{"title":"Recording","description":null,"products":[{"product_id":"golden-age-project-r1-mk3-active-ribbon-microphone-r1activemk3","title":"Golden Age Project R1 MKIII Active Ribbon Microphone","description":"\u003cp\u003eThe R1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer ampilier. This means that you can use the R1 Active MKIII with long cables and virtually any pre-amp featuring 48V phantom power. A clean and clear sound, yet warm and punchy is what the R1 Active MKIII will deliver in most cases. We love it on drums, as an ambience mic or in pairs for O.H. pickup, but it sounds great on most instruments. The R1 Active MKIII is in fact a very versatile mic even suitable for some sensitve vocal recording! And even more so now when the mk3 version includes switches for low cut and 10dB pad.\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"New | In Stock","offer_id":46167936893211,"sku":"R1ACTIVEMK3","price":229.99,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":46167936925979,"sku":"R1ACTIVEMK3RP","price":166.66,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/R1ACTIVEMK3_0.jpg?v=1692021455"},{"product_id":"akg-c214-microphone-1069365","title":"AKG C214 Microphone Large Diaphragm Condenser Mic","description":"\u003cp\u003eAKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well. The new C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKGs patented Back-Plate Technology which results in an outstanding performance close to the famous C 414 B-XLS.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAKGs Legendary 1 Edge-Terminated Large Diaphragm Sound\u003c\/li\u003e\n\u003cli\u003eOutstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise)\u003c\/li\u003e\n\u003cli\u003eRoadworthy Design\u003c\/li\u003e\n\u003cli\u003eIntegrated Suspension to reduce mechanical Noise\u003c\/li\u003e\n\u003cli\u003eSwitchable 20 dB Attenuation Pad and Low Cut Switch\u003c\/li\u003e\n\u003cli\u003eRugged double mesh Grill for high RF immunity but unaffected Acoustics\u003c\/li\u003e\n\u003cli\u003eAll-metal Die-cast body with shock- and scratch-resistant Finish\u003c\/li\u003e\n\u003cli\u003eSpider-type Shock Mount included\u003c\/li\u003e\n\u003cli\u003eMetal Carrying Case included\u003c\/li\u003e\n\u003cli\u003eDesigned, Engineered and Built in Vienna, Austria\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Pre-Owned | In Stock","offer_id":46167937220891,"sku":"C214SPEBAYPRO","price":422.0,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46167937253659,"sku":"C214","price":449.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47321307218203,"sku":"C214SPRP","price":422.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/akg_c214_1_bbadb5f9-226a-4ee4-8743-17da205daf17.png?v=1701278715"},{"product_id":"api-512c-discrete-microphone-line-preamplifier-512c","title":"API 512c Discrete Microphone \/ Line Preamplifier","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 512C Discrete Mic \/ Line Pre\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOffering low noise (-129 EIN) and 65 dB of gain, the 512c includes phantom power, and switchable polarity, -20 dB pad and Mic or Instrument\/Line selector. Front panel XLR and 1\/4 inch connectors combined with rear panel mic access allows for additional flexibility when installed into an API lunchbox\u003cspan class=\"lunchbox_reg\"\u003e®\u003c\/span\u003e, API's 10 position 500V vertical rack, or an API console.\u003c\/p\u003e\n\u003cp\u003eThe API 512c remains faithful to the circuit designs of API's founder, Saul Walker. Fully featured and still hand assembled, the 512c carefully preserves the original sound character that made it so much a part of the early days of recording. Offering high headroom and a wide variety of inputs and input access points, it is equally at home in the commercial recording studio as it is in the home project studio.\u003c\/p\u003e\n\u003cp\u003eThe 512c Mic\/Line Preamp makes use of the 2520 op-amp and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167937515803,"sku":"512C","price":895.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47188525056283,"sku":"512CEBAYPRO","price":761.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/512C-0.jpg?v=1692021456"},{"product_id":"api-a2d-microphone-preamp-a2d","title":"API A2D Microphone Preamp","description":"\u003cp\u003e\u003cstrong style=\"font-size: 16px;\"\u003eAPI A2D Mic Preamps with Digital Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD Analog section consists of the circuitry contained in two 312s, half of that of the popular API 3124+. A level control pot with an expanded 20-segment metering system shows precise mic gain levels, while control switches include polarity, 48v phantom power, input pad, Mic\/Line select and 2:1 transformer routing, which selects a lower gain contribution from output transformer. Each analog input contains a balanced low-Z input XLR connector and a high-Z instrument input on a 1\/4\" jack.\u003c\/p\u003e\n\u003cp\u003eThe digital section of the A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD includes two API discrete 2510 amplifiers with level pots to adjust the feed to the A\/D converters, each with a corresponding 20-segment calibrated meter. A multi-position switch selects the desired sample frequency. The External Sync LED will light when an external clock signal is used.\u003c\/p\u003e\n\u003cp\u003eRear panel analog connectors include an XLR input and output for each channel, as well as a balanced 1\/4\" TRS insert to the A\/D converter. The TRS insert allows the A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD to have external analog processing devices inserted in the audio chain (EQs, compressors, etc.)\u003c\/p\u003e\n\u003cp\u003eThe A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD's digital interface connectors are a SPDIF single-ended RCA connector and an AES digital out on XLR. A coaxial BNC accepts external Super Clock, which will illuminate the front panel EXT SYNC LED when locked.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD comes with a pair of 9-pin D-sub connectors that allow the multiple units to be linked together with all units operating off the first sample-rate clock in the chain.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167937679643,"sku":"A2D","price":2275.25,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":47190633021723,"sku":"A2DEBAYPRO","price":1916.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_a2d_1_xl.jpg?v=1692021449"},{"product_id":"spectrasonics-stylus-rmx-expanded-2xrmx","title":"Spectrasonics Stylus Rmx Expanded","description":"\u003cp\u003eStylus RMX is an award-winning, industry standard groove-based virtual instrument plug-in. Stylus RMX is the first product to offer the combined power of Groove Control® with Spectrasonics Advanced Groove Engine (S.A.G.E.™) technology giving users dramatic new control over groove production and performance.\u003c\/p\u003e\n\u003cp\u003eSpectrasonics' in-house development team created this innovative instrument from the ground up, with dozens of features including the ground-breaking Chaos Designer®, Time Designer®, an intuitive multi-page user interface, a deep core library of sounds, all with a focus on realtime groove creation and performance. Stylus RMX remains an industry standard tool of top composers and music producers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnsurpassed Innovations\u003c\/strong\u003e\u003cbr\u003eOf the many remarkable capabilities in \u003cstrong\u003eStylus RMX Xpanded\u003c\/strong\u003e, possibly the most innovative features are the Time Designer and Chaos Designer. With simple controls, the user can introduce musical Chaos into the groove, which allows it to have constantly evolving variations—giving the impression that the audio grooves are improvising. The results can be subtle or extreme by setting the simple to use controls. A Capture feature allows the spontaneous audio chaos patterns to be made into a MIDI file, dragged and dropped into the host sequencer, and played back again for further editing by the user. The Time Designer feature is unmatched in any other rhythm software and allows realtime changing of audio grooves to any time signature, feel or pattern— an infinite creative tool!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCore library\u003c\/strong\u003e\u003cbr\u003eThe over 14 gigabyte core-library in Stylus RMX has thousands of cutting-edge grooves and sounds that were created by Spectrasonics' international sound design team, and produced by Eric Persing. The core library contains nearly triple the amount of sounds offered in the original Stylus, and contains all the original material as well. The sounds and grooves in Stylus RMX offer a much wider range of modern musical genres than the original Stylus. Mixes of grooves are broken down into individual tracks called Elements for flexibility and infinite combinations.\u003c\/p\u003e\n\u003cp\u003eAlso introduced in Stylus RMX Xpanded are thousands of Kit modules, 250 Kit patches, as well as user Kit construction. Users can create their own customized multitrack remix grooves and kits, save them into the plug-in, and even share them with other Stylus RMX Xpanded users on different platforms and hosts. RMX now comes with 500 Multi grooves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXpanded and Xpandable\u003c\/strong\u003e\u003cbr\u003eStylus RMX Xpanded now includes all five Spectrasonics \"\u003cstrong\u003eS.A.G.E. Xpanders\u003c\/strong\u003e\", bringing the total number of included grooves\/sounds to nearly 10,000. The RMX platform has huge third-party library support with hundreds of available titles and can also be expanded with REX files – which opens the door for musicians to utilize their own audio loops within the powerful S.A.G.E. Environment.\u003c\/p\u003e","brand":"Spectrasonics","offers":[{"title":"New | In Stock","offer_id":46167939547419,"sku":"2XRMX","price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/2XRMX_0_2.jpg?v=1692021457"},{"product_id":"api-225l-discrete-compressor-225l","title":"API 225L Discrete Compressor","description":"\u003cp\u003eBoth NEW (\"feed forward\") and OLD (\"feed back\") methods are selectable on the front panel, providing two choices of gain reduction. NEW gain reduction is typical of the newer VCA type compressors that rely on RMS detectors for the gain control voltage. OLD or Feed-Back method is what most of the classic compressors used for the gain control circuit There also is a SOFT or HARD selector. SOFT provides a more subtle compression resulting in a very natural, less compressed sound. HARD results in a more typical, sharp knee type compression that has a much more severe limiting effect.\u003c\/p\u003e\n\u003cp\u003eRelease time is adjusted by rotating the inner concentric R knob. Release time constants: continuously variable from .3 seconds to 3 seconds. Attack time is adjusted by rotating the outer concentric A knob. Attack time constants: continuously variable from 1 millisecond to 25 milliseconds.\u003c\/p\u003e\n\u003cp\u003eAPI's 225L is designed for individual channel use, or through the use of the external LINK funcauto-makeuption. Two units can be combined for Stereo applications via a rear access pin. The 225L also has a side-chain input for the detector amplifier.\u003c\/p\u003e\n\u003cp\u003eThe 225L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 225L Compressor makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167939711259,"sku":"225L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/225L-0.jpg?v=1692021455"},{"product_id":"api-235l-discrete-channel-noise-gate-235l","title":"API 235L Discrete-Channel Noise Gate","description":"\u003cp\u003e\n\t\u003cspan class=\"\" style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 235L Discrete Channel Noise Gate\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tThreshold control from -45 to +25 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\tVariable Fine Adjustable Depth to -80 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tAdjustable Release\/Hold Time, 50mS to 3 sec\u003c\/div\u003e\n\u003cdiv\u003e\n\t2:1 Expander or Noise Gate Selection\u003c\/div\u003e\n\u003cdiv\u003e\n\tRelease or Hold Switch for Release control knob\u003c\/div\u003e\n\u003cdiv\u003e\n\tAlways at Unity Gain, Regardless of settings\u003c\/div\u003e\n\u003cdiv\u003e\n\tLED Gain Reduction Meter\u003c\/div\u003e\n\u003cdiv\u003e\n\tUses the API 2510 and API 2520 Op-Amps\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Output, to +28 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 235L Noise Gate\/Expander has the ability to reduce noise in any type of program. The 235L can open unusually fast, without losing any part of the sound. Its extreme flexibility, repeatable settings, and superb sound make it ideal for all studio, live sound, and broadcast applications.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 235L is one of the fastest noise gates manufactured today. When an engineer is faced with program material with a high level of background noise, the 235L can either Gate the signal at a preset Threshold, or with the use of the Expander function, can reduce the background noise to an almost undetectable level. This can be achieved without the typical loss of the program material caused by slow triggering of the signal, or \"pinging\" caused by false triggering.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWith a wide range of adjustment, the 235L can operate from -45 to +25 dBu, fitting into any audio situation regardless of program level. Once the Threshold level is set, the Attack time can be selected to react faster than 100uS or slightly slower than 25mS to reduce false triggering. Although the Depth control has a full range of -80 dB, the scale is expanded in the first half of rotation so 0 to 9 dB is available for fine tuning of subtle, undetectable gating. The second half of rotation is from 10 to 80 dB for more drastic noise reduction.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Expander function uses a 1:2 ratio, allowing the signal to \"sneak up\" to the full signal level without any loss of \"under threshold\" vocal or percussion nuances. Setting the threshold in the Gate function to the desired level, then switching to the Expander mode is the perfect setup.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFor special gating functions such as the famed \"gated snare reverb\", the Release function can be switched to Hold, and the Release control becomes the Hold time. In both scenarios, the unselected function has a set time of 100mS.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWhen used with the other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 235L makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167939973403,"sku":"235L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_235l_1_l.jpg?v=1692021460"},{"product_id":"api-205l-discrete-direct-input-205l","title":"API 205L Discrete Direct Input","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 205L Discrete Direct Input\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tWide range GAIN control\u003c\/div\u003e\n\u003cdiv\u003e\n\tHi-Z input, like a Tube Amp\u003c\/div\u003e\n\u003cdiv\u003e\n\tThin \u0026lt; \u0026gt; Fat TONE Control reduces low end mud\u003c\/div\u003e\n\u003cdiv\u003e\n\tBRIGHT Switch boosts the presence\u003c\/div\u003e\n\u003cdiv\u003e\n\t20 dB PAD lowers the input level\u003c\/div\u003e\n\u003cdiv\u003e\n\t100 K LOAD switch changes the tone of instruments\u003c\/div\u003e\n\u003cdiv\u003e\n\t5 Segment LED Meter shows Output Level\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Coupled Output to +28 dBm\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll Discrete Design\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 205L Instrument Direct is specifically designed to accept a guitar or bass direct into it, without any loading on the pickups. The Gain Control is used to normalize the instrument's input level, up to a +4 dBu output level. With the use of the unique TONE control, the low end \"mud\" can be reduced. Turning on the BRIGHT switch adds clarity, like the bright switch on any amp. The combination of these two functions may eliminate the need for any EQ on the instrument when recording, keeping the signal pure.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe input is designed specifically to load a pickup the same way that a tube guitar amp would, retaining all of the tone, and minimizing the loading effect on the pickup. This minimal path eliminates the need to use a standard direct box, which more times than not only converts the signal to a balanced mic level output, which still requires a mic input, equalizer, and fader to get the signal to a recordable level.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 205L is capable of boosting any instrument to a hefty line level without additional amplifiers. With the 100 K LOAD switch, the tone of the pickup can be altered slightly, which tends to darken the high frequency content. The BRIGHT switch adds a treble boost in the same manner that most instrument amplifiers do, clarifying the instrument and adding presence to it without the need for outboard equalization. When inserting an instrument with an internal preamp or a line level instrument such as a sampler or a keyboard, the 205L has a 20 dB PAD switch to drop the level without loading, thereby retaining the full range of the 205L and its features.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWhen used with other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output. Also, the output of the 205L can be fed to tape, or the input of a guitar power amplifier. The artist can then be in the control room while the instrument amp is isolated in the studio.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 205L can be used in the Legacy or Vision Series Consoles, or in the L200 Rack. The 205L Direct makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity characteristic of API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167940006171,"sku":"205L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10000800_1.jpg?v=1692021453"},{"product_id":"api-215l-discrete-hp-lp-sweep-filter-215l","title":"API 215L Discrete HP\/LP Sweep Filter","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 215L Discrete HP\/LP Sweep Filter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tWide range 6 dB per octave LOPASS control\u003c\/div\u003e\n\u003cdiv\u003e\n\tWide range 12 dB per octave HIPASS control\u003c\/div\u003e\n\u003cdiv\u003e\n\tBalanced input stage\u003c\/div\u003e\n\u003cdiv\u003e\n\tPassive filter design for smooth tone\u003c\/div\u003e\n\u003cdiv\u003e\n\tUnity gain throughout\u003c\/div\u003e\n\u003cdiv\u003e\n\tHard Wire BYPASS switch\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Coupled Output to +28 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll Discrete Design\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 215L is a unique passive, sweepable filter, designed specifically to contour the sound to preserve the natural tone of the signal. Its extreme flexibility, repeatable settings and superb sound make it ideal for all studio, live sound and broadcast applications.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 215L design is a passive low pass filter with a slope of only 6 dB per octave, and a passive dual high pass filter with a slope of 12 dB per octave. The filters are isolated from each other with the same discrete transistor buffer used in the famous 550 series equalizers. This minimizes interaction between the filters, as well as providing a low impedance source for the filter following the buffer.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe input section is a balanced circuit using the API 2510 all discrete op-amp, minimizing the loading effect on any device plugged into it. The output stage is a transformer balanced output, driven by the all discrete API 2520 op-amp.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe filters are both continuously adjustable, with a range from 20 Hz to 20 kHz in two bands. The low pass filter has a range from 500 Hz to 20 kHz, and the high pass filter has a range from 20 Hz to 600 Hz. This covers a broad range of frequencies throughout the entire audio spectrum.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tBecause of the subtle nature of the 215L filter, it finds a home with uses like rolling off the low end of a hi-hat, where a natural sound is desired, not the usual \"phase-shifter\" sound of a 18 to 24 dB per octave filter found on most consoles. It can also be used to thin out room mics, without the complete loss of low end which again usually results from steep filter circuits.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 215L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 215L Filter makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167940137243,"sku":"215L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_215l_1_l.jpg?v=1692021453"},{"product_id":"alan-smart-c2-stereo-compressor-1069446","title":"Alan Smart Research C2 Stereo Compressor","description":"\u003cp\u003e\n\tThe C2 compressor houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true Stereo operation. The C2M version has one set of controls and two audio channels for Stereo use, whilst the C2R is a dual channel remote expander for building up to 8 channel systems controlled from one C2M or C2. The characteristic sound of this unit arises mostly from the fast response at the onset of compression, which when delayed to occur around the mid range attack settings (after 0.3 to 3 milliseconds) results in a window through which transients can still pass. When used accross a mix, or with any dynamic programme, this has the effect of adding 'punch', as the sidechain 'breathes' around these transients, while still controlling overall levels. CRUSH mode has been developed as an extension of this 'musicality', adding to and accentuating the factors involved in producing the character of the unit. CRUSH may sound surprising to those interested in more gentle applications, being capable of exaggerated compression effects, but in conjunction with the fast limit settings also introduced with this unit, it allows the C2 to be used for a much wider range of applications than the C1.\u003c\/p\u003e","brand":"Alan Smart Research","offers":[{"title":"New | On Order","offer_id":46167940366619,"sku":"C2","price":2450.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47190500409627,"sku":"C2EBAYPRO","price":2812.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/C2_1.jpg?v=1692021470"},{"product_id":"smart-research-c1-buss-compressor-c1smart","title":"Alan Smart Research C1 Bus Compressor","description":"\u003cp\u003eC1 Original black front panel version of C2 compressor. (Two sets of controls and two audio channels, but no sidechain inputs, or crush facility). Popular in UK and US west coast studios.\u003c\/p\u003e","brand":"Alan Smart Research","offers":[{"title":"New | On Order","offer_id":46167940563227,"sku":"C1SMART","price":1950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/c1front.jpg?v=1692021456"},{"product_id":"chandler-limited-tg12413-zener-limiter-tg12413","title":"Chandler Limited TG12413 Zener Limiter","description":"\u003ch2\u003eChandler Limited EMI TG12413 Zener Limiter\u003c\/h2\u003e\n\u003cp\u003eThe EMI TG12413 Zener Limiter is the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. The Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition of EMI Limiters started in 1954 with the RS114 tube limiter and the 1968 RS168 Zener Limiter. The Zener Limiters were also part of the 1969 TG12345 console channel and the 1974 TG12413. This newest version borrows from the RS168 Zener Limiter and TG12345 console strip to make a new full featured and flexible unit for modern use.\u003c\/p\u003e\n\u003cp\u003eThe Zener Limiter is being reissued to add features and flexibility to the powerful and vintage sounding TG limiter circuits. Wade has added many new controls including switchable input impedance for hard or soft driving of the unit, 11-position attack, 21-position release, side chain filtering, and Comp 1, Comp 2, and Limit settings.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V).\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | On Order","offer_id":46167940628763,"sku":"TG12413","price":5499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/tg12413-02.jpg?v=1692021456"},{"product_id":"chandler-limited-tg1-stereo-compressor-tg1","title":"Chandler Limited TG1 Limiter Stereo Compressor","description":"\u003ch2\u003eChandler Limited TG1 EMI Abbey Road Stereo Compressor\u003c\/h2\u003e\n\u003cp\u003eThe Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late ’60s. These rare pieces were never commercially available, and only EMI owned studios had access to them. The TG1 Limiter was originally designed to be like the Fairchild 660\/670 which was loved by many EMI engineers including Geoff Emerick, but it ended up with its own very special sound.\u003c\/p\u003e\n\u003cp\u003eTG equipment was used on many classic records. The Limiter was featured on every channel of TG consoles used to record The Beatles “Abbey Road” and Pink Floyd “Dark Side of the Moon,” in addition to albums by Paul McCartney and the Rolling Stones.\u003c\/p\u003e\n\u003cp\u003eThe Limiter\/Compressor features an all discrete circuit with transformer balanced input and output. The limiting element is a rarely seen diode network that produces smooth, pleasing distortion. The warm open sound, often compared to a Fairchild 670 set to stun, is very audible and squishy sounding while maintaining its clarity and high frequency response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarmonic Distortion Function\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNow standard on all Abbey Road Special Edition TG-1’s, this option allows bypassing of the compressor\/limiter threshold but leaves all circuits in the signal path, turning the unit into a powerful Harmonic Distortion generator capable of kicking out up to 2% Total Harmonic Distortion. That’s more than 2 times the amount of analog tape! And all with 100% discrete transformer balanced circuits. Adjust the input for amount of THD and the output to match level. Try running Distortion on one channel and hard limiting on the other. The ultimate in retro! This option is placed on the front panel of the unit with a toggle switch for each channel.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V).\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | On Order","offer_id":46167940694299,"sku":"TG1","price":4280.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/TG1-0.jpg?v=1692021464"},{"product_id":"chandler-limited-germanium-compressor-germaniumcomp","title":"Chandler Limited Germanium Compressor","description":"\u003ch2\u003eChandler Limited Germanium Compressor\u003c\/h2\u003e\n\u003cp\u003eThe Germanium series continues with the GERMANIUM Compressor. The Germ Comp starts with the same all class A amp found in the Germ Pre and Tone Control and is transformer balanced in and out. The compression circuit uses an FET gain reduction element but with the tricks and flexibility of all the Germ units. Some of the most notable additions include a Wet\/Dry mix (for “submixing” tracks within the comp), Comp Curve (which selects the knee using various diode combinations), Clean\/Dirty comp and Sidechain filter. Many of the Germ Comp parameters have been purposely set by studio use and listening not by over analyzing them with test gear. The result is a musical powerhouse ready for tracking, mixing, and mastering.\u003c\/p\u003e\n\u003cp\u003eAll Germanium units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V).\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | In Stock","offer_id":46167940858139,"sku":"GERMANIUMCOMP","price":1850.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":51498503373083,"sku":"GERMANIUMCOMPEBAYPRO","price":1555.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/chandler-germanium-compressor-1.jpg?v=1692021462"},{"product_id":"chandler-limited-little-devil-500-series-compressor-littledevilcomp","title":"Chandler Limited Little Devil 500-Series Compressor","description":"\u003ch2\u003eChandler Limited Little Devil 500 Series Compressor\u003c\/h2\u003e\n\u003cp\u003eCHANDLER LIMITED furiously enters the 500 race with its line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler’s best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level! \u003c\/p\u003e\n\u003cp\u003eThe Little Devil Compressor is a mixture of all that is Chandler. It combines elements of our LTD-2 and Germanium Compressor, as well as 2264 and 33609 units, into an all new compressor for a 500 format. Discrete transformer sound and handmade quality are the make up of the Devil Comp.\u003c\/p\u003e\n\u003cp\u003eIf you like any of the units that inspired it, you will enjoy seeing those sounds come to the next level. Revolutionary controls like wet\/dry, sidechain filter, and curve selection make the unit extremely flexible. When combined with its intense tone, this compressor gives you a powerful package in a small box!\u003c\/p\u003e\n\u003cp\u003ePlease note that all Devils feature increased compatibility! No power issues here!\u003c\/p\u003e\n\u003cp\u003eLittle Devil EQs and Little Devil Compressors have been upgraded to eliminate the power conflict experienced with some 3rd party racks and lunchboxes.  The upgrade has been tested in the racks listed above.  Any Little Devil EQ or Little Devil Compressor with compatibility issues can be returned to Chandler Limited for a free upgrade (parts and labor), however, Chandler Limited will not cover shipping costs.\u003c\/p\u003e\n\u003cp\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks:  API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | On Order","offer_id":46167940923675,"sku":"LITTLEDEVILCOMP","price":1145.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317900427547,"sku":"LITTLEDEVILCOMPEBAYPRO","price":1080.65,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/LITTLEDEVILCOMP-0.jpg?v=1692021464"},{"product_id":"crane-song-stc8-stereo-class-a-compressor-peak-limiter-stc8","title":"Crane Song STC8 Stereo Class A Compressor \/ Peak Limiter","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eCrane Song STC8 Stereo Class A Compressor \/ Peak Limiter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eThe STC-8 is a high quality stereo compressor combined with a remarkably dependable peak limiter, providing overload protection critical to digital recording and broadcast transmitters. The STC-8's compressor is engineered to provide musically transparent gain control, but is also capable of emulating vintage equipment and creating distinctive new sounds.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn addition, a switchable enhancement circuit creates analog and tube like warmth to enrich lifeless audio and digital recordings. This vast flexibility is simplified by the inclusion of several optimized presets, allowing fast, easy setup on a wide variety of sounds. It can operate in true stereo or discrete independent mono, accessible by a front panel switch.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe STC-8's sophisticated side-chain allows both compression and peak limiting to take place simultaneously, using the same proprietary gain circuit. High signal quality is maintained by utilizing a discrete class A audio path, and by eliminating any VCA or optical gain control elements.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe STC-8 requires 2 rack spaces. All inputs and outputs are transformerless and balanced. The toroidal power transformer is UL approved and allows four line voltages for international use.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe STC-8 delivers consistent gain control without sacrificing musical definition or harmonic richness.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe \"Ki\" and \"Hara\" Mode Switches - DISTORTION IN COMPRESSORS\u003c\/div\u003e\n\u003cdiv\u003eDistortion in compressors is dependent on the RELEASE TIME and the KI \u0026amp; HARA Sounds RATIO. The higher the ratio or the faster the release time, the greater the amount of induced distortion. This distortion follows the low frequencies and the sound envelope. In all conventional compressors, tube or solid Tube Warmth state, this distortion is third harmonic. The distortion is third harmonic because of the way the control circuits and gain control elements function.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThird harmonic distortion is a major part of what are called artifacts. Artifacts influence the sound of the compressor and may or may not be musical. Third harmonic distortion is not a musical artifact.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe STC-8 has the ability to change the type of induced distortion to second harmonic. In doing this the non-musical artifact of third harmonic distortion is changed to the musically pleasing sound of second harmonic distortion. The STC-8 is the only compressor-limiter on the market that has the ability to change the induced distortion from third harmonic to second.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eChanging the induced distortion from third harmonic to second harmonic results in new and different sounds and adds warmth. This change allows the use of higher compression levels with fast release times and still have the sound remain musical. This function is enabled on the STC-8 by putting the MODE SWITCH in the KI position.\u003c\/div\u003e\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSimultaneous Compression\/Limiting\u003c\/li\u003e\n\u003cli\u003eDiscrete Class A\u003c\/li\u003e\n\u003cli\u003eBalanced\/Transformerless I\/O\u003c\/li\u003e\n\u003cli\u003eQuick \u0026amp; Easy Presets\u003c\/li\u003e\n\u003cli\u003e'KI' \u0026amp; 'HARA' Sounds\u003c\/li\u003e\n\u003cli\u003eTransparent Overload Protection\u003c\/li\u003e\n\u003cli\u003eApplications\u003c\/li\u003e\n\u003cli\u003eDigital \u0026amp; Analog Mastering\u003c\/li\u003e\n\u003cli\u003eSystem Overload Protection\u003c\/li\u003e\n\u003cli\u003eBroadcast Engineering\u003c\/li\u003e\n\u003cli\u003eProject Studio DAW\u003c\/li\u003e\n\u003cli\u003eStereo Bus Compression\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8 Stereo Class A Compressor Specifications\u003c\/li\u003e\n\u003cli\u003eInput: Floating, balanced. Maximum input is +25 dBm. The connectors are XLR.\u003c\/li\u003e\n\u003cli\u003eOutput: Floating, balanced. Maximum output is +25 dBm. The connectors are XLR.\u003c\/li\u003e\n\u003cli\u003eFor Input and Output: Pin 2 is Sig + , Pin 3 is Sig- , Pin 1 is GND\u003c\/li\u003e\n\u003cli\u003eSide Chain Connections: Floating, balanced. Connections are made by using a DB-15 Male Connector. This is a loop insert and must be normaled back to the STC-8.\u003c\/li\u003e\n\u003cli\u003eUnbalanced Connections: Are made by tying the SIG- Pin to the GND Pin. If the connection is an input, it is best to tie at the signal source. If the connection is an output, it is best to tie at the STC-8 connector.\u003c\/li\u003e\n\u003cli\u003ePower: 100, 120, 230,240 volt; 50\/60 Hz; 55 watts\u003c\/li\u003e\n\u003cli\u003eMDL .6A Fuse for 100V and 120V\u003c\/li\u003e\n\u003cli\u003eMDL .3A Fuse for 230V and 240V\u003c\/li\u003e\n\u003cli\u003ePilot Lamp: # 7335\u003c\/li\u003e\n\u003cli\u003eShipping Weight: 19 lbs. (8.6 kg)\u003c\/li\u003e\n\u003cli\u003eDepth Behind Panel: 12.5 inches (31.75 cm) plus cabling\u003c\/li\u003e\n\u003cli\u003ePanel Height: 2 rack spaces\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8 Stereo Class A Compressor Downloads\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8 Users Manual (PDF)\u003c\/li\u003e\n\u003cli\u003eVERSIONS of the CRANE SONG STC-8:\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8: The standard - Everything you've read about above with smooth, continuously variable potentiometers. Great for standard use where dialing in a sound needs precision, but not exact recall ability.\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8\/H: Detented output gain for utmost accuracy and resetability.\u003c\/li\u003e\n\u003cli\u003eCrane Song STC-8\/M: All pots with detented control. The ultimate Mastering version.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Crane Song","offers":[{"title":"New | On Order","offer_id":46167941021979,"sku":"STC8","price":4499.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47320170397979,"sku":"C1014300","price":2799.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10000950_1.jpg?v=1692021466"},{"product_id":"dramastic-audio-obsidian-stereo-compressor-1069457","title":"Dramastic Audio Obsidian Stereo Compressor","description":"\u003cp\u003eThrough the use of several proprietary methods the Dramastic Audio Obsidian performs a range of tasks unheard of from the average SSL or SSL-esque unit. The fist difference the user will notice is that the unit suffers no ‘shrinkage’ to the audio sound field. The highs stay brilliant and clear and the bottom will continue to thunder (especially with the unit’s internal High Pass Filter engaged on the unit’s detection circuit).\u003c\/p\u003e\n\n\u003cp\u003eThe second thing the user will notice is that when the \"auto\" release time is employed the audio has a smooth, rich texture without any pumping or breathing. From there, if the user has decided that the audio is a little too smooth for their application a simple click of the release switch to the \"lofi\" setting will net all the \"in your face\" aggression a user may desire. Overall the clarity and performance of this unit is unparalleled by any unit based around a Voltage Controlled Amplifier (VCA) gain reduction cell. At first look it may suggest something from the past, but at first listen the user will understand the future of professional audio. Transformer balanced input\/output interface which gives the Obsidian its unique sound. The TXIO Enhanced option produces that \"phat\" classic analog sound making the Obsidian an excellent way to add warmth and character to digital audio workstations.\u003c\/p\u003e","brand":"Dramastic Audio","offers":[{"title":"New | In Stock","offer_id":46167941153051,"sku":"OBSIDIAN","price":3195.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: OBSIDIANSL | On Order","offer_id":46167941185819,"sku":"OBSIDIANSL","price":3045.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49637861294363,"sku":"OBSIDIANSLEBAYPRO","price":2388.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/OBSIDIAN-0.jpg?v=1692021475"},{"product_id":"dw-fearn-vt7-dual-vacuum-tube-compressor-vt-7","title":"DW Fearn VT-7 Dual Vacuum Tube Compressor","description":"\u003cp\u003eThe VT-7 has a highly transparent sound, although it can be used more aggressively when needed. Artifacts of the compression process are substantially lower than in most other compressors.\u003c\/p\u003e\n\u003cp\u003eThe two channels may be used independently or linked for stereo. In addition, a third position on the Link switch inserts a high-pass filter (HPF) in the side-chain to reduce the gain-reduction sensitivity of the VT-7 to low frequencies. This is a gentle roll-off, nominally at 100Hz. This allows a bass-heavy mix to have a better frequency balance and prevents heavy low-frequency audio from modulating the audio level.\u003c\/p\u003e\n\u003cp\u003eNew VT-7s have been optimized to eliminate the need for an internal fan. While the fans in D.W. Fearn equipment has always been extraordinarily quiet, research has shown that no fan is even quieter. \u003c\/p\u003e\n\u003cp\u003eLike all our products, the VT-7 is designed to process high-quality audio and make it sound even better.\u003c\/p\u003e\n\u003cp\u003eThe VT-7 is equally adept in tracking as well as a bus compressor. Even jazz and classical tracks can be sent through the VT-7 for some mild gain control without obvious effect other than a significant improvement in the overall sound of the mix.\u003c\/p\u003e","brand":"DW Fearn","offers":[{"title":"New | On Order","offer_id":46167941644571,"sku":"VT7","price":9800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/vt7.jpg?v=1692021469"},{"product_id":"chandler-limited-mini-rack-mixer-minimixer","title":"Chandler Limited Mini Rack Mixer","description":"\u003ch2\u003eChandler Limited Mini Rack Mixer\u003c\/h2\u003e\n\u003cp\u003eThe Chandler Limited Mini Mixer is the culmination of Chandler’s experience working with many types of vintage discrete circuits. The Mini Rack Mixer traces its lineage back to several types of these amplifiers developed in the 60s and 70s that have been Chandlerized for modern usage.\u003c\/p\u003e\n\u003cp\u003eEach Channel of the 16×2 mixer is transformer balanced and driven by the new Chandler line amp, which borrows from Chandler’s other products but has been redesigned for use in this mixer. The Mini Mixer is jam-packed with 20 discrete amplifiers and 22 custom wound transformers, giving it a classic sound with all the punch and tone you need for today’s digital environment.\u003c\/p\u003e\n\u003cp\u003eIn addition to the mixer section, the unit has a full featured Control Room section including Talkback, Speaker switching, Mute, Mono, Dim, External input (also used as an insert point), and separate Control Room and Stereo Buss outs. Mixers are easily expandable to 32 channels or more.\u003c\/p\u003e\n\u003cp\u003eAll Mixer units require and function on the PSU-2, Chandler Limited power supply. The PSU-2 has an internal switch for setting voltage to 120V or 220V (115V\/230V).\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"New | On Order","offer_id":46167941742875,"sku":"MINIMIXER","price":8999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MINIMIXER-0.jpg?v=1692021466"},{"product_id":"manley-labs-massive-passive-stereo-tube-eq-1069478","title":"Manley Labs Massive Passive Stereo Tube EQ","description":"\u003cp\u003eThe MASSIVE PASSIVE is a two channel, four band equalizer, with additional high pass and low pass filters. \"Passive\" refers to the tone shaping part of this clever new EQ design not using any active circuitry. Only metal film resistors, film capacitors and hand-wound inductors sculpt the sound, kinda like a Pultec EQ on hyper-steroids. Super-beefy, hugely-high-headroom Manley all-tube make-up gain amplifiers deliver your tunes into the next realm. \"Massive\".... it's a fitting word for this beast. You'll need to experience this.\u003c\/p\u003e\u003cdiv\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Filters\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003e5 frequencies Hi Pass and bypass, PLUS 5 frequencies Lo Pass with bypass. We made them extra steep. 36 dB\/oct ! Why? When you need to remove the garbage, this does the trick and allows more of the real music to be untouched. The other reason is that it sounds killer when combined with the regular bands. Towards the mids this degree of steepness may be tamed somewhat. We're going for pure \"usefulness\" not \"well, we guess it's standard\". Thinking drums and guitar stacks, and other tough jobs. These filters are passive too.\u003c\/div\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003eHigh Pass Filters = 22, 39, 68, 120, 220, OFF\u003c\/li\u003e\n\u003cli\u003eLow Pass Filters = 6K, 7K5, 9K, 12K, 18K, OFF\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cspan style=\"font-weight: bold;\"\u003eParametric Frequencies\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003eLOW - 22, 33, 47, 68, 100, 150, 220, 330, 470, 680, 1K\u003c\/div\u003e\u003cdiv\u003eLM - 82, 120, 180, 270, 390, 560, 820, 1K2, 1K8, 2K7, 3K9\u003c\/div\u003e\u003cdiv\u003eHM - 220, 330, 470, 680, 1K, 1K5, 2K2, 3K3, 4K7, 6K8, 10K\u003c\/div\u003e\u003cdiv\u003eHI - 560, 820, 1K2, 1K8, 2K7, 3K9, 5K6, 8K2, 12K, 16K, 27K\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Manley Labs","offers":[{"title":"New | On Order","offer_id":46167942103323,"sku":"MASSIVEPASSIVE","price":6999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | In Stock","offer_id":47102200512795,"sku":"MASSIVEPASSIVERP","price":5600.0,"currency_code":"USD","in_stock":true},{"title":"Demo | In Stock","offer_id":47478377218331,"sku":"MASSIVEPASSIVEEBAYPRO","price":5628.72,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned - Serial Number | On Order","offer_id":50320177201435,"sku":"C1055602","price":4899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/msmp-ft-2020.jpg?v=1692021493"},{"product_id":"chandler-limited-little-devil-500-eq-1069479","title":"Chandler Limited Little Devil 500 EQ 500 Series Equalizer","description":"\u003ch2\u003eChandler Limited Little Devil 500 Series EQ\u003c\/h2\u003e\n\u003cp\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler’s best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level! \u003c\/p\u003e\n\u003cp\u003eThe Little Devil EQ is a small package with a huge sound. It is a Chandlerized British console sound in a 500 package.\u003c\/p\u003e\n\u003cp\u003eThis Devil has all discrete circuits with custom transformers, an inductor-based EQ that modern gyrator circuits can’t touch, and a classic Baxendall tone control that is simply huge sounding! These units are all handmade using through-hole components and handwiring. We don’t use surface mount components which, in our opinion, lowers the quality. Chandler’s units are extremely high-quality made the way your favorite vintage units were made to preserve that special sound.\u003c\/p\u003e\n\u003cp\u003ePlease note that all Devils feature increased compatibility! No power issues here!\u003c\/p\u003e\n\u003cp\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks:  API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003c\/p\u003e\n\u003cp\u003eLittle Devil EQs and Little Devil Compressors have been upgraded to eliminate the power conflict experienced with some 3rd party racks and lunchboxes.  The upgrade has been tested in the racks listed above.  Any Little Devil EQ or Little Devil Compressor with compatibility issues can be returned to Chandler Limited for a free upgrade (parts and labor), however, Chandler Limited will not cover shipping costs.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Pre-Owned | On Order","offer_id":46167942201627,"sku":"LITTLEDEVILEQEBAYPRO","price":1264.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46167942234395,"sku":"LITTLEDEVILEQ","price":1335.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/chandler-limited-little-devil-500-eq.jpg?v=1692021479"},{"product_id":"api-5500-stereo-dual-mono-550-equalizers-with-range-switch-5500","title":"API 5500 Stereo\/Dual Mono 550 Equalizers with Range Switch","description":"\u003ch2\u003eAPI 5500 Stereo\/Dual Mono 550 Equalizers with Range Switch\u003c\/h2\u003e\n\u003cp\u003eTypical of API products, the 5500 contains no integrated circuits in its signal path. The gain comes from two hand-built 2520 Operational Amplifiers in each channel. The balanced input is handled by a 2510 Discrete Operational Amplifier, which is similar to the 2520, but without the high-current output stage. A key component of the API sound, the 2520 coupled with the API 2503 output transformer, is capable of delivering +30dBm before clipping.\u003c\/p\u003e\n\u003cp\u003eAn extremely useful feature in the 5500 is the range control. The range of the amplitude controls can be reduced to 1\/2 or 1\/4 of their stated scale, providing a means to adjust the tonal balance with finer resolution in an even gentler manner. This is especially useful for complex program material as contained in stems or submixes and is ideally suited for mastering purposes.\u003c\/p\u003e\n\u003cp\u003eAPI's 5500 also features a true hard-wire bypass which wires the output connector directly to the input. Shortly after the power is first applied, or immediately after it is lost, a special circuit enables \"bypass mode\" so that power thumps are never heard.\u003c\/p\u003e\n\u003cp\u003eThe 5500's input XLR is connected to an active balanced circuit. The unit's output XLR is driven from a transformer coupled output and can drive any load from 600 ohms or more to full output capability. There is no change from input to output in the unit's polarity, so it is suitable in studios using either pin 2 or pin 3 as the \"hot\" connection. Additionally, the 5500 has a 1\/4 inch input connector that interrupts any present signal on the input XLR. It is balanced and can be driven from either balanced or unbalanced sources. A positive signal on the tip will deliver a positive signal on pin 2 of the output XLR. 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With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004.\u003c\/p\u003e\n\u003cp\u003eThe 550A provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost\/cut are selected by three dual-concentric switches, and a pushbutton \"in\" switch allows the EQ to be silently introduced to the signal path. 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Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp.\u003c\/p\u003e\n\u003cp\u003eThe extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Of course, the 2520's ability to drive low impedance loads is key when it is paired with API's custom output transformers. The results are quite audible with better low frequency reproduction and tighter imaging, which gives you that legendary API \"punch in your gut\" sound.\u003c\/p\u003e\n\u003cp\u003eThe 10 precision EQ bands make the 560 ideal for signal sweetening and room tuning. A great companion to a parametric EQ, the 560 utilizes API's unique \"Proportional Q\" design introduced during the '60s. This design intuitively widens the filter bandwidth at lower boost\/cut levels and narrows it at higher settings. 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Royer's patented Offset Ribbon Transducer, the first of it's kind for ribbon microphones, places the ribbon closer to the front side of the microphone allowing it ample room to move within the magnetic field, giving it the ability to maintain it's full frequency response while recording high SPL sources. \u003c\/p\u003e\n\n\u003cp\u003eThe Royer R121 is the go-to ribbon mic for the modern recording engineer. Own one today!\u003c\/p\u003e","brand":"Royer","offers":[{"title":"Pre-Owned | In Stock","offer_id":46167943807259,"sku":"R121EBAYPRO","price":1298.0,"currency_code":"USD","in_stock":true},{"title":"New | In Stock","offer_id":46167943840027,"sku":"R121","price":1599.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: L.E. Distressed Rose Matched Pair | On Order","offer_id":46167943872795,"sku":"R121-ANN-LE-MP","price":3198.0,"currency_code":"USD","in_stock":false},{"title":"New - Version: L.E. 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The design, character and performance is comparable to some of the fine vintage tube mics of the 1950’s and 1960’s…but at a fraction of their cost! The rugged BV-1 microphone body and capsule assembly are precision machined of Brass. Aesthetically, it features an elegant Buttercream baked on finish, accented with polished nickel trim and grill. The transformer coupled tube circuitry has its origins in famous European vintage designs. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. Any studio can proudly offer the Avantone BV-1 as a primary vocal mic…It exudes class visually as well as sonically. The versatile Avantone BV-1 mic is able to produce professional results with a warm, pleasing sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the unwanted vibrations up into the mic, this isolation allows for superior professional results. 9-Pattern Tube microphone with dual 34mm gold sputtered thin Mylar capsule assemblies. 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However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe original  5C Sound Cubes™  were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREAR PANEL CONTROLS\/CONNECTIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBalanced Input - This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.\u003c\/p\u003e\n\u003cp\u003eSystem Gain - This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.\u003c\/p\u003e\n\u003cp\u003eOn\/Off Switch - This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.\u003c\/p\u003e\n\u003cp\u003eAC Input - This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/p\u003e\n\u003cp\u003eGround Lift Switch - By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“…consistently flat in the midrange — the same characteristics that made the Auratone a valued listening reference. They got plenty loud without distortion and showed off the vocal, snare, toms, upper range of the kick and solo instruments in a number of mixes, just as I expected. I'm a big believer in listening to tracks across a wide range of speakers. The Avantone Active MixCubes offer another chance to evaluate creative studio output and make judgements regarding how my work would translate across a wide range of systems… these are a no-brainer for those wanting another quick-and-dirty reference to help in the quest for tracks that translate.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Kevin Becka    Technical Editor - Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"... the MixCubes yield a  microscopic-style view of critical  midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson    Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper    Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Probably the clearest Auratone substitute available as a current product is Avantone's MixCube. This is a great little speaker, which sees daily use in my own mix system and which in some respects actually improves on the original Auratone's specs...The MixCube would top my list in terms of price\/performance ratio...This speaker is one of the best monitoring tools there is, and I use it every day. No other speaker I've heard at anything like this price provides the kind of razor-sharp balance perspective that the MixCube can, and I'd not want to have to judge bass, kick, or vocal levels without it. It's also fantastic for working in the less-than-ideal acoustics of most real-world small studios, and in this respect it's easily one of the best bang-for-buck products available for anyone trying to create commercial-grade mixes on a shoe-string.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Mike Senior   Author of MIXING SECRETS FOR THE SMALL STUDIO, SOS Columnist \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Randy Bachman    Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Brian Lucey    Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Alessandro Giordani    Synchronia Studio - Rome \u003c\/p\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46167944298779,"sku":"MIXCUBESA","price":499.0,"currency_code":"USD","in_stock":true},{"title":"New - Bundle: CLA-100 | On Order","offer_id":47187458818331,"sku":"MIXCUBESACLA100BUNDLE","price":699.0,"currency_code":"USD","in_stock":false},{"title":"New - Type: FBA | Out Of Stock","offer_id":51735115923739,"sku":"MIXCUBESAFBA","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MIXCUBESA_0_1.jpg?v=1692021495"},{"product_id":"empirical-labs-mike-e-mikee","title":"Empirical Labs Mike-e","description":"\u003cp\u003e\n\tThe Mike-E from Empirical Labs is a modern digitally controlled Microphone Preamplifier chocked with unusual features to warm and soften the source, along with an excellent compressor\/limiter. Mike-E offers an incredible performance transformer-coupled mic preamp, whose noise floor is far below any microphones self noise. The one-of-a-kind CompSat section is an uncompromising compressor and saturator circuit that offers versatile coloring, and classic knee compression.\u003c\/p\u003e","brand":"Empirical Labs","offers":[{"title":"New | On Order","offer_id":46167944986907,"sku":"MIKEE","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MIKEE_0.jpg?v=1692021489"},{"product_id":"gml-8200-dual-channel-5-band-parametric-equalizer-with-8355-power-supply-c01","title":"GML 8200 Dual-Channel 5-Band Parametric Equalizer with 8355 Power Supply","description":"\u003cdiv\u003e\n\tBrought to you from the man who invented the term “Parametric Equalization”, the 8200 has been an industry standard for over twenty years, and can be found on virtually every major recording studio’s stereo bus. Each of the five broadly-overlapping bands offers 15dB of Boost or Cut and adjustable bandwidth (or “Q”) from 0.4 to 4. The lowest and highest bands also can be switched to Shelf mode. Quite simply, the 8200 is the archetype Stereo Parametric Equalizer. Its extraordinary resolution, benchmark transparency, generous headroom, and surgical precision have been the reference for many other equalizers but exceeded by no other. The 2U 8200 uses one 8355 PSU.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSPECIFICATIONS\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tINPUT\u003c\/div\u003e\n\u003cdiv\u003e\n\t20 kOhm balanced bridging\u003c\/div\u003e\n\u003cdiv\u003e\n\t32 dB common mode rejection at 20kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\t+27.4 dBv maximum before clipping (+ 28 VDC supplies)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tTHROUGHPUT\u003c\/div\u003e\n\u003cdiv\u003e\n\t+ 0.1 dB, 10 Hz to 80 kHz response (controls set flat)\u003c\/div\u003e\n\u003cdiv\u003e\n\t0.002% Harmonic distortion at any frequency 20 Hz - 20 kHz1\u003c\/div\u003e\n\u003cdiv\u003e\n\t0.002% SMPTE Intermodulation distortion2\u003c\/div\u003e\n\u003cdiv\u003e\n\t30 v\/usec discrete low noise, high performance amplifiers\u003c\/div\u003e\n\u003cdiv\u003e\n\tno tantalum or electrolytic interstage or output coupling capacitors\u003c\/div\u003e\n\u003cdiv\u003e\n\tnoise -97.5 dBv bypassed, -78 dB or better typical (control position dependent)\u003c\/div\u003e\n\u003cdiv\u003e\n\trolloff: 3 dB down at 260 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFORM FACTOR - 2 CHANNELS, 5 BANDS: FULLY PARAMETRIC\u003c\/div\u003e\n\u003cdiv\u003e\n\t1) 15 Hz - 800 Hz, Q of .4 - 4 or shelving, 15 dB boost\/cut\u003c\/div\u003e\n\u003cdiv\u003e\n\t2) 15 Hz - 800 Hz, Q of .4 - 4, 15 dB boost\/cut\u003c\/div\u003e\n\u003cdiv\u003e\n\t3) 120 Hz - 8 kHz, Q of .4 - 4, 15 dB boost\/cut\u003c\/div\u003e\n\u003cdiv\u003e\n\t4) 400 Hz - 26 kHz, Q of .4 - 4, 15 dB boost\/cut\u003c\/div\u003e\n\u003cdiv\u003e\n\t5) 400 Hz - 26 kHz, Q of .4 - 4 or shelving, 15 dB boost\/cut\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOUTPUT\u003c\/div\u003e\n\u003cdiv\u003e\n\t+27.4 dBv clipping\u003c\/div\u003e\n\u003cdiv\u003e\n\t3 mv output offset, stabilized by D.C. servo correction\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOTHER\u003c\/div\u003e\n\u003cdiv\u003e\n\texternal power supply: +28 volts\u003c\/div\u003e\n\u003cdiv\u003e\n\tseparate ground and chassis connections at rear\u003c\/div\u003e\n\u003cdiv\u003e\n\t19\" x 3 1\/2\" rack case, black anodized aluminium, silver legend, 8 1\/2\" deep\u003c\/div\u003e\n\u003cdiv\u003e\n\tweight: 6 lbs.\u003c\/div\u003e","brand":"GML","offers":[{"title":"New | On Order","offer_id":46167945052443,"sku":"8200","price":8360.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":50116874600731,"sku":"C10057BROOKLYN","price":3700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/8200front0.5x.jpg?v=1692021505"},{"product_id":"aea-r84-figure-eight-large-ribbon-geometry-velocity-microphone-r84","title":"AEA R84 Figure Eight Large Ribbon Geometry Velocity Microphone","description":"\u003ch2\u003eAEA R84 Figure-Eight Large Ribbon Geometry Velocity Microphone\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eHOW IS THE R84 DIFFERENT FROM OTHER RIBBON MICROPHONES?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCall it a “Swiss army knife”, your “desert island mic”, or simply “the workhorse” – the R84 was designed to be flexible and practical in a myriad of recording settings. The R84 delivers exceptional headroom while maintaining an intimate performance quality with smooth highs and extended lows. These aspects, combined with the reduced proximity effect, make the R84 incredibly well suited for both close-up and ambient mic applications. It’s just as versatile as an R44, flattering voice, strings, brass and drums alike.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT IS UNDER THE HOOD?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AEA R84 uses a big, 2.35” by 0.185” by 2-micron pure aluminum low-tension (16.5 Hz) ribbon element just like the classic R44. Many ribbon mic manufacturers choose shorter ribbons that are easier to install, but AEA’s Large Ribbon Geometry™ design offers important advantages. Ribbon microphones operate linearly above their resonant frequency, unlike condenser or moving coil transducers, so the resonant frequency of a good microphone design should be as low as possible. The longer the ribbon, the lower the resonant frequency will be. The ribbon has to move twice as far for every drop in octave as it vibrates within the magnetic gap, thus, a longer ribbon will allow for further movement back and forth. This results in the ribbon handling louder sound sources and more sound pressure level (SPL).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE LEGACY SERIES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1976, when General Electric bought RCA and closed down its microphone division AEA began servicing RCA’s legendary ribbon mics. Twenty-two years later, AEA reissued the iconic 44 ribbon mic and has continued to make ribbon microphones in the RCA tradition to this day. 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ATTY’s\u003c\/div\u003e\u003cdiv\u003eattractive price point and tiny footprint (4-1\/2” x 1-1\/2” x 3”) makes it a highly versatile and convenient solution for many\u003c\/div\u003e\u003cdiv\u003eapplications.  Suitable for use in any world-class recording facility, it can also serve as a cost-effective solution to more than\u003c\/div\u003e\u003cdiv\u003ea few problems faced by project studio owners, and is an invaluable addition to just about any live or remote broadcast rig.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eATTY’s interface is simplicity personified. Housed in a rugged metal enclosure, it has two Neutrik XLR\/balanced 1\/4” combo\u003c\/div\u003e\u003cdiv\u003ejacks and two balanced XLR outputs that deliver noise-free operation. A single convenient knob controls both output\u003c\/div\u003e\u003cdiv\u003echannels, and a Mute button lets you easily silence your source without having to change a dialed-in level.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eATTY’s passive design allows it to be used in a plethora of applications, the most common being control of any line-level\u003c\/div\u003e\u003cdiv\u003eoutput device…but wait - there’s more! Say you’re recording kick drum and snare with an API 3124. The input gain is set at\u003c\/div\u003e\u003cdiv\u003ethe sweet spot…but, due to the API’s hot output, you need a touch of attenuation to protect your converters from clipping,\u003c\/div\u003e\u003cdiv\u003eand you don’t want to change sound quality by using its pads or record with compression. ATTY is the answer.  Another\u003c\/div\u003e\u003cdiv\u003euseful application is wiring an ATTY in line with a stereo tube preamp (such as the A-Designs MP-2A) and exploring different\u003c\/div\u003e\u003cdiv\u003ein\/out level combinations without overloading other gear. It’s also a handy device for maintaining level control of powered\u003c\/div\u003e\u003cdiv\u003emonitors that have a separate volume control on each speaker. Once you calibrate your monitors to equal levels, you need\u003c\/div\u003e\u003cdiv\u003enever touch them again\u003c\/div\u003e","brand":"A Designs Audio","offers":[{"title":"New | In Stock","offer_id":46167945511195,"sku":"ATTY","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/atty-02.jpg?v=1692021493"},{"product_id":"golden-age-project-p2-metal-pop-filter-gapp2","title":"Golden Age Project P2 Metal Pop Filter","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eGolden Age Project P2 Metal Pop Filter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 12px; \"\u003eP 2 is a steel-net pop-killer with swan-neck and clamp for mic-stand attachment. 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The DAC1 HDR combines some of Benchmark's finest engineering accomplishments into one device: the DAC1 digital-to-analog audio converter with Ultra Lock clock system, Advanced USB computer audio playback (USB DAC) interface, and the legendary HPA2 headphone power amplifier. The unique remote control solution of the DAC1 HDR is built around Benchmark's new HDR-VC (high dynamic range volume control). Benchmark's product designs have achieved unprecedented sonic purity due to an uncompromising engineering philosophy: eliminate digital distortion artifacts, establish a pristine analog path, and maintain sonic integrity regardless of external factors. The DAC1 HDR continues this tradition of excellence. The remote control solution of the DAC1 HDR has an intelligent implementation of dimming and muting. The 'Dim' (quiet) and 'Soft-Mute' settings of the remote control can be easily adjusted independent of the normal volume setting. The DAC1 HDR remembers and recalls your specified 'Dim' setting. This feature is ideal for HDTV users, as it allows you to set your preferred 'Dim' level for commercials, etc. The 'Soft-Mute' function fades down the volume to the 'Dim' level before muting and smoothly raises the volume to the normal level after unmuting. With a generous offering of inputs and outputs, the DAC1 HDR serves as the heart of expansive media and entertainment systems, optimizing the signal path from the various sources to the amplifier. The DAC1 HDR will enhance the audio performance of your digital television, digital cable box, DVD\/CD player, computer, music\/media server, satellite radio, phono stage, FM tuner, iPod, VCR, tape deck, etc.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eTwo Channel, 24-bit, 192-kHz, D-to-A Conversion\u003c\/li\u003e\n\u003cli\u003eJitter Immunity with Ultra Lock technology\u003c\/li\u003e\n\u003cli\u003e1 x USB, 1 x AES, 1 x S\/PDIF, and 1 Toslink input. 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The high frequency section has variable bandwidth as well as attenuation (shelving). The filter section is of the passive type followed by a tube based push-pull amplifier to restore the gain. \u003c\/p\u003e\n\n\u003cp\u003eInput and output are balanced as well as fully floating. 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Designed, built, “ear tested,” and beta tested by long-time recording industry veterans, the Pacifica takes its sonic cues from the mythic Quad Eight console, a recording desk that easily stood toe-to-toe with API and Neve. However, the A-Designs Pacifica is by no means a vintage reissue—it has a sound and character all its own. Said by top professionals to have the depth of a Neve, the midrange of an API and the high-end of a Massenburg, the Pacifica has quickly established itself as the go-to preamp for numerous Grammy-winning and platinum-selling engineers and producers.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn keeping with A-Designs Audio’s mission of sound quality above all, the features of the Pacifica are just what an audio professional needs to record high-quality tracks and no more. Sonically compromising extra switches and components of dubious features are eliminated from the signal path. Plus, with 72dB gain and extremely low-noise operation (-128dB EIN) the ribbon mic-friendly Pacifica ensures clarity and fidelity—whether you’re going for transparency or plenty of punch and character.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePaying homage to the color scheme of the Quad Eight Pacifica console, the hand-crafted Pacifica sports a rich, cream-colored finish with solid-feeling, red metal gain knobs; a red +48V phantom-power push button with red LED indicator—both for easy identification if ribbon mics are involved; plus grey push buttons for phase reverse and –20dB pad—all giving the Pacifica a look reminiscent of California girls, beach boys, and classic Woodies.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIt also has two front-panel Hi-Z instrument inputs, but just like a classic Woodie, it’s what’s under the Pacifica’s hood that gives the DIs a special kick. Unlike other preamps, the Pacifica’s DIs are routed through the input transformer, which puts signal through two transformers for added depth and richer tone. And these aren’t just any transformers. Key to the Pacifica’s sound, they’re custom-designed input and output transformers built by Tom Reichenbach of Cinemag (whose father, Ed, built the transformers for the original Quad Eight desks). The output transformers are custom wound and share the same design as those found in the original Quad Eight. Input transformers are pure, proprietary A-Designs.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eBut transformers don’t tell the whole story. Another key factor to the Pacifica’s sound is its wide-bandwidth design, which ranges from 9Hz to 101kHz with less than 1% distortion. Along with its custom transformers, the linear response down below 10Hz provides the big, punchy sound that the Pacifica has become famous for. 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The simplicity of the fully balanced, symmetrical signal path allows the use of no-compromise passive components for an absolutely transparent signal path. The unit passes signals \"from DC to daylight\" without coloration.\u003c\/p\u003e","brand":"Roll Music","offers":[{"title":"New | On Order","offer_id":46167947706651,"sku":"RMS216","price":775.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":52237728973083,"sku":"RMS216SP1EBAYPRO","price":688.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/RMS216_0.jpg?v=1692021530"},{"product_id":"avid-sync-hd-1069639","title":"Avid SYNC HD","description":"\u003cp\u003eKeep even your largest and most demanding Pro Tools HD projects in perfect sync with the Avid Sync HD. 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It allows a very fine adjustment of the cut-off frequency.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"New | On Order","offer_id":46167948656923,"sku":"M149","price":5995.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":48118402744603,"sku":"C1020065","price":3148.99,"currency_code":"USD","in_stock":false},{"title":"Repack | On Order","offer_id":49666067988763,"sku":"M149RP","price":4011.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/m149main.jpg?v=1692021539"},{"product_id":"neumann-m150-tube-microphone","title":"Neumann M 150 Tube Microphone","description":"\u003cp\u003e\n\tSince the 1950s, the Neumann M 50 has been heralded as the ideal microphone for orchestral recording and string scoring. With its phenomenal transient response and unique directional characteristic, this classic mic has endeared many fans, both in the control room and on the soundstage. The new M 150 Tube* takes many of the features from the original M 50 and incorporates them in a very modern microphone. With low self noise, a Titanium membrane and capsule, transformerless tube amplifier and sophisticated power supply, the M 150 Tube is not a reissue but an entirely new microphone in its own right.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"New | In Stock","offer_id":46167948689691,"sku":"M150","price":7999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":46167948722459,"sku":"M150RP","price":4948.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/m150main2_1.jpg?v=1692021540"},{"product_id":"jdk-audio-v14-single-channel-module-4-band-500-series-eq-v14","title":"JDK Audio V14 Single-Channel Module 4-Band 500-Series EQ","description":"\u003cp\u003eSingle-channel modular 4-band Equalizer, 500 Series, with Continuously Variable Frequency and Gain, 12dB Cut\/Boost Per Band, Dual-concentric Pots, and EQ In\/Out Switch\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSingle-channel Modular 4-band Equalizer, 500 Series\u003c\/li\u003e\n\u003cli\u003ewith Continuously Variable Frequency and Gain\u003c\/li\u003e\n\u003cli\u003e12dB Cut\/Boost Per Band\u003c\/li\u003e\n\u003cli\u003eDual-concentric Pots\u003c\/li\u003e\n\u003cli\u003eEQ In\/Out Switch\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JDK Audio","offers":[{"title":"New | On Order","offer_id":46167951540507,"sku":"V14","price":660.25,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317754446107,"sku":"V14EBAYPRO","price":505.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003200.jpg?v=1692021551"},{"product_id":"bricasti-m10-remote-for-m7-reverb-m10remote","title":"Bricasti M10 Remote for M7 Reverb","description":"\u003cp\u003e\n\tThe new Bricasti Design Model 10 remote console is a dedicated hardware remote controller for use with the M7 stereo reverb processor. 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It will perform great in the studio or in live sound and broadcast applications.\u003c\/p\u003e\n\u003cp\u003eIt´s sound character is similair to vintage tube microphones and it will sound superb on most instruments and voices.\u003c\/p\u003e\n\u003cp\u003eUse it on vocals and choirs, acoustic and electric guitars and other fretted instruments, as a drum overhead or room mic and in any other application where you would use a vintage style tube condenser mic.\u003c\/p\u003e\n\u003cp\u003eThe TC1 comes with all accessories in an aluminium flight case, a shock mount is included.\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"New | On Order","offer_id":46167952163099,"sku":"GAPTC1","price":399.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":52233197486363,"sku":"GAPTC1RP","price":245.51,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/GAPTC1_0.jpg?v=1692021562"},{"product_id":"retro-instruments-176-176","title":"Retro Instruments 176 Tube Limiting Amplifier","description":"\u003ch3 class=\"p1\"\u003eWhy You Need The Retro Instruments 176 Tube Limiting Amplifier:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned to provide the character of vintage tube compression in the modern recording studio \u003c\/li\u003e\n\u003cli\u003eModeled after the superb UA 176 limiter with added features and conveniences.\u003c\/li\u003e\n\u003cli\u003eProvides one of the most desirable compression signatures in recording history\u003c\/li\u003e\n\u003cli\u003eEasy stereo strapping of two or more units\u003c\/li\u003e\n\u003cli\u003eXLR input and output connections\u003c\/li\u003e\n\u003cli\u003eFour settings of compression ratio\u003c\/li\u003e\n\u003cli\u003ePrecision Knob scales for easy recallability\u003c\/li\u003e\n\u003cli\u003eAuthentic variable-mu tube design\u003c\/li\u003e\n\u003cli\u003e115\/230V AC Mains \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\"\u003e \u003c\/p\u003e\n\u003ch4 class=\"p4\" style=\"text-align: center;\"\u003eVintage Design for modern recording\u003c\/h4\u003e\n\u003cp class=\"p4\"\u003eRetro Instruments is changing the way the world sounds by creating classic style audio gear for modern recording. Retro products keep what made the originals the best of the best, updating vintage design with modern features to improve functionality - creating unique and innovative gear that sounds, looks, and feels vintage and state-of-the-art in equal measure.\u003c\/p\u003e","brand":"Retro Instruments","offers":[{"title":"New | On Order","offer_id":46167952523547,"sku":"176","price":3695.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47190618046747,"sku":"176EBAYPRO","price":2941.0,"currency_code":"USD","in_stock":false},{"title":"Display | On Order","offer_id":47318253732123,"sku":"176BROOKLYNDIS","price":2553.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/176-1.jpg?v=1692021572"},{"product_id":"auralex-mopad-monitor-isolation-pads-4-pack-mopad4","title":"Auralex Mopad Monitor Isolation Pads (4-Pack)","description":"\u003cp\u003e\n\tYour loudspeakers are the most critical components you use to verify the quality of your work. 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