can be selected to react faster than 100uS or slightly slower than 25mS to reduce false triggering. Although the Depth control has a full range of -80 dB, the scale is expanded in the first half of rotation so 0 to 9 dB is available for fine tuning of subtle, undetectable gating. The second half of rotation is from 10 to 80 dB for more drastic noise reduction.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Expander function uses a 1:2 ratio, allowing the signal to \"sneak up\" to the full signal level without any loss of \"under threshold\" vocal or percussion nuances. Setting the threshold in the Gate function to the desired level, then switching to the Expander mode is the perfect setup.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFor special gating functions such as the famed \"gated snare reverb\", the Release function can be switched to Hold, and the Release control becomes the Hold time. In both scenarios, the unselected function has a set time of 100mS.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWhen used with the other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 235L makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167939973403,"sku":"235L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_235l_1_l.jpg?v=1692021460"},{"product_id":"chandler-limited-little-devil-500-series-compressor-littledevilcomp","title":"Chandler Limited Little Devil 500-Series Compressor","description":"\u003ch2\u003eChandler Limited Little Devil 500 Series Compressor\u003c\/h2\u003e\n\u003cp\u003eCHANDLER LIMITED furiously enters the 500 race with its line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler’s best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level! \u003c\/p\u003e\n\u003cp\u003eThe Little Devil Compressor is a mixture of all that is Chandler. It combines elements of our LTD-2 and Germanium Compressor, as well as 2264 and 33609 units, into an all new compressor for a 500 format. Discrete transformer sound and handmade quality are the make up of the Devil Comp.\u003c\/p\u003e\n\u003cp\u003eIf you like any of the units that inspired it, you will enjoy seeing those sounds come to the next level. Revolutionary controls like wet\/dry, sidechain filter, and curve selection make the unit extremely flexible. When combined with its intense tone, this compressor gives you a powerful package in a small box!\u003c\/p\u003e\n\u003cp\u003ePlease note that all Devils feature increased compatibility! No power issues here!\u003c\/p\u003e\n\u003cp\u003eLittle Devil EQs and Little Devil Compressors have been upgraded to eliminate the power conflict experienced with some 3rd party racks and lunchboxes.  The upgrade has been tested in the racks listed above.  Any Little Devil EQ or Little Devil Compressor with compatibility issues can be returned to Chandler Limited for a free upgrade (parts and labor), however, Chandler Limited will not cover shipping costs.\u003c\/p\u003e\n\u003cp\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks:  API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | On Order","offer_id":46167940923675,"sku":"LITTLEDEVILCOMP","price":1145.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317900427547,"sku":"LITTLEDEVILCOMPEBAYPRO","price":1080.65,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/LITTLEDEVILCOMP-0.jpg?v=1692021464"},{"product_id":"chandler-limited-little-devil-500-eq-1069479","title":"Chandler Limited Little Devil 500 EQ 500 Series Equalizer","description":"\u003ch2\u003eChandler Limited Little Devil 500 Series EQ\u003c\/h2\u003e\n\u003cp\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler’s best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level! \u003c\/p\u003e\n\u003cp\u003eThe Little Devil EQ is a small package with a huge sound. It is a Chandlerized British console sound in a 500 package.\u003c\/p\u003e\n\u003cp\u003eThis Devil has all discrete circuits with custom transformers, an inductor-based EQ that modern gyrator circuits can’t touch, and a classic Baxendall tone control that is simply huge sounding! These units are all handmade using through-hole components and handwiring. We don’t use surface mount components which, in our opinion, lowers the quality. Chandler’s units are extremely high-quality made the way your favorite vintage units were made to preserve that special sound.\u003c\/p\u003e\n\u003cp\u003ePlease note that all Devils feature increased compatibility! No power issues here!\u003c\/p\u003e\n\u003cp\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks:  API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003c\/p\u003e\n\u003cp\u003eLittle Devil EQs and Little Devil Compressors have been upgraded to eliminate the power conflict experienced with some 3rd party racks and lunchboxes.  The upgrade has been tested in the racks listed above.  Any Little Devil EQ or Little Devil Compressor with compatibility issues can be returned to Chandler Limited for a free upgrade (parts and labor), however, Chandler Limited will not cover shipping costs.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Pre-Owned | On Order","offer_id":46167942201627,"sku":"LITTLEDEVILEQEBAYPRO","price":1264.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46167942234395,"sku":"LITTLEDEVILEQ","price":1335.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/chandler-limited-little-devil-500-eq.jpg?v=1692021479"},{"product_id":"api-560-discrete-10-band-graphic-equalizer-560","title":"API 560 Discrete 10-Band Graphic Equalizer","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 560 Discrete 10 Band Graphic Equalizer\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith a wide range of 500 mounting options, from racks to consoles, the 560 proves an invaluable asset to all critical performance applications. Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp.\u003c\/p\u003e\n\u003cp\u003eThe extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Of course, the 2520's ability to drive low impedance loads is key when it is paired with API's custom output transformers. The results are quite audible with better low frequency reproduction and tighter imaging, which gives you that legendary API \"punch in your gut\" sound.\u003c\/p\u003e\n\u003cp\u003eThe 10 precision EQ bands make the 560 ideal for signal sweetening and room tuning. A great companion to a parametric EQ, the 560 utilizes API's unique \"Proportional Q\" design introduced during the '60s. This design intuitively widens the filter bandwidth at lower boost\/cut levels and narrows it at higher settings. Additionally, boost and cut characteristics are identical, allowing previous actions to be undone if desired.\u003c\/p\u003e\n\u003cp\u003eReliable, durable and uniform, the API 560 EQ delivers that \"one-of-a-kind API sound\" with precision easy set filtering and high headroom in a compact package. If you want the sound of classic American music in an easy-to-set graphic EQ package, you want the API 560.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942955291,"sku":"560","price":995.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46167942988059,"sku":"560EBAYPRO","price":822.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_560_1_xl.jpg?v=1692021480"},{"product_id":"great-river-electronics-me1nv-me1nv","title":"Great River Electronics ME1NV Single Channel Microphone Preamp","description":"\u003ch2\u003eGreat River Electronics ME1NV Single Channel Microphone Preamp\u003c\/h2\u003e\n\u003cp\u003eThe ME-1NV (single channel mic preamp) greatly modernizes and improves classic British design. This desktop (and rackable) preamp offers the same definitive sonic fidelity and expert craftsmanship as all Great River products. Transparency and vintage harmonic structure are both achieved with NV-Series preamps.\u003c\/p\u003e\n\u003cp\u003eThe ME-1NV achieves new classic performance status with two discrete Class-A gain stages (the dual gain-stage meters are a Great River exclusive), a front-panel DI input jack which is routed via a FET and BJT buffer  through the input transformer (also unique to Great River preamps) for must-hear-to-believe sound from all Hi-Z instruments, and a discrete high-current Class-A \"big iron\" transformer-coupled output amplifier. The ME-1NV is a fundamentally important audio tool that brings out the best in every microphone and instrument.\u003c\/p\u003e\n\u003cp\u003eThe ME-1NV has an internal power supply suitable for operation on any power grid. A simple change of fuse and proper positioning of a voltage selector will adjust the unit for any voltage between 100 and 240 V AC.\u003c\/p\u003e","brand":"Great River Electronics","offers":[{"title":"Pre-Owned | On Order","offer_id":46167944659227,"sku":"ME1NVEBAYPRO","price":1019.27,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46167944691995,"sku":"ME1NV","price":1150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/great-river-electronics-me1nv_1.jpg?v=1692021497"},{"product_id":"focal-twin6-be-near-field-monitor-each-twin6be","title":"Focal Twin6 Be Monitor","description":"\u003cp\u003eThe Twin6 Be is the best seller of the Focal Professional range and the most versatile work tool of the SM6 line. It represents the only necessary solution for recording, mixing and mastering. 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Produced from 1953 to 1963, the \"C12\" was revered by engineers for its beautiful vocal quality. The P-12 employs a dual sided edge terminated 34mm gold-coated Mylar capsule and a 6072A glass triode tube. The circuitry and transformer have been designed to match the vintage \"C12\". Carefully selected components, thorough testing, and attention to detail all come together in this beautiful full-bodied classic tube microphone.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe P-12 is paired with the Peluso MX-56 power supply. The dual sided capsule in the P-12 enables the power supply to feature 9 polar patterns in an array from omni-directional to cardioid to figure eight.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tNEW for 2013! The P-12 features our heavy-duty 8-pin screw on cable connector. 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Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact pedal with versatile vintage and modern BOSS phasing\u003c\/li\u003e\n\u003cli\u003eNew \"Rise\" and \"Fall\" modes create unidirectional phasing\u003c\/li\u003e\n\u003cli\u003eIncludes classic multi-stage phasers with selectable stages\u003c\/li\u003e\n\u003cli\u003eRealtime control of Rate, Filter, and Tempo via optional expression pedal\u003c\/li\u003e\n\u003cli\u003eTap tempo sync of phasing effects\u003c\/li\u003e\n\u003cli\u003e“Rise” and “Fall” Effects\u003c\/li\u003e\n\u003cli\u003eIn addition to standard up and down cycles, the new PH-3 Infinite Phaser can produce entirely upward or downward moving sounds through its new Rise and Fall effects. There’s also 4-, 8-, 10-, and 12-stage phasers, plus a Step effect.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e9V DC power supply (Sold Separately)\u003c\/strong\u003e\u003c\/p\u003e","brand":"Boss","offers":[{"title":"New | In Stock","offer_id":46167976313115,"sku":"PH3","price":142.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47181723599131,"sku":"PH3RP","price":102.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ph3.jpg?v=1692022020"},{"product_id":"mxr-m104-distortion-plus-pedal-m104","title":"MXR Distortion Plus M104 Pedal","description":"\u003ch4\u003eThe classic MXR Distortion+ Pedal\u003c\/h4\u003e\n\u003cp\u003eThis little yellow box is responsible for those great distortion sounds heard on so many classic recordings. Set the Distortion control low and crank the Output knob to drive the front end of your amp for cool blues tones, or max out the Distortion knob for classic early '80s hard rock tone. There still isn't any distortion unit on the market that sounds like the Distortion+.\u003c\/p\u003e","brand":"MXR","offers":[{"title":"New | In Stock","offer_id":46167977689371,"sku":"M104","price":99.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":50120999698715,"sku":"C103998","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/m104.main.jpg?v=1692022049"},{"product_id":"tubetech-lca2b-dual-channel-compressor-limiter-lca2b","title":"Tubetech LCA2B Dual-Channel Compressor Limiter","description":"","brand":"Tubetech","offers":[{"title":"New | On Order","offer_id":46167978410267,"sku":"LCA2B","price":5925.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":50119961346331,"sku":"C102682","price":2699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10007500.jpg?v=1692022041"},{"product_id":"vintech-model-473-473","title":"Vintech Model 473","description":"\u003cp\u003eThe Vintech Audio 473 features four 1073 style microphone preamplifiers with \"essential eq\" on every channel. 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The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1\/3 milligram and producing superb transient response. The two ribbon transducers are magnet\/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. 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Its versatility is taken a step further by supporting simultaneous 0.1% and 4% pull-up\/down functionality, enabling unprecedented flexibility. These features, plus impressive gear-boxing functionality make the OCX-V an indispensable tool for any video installation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh quality crystal oscillator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe core of any master clock is the Crystal Oscillator. While other master clocks cut corners with their Oscillators, Antelope uses the best - Oven Controlled Discrete Transistor Crystal Oscillator. Before Antelope, this component was found only in high-performance aerospace and telecommunication hardware. A better oscillator means better clocking, delivering 4X-6X less jitter and 100 times greater stability than similar products.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOven-controlled environment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe crystal oscillators in the Isochrone OCX-V are housed in a temperature-controlled oven, as commonly used in military and satellite communication. This keeps the oscillator at a constant temperature making the Isochrone extremely stable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProprietary clocking technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe OCX will noticeably improve the sound quality of connected devices. This is achieved with Antelope's exclusive Acoustically Focused Clocking technology (AFC). AFC is the 3rd generation of DDS, a technology introduced over ten years ago by Igor Levin with his ground breaking Aardsync master clock. This legacy of amazing sound further evolves with AFC. Providing far more than impressive specs, AFC is a hybrid of advanced engineering and exhaustive listening tests designed to deliver extraordinary sound.\u003c\/p\u003e","brand":"Antelope Audio","offers":[{"title":"Default Title | On Order","offer_id":46167986176283,"sku":"OCXV","price":1849.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47102285349147,"sku":"C1020044","price":836.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10009100.jpg?v=1692022101"},{"product_id":"manley-labs-slam-stereo-limiter-and-microphone-preamp-1070243","title":"Manley Labs SLAM Stereo Limiter and Microphone Preamp","description":"\u003cp\u003eWe’ve got plenty of gain for you in this new tube circuit, up to 60dB with 20dB more in the limiter– plenty for soft singers using low output ribbon mics. The input attenuator is right up front, like a variable pad so your loud rock ‘n’ rollers won’t cause a problem either. Track direct with the Direct Instrument input or bring your line level inputs into the SLAM! for processing. The DI inputs have selectable input impedance, depending on how far you plug the 1\/4\" cable into the jack: push it in all the way and the input impedance is 100KOhms, pull it out halfway and it becomes 10 megOhms which reduces pickup loading and allows all the highs to get through. Come on in!\u003c\/p\u003e\n\u003ch3\u003eGet it LOUD... two different and distinct limiters per channel:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe ELOP® LIMITER:\u003c\/strong\u003e Our beloved Electro-Optical Levelling Amplifier circuit, the ELOP®, still the favorite for vocal tracking, shows up here with its new switchable side-chain high pass filter making it much more useful for mixes and other tracks as well. One of the most appreciated aspects of our original ELOP® is the simplicity of a two knob limiter, which is optimum for demanding pro recording pressures. You can still grab two knobs and have complete control of level and dynamics and be ready to hit that record button. Intuitive controls and a straight ahead signal path through quality components simply work. The ELOP® limiter implementation is done like we did in our VOXBOX® which pioneered the idea of limiting the mic signal before it hits any active stage. The ELOP limiter moves to the line stage when LINE is selected. The ELOP sidechain provides different HP filters on a toggle. The 200 Hz setting has been tailored for vocals and adds a touch of de-essing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe FET LIMITER: \u003c\/strong\u003eHere’s a new fast FET based \"brick wall\" limiter that spans the range of clean predictable limiting to the grunge and gravel that other FET based limiters are desired for. The FET RELEASE control allows you to dial up a variety of colors. There is even a \"CLIP\" setting that provides as round a shape as has ever been available. (Read more below about the CLIP settings.) We aimed at \"sound\" first, then experimented with circuits until we heard what we wanted discovering fresh approaches that provide a very wide range of useful dynamic control. For example, you can set up for a fast brick wall limiter with slower releases for minimum artifacts, or go with the faster releases to get some crunch and then get extreme loudness. The Attack control is unusual too providing the sonic control common with its historic brothers but very unusually retaining the zero overshoot “none-shall-pass” brick wall that defines a real limiter. And it’s punchy! As the saying goes, “Louder is better.” The SLAM! optimizes levels to analog to digital converters with ballz, warmth and loudness verging on silly or just clean and safe.\u003c\/p\u003e\n\u003cp\u003eWhat is especially nifty is the ability to use the ELOP® and FET limiters together at the same time dialing in whatever amounts of each effect you like. Every limiter has its own character or sound and here we have combined two powerful world-class tools that can be uniquely blended and mixed to taste and purpose. Even the metering is appropriate for each limiter so you can easily see how each is contributing.\u003c\/p\u003e\n\u003cp\u003eMetering on the SLAM! is exceptional. The two full size real VU meters show you the raw input levels, the final output levels, and the ELOP® Limiter gain reduction in the traditionally preferred format for visually displaying apparent loudness. VU’s are cool. Noticing how mastering engineers often need a switchable pad on their VU's because the \"optimized\" levels tend to pin the needles in the red, the SLAM! VU’s also have a 0, -3dB, -6dB switch to help with this situation. There are also very fast and super accurate multi-color LED ladder peak meters that display the input and output levels and the FET gain reduction, and some combinations. They will do Peak, Peak Hold timed, and Peak Hold until reset, and also allow you to manually set where the individual bars change colors to match your other gear. And with maximum clean I\/O levels of +30 dBu, it is a lot more likely you will use these meters to see what’s clipping downstream. It probably won’t be the Manley tube line drivers inside!\u003c\/p\u003e\n\u003cp\u003eThe back panel should keep everybody happy. In the sea of jacks including the big power supply connector, you'll find all the usual XLR’s for transformer balanced I\/O and 1\/4\" phone jacks for direct unbalanced I\/O. Eight Bantam jacks in a mini-patchbay configuration handle the side-chain inserts and linking functions. You can insert EQs into the ELOP® and FET limiters, and there are more jacks for you to mix in an external signal into the side chains. Another pair of jacks provides for easy linking for 5.1 surround work if you have three or four SLAM!'s. It’s all here.\u003c\/p\u003e\n\u003cp\u003eSpeaking of Linking... all previous Manley dynamics units require both channels to be setup for near identical settings rather than the more common \"just set the Left side\". The SLAM! lets you do it both ways. The \"L Side\" method is the \"STEREO LINK\" mode and is quick and convenient but, like others, uses a mono mix for the side-chain. The \"BOTH \u0026amp; EXT\" adds the rear panel link jacks to the link buss so you could chain up several SLAM!s for linked surround work. Both or all 6 channels should be set similarly. This mode is usually better for mastering as it responds to the true peak level of the channels rather than an artificial mono mix.\u003c\/p\u003e\n\u003cp\u003eOutside the Box, that's where the power supply is. The illuminated power switch turns on the external power supply. Keeping the power supply far away also keeps additional heat and magnetic fields away from the precious audio. The power supply is housed in a sturdy cast aluminum 7\" x 4\" x 5\" box that is easy to mount to or place in the bottom of a rack. A seriously humongous 16 pin connector, and 6' multicore cable connects the two boxes.\u003c\/p\u003e\n\u003cp\u003eThe SLAM! also seems a natural as a mastering tool. The FET limiter works great on mixes, and the ELOP® now has a high pass filter switch that is spot-on for mastering. We offer a dedicated mastering version which eliminates the mic preamps, adds detented controls replacing the pots, and provides extra metering options. Manley compressors and EQs seem to be the most popular pieces of gear ever when it comes to mastering. The ultimate analog rack for the final important touches to the mix would have include the SLAM!, The Variable Mu® and The Massive Passive. Combine this with some digital processors of similar calibre and one has a respectable and very effective set of mastering tools. That Manley rack plus some Manley Microphones would make an ultimate stereo recording chain too. This is gear you’ll want to keep for a lifetime.\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"New | On Order","offer_id":46167986307355,"sku":"SLAM","price":9399.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":52165750554907,"sku":"SLAMRP","price":7199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10009190.jpg?v=1692022115"},{"product_id":"audix-d4-hyper-cardioid-dynamic-instrument-microphone-d4","title":"Audix D4 Hyper-Cardioid Dynamic Instrument Microphone","description":"\u003ch2\u003eWhy you need the Audix D4 Microphone:\u003c\/h2\u003e\u003cp style=\"box-sizing: border-box; margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(255, 255, 255); background-position: initial initial; background-repeat: initial initial; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(255, 255, 255); background-position: initial initial; background-repeat: initial initial; \"\u003eWith a wide frequency response of 40 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 is an  excellent choice for miking instruments requiring precise, low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets and small kick drums.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; 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