{"title":"Preamps","description":null,"products":[{"product_id":"api-212l-212l","title":"API 212L Discrete Microphone Preamp","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 212L Discrete Mic Pre\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tWide range GAIN control\u003c\/div\u003e\n\u003cdiv\u003e\n\t20 dB Pad\u003c\/div\u003e\n\u003cdiv\u003e\n\t48v Phantom Power Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\tRE 115 K Mic input Transformer\u003c\/div\u003e\n\u003cdiv\u003e\n\tLED VU Meter\u003c\/div\u003e\n\u003cdiv\u003e\n\tUses API 2520 Op-Amp\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll Discrete Circuit\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Coupled Inputs \u0026amp; Outputs to +28 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe tone of the 212L mic preamp finds its roots in the classic API 2488 series all discrete recording consoles, best known for the famed \"LA\" sound. This same mic preamp design is packaged into a compact module with features like a continuously adjustable Gain control and a unique 5 segment LED VU meter on each panel.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAn audio chain is only as strong as its weakest link. Often, emphasis is placed on obtaining the highest quality microphones, while neglecting the integrity of the mic preamp. The API 212L incorporates the same circuit as the legendary API console input modules, dating from the 1970's up to and including the Model 1608, thus preserving its sonic qualities. This mic-pre articulates high frequencies with great detail, while delivering the big sounding, warm bottom end that API is famous for. Whether it's a live performance or the private setting of a studio session, the 212L will capture every nuance of the moment.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 212L mic-pre all discrete circuitry features the API 2520 op-amp, the RE 115 K input and the AP-2623 output transformer. A -20 dB pad is provided, allowing the level feeding the mic transformer to be reduced by 20 dB, while keeping the proper load on both the mic and transformer. 48V Phantom power can be locally switched on or off via the front panel switch. An LED VU meter provides a true VU indication of the mic pre output level. The low noise floor, together with a clip point over +28 dBm, makes this preamp suitable for the most extreme applications requiring the highest quality audio.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 212L microphone pre-amplifier is an integral part of the famous Legacy and Visions Series of consoles and is available for the L200 Rack System. The 212L Microphone Preamplifier makes use of the 2520 op-amp and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167940104475,"sku":"212L","price":695.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | Out Of Stock","offer_id":47102546903323,"sku":"212LEBAYPRO","price":526.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_212l_1_l.jpg?v=1692021464"},{"product_id":"great-river-electronics-me1nv-me1nv","title":"Great River Electronics ME1NV Single Channel Microphone Preamp","description":"\u003ch2\u003eGreat River Electronics ME1NV Single Channel Microphone Preamp\u003c\/h2\u003e\n\u003cp\u003eThe ME-1NV (single channel mic preamp) greatly modernizes and improves classic British design. This desktop (and rackable) preamp offers the same definitive sonic fidelity and expert craftsmanship as all Great River products. Transparency and vintage harmonic structure are both achieved with NV-Series preamps.\u003c\/p\u003e\n\u003cp\u003eThe ME-1NV achieves new classic performance status with two discrete Class-A gain stages (the dual gain-stage meters are a Great River exclusive), a front-panel DI input jack which is routed via a FET and BJT buffer  through the input transformer (also unique to Great River preamps) for must-hear-to-believe sound from all Hi-Z instruments, and a discrete high-current Class-A \"big iron\" transformer-coupled output amplifier. The ME-1NV is a fundamentally important audio tool that brings out the best in every microphone and instrument.\u003c\/p\u003e\n\u003cp\u003eThe ME-1NV has an internal power supply suitable for operation on any power grid. A simple change of fuse and proper positioning of a voltage selector will adjust the unit for any voltage between 100 and 240 V AC.\u003c\/p\u003e","brand":"Great River Electronics","offers":[{"title":"Pre-Owned | On Order","offer_id":46167944659227,"sku":"ME1NVEBAYPRO","price":1019.27,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46167944691995,"sku":"ME1NV","price":1150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/great-river-electronics-me1nv_1.jpg?v=1692021497"},{"product_id":"grace-design-m101-1070096","title":"Grace Design M101","description":"\u003cp\u003eWith its impressive list of new features, the m101 is ready to give any mic preamplifier a run for its money. Consider the new audio signal path with 0.5% precision metal film resistors, 12 position gold plated rotary gain switch, a built-in universal AC input module, or our exclusive RIBBON mic mode - and the picture becomes clear: This is now a fully professional, state of the art precision mic preamp that roundly outperforms anything in its class. All this at the same affordable price of the original model 101.\u003c\/p\u003e","brand":"Grace Design","offers":[{"title":"New | In Stock","offer_id":46167979032859,"sku":"MODEL101","price":874.0,"currency_code":"USD","in_stock":true},{"title":"Demo | On Order","offer_id":47318756229403,"sku":"MODEL101BROOKLYN","price":548.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | In Stock","offer_id":47582260363547,"sku":"MODEL101EBAYPRO","price":708.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10007690.jpg?v=1692022057"},{"product_id":"electro-harmonix-44-magnum-44-watt-power-amp-c01","title":"Electro Harmonix 44 Magnum 44-Watt Power Amp","description":"\u003cp\u003eThe new 44 Magnum guitar amp head provides 44 watts of clean and natural power but can also deliver a true amplifier overdrive at the turn of a knob. From your pocket to the stage, the 44 Magnum is the perfect gigging and practice solution. Despite being described as a guitar head the 44 has the character and control to work with any electric instrument. Flip the brightness switch for a more defined top end. The sweet tone of our legendary 22 Caliber but with an extra power edge that can make a difference.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuick Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e44 watts of power into 8 or 16 ohms\u003c\/li\u003e\n\u003cli\u003eTone switch toggles between a neutral, flat setting and a Musical top end boost\u003c\/li\u003e\n\u003cli\u003eMaximum headroom potential\u003c\/li\u003e\n\u003cli\u003eCan be driven to a natural, true amplifier saturation\u003c\/li\u003e\n\u003cli\u003eFits in the palm of your hand\u003c\/li\u003e\n\u003cli\u003eComes with a 24DC-3000 power supply\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electro Harmonix","offers":[{"title":"New | On Order","offer_id":46168034672923,"sku":"44MAGNUM","price":177.8,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/44magnum-0.jpg?v=1692022653"},{"product_id":"mercury-recording-equipment-m76m-c01","title":"Mercury Recording Equipment M76m","description":"\u003cp\u003e\n\tFirst, Mercury Recording Equipment Co. successfully recreated the original V72s with the highly regarded Mercury M72s. Now, with the Mercury M76m, we have brought to life the V72s' \"big brother\" - the V76. The Mercury M76m is a recreation of the original German designed Telefunken \/ Siemens amplifier module used in many European broadcast and recording desks. The V76 modules, however, are more well known as an outboard rack mounted preamp and are highly sought after by studios and engineers all over the world. Of all the V76 amplifiers, the \"V76m\" has always been the most desired because of its useful variable gain control, (as well as no filters intended for broadcast use). Original V76 modules have not been available new for 40 years and working vintage units have become extremely rare and expensive. Furthermore, due to its overly compact modular design, the V76 modules are now, after four decades, not as mechanically sound as they once were which causes problems sonically.\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp\u003e\n\tWith that in mind, Mercury Recording Equipment Co. has recreated the transformer balanced, four tube per channel, high gain amplifier. Keeping the integrity of the original circuit, the M76m has open, warm tonality. After many years in development, Mercury has now built what is quite possibly the ultimate combination of vintage sound and modern features.\u003cbr\u003e\n\t\u003cbr\u003e\n\tWe made it first priority to build a modern Studio Microphone Amplifier that sounds identical to the original. Which was successful, by drawing on years of experience, repairing, rebuilding, and most importantly listening to the Telefunken \/ Siemens V76 modules. We did not stop there, however. Mercury took it one step farther than a \"recreation\". Using our years of professional service and taking note of what modifications and features the professional recording engineers wished their original V76 modules had Mercury added a few new features that the original studio microphone amplifiers and even the best \"vintage\" reracks never had.\u003cbr\u003e\n\t\u003cbr\u003e\n\tThe Mercury M76m has an Impedance Select switch for both high and low impedance devices. Secondly, a Level Control (which will work as a fader as well as add another 6dB (+ \/ -) from the second stage amplifier) and a Output Attenuation control (-0 to -10dB) has been added for even more control, including the ability to overdrive the amplifier in several different ways, if desired. The Gain control is 0 to +60dB in 6dB increments, that works in conjunction with the Level control and Output Attenuation Control. Also, all the staple features one expects from a modern piece of equipment were added: Phantom power, Phase Reversal (Polarity) , and an amazing sounding direct input on each channel. The M76m is truly a new classic for today as well as the benchmark in Studio Microphone Amplifiers for the next 50 years!\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp\u003e\n\t\u003cstrong\u003eFAQ: Mercury M72s vs. M76m, Whats the difference?\u003c\/strong\u003e\u003cbr\u003e\n\t\u003cbr\u003e\n\tFirst: Both are multipurpose tools for making music. But if you were to have both or only one application that you have a need for, they do sound different.\u003cbr\u003e\n\t\u003cbr\u003e\n\tTone: The Mercury \u003ca class=\"link\" href=\"http:\/\/mercuryrecordingequipment.com\/m72.html\"\u003eM72s\u003c\/a\u003e is warm and punchy. The M72s has a thick bottom end, a great push in the mid range and a open airy top end. The M72s performance great on Vocals, Bass, Drums, Acoustic and Electric Guitars as well as room and Over head applications.\u003cbr\u003e\n\t\u003cbr\u003e\n\tThe M76m is warm, open and airy. Compared to the M72s the M76m is overall more evenly \"EQ'ed\". Meaning there is not a push in the low or mids. The M76m shines on Vocals, Bass and Guitars (you have amazing control on the amplifier's tone) as well the M76m opens up your Room and Over Head mics. With 72dB (+\/-) of total gain and choice High and Low Input Impedance - Ribbon mics are big and open with the M76m.\u003cbr\u003e\n\t\u003cbr\u003e\n\tGain: M72s has 58dB and the M76m has about 72dB. The M76m has 60dB input gain, +6dB (+\/-) with your Level Control and +6dB with Low impedance selected.\u003c\/p\u003e","brand":"Mercury Recording Equipment","offers":[{"title":"New | On Order","offer_id":46168075338011,"sku":"M76MDUAL","price":7598.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10039650.jpg?v=1692023121"},{"product_id":"mercury-recording-equipment-m72s-c01","title":"Mercury Recording Equipment M72s","description":"\u003cp\u003e\n\tIn the mid-sixties, at Abbey Road Studios legends were born. Not just the Beatles or George Martin, but also the REDD.37 recording desk that was used to record most of their earlier work. The very rare amplifiers used in that desk were called \"V72s\" and were a modified version of the standard Telefunken \/ Siemens V72 module.\u003cbr\u003e\n\t\u003cbr\u003e\n\tThe more common V72 amplifier modules were later modified and have been sold for many years as outboard preamplifiers all over the world. These V72 modules have not been available new for 40 years, and working units have become extremely rare and expensive. It is the uniquely musical tonal characteristics of these preamps have made them the prized possession of many engineers lucky enough to get the vintage modules, and a \"secret weapon\" for many studio musicians. With that in mind, Mercury Recording Equipment has made a faithful reproduction in the M72s -- not only of how the units behave, but of how they SOUND overall. The addition of pad, phase, phantom and gain controls make it even more versatile without sacrificing the most important feature: Musicality.\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp\u003e\n\tThe most sought after Telefunken\/Siemens \"V series\" modules are famous for being used in Abbey Road's REDD.37 consoles. These amplifiers were called \"V72s\" and were a modified version of the standard V72 modules that were much more common. Unlike those vintage modules that had fixed gain, The V72 at 34dB, and the \"V72s\" at 40dB, the Mercury M72s has variable mic gain from 28dB to 58dB. Also, with the M72s, you have a selectable input pad of -16dB or -28dB for even more control. When the -28dB pad is engaged and it is set at the lowest gain setting (28dB) you can run line level signal through the M72s. This will provide a warm, rich path for mixes, keyboards, drum machines, samples etc... There are also all the modern features we expect on a new piece of equipment: 48V DC (Phantom), Phase Reverse (Polarity) and Direct Input for Bass or Electric Guitar per channel. The Mercury M72s has the rich lows and punchy mids that the vintage V72 modules have but a more open high end. The Mercury M72s Studio Microphone Amplifier has that \"vintage\" tone and \"break up\" like the original modules but it is a bit more musical over all (not cleaner... more musical, there is a huge difference).\u003cbr\u003e\n\t\u003cbr\u003e\n\tThe Mercury M72s brings that \"vintage\" magic back! It is truly a new classic for today as well as for the next 50 years!\u003c\/p\u003e\n\u003cp\u003e\n\tMercury Recording Equipment Co. products are hand wired and\/or assembled using silver solder and no-compromise parts. All Mercury products are transformer balanced, inputs and outputs and there are no I.C.s (chips) in the signal path. The chassis and front panels have a very distinctive \"vintage\" look with custom powder coating finish. They look as good as they sound! \u003ca class=\"link\" href=\"http:\/\/mercuryrecordingequipment.com\/downloads.html\" title=\"Mercury M72s Data Sheets, Recall Sheets\"\u003eMercury M72s Downloads\u003c\/a\u003e\u003cbr\u003e\n\t\u003cbr\u003e\n\t\u003cimg alt=\"SPECIFICATIONS\" height=\"28\" src=\"http:\/\/mercuryrecordingequipment.com\/img\/topper_specs.gif\" width=\"355\"\u003e\u003c\/p\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" style=\"border: 1px solid rgb(198, 198, 196); background-color: rgb(255, 255, 255); width: 348px; line-height: 13px;\"\u003e\n\t\u003ctbody\u003e\n\t\t\u003ctr style=\"background-color: rgb(245, 240, 220);\"\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cimg alt=\"\" height=\"1\" src=\"http:\/\/mercuryrecordingequipment.com\/img\/px_cl.gif\" width=\"3\"\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd width=\"100\"\u003e\n\t\t\t\t\u003cb\u003eMic Input Impedance:\u003c\/b\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t  \u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\tApprox. 2k\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cimg alt=\"\" height=\"1\" src=\"http:\/\/mercuryrecordingequipment.com\/img\/px_cl.gif\" width=\"3\"\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cb\u003eSuggested Source Impedance:\u003c\/b\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t  \u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\tApprox. 200 ohms\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr style=\"background-color: rgb(245, 240, 220);\"\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cimg alt=\"\" height=\"1\" src=\"http:\/\/mercuryrecordingequipment.com\/img\/px_cl.gif\" width=\"3\"\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cb\u003eInput Impedance with \u003cnobr\u003e-28dB Pad:\u003c\/nobr\u003e\u003c\/b\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t  \u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\tApprox. 4k\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cimg alt=\"\" height=\"1\" src=\"http:\/\/mercuryrecordingequipment.com\/img\/px_cl.gif\" width=\"3\"\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cb\u003eDI Input Impedance:\u003c\/b\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t  \u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t2M ohms\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr style=\"background-color: rgb(245, 240, 220);\"\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cimg alt=\"\" height=\"1\" src=\"http:\/\/mercuryrecordingequipment.com\/img\/px_cl.gif\" width=\"3\"\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cb\u003eInternal Output impedance:\u003c\/b\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t  \u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t30-50 ohms (depends on gain setting)\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cimg alt=\"\" height=\"1\" src=\"http:\/\/mercuryrecordingequipment.com\/img\/px_cl.gif\" width=\"3\"\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cb\u003eSuggested Minimum Load:\u003c\/b\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t  \u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t500 ohms\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr style=\"background-color: rgb(245, 240, 220);\"\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cimg alt=\"\" height=\"1\" src=\"http:\/\/mercuryrecordingequipment.com\/img\/px_cl.gif\" width=\"3\"\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cb\u003eMax. Mic Signal Input Level (@ 20 Hz):\u003c\/b\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t  \u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t+34dBu with -28dB Pad engaged \/ +6dBu with Pad not engaged\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cimg alt=\"\" height=\"1\" src=\"http:\/\/mercuryrecordingequipment.com\/img\/px_cl.gif\" width=\"3\"\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cb\u003eMax. Output Level:\u003c\/b\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t  \u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t+22dBu\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr style=\"background-color: rgb(245, 240, 220);\"\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cimg alt=\"\" height=\"1\" src=\"http:\/\/mercuryrecordingequipment.com\/img\/px_cl.gif\" width=\"3\"\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cb\u003eFrequency response:\u003c\/b\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t  \u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t20 Hz to 20 kHz +\/- 0.5dB\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cimg alt=\"\" height=\"1\" src=\"http:\/\/mercuryrecordingequipment.com\/img\/px_cl.gif\" width=\"3\"\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t\u003cb\u003eHarmonic Distortion:\u003c\/b\u003e\n\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\t  \u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\tAll musically related low orders of harmonics, with no significant order above 5th. \u003ca class=\"extralink\" href=\"http:\/\/mercuryrecordingequipment.com\/popper_info_thd.html\"\u003emore info\u003c\/a\u003e\n\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\n\t\u003cstrong\u003eFAQ: Mercury M72s vs. M76m, Whats the difference?\u003c\/strong\u003e\u003cbr\u003e\n\t\u003cbr\u003e\n\tFirst: Both are multipurpose tools for making music. But if you were to have both or only one application that you have a need for, they do sound different.\u003cbr\u003e\n\t\u003cbr\u003e\n\tTone: The Mercury M72s is warm and punchy. The M72s has a thick bottom end, a great push in the mid range and a open airy top end. The M72s performance great on Vocals, Bass, Drums, Acoustic and Electric Guitars as well as room and Over head applications.\u003cbr\u003e\n\t\u003cbr\u003e\n\tThe \u003ca class=\"link\" href=\"http:\/\/mercuryrecordingequipment.com\/m76.html\"\u003eM76m\u003c\/a\u003e is warm, open and airy. Compared to the M72s the M76m is overall more evenly \"EQ'ed\". Meaning there is not a push in the low or mids. The M76m shines on Vocals, Bass and Guitars (you have amazing control on the amplifier's tone) as well the M76m opens up your Room and Over Head mics. With 72dB (+\/-) of total gain and choice High and Low Input Impedance - Ribbon mics are big and open with the M76m.\u003cbr\u003e\n\t\u003cbr\u003e\n\tGain: M72s has 58dB and the M76m has about 72dB. The M76m has 60dB input gain, +6dB (+\/-) with your Level Control and +6dB with Low impedance selected.\u003c\/p\u003e","brand":"Mercury Recording Equipment","offers":[{"title":"New | On Order","offer_id":46168075796763,"sku":"M72S","price":5248.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/M72S-0.jpg?v=1692023137"},{"product_id":"art-pro-mpa-ii-c01","title":"Art Pro MPA II","description":"\u003cp\u003eThe new ART \u003cstrong\u003eProMPA II\u003c\/strong\u003e is the next generation in affordable high performance microphone preamp technology. Each microphone input circuit, with selectable 48v phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The \u003cstrong\u003eProMPA II\u003c\/strong\u003e can be configured for dual mono or stereo operation with selectable mid\/side mic support, summing the adjacent channel, to decode left\/right signals.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eProMPA II\u003c\/strong\u003e can operate at either a low or high plate voltage on the two integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display output levels while multi-colored LED arrays show tube gain.\u003c\/p\u003e\n\u003cp\u003eHoused in a standard 2u space rack-mountable steel chassis, with CNC routed black anodized aluminum face panel, the \u003cstrong\u003eProMPA II\u003c\/strong\u003e is designed to deliver years of reliable operation in the studio, production facility, or on the road for live sound reinforcement.\u003c\/p\u003e\n\u003ch4\u003eTube Mic Preamps Series Overview\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003ePro Dynamic Processors: The Digital MPA™ Solid Gold.\u003c\/strong\u003e A professional microphone preamplifier is defined by warmth, presence and clarity – core elements that make an audio processor desirable. We’ve designed a microphone preamplifier that captures all these elements, with an exceptionally affordable price.Introducing the Digital MPA™ by ART. With features like variable input impedance, selectable plate voltage, dual differential Class A inputs, digital outputs and sample rates up to 192kHz, it is truly a modern day classic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTube MP: The World’s Most Popular External Tube Mic Preamp.\u003c\/strong\u003e Whether you’re working with a computer, hard disk or digital multi-track recorder, the Tube MP’s TEC award nominated design will allow you to obtain professional results at an affordable price. ART preamps offer warm tone, useful features, and are innovatively designed. Our line of Tube MP products add presence, clarity and fullness to any signal, and is exceptionally low-noise. Our Tube MP Studio V3™ features V3™ Technology (Variable Valve Voicing), which provides optimized reference points to begin the recording process. V3™ delivers a wide variety of settings designed for various microphones and DI inputs, including guitars, basses, keyboards, synths, electronic drums and much more. Don't settle for a copy-cat lookalike. Go with the real thing - the Tube MP by ART!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic Tube Processors: TPS \u0026amp; DPS\u003c\/strong\u003e Our ART TPS features two channels of award-winning ART microphone preamplification. The DPS has the same preamplifier design, and adds ART’s critically acclaimed 24 Bit – 96kHz A\/D converter – for warm, vibrant and clean digital audio. As with the TPS, the DPS features our V3™, which delivers a wide range of professional sounding presets designed to seamlessly integrate and enhance every microphone, musical instrument and direct signal you process.\u003c\/p\u003e","brand":"ART","offers":[{"title":"New | On Order","offer_id":46168076714267,"sku":"PROMPA2","price":559.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/100399702.jpg?v=1692023141"},{"product_id":"rme-octamic-2-c01","title":"RME OctaMic 2 8-Channel Microphone Preamp","description":"\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eRME OctaMic 2 8 Channel Mic Pre Amp\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial;\"\u003e \u003c\/p\u003e\n\u003cdiv\u003eThe OctaMic II provides 8-Channel 192 kHz \/ 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLowest distortion, excellent signal to noise ratio and perfectly linear frequency response transmit and amplify the microphone signals truly unchanged.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eOctaMic II offers 8 balanced XLR mic \/ line inputs via Neutrik XLR\/TRS combo jacks. Each channel contains switches for 48V phantom power, a low cut filter and phase reversal. Amplification can be set between 6 and 60 dB. LEDs for signal, clip, and activated phantom power give a complete overview on the unit's status. When the special Clip Hold mode is activated, any detected clip-state will cause the corresponding LED to flash once per second. With this, the user gets a long-term peak detection, and no longer needs to constantly watch the LEDs. At the same time momentary overloads are still displayed correctly.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eFrontside switches include power on\/off and output level, for a choice of -10 dBV, +4 dBu or Hi Gain (+19 dBu) as reference level. This unusual feature offers two advantages. First, the reference level can be easily switched to match any of RME's current interface devices, from HDSP 9632 through Multiface up to the renowned ADI-8 series converters. Second, the Signal to Noise ratio is optimized, and the Clip-LED will exactly match the ones of the ADI-8 (2 dB below 0 dBFS).\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe balanced line level output signal is available at the back of the unit via 8 stereo TRS jacks. The specially developed, internal hi-performance switch mode power supply lets the OctaMic II operate in the range of 100V to 240V AC. It is short-circuit-proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe 8-Channel AD-conversion of the OctaMic II operates at up to 192 kHz. The digitized signal is available simultaneously at the double ADAT output (S\/MUX, up to 96 kHz), and at a DB-25 connector (4 AES\/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES\/EBU and SPDIF.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe 8-Channel AD-conversion of the OctaMic II operates at up to 192 kHz. The digitized signal is available simultaneously at the double ADAT output (S\/MUX, up to 96 kHz), and at a DB-25 connector (4 AES\/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES\/EBU and SPDIF.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eRME's outstanding SteadyClock ensures perfect AD-conversion, as jitter on the external sync-sources is nearly completely removed. All settings are done via DIP-switches on the back of the OctaMic II. Analog outputs and both digital outputs operate fully simultaneously. The choice of reference level affects the analog outputs only, the signal\/clip indication and the AD-conversion will react only to the Gain-pots.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":46168351932699,"sku":"OCTAMIC2","price":1899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/octamic-ii_1_063e7ee2-77fc-452c-9dff-eac5562ad724.png?v=1726761435"},{"product_id":"presonus-studio-channel-tube-microphone-preamp-studio-channel-c01","title":"Presonus Studio Channel Tube Microphone Preamp","description":"\u003cp\u003eThe Studio Channel is a professional channel strip combining Class A tube preamplifier, VCA-based compressor and three-band parametric equalizer perfect for the professional and project studio. Great for all types of microphones, instruments, keyboards and synths, the Studio Channel has the sonic power and flexibility to achieve any tone you can dream of luscious in your face vocals, crystal clear acoustic guitars, fat solid bass guitar, dynamic acoustic piano, cracking snare, punchy bass, huge MPC tracks and more.\u003c\/p\u003e\n\u003ch4\u003eEnhance your signal path\u003c\/h4\u003e\n\u003cp\u003eThe Studio Channel noticeably outperforms preamplifiers that are built-in to most recording interfaces and affordable mixers. Add a VCA-based compressor and studio-grade equalizer to the class A tube preamp and you get not only big fat tube tonality but also complete control of your tone and sounds. Since much of the recording process is accomplished one track at a time, you need a signal path that can deliver a variety of high quality tones and sounds, which is why the Studio Channel is the perfect tool for any studio.\u003c\/p\u003e\n\u003ch4\u003eClass A Tube Preamplifier\u003c\/h4\u003e\n\u003cp\u003eThe Studio Channel has everything needed to deliver big tone. The preamplifier stage of the Studio Channel is based on the award winning BlueTube preamplifier with a high output 12AX7 vacuum tube operating on voltages double than all other preamplifiers in its class delivering high headroom and big tone. Dual control Gain and Tube Drive enables a wide range of sounds from transparent and clear to edgy and overdriven.\u003c\/p\u003e\n\u003ch4\u003eFull Featured VCA Compressor\u003c\/h4\u003e\n\u003cp\u003eThe compressor in the Studio Channel is a fully variable ultra-fast and smooth VCA-based circuit with all of the controls needed for a wide range of compression settings: ratio, threshold, attack, release and gain make up. The VCA-based compressor is known for musicality as well as ultra fast attack with the ability to tame the fastest transients. From slap bass, to snare drum, to vocals, the Studio Channel's compressor stage allows you to record as hot as needed without clipping giving you total dynamic control.\u003c\/p\u003e\n\u003ch4\u003eThree Band Parametric EQ\u003c\/h4\u003e\n\u003cp\u003eThe equalizer in the Studio Channel is like a Swiss Army pocket knife, with the ability to carve out unwanted frequencies as well as tailor your tone to enhance your sound. The custom-designed amplifiers in the EQ deliver sweet-sounding gain\/cut for ultra smooth highs, deep solid lows and clear midrange. The mid-band of the EQ section has variable Q for controlling the width around the center point of the selected frequency. High and low frequency bands give you the option for selecting peak\/dip or shelving frequencies.\u003c\/p\u003e","brand":"Presonus","offers":[{"title":"New | On Order","offer_id":46168378900763,"sku":"STUDIOCHANNEL","price":419.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | Out Of Stock","offer_id":47102179213595,"sku":"STUDIOCHANNELEBAYPRO","price":221.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/studio_channel-front.png?v=1712169042"},{"product_id":"cloud-microphones-cl-1-cloudlifter-cl-1-c01","title":"Cloud Microphones CL-1 Cloudlifter Mic Preamp","description":"\u003ch2\u003eCloud Microphones CL-1 Cloudlifter\u003c\/h2\u003e\n\u003cp\u003eCloudlifter CL-1 Mic Activator is a simple, compact solution for common audio problems faced in the field and in the studio. Designed for passive dynamic principle microphones - including ribbons- the CL-1 safely uses any 24-48v phantom powered microphone input device to provide 20-25db* of ultra-clean transparent gain.\u003c\/p\u003e\n\u003cp\u003eCloudlifters dramatically improve the performance of passive microphone signals by driving stronger, cleaner signals over longer XLR cable runs, making them ideal for broadcast, live, and studio applications. Enclosed in a rugged steel enclosure offering excellent shielding, the CL-1 additionally has provisions for stage or stand mounting with the included strap.\u003c\/p\u003e\n\u003cp\u003eUsing patent pending technology that keeps the direct audio path free-andclearof transformers, capacitors, and resistors, the CL-1 houses directcoupled, discrete JFET circuitry that delivers world class, ultra-clean gain while preserving the natural sonic characteristics of the source.\u003c\/p\u003e\n\u003cp\u003eCloudlifters are recommended for improving the signal to noise ratio and performance of passive microphone\/preamp combinations with the following:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecording direct into a DAW interface\u003c\/li\u003e\n\u003cli\u003eNoisy or low gain preamps\u003c\/li\u003e\n\u003cli\u003eMixers\/preamps that negatively impact the sound at higher gain settings\u003c\/li\u003e\n\u003cli\u003ePassive ribbon microphones\u003c\/li\u003e\n\u003cli\u003eLow-output dynamic microphones\u003c\/li\u003e\n\u003cli\u003eRecording softer sound sources such as acoustic instruments and voice\u003c\/li\u003e\n\u003cli\u003eLong cable runs (output)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eGives passive mics 20-25dB* additional active output\u003c\/li\u003e\n\u003cli\u003ePowered by 24-48v phantom power from the secondary input device\u003c\/li\u003e\n\u003cli\u003eSafe for use with all passive ribbons with no transfer of phantom power\u003c\/li\u003e\n\u003cli\u003eCompatible with dynamic microphones\u003c\/li\u003e\n\u003cli\u003eUtilizes Patent Pending Ultra-transparent Discrete D\/C JFET circuitry\u003c\/li\u003e\n\u003cli\u003eIdeal impedance loading for transparent performance @3000ohms\u003c\/li\u003e\n\u003cli\u003eRugged, road ready and portable, for studio, stage and broadcasting\u003c\/li\u003e\n\u003cli\u003eEasy to use standalone design requires only phantom power\u003c\/li\u003e\n\u003cli\u003eLifetime limited warranty for parts and labor\u003c\/li\u003e\n\u003cli\u003eHandcrafted entirely in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e*The amount of gain varies depending on the microphone and preamp combination. Generally speaking, using a Cloudlifter with lower impedance transformer coupled preamps will yield slightly less gain than with higher impedance transformer-less designs.\u003c\/em\u003e\u003c\/p\u003e","brand":"Cloud Microphones","offers":[{"title":"Pre-Owned | On Order","offer_id":46168439554331,"sku":"CL1CLOUDEBAYPRO","price":118.69,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46168439587099,"sku":"CL1CLOUD","price":149.0,"currency_code":"USD","in_stock":true},{"title":"Open Box | On Order","offer_id":47364617928987,"sku":"CL1CLOUDRP","price":129.99,"currency_code":"USD","in_stock":false},{"title":"New - Bundle: - | On Order","offer_id":47364624417051,"sku":"CL1CLOUDANDSM7B","price":549.99,"currency_code":"USD","in_stock":false},{"title":"New - Bundle: Sennheiser e906 and Mogami Cable | On Order","offer_id":47364637131035,"sku":"CL1CLOUDBUNDLE","price":299.0,"currency_code":"USD","in_stock":true},{"title":"New - Bundle: Sennheiser e906 | On Order","offer_id":47364648337691,"sku":"CL1CLOUDE906BUNDLE","price":268.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/36545d_011bdb3ac7ac4c75933a36edc428b64c_mv2.png?v=1692025794"},{"product_id":"bae-1073mpf-single-channel-with-filter-and-power-supply-sin73mpfwps-c01","title":"BAE 1073MPF Single-Channel with Filter and Power Supply","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eBAE 1073MPF Single Channel with Filter and Power Supply Microphone Preamp\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe BAE (formerly Brent Averill Enterprises) 1073MPF is basically a deluxe 1073MP.  lt has all the same qualities as the 1073MP with one added feature, a high pass filter.  We integrated the same inductor based high pass filter that's in the 1073 and added it here to the 1073MPF.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPhase reverse button\u003c\/div\u003e\n\u003cdiv\u003e\n\tImpedance select between 1200 and 300 ohms\u003c\/div\u003e\n\u003cdiv\u003e\n\tDirect input switch\u003c\/div\u003e\n\u003cdiv\u003e\n\tBalanced line input\u003c\/div\u003e\n\u003cdiv\u003e\n\t48v phantom power\u003c\/div\u003e\n\u003cdiv\u003e\n\tSame 283 amp card as 1073\u003c\/div\u003e\n\u003cdiv\u003e\n\tSame transformers as the 1073\u003c\/div\u003e\n\u003cdiv\u003e\n\tSame hand-wired modular construction that BAE is known for\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFeatures:\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tTwo Class A preamps with direct inputs in a single rack space with an external power supply\u003c\/div\u003e\n\u003cdiv\u003e\n\tHigh Impedance direct input for guitar and synthesizer\u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput level control serves as gain trim between the 5 dB steps on gain switch\u003c\/div\u003e\n\u003cdiv\u003e\n\tBalanced mic input and balanced +4 dB output are on XLR connectors off the rear of the module.\u003c\/div\u003e\n\u003cdiv\u003e\n\tBalanced line input is achieved through the LN switch on the front.\u003c\/div\u003e\n\u003cdiv\u003e\n\tPhase reverse\u003c\/div\u003e\n\u003cdiv\u003e\n\tMic input impedance toggle switch between 1200 ohm and 300 ohm\u003c\/div\u003e\n\u003cdiv\u003e\n\tSimilar Class A preamp as Neve™* 1073 equalizer\/preamp modules\u003c\/div\u003e\n\u003cdiv\u003e\n\tPad is an integral part of the gain switch same as Neve™* 1073 equalizer\/preamp modules\u003c\/div\u003e\n\u003cdiv\u003e\n\tHas integrated phantom power with a lighted switch on the front panel\u003c\/div\u003e\n\u003cdiv\u003e\n\tOversize remote power supply can operate up to four channels of preamp\u003c\/div\u003e\n\u003cdiv\u003e\n\tOne-year warranty\u003c\/div\u003e\n\u003cdiv\u003e\n\t10 day satisfaction guarantee\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 1073MPF preamp yields a really fat sound.  It seems to add subharmonics to the low end which makes the bottom end sound huge. It smoothes the top end, giving the highs a silky sheen.  The BAE 1073 slightly compresses transients, as well. It is a smooth, fat, larger than life sound.  An added bonus is to use the front-panel DI inputs to fatten samples and synths and instruments. Balanced line-level inputs on the rear allow for fattening and punching up entire mixes, or in a signal chain with other +4 gear.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSet the gain knob (red Marconi) around 20 on the dial and set the output (grey knob) fully clockwise.  This gives you the highest headroom and cleanest signal path. Every click is in 5db increments so if one click is too hot, attenuate the output to get inbetween the 5db steps.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAnother trick people like to do is to put the final mix through the balanced line inputs on the back to get that harmonic distortion.  To get even more of that Class A output stage is to come out of channel 1 and into channel 2 then you have an accumulative effect of that classic output stage. \u003c\/div\u003e","brand":"BAE","offers":[{"title":"New | On Order","offer_id":46168476811547,"sku":"SIN73MPFWPS","price":1720.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | Out Of Stock","offer_id":51999190286619,"sku":"SIN73MPFWPSEBAYPRO","price":1502.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/bae-SIN73MPFWPS-0.jpg?v=1692025996"},{"product_id":"behringer-ada8200-ultragain-digital-microphone-preamp-ada8200","title":"Behringer ADA8200 Ultragain Digital Microphone Preamp","description":"\u003cp\u003eAt the intersection of quality, utility, and value-- the Behringer ADA8220 combines 8 channels of ADA expansion with ADAT connectivity and 8 channels of mic preamps in one highly flexible package. 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The Shelford Channel is built around Rupert Neve’s first new transformer-gain, class-A microphone preamplifier in over 40 years, the “best-of-the-classics” inductor EQ section from the Shelford 5052, a tone-packed Diode bridge compressor, the analog power of variable Silk saturation, a new dual-tap transformer output stage for maintaining headroom or allowing the full driving of the Channel without clipping standard converters, and twice the operating voltage of vintage designs.\u003c\/p\u003e\n\u003cp\u003eWith richly-colored tonal options for making bold statements with your music, and precisely-engineered detented controls for recall, the vintage-inspired Shelford Channel maintains the soul of Rupert’s classic designs with new levels of versatility, delivering what can only be described as the combined essence of fifty years of Rupert Neve’s designs.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"New | In Stock","offer_id":46174962680091,"sku":"SHELFORDCHANNEL","price":3999.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49070278115611,"sku":"SHELFORDCHANNELEBAYPRO","price":3349.0,"currency_code":"USD","in_stock":false},{"title":"Repack | On Order","offer_id":49351161774363,"sku":"SHELFORDCHANNELRP","price":3499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/shelford-channel-straight-white.jpg?v=1692033259"},{"product_id":"api-3124v-discrete-4-channel-mic-line-pre-3124v","title":"API 3124V Discrete 4-Channel Mic\/Line Pre","description":"\u003cdiv\u003eLike the API 3124+, the 3124V is a high quality, compact, 4-channel mic preamp. It is equipped with the RE-115 K mic input transformer and the proprietary output transformer found in all API mic pres and throughout the API product line. Additionally, the 3124V offers Variable Output Level Control and switchable 3:1 output transformer selection. The unit has an internal 48-volt phantom power supply, which is switchable for each channel, as well as -20dB pad switches that affect both the mic and Hi-Z instrument inputs, both located on the front panel.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe 3124V also features up to 65dB of gain. Additionally, the Hi-Z front panel inputs feed directly to the op amps, which allow a low level input such as a guitar or bass to be amplified without a matching transformer or direct box. These Hi-Z inputs can take levels as high as +20dBu, making them perfect for keyboards and other high level devices. The mic preamp outputs are on rear panel male XLR connectors.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46175596052763,"sku":"3124V","price":3295.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":51001717653787,"sku":"3124VRP","price":2888.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/3124V_0.jpg?v=1692033575"},{"product_id":"tech-21-ged-2112-geddy-lee-signature-sansamp-rackmount-bass-preamp-ged-2112","title":"TECH 21 GED-2112 Geddy Lee Signature SansAmp Rackmount Bass Preamp","description":"\u003cdiv\u003eGeddy Lee has been performing without onstage amps and speakers since the Test for Echo Tour in 1996, favoring major household appliances instead. Known for using a variety of gear to create interesting layered tones, Geddy has included the SansAmp RBI and\/or the SansAmp RPM in his rig since 2001.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eWanting to streamline and simplify his gear for new projects, Geddy partnered with Tech 21 to design a signature SansAmp, the GED-2112. This challenging collaboration involved distilling a rackload of equipment into a single rackspace. It resulted in a new format for Parallel Pre-Amping -- having two separate internal pre-amps that run in parallel.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe Drive pre-amp section is based upon the versatile SansAmp RPM, for a wide range of sonic possibilities. The Deep pre-amp section offers low end boost for thick, meaty tones. Saturation goes from clean in lower settings to increased harmonics and tube-like compression in higher settings. To keep things lean and efficient, the EQ curve is pre-set to Geddy’s personal specs. 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The classic 1073 was known for being a versatile tool that worked with all kinds of microphones from Condenser, to Dynamic, to Ribbon.  The WA73 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through.  With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73 can’t handle.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eUK Custom Carnhill Transformers\u003c\/h3\u003e\n\u003cp\u003e1073 enthusiasts unequivocally get excited about the component history in these classic circuits.  The signal transformers are a common topic of conversation.  The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar.  Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature.  They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers.  We at Warm Audio have not yet heard a modern day 1073-style preamp sound as close to the early vintage 1073 design as does our WA73 with these beautiful custom Transformers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eHand Wired \u0026amp; Hand Assembled\u003c\/h3\u003e\n\u003cp\u003eThe classic 1073 was hand-wired and so is the WA73!  Guru’s claim that a portion of the 1073’s classic tone can be attributed to the hand-wired nature of the build.  The WA73 is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eCapacitors \u0026amp; Signal Path\u003c\/h3\u003e\n\u003cp\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used.  We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern 1073-style replicas.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"New | On Order","offer_id":46178707112219,"sku":"WA73","price":599.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47102847910171,"sku":"WA73-EBAYPRO","price":569.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/WA73_0.jpg?v=1692035382"},{"product_id":"warm-audio-wa273-two-channel-british-microphone-preamp-wa273","title":"Warm Audio WA273 Two-Channel British Microphone Preamp","description":"\u003cdiv\u003e\n\u003cp\u003eIf there’s one preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for the last 50+ years, it would most definitely be the venerable 1073.  The 1073 has been massively used in recording and live applications for decades and is still considered to be the “Holy Grail” of preamps today.  The Warm Audio “WA73 Family” provides single and dual channel re-creations of this classic British preamp (with \u0026amp; w\/out EQ), that each pay careful and humble homage to the original circuit.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA273 it was imperative to us that the unit pay respectful homage to the sacred British console history in both design and performance.  The tone and sweet character that the vintage units impart is so unique and familiar, that we had only the pure desire to release truly sonic accurate replicas.  After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA273 has been born!\u003c\/p\u003e\n\u003cp\u003eThe WA273 is a boutique, 2 channel “Desert Island” preamp, but it can also be classified as a studio and live work-horse.  The classic 1073 was known for being a versatile tool that works with all kinds of microphones from Condenser, to Dynamic, to Ribbon.  The WA273 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through.  With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA273 can’t handle.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eUK Custom Carnhill Transformers\u003c\/h3\u003e\n\u003cp\u003e1073 enthusiasts unequivocally get excited about the component history in these classic circuits.  The signal transformers are a common topic of conversation.  The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar.  Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature.  They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers.  We at Warm Audio have not yet heard a modern day 1073-style preamp sound as close to the early vintage 1073 design as does our WA273 with these beautiful custom Transformers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eHand Wired \u0026amp; Hand Assembled\u003c\/h3\u003e\n\u003cp\u003eThe classic 1073 was hand-wired and so is the WA273!  Guru’s claim that a portion of the 1073’s classic tone can be attributed to the hand-wired nature of the build.  The WA273 is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eCapacitors \u0026amp; Signal Path\u003c\/h3\u003e\n\u003cp\u003eAn important part of these classic British circuits not often discussed is the different styles of capacitors and output transistor used.  We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern 1073-style replicas.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"New | On Order","offer_id":46178710028571,"sku":"WA273","price":1199.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49918785093915,"sku":"WA273EBAYPRO","price":949.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/WA273_0.jpg?v=1692035379"},{"product_id":"black-lion-audio-auteur-quad-auteurquad","title":"Black Lion Audio BLA Auteur Quad","description":"\u003cdiv\u003e\n\u003cp\u003eThe Auteur Quad is the four channel version rack mount of our ever popular Auteur MK2 preamp. The Auteur preamp has become a studio staple over the last decade and is know for its fast, transparent IC based front end which provides a fattened, colorful back end via edcor transformers. This mixture of vintage and modern design approaches has led the Auteur to be known as as the “Swiss army knife of preamps” that sounds great on just about everything. It especially shines on sources that require detail but also benefit from some thickness such as drums or vocals. Some of the major additions to the Quad over the 2 channel half rack unit would be the all new meters on all four channels as well as borrowing the loved DI circuit from our 500 series Auteur on the first 2 channels. This feature set as well as channel count gives you one of the most affordable preamps in the world at an unbelievable price.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Black Lion Audio","offers":[{"title":"New | In Stock","offer_id":46178745549083,"sku":"AUTEURQUAD","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/AUTEURQUAD_0_1.jpg?v=1692035395"},{"product_id":"heritage-audio-ha73-single-channel-full-rack-mic-pre-ha73","title":"Heritage Audio HA73 Elite Series Single-Channel Full Rack Mic Preamp","description":"\u003cp\u003eThe HA73 is a single channel rack unit of the British console preamp beloved for generations, and our most affordable product to date.  No corners were cut inside or out, and customers can expect the same sonic quality and feel they have come to appreciate from Heritage Audio.  \u003c\/p\u003e\n\u003cp\u003eWith 80 dB of available gain and dedicated mic, line, and instrument inputs; the HA73 has everything you need to bring microphones and instruments to life with vintage vibe and thickness.  \u003c\/p\u003e\n\u003cp\u003eThe HA73 features gain, output trim, -20db pad, polarity reverse, a high pass filter, and +48v phantom power.  The HA73 comes housed in a rugged 1RU chassis and utilizes an external power supply for low noise operation.  The HA73 features Carnhill input and output transformers, high quality pots and switches, and best of all is 100% hand-made by Heritage Audio.\u003c\/p\u003e\n\u003ch3\u003eWhat is the Elite Series?\u003c\/h3\u003e\n\u003cp\u003eThe Heritage Audio Elite series represents a new level of affordability in high quality, classic console preamp and equalizer reproductions, and is the culmination of all our years of research and experience in building reproductions of the world’s most beloved classic recording channels.  When we began to develop this product line, we knew from the beginning what we could and could not do in the pursuit of making these modules less costly to manufacture.  We would not compromise on the ingredients that go in to our designs.  We knew would need to maintain the best quality components throughout, from the switches and potentiometers to the Carnhill transformers and inductors, to semiconductors and quality, long-life capacitors.  We knew that we would need to maintain the same sonic pedigree established by our existing product line of hand-wired, hand-assembled reproductions.  Most important of all, we knew that if we wanted to put the Heritage Audio name on these products, we could not send the manufacturing ‘offshore’ in order to save money.  Craftsmanship is a part of the Heritage Audio reputation; and we knew that to maintain our level of quality, we had to make these products here.  \u003c\/p\u003e\n\u003ch3\u003eSo what is different?\u003c\/h3\u003e\n\u003cp\u003eA peek inside any Elite Series product will reveal a more modern, high-tech design and production standard.  We’ve utilized precision automation to populate PCBs, using surface-mount technology (SMT), and reduced the amount of hand-wiring and hand-assembly to a minimum.  While the Elite Series may sport manufacturing techniques not available in the era of which these classic products originate, what has remained the same is the overall design, build quality, component quality, and most importantly the sonic quality of the originals.  It is our hope that the Elite Series will make these classic recording channels available to a new generation of sound engineers, and provide a lifetime of great recordings.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMade to the same specifications as the acclaimed ´73JR and DMA73 models.\u003c\/li\u003e\n\u003cli\u003eIndustry standard Carnhill transformers hand wound in St Ives, England.\u003c\/li\u003e\n\u003cli\u003e80dB, 3 stage fully discrete class A mic preamp.\u003c\/li\u003e\n\u003cli\u003eLine input on separate XLR for adding fat and warmth to prerecorded tracks.\u003c\/li\u003e\n\u003cli\u003e20dB PAD on the mic input to avoid overloading the input transformer when desired.\u003c\/li\u003e\n\u003cli\u003eLOZ, switches the input impedance of the mic transformer from 200 to 50 ohm.\u003c\/li\u003e\n\u003cli\u003e80 Hz hi pass filter. Fully discrete class A.\u003c\/li\u003e\n\u003cli\u003eUltra high impedance, JFET based D.I.\u003c\/li\u003e\n\u003cli\u003e1 Rack unit format.\u003c\/li\u003e\n\u003cli\u003eExternal universal power supply for worldwide use.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"New | On Order","offer_id":46179220488475,"sku":"HA73","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ha73-0_2500x2500_1676fe1a-3da1-404a-8c48-6d26ca86a4da.jpg?v=1692035654"},{"product_id":"lindell-audio-wl-3-500-series-channel-strip-wl3","title":"Lindell Audio WL-3 500-Series-Channel Strip","description":"\u003cp\u003eFinally there is a real 500 Series analog console channel strip on the market! Introducing The WL-3 Channel Strip. \u003c\/p\u003e\n\u003cp\u003eThe WL-3 is wonderful channel strip, all in one box. It features a transformer coupled microphone and line input, \u0026amp; a transformer coupled output along with a 60 m.m fader for the output section. \u003c\/p\u003e\n\u003cp\u003eThe strip has a compressor with parallel mix knob and a 3-band EQ with sweepable mids.\u003c\/p\u003e\n\u003cp\u003eAdd to this a 80Hz high-pass filter, polarity switch and 48V phantom powerad you have a serious channel in a double-wide 500 series unit.\u003c\/p\u003e\n\u003cp\u003eThis piece is designed by master mind Paul Wolff in conjunction with Lindell Audio.\u003c\/p\u003e\n\u003cp\u003ePaul Wolff has designed more legendary pieces of gear than most of us have used. In his years with API alone, Paul designed the 550B EQ, 512 and 3124 mic preamps, Legacy console, and 2500 compressor. He was recently honored by NAMM TEC hall of fame for inventing the Lunchbox and 500-series format, which he helped turned into a cottage industry.\u003c\/p\u003e\n\u003cp\u003eThe WL-3 is made in Europe and boasts an 8mm machined aluminium front panel.\u003c\/p\u003e","brand":"Lindell Audio","offers":[{"title":"Repack | On Order","offer_id":46179697983771,"sku":"WL3EBAYPRO","price":688.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46179698049307,"sku":"WL3","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/WL3_0_1.jpg?v=1692035921"},{"product_id":"heritage-audio-ha73eq-single-channel-full-rack-mic-pre-with-eq-ha73eq","title":"Heritage Audio HA73EQ Elite Series Single-Channel Full Rack Mic Pre with EQ","description":"\u003cp\u003eThe HA73EQ presents the complete classic British recording channel in its exact historic form, nothing more and nothing less, with an asking price that sets an unprecedented value for a preamp channel strip of this quality.  For generations, the classic ‘73 equalizer has been regarded for its rich, musical qualities and its ability to dramatically improve the sound of almost any source.  No corners were cut inside or out, and customers can expect the same sonic quality and feel they have come to appreciate from Heritage Audio.  \u003c\/p\u003e\n\u003cp\u003eWith 80 dB of available gain and dedicated mic, line, and instrument inputs; the HA73EQ has everything you need to bring microphones and instruments to life with vintage vibe and thickness.  \u003c\/p\u003e\n\u003cp\u003eThe HA73EQ’s preamp section features gain, output trim, -20db pad, polarity reverse, a high pass filter, and +48v phantom power.  The HA73EQ’s EQ section features a high shelving EQ, midrange EQ, low shelving EQ, a variable high pass filter, and EQ Bypass, engineered in strict accordance to the historic original design.  The HA73EQ comes housed in a rugged 1RU chassis and utilizes an external power supply for low noise operation.  The HA73EQ features Carnhill input and output transformers, Carnhill inductors, high quality pots and switches, and best of all is 100% hand-made by Heritage Audio.\u003c\/p\u003e\n\u003ch3\u003eWhat is the Elite Series?\u003c\/h3\u003e\n\u003cp\u003eThe Heritage Audio Elite series represents a new level of affordability in high quality, classic console preamp and equalizer reproductions, and is the culmination of all our years of research and experience in building reproductions of the world’s most beloved classic recording channels.  When we began to develop this product line, we knew from the beginning what we could and could not do in the pursuit of making these modules less costly to manufacture.  We would not compromise on the ingredients that go in to our designs.  We knew would need to maintain the best quality components throughout, from the switches and potentiometers to the Carnhill transformers and inductors, to semiconductors and quality, long-life capacitors.  We knew that we would need to maintain the same sonic pedigree established by our existing product line of hand-wired, hand-assembled reproductions.  Most important of all, we knew that if we wanted to put the Heritage Audio name on these products, we could not send the manufacturing ‘offshore’ in order to save money.  Craftsmanship is a part of the Heritage Audio reputation; and we knew that to maintain our level of quality, we had to make these products here.  \u003c\/p\u003e\n\u003ch3\u003eSo what is different?\u003c\/h3\u003e\n\u003cp\u003eA peek inside any Elite Series product will reveal a more modern, high-tech design and production standard.  We’ve utilized precision automation to populate PCBs, using surface-mount technology (SMT), and reduced the amount of hand-wiring and hand-assembly to a minimum.  While the Elite Series may sport manufacturing techniques not available in the era of which these classic products originate, what has remained the same is the overall design, build quality, component quality, and most importantly the sonic quality of the originals.  It is our hope that the Elite Series will make these classic recording channels available to a new generation of sound engineers, and provide a lifetime of great recordings.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMade to the same specifications as the acclaimed ´73JR, ´73EQJR and DMA73 models.\u003c\/li\u003e\n\u003cli\u003eIndustry standard Carnhill transformers hand wound in St Ives, England.\u003c\/li\u003e\n\u003cli\u003e80dB, 3 stage fully discrete class A mic preamp.\u003c\/li\u003e\n\u003cli\u003eLine input on separate XLR for adding fat and warmth to prerecorded tracks.\u003c\/li\u003e\n\u003cli\u003e20dB PAD on the mic input to avoid overloading the input transformer when desired.\u003c\/li\u003e\n\u003cli\u003eLOZ, switches the input impedance of the mic transformer from 200 to 50 ohm.\u003c\/li\u003e\n\u003cli\u003eUltra high impedance, JFET based D.I.\u003c\/li\u003e\n\u003cli\u003eFully discrete 3 band classic equalizer with vintage correct inductors. \u003c\/li\u003e\n\u003cli\u003eHi shelf at 12Khz.\u003c\/li\u003e\n\u003cli\u003eMid band selectable between 6 different frequencies and OFF.\u003c\/li\u003e\n\u003cli\u003eLo shelf selectable between 4 different frequencies and OFF\u003c\/li\u003e\n\u003cli\u003eInductor based High Pass filter, frequency selectable between 4 different frequencies and OFF.\u003c\/li\u003e\n\u003cli\u003e1 Rack unit format.\u003c\/li\u003e\n\u003cli\u003eExternal universal power supply for worldwide use.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"New | On Order","offer_id":46179792748827,"sku":"HA73EQ","price":999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":51847977500955,"sku":"HA73EQRP","price":888.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1513600341_IMG_918418.jpg?v=1753293398"},{"product_id":"heritage-audio-ha73eq-x2-elite-dual-channel-full-rack-mic-pre-with-eq-ha73eqx2","title":"Heritage Audio HA73EQx2 Elite Dual-Channel Full Rack Mic Pre with EQ","description":"\u003ch2\u003eHeritage Audio HA73EQx2 Elite Dual-Channel Full Rack Mic Pre with EQ\u003c\/h2\u003e\n\u003cp\u003eThe Heritage Audio HA73EQ is now twice as awesome with it's brand spankin' new dual channel format!\u003c\/p\u003e\n\u003cp\u003eAfter almost 7 years making one of the finest hi end outboard gear line in the industry, Heritage Audio is proud to introduce the Elite series.\u003c\/p\u003e\n\u003cp\u003eLeveraging the expertise and reputation obtained with its former hand wired, extremely time-consuming hand soldered series, Heritage is able to offer a zero compromise, high quality yet very affordable alternative to the growing entry-level brands. \u003c\/p\u003e\n\u003cp\u003eA combination of mass production, lean manufacturing and modern construction techniques, minimizes hand labor and therefore its high associated costs when manufacturing takes place in Western Europe. By passing the savings straight into the end users´ pockets, Heritage Audio releases the most affordable outboard preamps and equalizers in its class up to date.\u003c\/p\u003e\n\u003cp\u003eKey components to obtain a true vintage sound are indeed maintained, like the industry standard Carnhill transformers, hand wound in St Ives, England.\u003c\/p\u003e","brand":"Heritage Audio","offers":[{"title":"New | On Order","offer_id":46180496507163,"sku":"HA73EQX2","price":1999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | Out Of Stock","offer_id":47102647533851,"sku":"HA73EQX2EBAYPRO","price":1498.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ha73eqx2-0_2500x2500_3a73fdeb-132f-4622-84f2-607cdccb2c91.jpg?v=1692036840"},{"product_id":"golden-age-project-pre-73-premier-single-channel-microphone-preamplifier-pre73premier","title":"Golden Age Project Pre-73 Premier Single-Channel Microphone Preamplifier","description":"\u003cp\u003eThe PRE-73 PREMIER is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The in- and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available.\u003c\/p\u003e\n\u003cp\u003eThe circuit used in the PRE-73 PREMIER is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e","brand":"Golden Age Premier","offers":[{"title":"New | On Order","offer_id":46180752785691,"sku":"PRE73PREMIER","price":499.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":52233092956443,"sku":"PRE73PREMIERRP","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/PRE73PREMIER_0.jpg?v=1692037220"},{"product_id":"burl-b4-4-channel-mic-line-adc-card-for-b16-b80-b80-b4","title":"Burl Audio B4 4-Channel Mic \/ Line ADC Card for B16 \/ B80","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eAT LONG LAST… BURL Audio is proud to announce the new B4 4-channel MIC\/LINE input daughter card for the B80 and B16 MOTHERSHIPs. The B4 boasts the new BX6 input transformer designed for true MIC\/LINE input impedance. The B4 maintains a no compromise, class-A analog circuit, followed by the same ADC we use in the BAD8. Using a single B80 chassis, 40 input channels of audiophile MIC\/LINE inputs can be realized. With digital control and SoundGrid or Dante, the B80 MOTHERSHIP with the B4MIC\/LINE daughter card is the ultimate studio grade stage box.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4-channel MIC \/ LINE input ADC\u003c\/li\u003e\n\u003cli\u003eNEW BX6 input transformers\u003c\/li\u003e\n\u003cli\u003eBURL NextGen BOPA14 OP-AMP\u003c\/li\u003e\n\u003cli\u003e40 total MIC \/ LINE input channels per B80\u003c\/li\u003e\n\u003cli\u003eAll class-A, discrete signal path\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Burl","offers":[{"title":"New | On Order","offer_id":46181728518427,"sku":"B80-B4","price":2295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/b80b4_0.jpg?v=1692038193"},{"product_id":"soyuz-launcher-color-box-launcher","title":"Soyuz Launcher Color Box","description":"\u003cp\u003eThis is no ordinary ivory box.\u003c\/p\u003e\n\u003cp\u003eImagine a little box that could bring that old school magic sound to recordings made with a common dynamic mic and an ordinary interface.\u003c\/p\u003e\n\u003cp\u003eImpossible? Not anymore. Introducing the Soyuz Launcher.\u003c\/p\u003e\n\u003ch2\u003eThat Magic Little Box\u003c\/h2\u003e\n\u003cp\u003eThe Launcher is not meant to be transparent and clean like other “gain boosters” on the market. Imagine taking a piece of a vintage analog console and putting it in a magic little box. It’s no longer a fantasy with the Launcher.\u003c\/p\u003e\n\u003cp\u003eIf you’ve ever struggled to get “that” sound when plugging your mic into an interface without an external preamp, then struggle no more. The Launcher makes your mics sound like they’re running through a vintage console– even when they’re plugged into a simple interface or PA system.\u003c\/p\u003e\n\u003ch2\u003eDream in Color\u003c\/h2\u003e\n\u003cp\u003eThe Launcher imparts a truly special character and color that will bring your sound to the next level. \u003c\/p\u003e\n\u003cp\u003eWith its custom hand wound transformer, the Launcher’s warm character will forever change the way you look at dynamic and ribbon microphones.\u003c\/p\u003e\n\u003ch2\u003ePrepare For Take Off\u003c\/h2\u003e\n\u003cp\u003eWhether on the stage, in the booth, or in your bedroom, the Launcher gives your microphones the ability to perform incredibly well with virtually any interface or preamp by optimizing the sound of your source, boosting your gain by 26dB, and lowering the amount of audible noise in your signal chain.\u003c\/p\u003e\n\u003ch2\u003eTake Your Sound With You\u003c\/h2\u003e\n\u003cp\u003eIf you’re a musician, home or professional engineer, podcaster, voiceover artist, or just someone who loves making videos, the Launcher will take your sound to the next level. You don’t need a huge studio to have a huge sound– the Launcher will get you there no matter the time or place.\u003c\/p\u003e\n\u003ch2\u003eCountdown to Perfect Sound\u003c\/h2\u003e\n\u003cp\u003eThe Launcher is the culmination of years of beta testing and feedback from real musicians and engineers around the world. At points we thought that we were chasing a phantom, but we refused to give up until the winning combination was found. The launcher’s custom transformer and proprietary circuit have become one of Soyuz’s most closely guarded secrets.\u003c\/p\u003e\n\u003cp\u003eEvery Launcher is handbuilt in Soyuz's own facility.\u003c\/p\u003e","brand":"Soyuz","offers":[{"title":"New | On Order","offer_id":46182882115867,"sku":"LAUNCHER","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/LAUNCHER_0_1.jpg?v=1692039923"},{"product_id":"black-lion-audio-eighteen-channel-strip-eighteen","title":"Black Lion Audio Eighteen Channel Strip","description":"\u003cp\u003eBlack Lion Audio's Eighteen starts with a vintage-inspired preamplifier — providing a creamy, yet punchy response. 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The results are amazing; a quiet, and ultra-flexible equalizer that packs all of the vibe of your favorite program-style EQ’s.\u003c\/p\u003e\n\u003cp\u003eEighteen's features don't stop there: it also features a custom-wound Cinemag transformer for the output, as well as output gain control for pushing the unit into pure overdriven-bliss. Black Lion Audio designed, engineered, assembles, and tests each unit by hand in the USA.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYoung brain. Old heart. It's Eighteen!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEighteen starts with a vintage-inspired preamplifier, providing a creamy, yet punchy response. Black Lion have topped that off with a passive induction-based program equalizer, and output control for pushing the analog stages to pure overdriven-bliss that’s still safe for your convertors and DAW.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA heart-felt homage to vintage preamplifiers.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEighteen’s preamplifier circuit isn’t just another clone, but an original design built to pay proper tribute to some of the most classic designs ever made.\u003c\/p\u003e\n\u003cp\u003eThe Eighteen starts with a Cinemag input transformer, but that’s far from where the magic stops.\u003c\/p\u003e\n\u003cp\u003eIn order to get the absolute perfect sound Black Lion were looking to achieve with Eighteen meant a bit more work under the hood. This is where their new BLA1831 customized, discrete op-amp comes into play. Through an extensive period of component testing, Black Lion were able to create a discrete op-amp that matched the vintage vibe they were aiming for, while still matching a noise floor that is akin to modern equipment.\u003c\/p\u003e\n\u003cp\u003eThe preamplifier also features polarity inverse, 48V phantom power, an 80Hz high-pass filter, and a 10kHz low-pass filter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA timeless, passive inductor eq.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEighteen packs an impressive, original passive inductor-based equalizer, that you’re sure to love. While creating this circuit, Black Lion's engineers realized that any “off-the-shelf” inductors simply wouldn’t do. That’s why they teamed up with Cinemag to create a custom inductor just for Eighteen!\u003c\/p\u003e\n\u003cp\u003eThe results are amazing; a quiet and ultra-flexible equalizer that packs all of the vibe of your favorite program-style EQ’s. 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A front panel D.I. delivers a harmonically rich tone to guitars, keyboards, and synthesizers, and stepped input gain and variable output attenuation allow for perfect control over transformer saturation.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBig 1073-style gain\u003c\/li\u003e\n\u003cli\u003eCinemag input and output transformers\u003c\/li\u003e\n\u003cli\u003eVariable output attenuation for control over transformer saturation\u003c\/li\u003e\n\u003cli\u003eFront panel D.I.\u003c\/li\u003e\n\u003cli\u003eStepped input gain\u003c\/li\u003e\n\u003cli\u003e48V phantom power and phase inverse controls\u003c\/li\u003e\n\u003cli\u003eConvenient half-rack sizing for mixing-and-matching\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"New | In Stock","offer_id":46182996803867,"sku":"B173MK2","price":449.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":48003798728987,"sku":"B173MK2EBAYPRO","price":318.0,"currency_code":"USD","in_stock":false},{"title":"New - Bundle: The Chicago Sound | Out Of Stock","offer_id":51609998360859,"sku":"B173MK2BUNDLE","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/b173mkii-2.jpg?v=1692040720"},{"product_id":"dw-fearn-vlc-preamp-equalizer-vlc","title":"Hazelrigg Industries VLC Tube Preamp, Direct Injection, Equalizer","description":"\u003cp class=\"p1\"\u003eThe foundation of the VLC is the legendary Preamp and Power Supply design utilized in the VT series of Tube Microphone Preamplifiers from D.W. 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While fixed low and high controls are carefully voiced for musical shading of bass and treble.\u003c\/p\u003e","brand":"Grace Design","offers":[{"title":"New | On Order","offer_id":46183122567451,"sku":"FELIX-2BK","price":1382.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/felix_2-10.jpg?v=1692041286"},{"product_id":"tube-tech-mp2a-microphone-preamplifier-and-di-mp2a","title":"Tube-Tech MP2A Microphone Preamplifier \u0026 DI","description":"\u003cp\u003eThe MP 2A is a combined mic preamp\/DI, based on a classic TUBE-TECH design, but featuring even higher fidelity and a few new features: An impedance switch to match the input perfectly to all types of microphones, an overload indicator and 2 dB gain steps.\u003c\/p\u003e\n\u003cp\u003eMP2A is the second in the new range of upgraded microphone preamplifier\/DI’s.( The modular PM1A was the first.)\u003cbr\u003eThese new preamps features even higher headroom and fidelity than the earlier TUBE-TECH micpre”s.\u003c\/p\u003e\n\u003cp\u003eSerious listening tests of the MP 2A have revealed a sound quality second to none, placing it among a handful of the worlds very best designs.\u003c\/p\u003e\n\u003cp\u003eThe MP 2A DI continues the TUBE-TECH tradition of extremely good sounding DI’s, delivering world class sound for bass and guitar DI recordings. You simply won’t find a better DI than this!\u003c\/p\u003e","brand":"Tubetech","offers":[{"title":"New | On Order","offer_id":46183286735131,"sku":"MP2A","price":4950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mp2a_0.jpg?v=1692041624"},{"product_id":"thermionic-culture-snow-petrel-2-channel-ribbon-mic-pre-snowpetrel","title":"Thermionic Culture Snow Petrel 2 Channel Ribbon Mic Pre","description":"\u003cp\u003eTHE SNOW PETREL. Unveil the beauty of your favorite ribbon microphones in the most natural way, revealing sparkling clear highs down to harmonically rich lows.\u003c\/p\u003e\n\u003cp\u003eDesigned originally for use with the Coles 4038 as a super-clean low noise unit, after extensive field tests in UK, Norway and France, we’ve found it sounds exceptional with ANY microphone including the classic Neumann U 87, perhaps because:\u003c\/p\u003e\n\u003cp\u003eThey use extra-low noise valves with NO solid state impurities in the audio path, plus VERY special Sowter in and out transformers\u003c\/p\u003e\n\u003cp\u003eInput impedance is higher than usual to preserve clarity and can be tailored to individual mics with the Hi\/Lo and Pad switches\u003c\/p\u003e\n\u003cp\u003eIncredibly musical and progressive saturation for distortion lovers when overdriven and by employing the fine and coarse attenuators\u003c\/p\u003e\n\u003cp\u003eControls include  Gain, from 40 to 75 dB, switched, HPF to reduce “proximity effect” and “Air” to add that extra clarity.\u003c\/p\u003e\n\u003cp\u003eCarefully hand made and tested in Harlow, England   \u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"New | On Order","offer_id":46183476232475,"sku":"SNOWPETREL","price":4099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/snowpetrelhr1.jpg?v=1692041952"},{"product_id":"ams-neve-1073opx-digital-card-limited-time-bundle-1073opx-dig","title":"AMS Neve 1073OPX 8 Channel Mic Preamp","description":"\u003cp\u003eEight Legendary 1073® remote-controlled Preamps with Marinair® Transformers, USB and Dante digital connectivity taking the Classic Neve preamp sound into the future. Our 1073OPX and 1073OPX digital card bundle offers great value. The digital option will be shipped within the unit unless otherwise stated.\u003c\/p\u003e\n\u003cp\u003eLaunched in 1970, the 1073® soon became the mic preamp of choice for leading producers and engineers and has since become the world’s most desirable preamplifier. Designed and manufactured in England by AMS Neve to this day, it’s unique tonal quality, warmth, low-mid punch and subtle harmonic distortion gives studios of all sizes the most prestigious front-end for their recordings.\u003c\/p\u003e\n\u003cp\u003eThe 1073OPX continues the 1073® pedigree, packing eight legendary preamps into a 2U rack unit. Front and rear connectors give comprehensive connectivity to any Studio\/Live\/Broadcast environment and modern remote-control software gives two-way control with Total Recall™ of all settings with Save\/load feature. Mic input sources benefit from the Marinair(R) transformer-coupled input stage and sources can be connected directly to the front-mounted Mic\/Line\/DI input for recording in the studio control-room.\u003c\/p\u003e\n\u003cp\u003eThe 1073OPX’s analogue and digital monitor signal path allows use as a complete standalone I\/O interface or as a live room remote preamp with a full, latency-free monitoring cue mix signal path. The optional digital I\/O card comes with Neve’s industry-revered mastering-grade converters with up to 192kHz\/24-Bit A\/D conversion over USB connection for use as a Primary Audio Interface to any connected DAW-enabled computer as well as Primary and Secondary Dante®  connectivity for Audio-over-IP applications.\u003c\/p\u003e\n\u003cp\u003eWhen Legend meets future. The 1073OPX Optional Digital card provides a USB and Dante AD\/DA interface with eight channels of analogue to digital conversion for each 1073OPX preamp output and two channels of Digital to Analogue conversion for the digital monitor return signal path. The USB connection allows the 1073OPX to be connected to a DAW enabled PC\/MAC computer to be used as a Primary\/Core audio interface. In addition to the USB connection,  Primary and Secondary Dante connections  allow for  the 1073OPX to be connected to any Dante Audio-Over-Ip network as a Dante enabled preamp. The Digital card can be retrofitted easily to any existing 1073OPX unit.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe digital option will be shipped within the unit unless otherwise stated. \u003c\/strong\u003e\u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"New - Bundle: with Adat USB Digital Option Card | In Stock","offer_id":46183648067867,"sku":"1073OPX-ADAT-USB","price":5000.0,"currency_code":"USD","in_stock":true},{"title":"New - Bundle:   Digital Option Card | On Order","offer_id":46183648133403,"sku":"1073OPX-DIG","price":5455.0,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46183648166171,"sku":"1073OPX","price":4585.0,"currency_code":"USD","in_stock":true},{"title":"Repack - Bundle:   Digital Option Card | On Order","offer_id":47582527914267,"sku":"1073OPX-DIGDEMO","price":4288.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ams_neve_1073opx-1_1.jpg?v=1692042324"},{"product_id":"black-lion-audio-auteur-mkiii-mic-pre-auteurmkiii","title":"Black Lion Audio BLA Auteur MKIII Mic Pre","description":"\u003ch3\u003eTrue Chicago born sound.\u003c\/h3\u003e\n\u003cp\u003eBlack Lion Audio has been known and trusted for years as the go-to masters of audio equipment modification — taking gear to new heights with uncompromising mods. Years of preamplifier modification have culminated into their own offering of Chicago-style sonic bliss: the Auteur mkIII — 2 channels of fast response, with fat low-end sound.\u003c\/p\u003e\n\u003ch3\u003eA flexible, well-rounded design.\u003c\/h3\u003e\n\u003cp\u003eThe Auteur mkIII design starts with a modern front-end that’s best described as fast and transparent — perfect for capturing every nuance and detail. This is followed up by a vintage-inspired output-stage design coupled with a Cinemag transformer for massive, colorful sound. This design approach results in a preamp that’s a perfect jack-of-all-trades that sounds amazing on everything you can throw at it.\u003c\/p\u003e\n\u003cp\u003eBoth channels have line level inputs for adding warmth and weight to keyboards, synths and even full stereo mixes. The Hi-Z switch makes for a stellar instrument input for direct capture of guitar and bass.\u003c\/p\u003e\n\u003cp\u003eAuteur mkIII features a tour-worthy chassis, that’s extremely portable. Not only is it great on the go, but it fits perfect on a desktop for smaller setups. Removable rack ears are also included, as Auteur mkIII can be racked in a 1\/2U space.\u003c\/p\u003e\n\u003cp\u003eEvery good mic needs a great preamp to bring out it’s best, and the Auteur mkIII is an exceptional offering for your entire microphone collection.\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"Pre-Owned | In Stock","offer_id":46184210366747,"sku":"AUTEURMK3EBAYPRO","price":389.99,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46184210399515,"sku":"AUTEURMK3","price":419.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/black_lion_audio_-_auteur_mkiii_-_front.jpg?v=1692043294"},{"product_id":"maag-audio-preq2-dual-mic-preamp-with-eq-preq2","title":"Maag Audio PreQ2 Dual Mic Preamp with EQ","description":"\u003cp\u003eIntroducing the Maag Audio PREQ2, Two World Class mic preamps with buffered Pass Thru, and level match technologies, set the stage for reamplification, and elevating your craft beyond 11!\u003c\/p\u003e\n\u003cp\u003eMäag Audio’s newest creation is the PREQ2™ Dual Mic Preamp with EQ, a complete analog system for either recording or mixing housed in a 1U standalone unit. It comes with Cliff Mäag’s venerable Air Band® shelving equalizer first introduced in 1993 with his NTI EQ3 equalizer.\u003c\/p\u003e\n\u003cp\u003eThe PREQ2™ will handle either line or microphone signal levels with two matched channels both with separate rear panel line level input and microphone XLR connectors and switchable +48-volt phantom powering. The rear panel also has XLR output connectors for each channel and a on\/off\/fuse mains switch.\u003c\/p\u003e\n\u003cp\u003eAll switches on the PREQ2™ have colorful LEDs to confirm their operation and all controls have detents with the exception of the continuously variable microphone gain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMICROPHONE INPUT\u003c\/strong\u003e\u003cbr\u003eThe Mäag Audio PREQ2™ microphone preamp has up to 71dB of gain split between a discrete Class-A transistor preamp along with a large, nickel-core Mäag Audio-built input transformer (one for each channel). This circuit offers a clean, detailed sound with +27dBu of headroom and an EIN noise level of -128dB. There are two optimized gain ranges selectable on the front panel. The default gain range is +20db to +42dB and a +42 to +71dB gain range in high gain mode using the front panel’s 25dB gain switch. Maximum input level is +8dB.\u003c\/p\u003e\n\u003cp\u003eThe Microphone Input section has front panel switches, LED indicators and buttons for: +48-volt phantom powering, -20dB attenuation pad, plus signal present, +26dBu peak LEDs, and phase or polarity flip. Microphone gain is continuously adjustable using a single, large mic gain control knob.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINE INPUT\u003c\/strong\u003e\u003cbr\u003eThe front panel Line switch toggles the rear panel XLR line input connectors in place of the microphone preamp’s output (after the input transformer and microphone preamp). It is possible to keep both a microphone and a line level source always connected to the PREQ2 and toggle both channels separately. You could have one channel working as a microphone preamp channel and the other as a line level amplifier for recording a direct musical instrument (bass or guitar) at the same time.\u003c\/p\u003e\n\u003cp\u003eBoth mic input sections have ¼-inch TS jacks for high impedance (1 mega-ohm) instrument input with a companion ¼-inch output Thru jack that simultaneously provides an isolated, buffered output—a “copy” of the instrument input signal at unity gain. In addition to providing an unbalanced signal for running long leads out to instrument amplifiers in the studio and\/or stomp pedals, for live re-amplifying the Thru jack’s output signal is also active when using the XLR microphone input.\u003c\/p\u003e\n\u003cp\u003eWhen using the instrument input TS jack, the Mäag Audio PREQ2™ uses an automatic detection circuit to switch (using a relay) and route the unbalanced ¼-inch input signal to the mic input transformer. The impedance is lowered for a better match to the transformer. This detection circuit makes it is impossible for the 48-volt \u003cbr\u003ephantom power to ever reach the ¼-inch or XLR Line input even if already turned on.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEQUALIZATION SECTIONS\u003c\/strong\u003e\u003cbr\u003eThe Mäag Audio PREQ2™ has three equalizer\/filters sections; the layout and control compliment are identical for both channels. The equalizer design is specifically designed for both recording and\/or subtle touchup tonality changes and euphonic enhancements.\u003c\/p\u003e\n\u003cp\u003eOn the left side of the channel is the first control for the 2nd order, 12dB\/octave high pass filter. It is fully variable using a 21-detent control to sweep from 20Hz to 200Hz. It has its own hardwired, in\/out bypass switch.\u003c\/p\u003e\n\u003cp\u003eNext is the Low Frequency bell-shaped equalizer section with a boost (only) control at 6dB\/Octave. Frequencies are switched using a six position rotary switch and are: 10Hz (Sub) shelf, and bell-shaped curves for 40Hz, 65Hz, 100Hz, 125Hz, and 165Hz. Up to 9dB of boost is available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAIR BAND®\u003c\/strong\u003e\u003cbr\u003eThe third band of the equalizer is the Mäag Audio Air Band shelving section with 2.5, 5, 10, 15, 20, and 40-kHz frequency choices with its own control and up to 9dB of maximum boost. Both the Air Band and Low Frequency equalizers share a single bypass push-button.\u003c\/p\u003e","brand":"Maag Audio","offers":[{"title":"New | On Order","offer_id":46184477884699,"sku":"PREQ2","price":2595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1_maag_audio_preq2_faceplate_copy.jpg?v=1692043725"},{"product_id":"dangerous-music-2-bus-xt-summing-mixer-2busxt","title":"Dangerous Music 2-BUS-XT Summing Mixer","description":"\u003cp class=\"\"\u003eThe totally re-engineered 2-BUS-XT delivers knock down kicks, vocals welded to the center, spacious sound stage, and an ultra high resolution depth of field that reveals everything, ultimately gluing your tracks together organically \u0026amp; effortlessly. You’ll experience the pleasure of mixing it better and faster with fewer plug-ins.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLeveraging the unsurpassed six layer board summing circuitry of the 2-BUS+, you’ll feel the legendary headroom alongside two unique custom color circuits designed by analog cause célèbre, Chris Muth.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAfter dozens of listening trials, the transformers were specifically chosen to add a tasteful hit of 2nd order harmonics for lower midrange warmth while preserving top-end clarity.. Perfect for adding complexity to sterile tracks that draw the listener in deep.\u003c\/p\u003e\n\u003cp class=\"\"\u003eCoherence elevates the harmonic content of signals progressively by bringing up the detail as the levels are reduced, then allowing you to blend this result with the source mix, parallel compression style. Ride it during the hooks to add excitement.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAssign none, either or both to channels 15-16 or the mix buss all on true hard wired bypasses and breathe your music’s analog soul to life.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"New | In Stock","offer_id":46184621965595,"sku":"2BUSXT","price":2199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/2-bus-xt_f_copy.jpg?v=1692044003"},{"product_id":"aea-trp500-high-gain-high-impedance-low-noise-500-series-preamp-trp500","title":"AEA TRP500 High Gain, High Impedance Low Noise 500 Series Preamp","description":"\u003ch2\u003eENHANCE YOUR RIBBONS\u003c\/h2\u003e\n\u003cp\u003eBased on the circuit and topology of the company’s original AEA TRP preamp, the TRP500 has the low noise, musical sonics, and ultra-high gain and impedance (100,000 Ohms) that AEA is renowned for. The TRP500 excels at drawing out the warmth and lush sound of ribbon mics as well as other top-level microphones. With up to 85 dB of quiet DC-coupled gain, minimal path architecture, and a gentle 115 Hz or 230 Hz high pass filter, this preamp puts as little as possible between you and your audience.\u003c\/p\u003e\n\u003ch2\u003eHANDCRAFTED IN PASADENA\u003c\/h2\u003e\n\u003cp\u003eLike all AEA products, the TRP500 is 100 percent handcrafted in Pasadena, California from locally sourced parts. AEA is a family-owned company with a small crew of skilled technicians, many of whom are musicians themselves.\u003c\/p\u003e\n\u003ch2\u003eHIGH IMPEDANCE MAKES A HUGE DIFFERENCE\u003c\/h2\u003e\n\u003cp\u003eThe ultra-high gain DC-coupled JFET circuit has two input impedances: 11,900 Ohms with phantom power “ON” and 100,000 Ohms with phantom power “OFF.” The 100,000 Ohm mode brings out the best in passive ribbons and tube mics, and also provides a unique balanced input for vintage, high-impedance dynamic mics. This versatility ensures the highest sensitivity, bandwidth, transient response, and clarity possible for a wide variety of microphones.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"New | On Order","offer_id":46184627077403,"sku":"TRP500","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/trp500_front_transparent_copy_1.jpg?v=1692044072"},{"product_id":"audient-evo-sp8-8-channel-smart-preamp-with-ad-and-da-evosp8","title":"Audient EVO SP8 8 Channel Smart Preamp with AD and DA","description":"\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe ultimate studio preamp expander is here. EVO SP8 is designed to be the perfect partner for expanding your existing audio interface. Give your studio the performance and capability boost it needs, providing eight intelligent EVO Preamps that set their own levels with Smartgain, advanced AD\/DA converter technology and a versatile range of I\/O connectivity. Add to that two JFET instrument inputs, the all new, groundbreaking Motion UI control system and exceptional audio performance across the board. The EVO SP8 might just be the world’s smartest Mic Preamp.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe perfect partner for your audio interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBigger sessions demand more channels and expanding your existing audio interface via ADAT might be the most cost effective solution to scale up your studio. EVO SP8 provides eight mic\/line inputs, eight line outputs and 2 x ADAT connections, giving you enough I\/O firepower to easily tackle multi-mic sessions like recording drums, or taking on a full band.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet studio quality recordings The EVO Mic Preamp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSay hello to the preamps your studio needs. Eight sonically stunning EVO preamps will effortlessly level up your recordings, delivering professional grade audio performance backed by 25 years of engineering experience. Our analogue mic preamp has been designed to deliver the most accurate, clean and true to source version of your audio, no matter what you’re recording.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional Sound\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eGet studio quality recordings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e58dB Mic Gain\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eEasily power those gain hungry mics\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTonnes of Headroom\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eFully balanced signal path\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEIN Spec - (No noise, no nonsense)\n\u003cul\u003e\n\u003cli\u003eUltra-low distortion, low noise signal\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eAn analogue mic preamp, but smarter.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFire your studio into the 21st century with our powerful EVO Preamp technology. Combining all the sonic advantages of a studio-grade analogue mic preamp with digitally controlled tactile precision, the EVO Preamp gives you the ability to set your gain with pin-point accuracy, right down to the decibel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eConfigure each channel independently\u003c\/li\u003e\n\u003cli\u003ePerfectly match the level of stereo pairs\u003c\/li\u003e\n\u003cli\u003eControl from software\u003c\/li\u003e\n\u003cli\u003eReal time visual feedback on screen\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBetter converters = better audio Advanced Converter Technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the studio, sound is everything and EVO SP8’s high performance 32-bit AD\/DA converters make sure you hear your audio accurately at all times, whether you’re recording music or sending audio to your favourite outboard gear and back when mixing. Better converters mean better audio - helping you make creative decisions confidently, identify issues and improve your overall recording and mixing game.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA total gain-changer... Smartgain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMake recording drums and larger sessions easy with Smartgain. Automatically set the gain for all eight channels at once with a simple touch of a button. Powered by our lightning quick Smartgain algorithm, Smartgain uses advanced peak analysis to automatically analyse, adjust and set your gain to the perfect levels - all in less than 20 seconds! Now it’s up to you to figure out what to do with all that time you’re saving...\u003c\/p\u003e\n\u003cp\u003e- Works on 8 mics at once\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 4\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e-  Save Time\u003c\/p\u003e\n\u003cp\u003e-  Avoid Clipping\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorking Solo? Your own assistant engineer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecord, adjust levels, repeat. Sound familiar? Save time and make recording on your own a breeze and gain the power to save time with Smartgain. Simply set up your mics, hit Smartgain, start performing and EVO SP8 will take care of the rest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEVO Expanded System Compatible with EVO 16\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBecome more efficient in the studio. Unleash Smartgain’s capabilities by pairing two EVO SP8’s with an EVO 16 audio interface and get 24 channels of Smartgain enabled mic preamps. Yes, with an EVO Expanded system that’s 24 channels at once... light years ahead of the competition.\u003c\/p\u003e\n\u003cp\u003e-  24 Channels of Smartgain at once\u003c\/p\u003e\n\u003cp\u003e-  Soundcheck an entire band in less than 20 seconds\u003c\/p\u003e\n\u003cp\u003e-  Creativity uninterrupted\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroducing Motion UI: A powerful new control system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNavigate SP8’s hardware features with blazing speed courtesy of the all new Motion User Interface. For the first time, a stunning high resolution, full colour screen intelligently displays information as you need it, transforming EVO SP8 into a fully immersive, easy to use Smart Preamp - the first of its kind.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Screen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEvery adjustment, every detail, every button press is beautifully displayed on a TFT backlit LCD Screen giving your real time visual feedback of your audio, letting you make changes on the fly and take complete control of EVO SP8 without ever looking at your computer.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003ePlus, IPS technology means information on the screen remains legible no matter your viewing angle - ideal for a variety of setups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChannel Status\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePressing an input button momentarily displays the channel name, the levels and the functions activated for that specific channel. All the information you ever need in one place.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMetering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKeep an eye on your levels by quickly cycling through your input levels with EVO SP8’s crystal clear, full colour metering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne Knob Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned to keep your session in motion, One-Knob-Control lets you glide through EVO SP8’s hardware features from a single centralised point. Unlimited power, simple control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic tone, modern sound 2 x Instrument Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo build a monster guitar sound you need the right foundation. Our harmonically rich JFET instrument input circuit is designed to replicate the input stage of a classic valve amplifier, providing an ideal sonic foundation before you hit your guitar sims.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLooks that could kill\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSP8 has been meticulously designed to look amazing on both your desktop and in your rack. Super bright backlit LED lighting not only looks stunning but ensures visibility in the darkest of studios, whilst a solid steel chassis makes sure EVO SP8 is up to the challenges of daily use in the studio and on the road.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStacked or Racked Portable\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned to slot straight into your studio, EVO SP8 defies the normal with its deceptively small form factor. Although jam-packed full of features, at just over 14in wide with non-slip rubber feet, SP8 works perfectly whether on your desktop, in a portable rig or as a permanent fixture in your studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eEnvironmentally Friendly\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn order to minimise our environmental impact, EVO SP8’s detachable rack ears will be available as an optional extra, reducing required raw materials, shipping volumes and thus our carbon footprint. EVO SP8’s packaging utilises recycled materials whilst keeping plastic usage to a minimum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatible with all major audio software and plugins, EVO SP8 comes bundled with a collection of professional recording software including Cubase LE, giving you everything you need to start recording right out of the box.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"New | In Stock","offer_id":46184763654427,"sku":"EVOSP8","price":611.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47601758175515,"sku":"EVOSP8EBAYPRO","price":419.0,"currency_code":"USD","in_stock":false},{"title":"Repack | On Order","offer_id":47602168037659,"sku":"EVOSP8RP","price":378.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/evo_sp8_-_front_ortho_copy.jpg?v=1692044796"},{"product_id":"cloud-microphones-cl-x-cloudlifter-mic-activator-cl-x","title":"Cloud Microphones CL-X Cloudlifter Mic Activator","description":"\u003ch3\u003e\u003cstrong\u003eBring Your Mics to Life and Capture Every Detail\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLike all Cloudlifters, the CL-X dramatically increases the sensitivity of your microphone, in order to fully capture the nuance and detail of the source. It is typical that many of the most incredible sounding microphones are the ones that need the most gain. Ribbon microphones, as well as dynamic and even tube mics can be difficult to amplify, even when you have high-gain preamps. Previously, it has been difficult to capture very quiet sources with these mics, without hearing noise generated by the preamp being driven into its upper gain range. Now, with the CL-X you can reach for the microphone that you love for its sound and tonal characteristics, without the limitation imposed by the gain requirements.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eTransformer Love\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAudio transformers have played a pivotal role in capturing sound since the early days of broadcast, multi-track recording, and even with today’s large format recording consoles. Transformers can elicit more of the feeling and punch of the source material, capturing the natural sonic characteristics in a manner both dynamic and responsive in nature.\u003c\/p\u003e\n\u003cp\u003eIn partnership with CineMag, we began with the simple quest of innovation… creating the ideal transformer as if we were designing a modern recording console. It had to be ultra-clean, have very wide bandwidth, and provide desirable dynamic responsiveness for today’s most demanding applications. From the very first moment we heard the CL-X transformer integrated into the Cloudlifter’s ultra-clean gain stage, we knew we had landed on something really special. 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The results can be jaw-dropping, unlocking a whole new spectrum of possibilities!\u003c\/p\u003e\n\u003cp\u003eRibbon Mics: The CL-X with ribbon microphones will deliver output sensitivity similar to the best condensers while retaining that coveted sound that defined the golden era of recording. Now, low level sound sources can be captured with ease, taking advantage of the beautiful tone and clarity that only a quality ribbon mic can capture.\u003c\/p\u003e\n\u003cp\u003eTube Mics: With the CL-X, tube mics come to life, leaving the noise behind while unveiling the feeling and richness of the true sound.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eAll Gain is Not Created Equal\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe ultra-clean gain of the Cloudlifter coupled to your preamp offers a sound that removes not only the noise, but unwanted coloration and frequency degradation that occurs in proportion to the amount of gain provided at the preamp or interface. 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This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.’d guitar signal with a mic’d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.\u003c\/p\u003e\n\u003cp\u003eA variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings. In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the preamp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the preamp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB\/octave high-pass filter are also available from the angled front fascia.\u003c\/p\u003e\n\u003cp\u003eIndependent input metering for both channels is provided in the form of a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. 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