{"title":"Recording - Same Day Delivery","description":"","products":[{"product_id":"akg-c214-microphone-1069365","title":"AKG C214 Microphone Large Diaphragm Condenser Mic","description":"\u003cp\u003eAKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well. The new C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. 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Front panel XLR and 1\/4 inch connectors combined with rear panel mic access allows for additional flexibility when installed into an API lunchbox\u003cspan class=\"lunchbox_reg\"\u003e®\u003c\/span\u003e, API's 10 position 500V vertical rack, or an API console.\u003c\/p\u003e\n\u003cp\u003eThe API 512c remains faithful to the circuit designs of API's founder, Saul Walker. Fully featured and still hand assembled, the 512c carefully preserves the original sound character that made it so much a part of the early days of recording. Offering high headroom and a wide variety of inputs and input access points, it is equally at home in the commercial recording studio as it is in the home project studio.\u003c\/p\u003e\n\u003cp\u003eThe 512c Mic\/Line Preamp makes use of the 2520 op-amp and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167937515803,"sku":"512C","price":895.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47188525056283,"sku":"512CEBAYPRO","price":761.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/512C-0.jpg?v=1692021456"},{"product_id":"spectrasonics-stylus-rmx-expanded-2xrmx","title":"Spectrasonics Stylus Rmx Expanded","description":"\u003cp\u003eStylus RMX is an award-winning, industry standard groove-based virtual instrument plug-in. Stylus RMX is the first product to offer the combined power of Groove Control® with Spectrasonics Advanced Groove Engine (S.A.G.E.™) technology giving users dramatic new control over groove production and performance.\u003c\/p\u003e\n\u003cp\u003eSpectrasonics' in-house development team created this innovative instrument from the ground up, with dozens of features including the ground-breaking Chaos Designer®, Time Designer®, an intuitive multi-page user interface, a deep core library of sounds, all with a focus on realtime groove creation and performance. Stylus RMX remains an industry standard tool of top composers and music producers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnsurpassed Innovations\u003c\/strong\u003e\u003cbr\u003eOf the many remarkable capabilities in \u003cstrong\u003eStylus RMX Xpanded\u003c\/strong\u003e, possibly the most innovative features are the Time Designer and Chaos Designer. With simple controls, the user can introduce musical Chaos into the groove, which allows it to have constantly evolving variations—giving the impression that the audio grooves are improvising. The results can be subtle or extreme by setting the simple to use controls. A Capture feature allows the spontaneous audio chaos patterns to be made into a MIDI file, dragged and dropped into the host sequencer, and played back again for further editing by the user. The Time Designer feature is unmatched in any other rhythm software and allows realtime changing of audio grooves to any time signature, feel or pattern— an infinite creative tool!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCore library\u003c\/strong\u003e\u003cbr\u003eThe over 14 gigabyte core-library in Stylus RMX has thousands of cutting-edge grooves and sounds that were created by Spectrasonics' international sound design team, and produced by Eric Persing. The core library contains nearly triple the amount of sounds offered in the original Stylus, and contains all the original material as well. The sounds and grooves in Stylus RMX offer a much wider range of modern musical genres than the original Stylus. Mixes of grooves are broken down into individual tracks called Elements for flexibility and infinite combinations.\u003c\/p\u003e\n\u003cp\u003eAlso introduced in Stylus RMX Xpanded are thousands of Kit modules, 250 Kit patches, as well as user Kit construction. Users can create their own customized multitrack remix grooves and kits, save them into the plug-in, and even share them with other Stylus RMX Xpanded users on different platforms and hosts. RMX now comes with 500 Multi grooves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXpanded and Xpandable\u003c\/strong\u003e\u003cbr\u003eStylus RMX Xpanded now includes all five Spectrasonics \"\u003cstrong\u003eS.A.G.E. 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However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe original  5C Sound Cubes™  were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. 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For unbalanced operation with a TS connector the minus signal is automatically grounded.\u003c\/p\u003e\n\u003cp\u003eSystem Gain - This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.\u003c\/p\u003e\n\u003cp\u003eOn\/Off Switch - This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.\u003c\/p\u003e\n\u003cp\u003eAC Input - This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/p\u003e\n\u003cp\u003eGround Lift Switch - By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“…consistently flat in the midrange — the same characteristics that made the Auratone a valued listening reference. They got plenty loud without distortion and showed off the vocal, snare, toms, upper range of the kick and solo instruments in a number of mixes, just as I expected. I'm a big believer in listening to tracks across a wide range of speakers. The Avantone Active MixCubes offer another chance to evaluate creative studio output and make judgements regarding how my work would translate across a wide range of systems… these are a no-brainer for those wanting another quick-and-dirty reference to help in the quest for tracks that translate.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Kevin Becka    Technical Editor - Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"... the MixCubes yield a  microscopic-style view of critical  midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson    Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper    Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Probably the clearest Auratone substitute available as a current product is Avantone's MixCube. This is a great little speaker, which sees daily use in my own mix system and which in some respects actually improves on the original Auratone's specs...The MixCube would top my list in terms of price\/performance ratio...This speaker is one of the best monitoring tools there is, and I use it every day. No other speaker I've heard at anything like this price provides the kind of razor-sharp balance perspective that the MixCube can, and I'd not want to have to judge bass, kick, or vocal levels without it. It's also fantastic for working in the less-than-ideal acoustics of most real-world small studios, and in this respect it's easily one of the best bang-for-buck products available for anyone trying to create commercial-grade mixes on a shoe-string.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Mike Senior   Author of MIXING SECRETS FOR THE SMALL STUDIO, SOS Columnist \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Randy Bachman    Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Brian Lucey    Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. 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A single convenient knob controls both output\u003c\/div\u003e\u003cdiv\u003echannels, and a Mute button lets you easily silence your source without having to change a dialed-in level.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eATTY’s passive design allows it to be used in a plethora of applications, the most common being control of any line-level\u003c\/div\u003e\u003cdiv\u003eoutput device…but wait - there’s more! Say you’re recording kick drum and snare with an API 3124. The input gain is set at\u003c\/div\u003e\u003cdiv\u003ethe sweet spot…but, due to the API’s hot output, you need a touch of attenuation to protect your converters from clipping,\u003c\/div\u003e\u003cdiv\u003eand you don’t want to change sound quality by using its pads or record with compression. 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Once you calibrate your monitors to equal levels, you need\u003c\/div\u003e\u003cdiv\u003enever touch them again\u003c\/div\u003e","brand":"A Designs Audio","offers":[{"title":"New | In Stock","offer_id":46167945511195,"sku":"ATTY","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/atty-02.jpg?v=1692021493"},{"product_id":"neumann-m150-tube-microphone","title":"Neumann M 150 Tube Microphone","description":"\u003cp\u003e\n\tSince the 1950s, the Neumann M 50 has been heralded as the ideal microphone for orchestral recording and string scoring. With its phenomenal transient response and unique directional characteristic, this classic mic has endeared many fans, both in the control room and on the soundstage. The new M 150 Tube* takes many of the features from the original M 50 and incorporates them in a very modern microphone. With low self noise, a Titanium membrane and capsule, transformerless tube amplifier and sophisticated power supply, the M 150 Tube is not a reissue but an entirely new microphone in its own right.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"New | In Stock","offer_id":46167948689691,"sku":"M150","price":7999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":46167948722459,"sku":"M150RP","price":4948.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/m150main2_1.jpg?v=1692021540"},{"product_id":"retro-instruments-176-176","title":"Retro Instruments 176 Tube Limiting Amplifier","description":"\u003ch3 class=\"p1\"\u003eWhy You Need The Retro Instruments 176 Tube Limiting Amplifier:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned to provide the character of vintage tube compression in the modern recording studio \u003c\/li\u003e\n\u003cli\u003eModeled after the superb UA 176 limiter with added features and conveniences.\u003c\/li\u003e\n\u003cli\u003eProvides one of the most desirable compression signatures in recording history\u003c\/li\u003e\n\u003cli\u003eEasy stereo strapping of two or more units\u003c\/li\u003e\n\u003cli\u003eXLR input and output connections\u003c\/li\u003e\n\u003cli\u003eFour settings of compression ratio\u003c\/li\u003e\n\u003cli\u003ePrecision Knob scales for easy recallability\u003c\/li\u003e\n\u003cli\u003eAuthentic variable-mu tube design\u003c\/li\u003e\n\u003cli\u003e115\/230V AC Mains \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\"\u003e \u003c\/p\u003e\n\u003ch4 class=\"p4\" style=\"text-align: center;\"\u003eVintage Design for modern recording\u003c\/h4\u003e\n\u003cp class=\"p4\"\u003eRetro Instruments is changing the way the world sounds by creating classic style audio gear for modern recording. 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It is undeniably the standard in Music Recording and Post Production facilities worldwide. Until now Mogami was only available to professionals and then only in large bulk quantities. \n\u003cbr\u003eFinally, the worlds best cable is available pre-wired, for all live performance and music recording appliations.\u003c\/p\u003e\n\n\u003cp\u003eMicrophone Cables\n\u003cbr\u003eMogami microphone cable is available in lengths of 3 to 50 feet wired with Neglex Studio Quad, for better clarity and freedom from noise and RF interference. 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Mogami Gold helps cure many of the problems encountered in a typical project or home studio, creating a pin-drop quiet recording environment with enhanced dynamic range.\u003c\/span\u003e\u003cbr style=\"color: rgb(51, 51, 51); font-family: Arial, Helvetica, sans-serif; font-size: 12px; background-color: rgb(255, 255, 255); \"\u003e","brand":"Mogami","offers":[{"title":"New | In Stock","offer_id":46167953211675,"sku":"GOLDSTUDIO25","price":119.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/GOLDSTUDIO25_2.jpg?v=1692021569"},{"product_id":"avantone-mixcubes-passive-full-range-mini-reference-monitors-in-butter-creme-mixcubes","title":"Avantone MixCubes Passive Full-Range Mini Reference Monitors in Butter Creme","description":"\u003cp\u003eThe AVANTONE MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENGINEERING OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe wanted to take it up a notch though...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFORMANCE OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMPLIFICATION and WIRING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...the MixCubes yield a microscopic-style view of critical midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson, Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper, Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eRandy Bachman, Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBrian Lucey, Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Alessandro Giordani, Synchronia Studio - Rome\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46167957209371,"sku":"MIXCUBES","price":299.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47187371917595,"sku":"MIXCUBESRP","price":219.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mixcubes_0.jpg?v=1692021595"},{"product_id":"chandler-limited-tg2-emi-abbey-road-stereo-microphone-preamp-tg2","title":"Chandler Limited TG2 EMI Abbey Road Stereo Microphone Preamp","description":"\u003ch2\u003eChandler Limited TG2 EMI Abbey Road Stereo Microphone Preamp\u003c\/h2\u003e\n\u003cp\u003eThe Chandler Limited TG2 Pre Amp\/DI is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road recording and mastering consoles in the late 60s and early 70s. The sound was used on many famous recordings done at Abbey Road including The Beatles “Abbey Road” and Pink Floyd “Dark Side of the Moon.”\u003c\/p\u003e\n\u003cp\u003eThis microphone pre-amplifier features the same discrete transformer balanced amplifiers as the TG series limiter and offers a creamy, smooth tone with a surprisingly open, clear top end. The sound, as explained by many users, has “warmth” and punch, but with a “beautiful” expanded top end. In fact the unit does have a small rise in its top end frequency response and some warmth inducing distortion which contribute to its sound.\u003c\/p\u003e\n\u003cp\u003eOptions: Stepped Output (Stereo)\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. 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The B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.\u003c\/p\u003e\n\u003cp\u003eThe B1 and B1D come complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select.   The B1 was rigorously tested with the popular Royer R-121 in the low impedance setting, and we think it sounds pretty f***ing bitchin’’ on guitar amps. The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon.\u003c\/p\u003e\n\u003cp\u003eUse the B1’s 1\/4” instrument\/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there.  Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that’s about all you will need.\u003c\/p\u003e","brand":"Burl","offers":[{"title":"New - Version: B1D | In Stock","offer_id":46167961796891,"sku":"BURLB1D","price":1050.0,"currency_code":"USD","in_stock":true},{"title":"Demo | On Order","offer_id":47317792751899,"sku":"BURLB1DDISBROOKLYN","price":598.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/burl-b1-500-series-microphone-preamp-di.jpg?v=1692021597"},{"product_id":"empirical-labs-derresser-500-series-desser-elds-v","title":"Empirical Labs Derresser 500-Series Desser","description":"\u003cp\u003e\n\tThe DerrEsser is a multi function dynamic filtering device, in an API 500 series module format. In its basic DS mode, the DerrEsser is an effective, level insensitive de-esser, which is a device that will adjust the high frequency gain on overly trebly or spiky vocal, or other source. By using a crossover technique, and dividing the audio up into a high frequency range and a low frequency range, the DerrEsser can use its Voltage Controlled Amp to turn down comparatively high or harsh high frequencies in an extremely musical manner. However, unlike other de-essers, the device is not limited to just de-essing, and allows for multi use of its circuitry.\u003c\/p\u003e","brand":"Empirical Labs","offers":[{"title":"New | In Stock","offer_id":46167962288411,"sku":"DERRESSER","price":475.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/derresser-500.png?v=1692021590"},{"product_id":"shure-sm81-lc-instrument-microphone-1069801","title":"Shure SM81 Condenser Microphone","description":"\u003cp\u003eThe Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. 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In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA consistently smooth, flat, wide-range frequency that makes the SM7B a versatile microphone appropriate for use in a multitude of professional audio applications.\u003c\/li\u003e\n\u003cli\u003eShielding from electromagnetic him often created by the many electrical devices present in and around recording studios and on stage.\u003c\/li\u003e\n\u003cli\u003eUpdated braced design for greater stability\u003c\/li\u003e\n\u003cli\u003eIncludes standard windscreen as well as A7WS windscreen for use in close talking applications.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shure","offers":[{"title":"New | In Stock","offer_id":46167980146971,"sku":"SM7B","price":439.0,"currency_code":"USD","in_stock":true},{"title":"New - Bundle: with Buhnecaster Boom Arm | On Order","offer_id":47364534010139,"sku":"SM7BBUNDLE1","price":428.0,"currency_code":"USD","in_stock":false},{"title":"New - Bundle: with Gator Desk Mount | On Order","offer_id":47364545446171,"sku":"SM7BBUNDLE2","price":499.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":47364563140891,"sku":"SM7BSP1EBAYPRO","price":369.99,"currency_code":"USD","in_stock":false},{"title":"New - Bundle: - | On Order","offer_id":47364587913499,"sku":"SM7BBUNDLE","price":488.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned - Bundle: With Cable | On Order","offer_id":47364594696475,"sku":"SM7BBUNDLEEBAYPRO","price":456.0,"currency_code":"USD","in_stock":false},{"title":"Repack | On Order","offer_id":47772553543963,"sku":"APTWD-SM7BBUNDLE","price":1168.0,"currency_code":"USD","in_stock":false},{"title":"New - Version: FBA | On Order","offer_id":49601423048987,"sku":"SM7BFBA","price":439.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | Out Of Stock","offer_id":52072959869211,"sku":"SM7BSP1EBAY2","price":280.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned - Version: SM7B | Out Of Stock","offer_id":52073162506523,"sku":"SM7BEBAY","price":308.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned","offer_id":52073163129115,"sku":"SM7BUSED","price":341.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/sm7b_rk345_left_profile__v2.jpg?v=1692022129"},{"product_id":"royer-sf12-stereo-ribbon-microphone-1070148","title":"Royer SF-12 Stereo Ribbon Microphone","description":"\u003cp\u003eThe SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1\/3 milligram and producing superb transient response. The two ribbon transducers are magnet\/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled \"Upper\" and \"Lower,\" for the upper and lower capsules of the microphone (when held vertically).\u003c\/p\u003e","brand":"Royer","offers":[{"title":"New | In Stock","offer_id":46167981228315,"sku":"SF12","price":2799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/SF12_0.jpg?v=1692022069"},{"product_id":"ams-neve-8816-analogue-summing-amplifier-c01","title":"AMS Neve 8816 Analogue Summing Amplifier","description":"\u003cp\u003e\n\tThe sound of Neve has been the audio recording benchmark for generations of leading engineers, musicians and producers. Wherever sound matters, from a full orchestral recording for a blockbuster film to a lone singer, from a rock drummer to an R n B vocal, Neve provides the warmth, punch and definition so sought after by virtually anyone who has touched a fader. With the new 8816 Summing Mixer, the legendary sound of Neve now becomes available to computer-based producers. Hand-built and hand-wired at the Neve factory in Burnley, England, the 8816 allows engineers and producers to mix their music on a true, albeit diminutive, Neve summing mixer. The unit provides 16 input channels with +15dB gain, level, pan, cut\/solo and cue controls. Additionally, a post-insert mix function can be used for mixing in a separate stem, or blending the mix with a special effect. With four monitor sources, two sets of speakers, independent monitor level control, talkback mic, cue send and headphone outs, the 8816 effectively upgrades a digital audio workstation to a professional mixing facility. And an onboard USB connector allows snapshots of the 8816 to be saved to a PC or Mac and recalled ready for remix. But what about the sound? Glad you asked. The 8816 uses the same transformer mixing topology as the classic 80 Series console, with two custom Carnhill transformers on the stereo mix bus output, plus a unique 'Stereo Width' control as found in professional mastering studios. And what all this means is that the unit delivers the open, punchy mixes for which Neve consoles have long been renowned.\u003c\/p\u003e\n\u003cp\u003e\n\tIn the words of Hugh Robjohns at Sound on Sound magazine, 'The critical issue is what [the 8816] sounds like. The answer is simple: it sounds fabulous and sublime. Its huge headroom and the classic transformer mixing topology endow the mix with an effortlessly silky quality that just screams 'analogue' at the listener.'\u003c\/p\u003e\n\u003cp\u003e\n\tFor those requiring digital output, the 8816's analog-to-digital conversion option supports standard sample rates to 192kHz and direct conversion to DSD (Direct Stream Digital). This Neve-designed ADC has been compared quite favorably to dedicated professional A\/D conversion units costing as much or more than the entire 8816 mixer. If sixteen inputs aren't enough for your mix, multiple 8816 units can be cascaded together via a dedicated 2-track bus. And the unit can be paired with the 8804 Fader Pack, which provides 18 long-throw faders for hands-on control.\u003c\/p\u003e\n\u003cp\u003e\n\tBut most importantly, it's the classic Neve sound that keeps producers coming back to the 8816. We invite users to read the many favorable reviews online, and then visit their local authorised AMS Neve reseller to have an in-person listen.\u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"New | In Stock","offer_id":46167981949211,"sku":"8816","price":3995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/C9726-0.jpg?v=1692022101"},{"product_id":"shure-srh440-professional-studio-headphones-srh440","title":"Shure SRH440A Closed Back Headphones","description":"\u003cp\u003eThe SRH440 Professional Studio Headphones from Shure provide exceptional sound reproduction and comfort. Optimized for home and studio recording, SRH440 headphones reproduce accurate audio across an extended range. Impedance, power handling and sensitivity are all calibrated for professional audio devices such as DJ mixers, mixing consoles, and headphone amplifier. Includes carrying bag and threaded 1\/4\" (6.3mm) gold plated adapter.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"New - Version: SRH440A | In Stock","offer_id":46167985226011,"sku":"SRH440A","price":109.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: SRH440 | Out Of Stock","offer_id":48572259827995,"sku":"SRH440","price":99.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | In Stock","offer_id":50288965550363,"sku":"SRH440AEBAYPRO","price":99.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: fba | On Order","offer_id":51130657440027,"sku":"SRH440AFBA","price":109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1641426384_16659832.jpg?v=1692022118"},{"product_id":"audix-d4-hyper-cardioid-dynamic-instrument-microphone-d4","title":"Audix D4 Hyper-Cardioid Dynamic Instrument Microphone","description":"\u003ch2\u003eWhy you need the Audix D4 Microphone:\u003c\/h2\u003e\u003cp style=\"box-sizing: border-box; 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background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(255, 255, 255); background-position: initial initial; background-repeat: initial initial; \"\u003e\u003cstrong\u003eImpedance \u003c\/strong\u003e280 ohms\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(255, 255, 255); background-position: initial initial; background-repeat: initial initial; \"\u003e\u003cstrong\u003eSensitivity \u003c\/strong\u003e1.4 mV\/Pa @1k\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; 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Professional quality die-cast zinc clutch. Height: 34-60 inches; base diameter: 10 inches.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSolid cast end with standard 5\/8-27 threads\u003c\/li\u003e\n\u003cli\u003eDie-cast zinc clutch locks stand height in place from 34 - 60 inches.\u003c\/li\u003e\n\u003cli\u003eInternal counter clutch mechanism holds upper shaft in place until desired height adjustments are made.\u003c\/li\u003e\n\u003cli\u003eRugged black powder-coat finish used on all MS7201B tubing\u003c\/li\u003e\n\u003cli\u003eBase diameter: 10 inches - Base weight: 9 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"On Stage","offers":[{"title":"New | In Stock","offer_id":46167988175131,"sku":"72030","price":35.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10009760.jpg?v=1692022126"},{"product_id":"rode-nt4-stereo-xy-microphone-nt4","title":"Rode NT4 Stereo Xy Microphone","description":"\u003ch3\u003e\n\u003cbr\u003e\u003cbr\u003eWhy You Need The Rode NT4 Stereo X\/Y Condenser Microphone\u003c\/h3\u003e\n\n\n\u003cp style=\"margin: 0px; font-size: 12px; font-family: Helvetica;\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eX\/Y Condenser format eliminates the need for multiple microphones and excessive gear to achieve a stereo recording effect\u003c\/li\u003e\n\u003cli\u003eInnovative design combines a matched pair of 1\/2” cardioid condenser capsules in a perfect 90 degree alignment that creates a stereo array\u003c\/li\u003e\n\u003cli\u003ePerfect for use with drum overheads, percussion, choir vocals- in the studio or in the field!\u003c\/li\u003e\n\u003cli\u003eVersatility abounds with the ability to use either 48v phantom power or take it on the road with a simple 9v battery\u003c\/li\u003e\n\u003cli\u003eIncludes Stereo XLR as well as 3.5mm mini jack cables to make recording in any format simple and easy\u003c\/li\u003e\n\u003cli\u003eDesigned and manufactured in Australia\u003c\/li\u003e\n\u003cli\u003eCovered by Rode’s AMAZING 10 year warranty (free with online registration)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\n\n\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003e\n\u003cspan style=\"font-family: Helvetica; font-size: 12px;\"\u003eWho needs an expensive matched pair when you can have it all in one package!  \u003c\/span\u003e\u003cspan style=\"font-family: Helvetica; font-size: 12px;\"\u003eThe Rode NT4 stereo microphone gives you the perfect X\/Y stereo array in one handy unit. No need for complex equipment and multiple microphones- just place the NT4 and get ready for the most vibrant and professional stereo recordings you can imagine at an affordable price.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Rode","offers":[{"title":"New | In Stock","offer_id":46167991845147,"sku":"NT4","price":569.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10010640.jpg?v=1692022167"},{"product_id":"rode-ntg2-directional-shotgun-microphone-ntg2","title":"Rode NTG2 Directional Shotgun Microphone","description":"\u003cp\u003eThe new RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.\n\u003cbr\u003eThe NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. 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