{"title":"RME","description":null,"products":[{"product_id":"rme-hdspe-aes-pci-express-card-c01","title":"RME HDSPe AES PCI Express Card","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe HDSPe AES is a short-length PCI Express card with AES\/EBU interfaces. It provides eight AES inputs (16 channels) and eight AES outputs (16 channels) at 192 kHz sample rate. The card is also equipped with two MIDI I\/O ports, word clock I\/O, and can be used with the optional TCO module for synchronization to LTC and video.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe HDSPe AES is RMEs reaction to requests from audio professionals for an AES-based solution with the typical RME features and quality. This audio card is a perfect all-in-one solution for professional users in the fields of broadcast, TV, theater, stage\/PA - and in any professional studio.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe card's mainboard contains word clock I\/O and a 25-pin D-sub connector, providing four AES inputs and four AES outputs via standard digital breakout cable (Tascam pinout). The sensitive word clock input operates on Single, Double and Quad Speed signals automatically. The expansion board adds audio channels 9-16 and a connector for a MIDI breakout Cable with two MIDI I\/Os (four 5-pin DIN connectors). It does not require a PCIe slot.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe card is not based on a PCI to PCI Express bridge, which would simply add PCIe to existing PCI technology. It is a newly developed genuine PCI Express solution, which consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency.  \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eFeatures:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Support for 192 kHz at full channel count\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Native support for Double and Quad Wire transfer\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Direct conversion between these formats\u003c\/div\u003e\n\u003cdiv\u003e\n\t-SteadyClock for highest jitter suppression and clock regeneration\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Intuitive and clearly laid-out user interface\u003c\/div\u003e\n\u003cdiv\u003e\n\t-TotalMix: 512 channel mixer with 42 bit internal resolution\u003c\/div\u003e\n\u003cdiv\u003e\n\t-48 level meter Peak\/RMS, hardware-computed\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe DSP-based TotalMix mixer enables the AES to route and mix all 16 inputs and 16 playback channels to all 16 physical outputs freely, offering extraordinary monitoring capabilities. Up to 8 fully independent stereo submixes can be created. Routings can be copied and pasted, faders ganged and grouped, which, along with the amazing matrix window, turns the AES into a powerful and easy-to-use redistributor, patchbay, router, converter, and splitter. The hardware-based mixer is fully MIDI-controllable. Furthermore, the DSP hardware calculates RMS and peak level meters for all 48 audio channels, with no measurable CPU load.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Time Code Option can be used with the HDSPe AES to sync to LTC and video. Thanks to SteadyClock(TM), the TCO not only extracts absolute positions from LTC, but also a very clean low-jitter word clock from LTC and video.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe card's most important settings are stored on the card itself. Rather than operating in a default mode from the moment the computer is switched on until the driver is loaded, the card will immediately activate the last used sampling rate, master\/slave configuration and AES format, thus eliminating any startup noise or problems in the clock network, both at system start and reboot.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAn optional 19\" breakout box is also available. Its innovative design features XLR I\/Os that can be accessed from the front or rear in a rack, according to the user's choice. BOB-32 provides D-sub connectors with Tascam and Yamaha pinout, therefore can be used with other devices as digital rack breakout box as well.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eIncluded software:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tDIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 16 channels, Vector Audio Scope, various other audio analysis tools.\u003c\/div\u003e\n\u003cdiv\u003e\n\tDrivers: Windows 2000\/XP\/Vista\/64 (full ASIO multi-client operation of WDM, GSIF 2.0 and ASIO 2.0), Mac OS X Intel (Core Audio and Core MIDI).\u003c\/div\u003e\n\u003cdiv\u003e\n\tThanks to RME's flash update technology, future firmware improvements, adjustments, and bugfixes can be installed easily at any time.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe PCI Express interface of the HDSPe system is based on the PCI Express Base Specification v 1.1. It represents a 1-Lane PCI Express Endpoint Device and supports 2.5 Gbps line speed. Thanks to the packet-based full duplex communication, the card provides a transfer rate of up to 500 MB\/s - 250 MB\/s in every direction.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t-1-Lane PCI Express Endpoint device (no PCI Express to PCI Bridge), revision 1.1.\u003c\/div\u003e\n\u003cdiv\u003e\n\t-2.5 Gbps line speed\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Packet-based full-duplex communication (up to 500 MB\/s transfer rate)\u003c\/div\u003e\n\u003cdiv\u003e\n\t-All settings: changeable in real-time\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Automatic and intelligent master\/slave clock control\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Enhanced Zero Latency Monitoring for latency-free submixes and perfect ASIO Direct Monitoring\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Sync sources: 8 x AES, word clock, internal\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Varipitch: by input signal or word clock\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Sample rates: 32 kHz up to 192 kHz, variable (Sync\/word clock)\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Sample rate range: AES: 28 kHz - 204 kHz, word clock: 28 kHz - 204 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Jitter: \u0026lt; 1 ns, internal and all inputs\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Jitter sensitivity: PLL operates even at 100 ns Jitter without problems\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Comes with DIGICheck: the ultimate measurement, analysis and test tool\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Input 8 x AES, 2 x MIDI, word clock (BNC)\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Output 8 x AES, 2 x MIDI, word clock (BNC)\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Input word clock: BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal), termination via jumper\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Output word clock: BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof\u003c\/div\u003e\n\u003cdiv\u003e\n\t-MIDI input and output: via four 5-pin DIN jacks\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":46168098767131,"sku":"HDSPEAES","price":1249.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47102246650139,"sku":"HDSPEAESRP","price":949.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/hdsp-aes-c.png?v=1692023401"},{"product_id":"rme-hdspe-raydat-pci-express-card-c01","title":"RME HDSPE RayDat PCI Express Card","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eRME HDSPE RayDat PCI Express Card 24 Bit \/ 96 kHz, 66 Channel ADAT.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\t72-Channel ADAT\/AES PCI Express Card\u003c\/div\u003e\n\u003cdiv\u003e\n\t24 Bit\/192 kHz.\u003c\/div\u003e\n\u003cdiv\u003e\n\tPerformance without compromises New features.\u003c\/div\u003e\n\u003cdiv\u003e\n\tLowest latency.\u003c\/div\u003e\n\u003cdiv\u003e\n\tLowest CPU load.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cu\u003e\u003cstrong\u003eThe Hammer falls again.\u003c\/strong\u003e\u003c\/u\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tHDSPe RayDAT is the newly developed PCI Express successor of the Hammerfall DSP 9652 which can be regarded as the studio standard for ADAT I\/O cards. Some ten thousands of installations worldwide are proof that RME ́s ADAT solutions are the perfect partners for all software-based DAWs. Still based on the award-winning Hammerfall DSP technology, combining superb handling and stability with extremely low latency, the addition of PCI Express and several new features make RayDAT the ideal solution from recording up to the final mastering.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tRayDAT offers no less than 4 x ADAT optical I\/O, SPDIF I\/O and AES\/EBU I\/O. All 36 inputs and 36 playback channels can be routed and mixed independently, including S\/PDIF (phono) and AES\/EBU (XLR), which are simultaneously operational due to separated hardware and record\/playback devices. On top, there are 2 MIDI I\/Os and TotalMix, RME’s unsurpassed DSP- based real-time mixer\/router, with hardware- calculated level metering and complete MIDI remote capability. RayDAT also supports the optional TCO Module for timecode support and word clock \/ video synchronization.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe card is equipped with SteadyClockTM, RME’s own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tRME’s unique SyncCheck and AutoSync technology has evolved into the new Intelligent Clock Control of the HDSPe system. HDSPe RayDAT measures and displays the frequency of all clock sources - even word clock! Based on validity and current sample rate the system then decides which clock source should be used, fully automated and performed in hardware. With this the HDSPe system offers the most easiest handling of the present clocks, although having a lot digital inputs, plus the most advanced support when configuring the clock setup.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe included DIGICheck for Windows turns the HDSPe RayDAT into a Spectral Analyzer, provides professional level meters for 2, 8, or 36 channels, offers Vector Audio Scope, Global Record Function and various other audio analysis tools.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tRME’s secure flash update technology makes sure that firmware improvements, adjustments, and bugfixes can be installed easily at any time.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cu\u003e\u003cstrong\u003eSome of the card’s unique features are:\u003c\/strong\u003e\u003c\/u\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll settings changeable in real time\u003c\/div\u003e\n\u003cdiv\u003e\n\tAutomatic, intelligent master\/slave clock control\u003c\/div\u003e\n\u003cdiv\u003e\n\tEnhanced Mixed mode: All inputs and outputs are simultaneously operational\u003c\/div\u003e\n\u003cdiv\u003e\n\tUnsurpassed Bitclock PLL (audio synchronization) in ADAT mode\u003c\/div\u003e\n\u003cdiv\u003e\n\tZLM® (Zero Latency Monitoring) for latency-free submixes and perfect\u003c\/div\u003e\n\u003cdiv\u003e\n\tASIO Direct Monitoring\u003c\/div\u003e\n\u003cdiv\u003e\n\tS\/MUX in hardware: 16 channels @ 24- bit\/96 kHz or 8 channels @ 24 bit\/192 kHz record\/playback via ADAT optical\u003c\/div\u003e\n\u003cdiv\u003e\n\tDIGICheck® software for testing, measuring and analyzing digital audio streams\u003c\/div\u003e\n\u003cdiv\u003e\n\tTotalMix: 2592 channel mixer with 42- bit internal resolution\u003c\/div\u003e\n\u003cdiv\u003e\n\tExtensive status windows showing mode and clock rates\u003c\/div\u003e\n\u003cdiv\u003e\n\tSuper low jitter design: \u0026lt; 1 ns in all clock modes\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cu\u003e\u003cstrong\u003eI\/O Connectivity\u003c\/strong\u003e\u003c\/u\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t36 Input \/ 36 Output channels 4 x ADAT I\/O (optical) 1 x SPDIF I\/O (coaxial) 1 x AES\/EBU I\/O (XLR)\u003c\/div\u003e\n\u003cdiv\u003e\n\t2 x MIDI I\/O optional: HDSP TCO\u003c\/div\u003e\n\u003cdiv\u003e\n\tWord Clock I\/O, LTC I\/O, Video In Sync In\u003c\/div\u003e\n\u003cdiv\u003e\n\toptional: TEB - TDIF Module optional: WCM - Word Clock Module\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cu\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/u\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t1-Lane PCI Express Endpoint device (no PCI Express to PCI Bridge), revision 1.1.\u003c\/div\u003e\n\u003cdiv\u003e\n\t2.5 Gbps line speed - Packet-based full- duplex communication (up to 500 MB\/s transfer rate)\u003c\/div\u003e\n\u003cdiv\u003e\n\tSupported sample frequencies: Internally 32, 44.1, 48, 64, 88.2, 96, 176.4, 192 kHz. Externally 28 kHz - 200 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\t8 buffer sizes\/latencies available: 0.7, 1.5, 3,6,12,23,46,93ms\u003c\/div\u003e\n\u003cdiv\u003e\n\tADAT inputs based on RME’s reliable Bitclock PLL\u003c\/div\u003e\n\u003cdiv\u003e\n\tHigh-speed MIDI ▪\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eBreakout cable for coaxial SPDIF operation (included)\u003c\/div\u003e\n\u003cdiv\u003e\n\tDigital formats: SPDIF, AES\/EBU, ADAT optical\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cu\u003e\u003cstrong\u003ePerfect Partners\u003c\/strong\u003e\u003c\/u\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tMicstasy\u003c\/div\u003e\n\u003cdiv\u003e\n\tOctaMicII\u003c\/div\u003e\n\u003cdiv\u003e\n\tADI-8 QSM\u003c\/div\u003e\n\u003cdiv\u003e\n\tADI-192 DD\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":46168128225563,"sku":"RAYDAT","price":949.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":51915378688283,"sku":"RAYDATEBAYPRO","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rme_hdspe_raydat_front_1.png?v=1692023737"},{"product_id":"rme-hdspemadi-24bit-96k-channel-pcie-card-c01","title":"RME HDSPE MADI 24Bit 96K-Channel PCIe Card","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eRME HDSPEMADI 24Bit 96K 2X64 Channel PCIE Card.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe HDSPe MADI is RME's both inexpensive and outstanding PCI Express card with MADI interface. HDSPe MADI is based on the award-winning HDSP MADI card, and represents the new top model of this world-wide successful card line.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe PCI Express card consequently uses all advantages of the MADI format, the professionals' multi-Channel audio interface, offering 64 channels of 24-bit audio at a sample rate of up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz. Transmission is done via a single line, either coaxial with BNC plugs or by fiber cable. In both cases more than 100 m cable length can be achieved.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tCompared with the HDSP MADI (Standard PCI version), the express card offers some new features: Support of higher sample rates than 96 kHz, more features in TotalMix (phase and internal loopback per channel, +6 dB gain for the hardware outputs), and the direct support of the Time Code Option. HDSPe MADI provides even lower latencies, making the card the perfect partner for live recording and live mixing applications. The analog monitor output is equipped with the low-latency converter technology of the ADI-8 QS, thus guaranteeing stunning SNR and THD values too.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tHDSPe MADI is fully compatible to all devices with MADI interface. In combination with the ADI-648 an 8 x ADAT optical PC interface is realized, unbeatable in price and performance. With the ADI-6432 a bidirectional AES\/EBU frontend with 64 channels is available.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOn a powerful PC\/Mac three HDSPe MADI can be used in a combination, providing 192 inputs and 192 outputs on a single workstation simultaneously.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cu\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/u\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tPCI Express Interface\u003c\/div\u003e\n\u003cdiv\u003e\n\t64 Input channels \/ 64 Output channels\u003c\/div\u003e\n\u003cdiv\u003e\n\t1 x MADI I\/O (optical and coaxial)\u003c\/div\u003e\n\u003cdiv\u003e\n\t2 x MIDI I\/O\u003c\/div\u003e\n\u003cdiv\u003e\n\tStereo Analog Out\u003c\/div\u003e\n\u003cdiv\u003e\n\tWord Clock I\/O\u003c\/div\u003e\n\u003cdiv\u003e\n\tTotalMix\u003c\/div\u003e\n\u003cdiv\u003e\n\toptional: HDSP TCO\u003c\/div\u003e\n\u003cdiv\u003e\n\tDifferences to HDSP MADI\u003c\/div\u003e\n\u003cdiv\u003e\n\tPCI Express interface\u003c\/div\u003e\n\u003cdiv\u003e\n\tSample rates up to 192 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\tEven lower latencies\u003c\/div\u003e\n\u003cdiv\u003e\n\tEnhanced TotalMix\u003c\/div\u003e\n\u003cdiv\u003e\n\tMonitor output with low-latency converter technology of ADI-8 QS\u003c\/div\u003e\n\u003cdiv\u003e\n\tDirect support of HDSP TCO\u003c\/div\u003e\n\u003cdiv\u003e\n\tRME HDSPe MADI Optional Add-Ons\u003c\/div\u003e\n\u003cdiv\u003e\n\tHDSP TCO: Timecode Option Module adding further sync options: 1 x word clock I\/O, 1 x video sync input (alternative to wc input), 1 x LTC I\/O\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | In Stock","offer_id":46168128586011,"sku":"HDSPEMADI","price":1799.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | Out Of Stock","offer_id":47102498832667,"sku":"HDSPEMADIRP","price":1207.13,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/hdsp-madi-c_1.png?v=1692023746"},{"product_id":"rme-unirack-19-ii-universal-rackmount-19-1u-c01","title":"RME Unirack 19 II Universal Rackmount 19”\/1U","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eRME Unirack 19 II Universal Rackmount 19”\/1U\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\t19\"\/1U Universal Rackmount Unit for non 19\" units like e. g.: RME Multiface, Multiface II, Quadmic, ADI-2, Fireface 400, ADI-4 DD and many other units. We updated some of the drill-hole's positions, reduced weight, removed rear \"teeth\". The sheet material is much leaner than at the MK-I version. The oplong slits on the back are designed to be used as strain-relief by using cable-straps, the ones before can be used to mount e. g. AC-adaptors on the UNIRACK 19\/II.\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | In Stock","offer_id":46168128618779,"sku":"RM19II","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rme-RM19II-0.jpg?v=1692023741"},{"product_id":"rme-hammerfall-hdsp-9652-c01","title":"RME Hammerfall HDSP 9652","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eRME Hammerfall HDSP 9652\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tHDSP 9652 offers 3 x ADAT optical I\/O, ADAT-Sync In, SPDIF I\/O and word clock I\/O. On top, there are 2 MIDI I\/Os and TotalMix, a DSP-based real-time mixer\/router, with hardware-calculated level metering and complete MIDI remote capability.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe HDSP 9652 also supports Expansion Boards (EXB). Two internal ADAT inputs and two internal ADAT outputs allow you to realize up to 16 analog inputs, 16 analog outputs, or up to two TDIF ports directly inside the computer.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThanks to its unique Zero CPU Load technology Hammerfall DSP guarantees highest performance and lowest latency together with full flexibility!\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe HDSP 9652's Secure BIOS Technology allows to perform hardware updates via software\/driver without any risk.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eConnectivity\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t3 x ADAT I\/O\u003c\/div\u003e\n\u003cdiv\u003e\n\t1 x SPDIF I\/O\u003c\/div\u003e\n\u003cdiv\u003e\n\t2 x MIDI I\/O\u003c\/div\u003e\n\u003cdiv\u003e\n\tWord Clock I\/O\u003c\/div\u003e\n\u003cdiv\u003e\n\t1x ADAT Sync In\u003c\/div\u003e\n\u003cdiv\u003e\n\tTotalMix\u003c\/div\u003e\n\u003cdiv\u003e\n\toptional: Expansion Boards\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eFeatures\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t3 x ADAT digital I\/O, based on RME's reliable Bitclock PLL\u003c\/div\u003e\n\u003cdiv\u003e\n\t1 x SPDIF digital I\/O, based on RME's reliable DIGI96 technology\u003c\/div\u003e\n\u003cdiv\u003e\n\t1 x Breakout cable for coaxial SPDIF operation\u003c\/div\u003e\n\u003cdiv\u003e\n\t1 x Word clock I\/O (BNC) on included expansion board\u003c\/div\u003e\n\u003cdiv\u003e\n\t1 x ADAT Sync In (9-pin D-type) for sample accurate transfers\u003c\/div\u003e\n\u003cdiv\u003e\n\t2 x MIDI I\/O, 32 channels high-speed MIDI via breakout cable\u003c\/div\u003e\n\u003cdiv\u003e\n\tDIGICheck, RMEs unique metering- and analyse tool\u003c\/div\u003e\n\u003cdiv\u003e\n\tHDSP Meter Bridge: freely scalable level meters, peak- and RMS calculation directly in hardware\u003c\/div\u003e\n\u003cdiv\u003e\n\tTotalMix: 1352 channel Mixer with 40 Bit internal resolution\u003c\/div\u003e\n\u003cdiv\u003e\n\tS\/MUX poured in hardware: 12 channels 24-Bit\/96kHz for record and playback on ADAT optical\u003c\/div\u003e\n\u003cdiv\u003e\n\t... and numerous other features found already in the Hammerfall series. And all this for an unbeatable price!\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eSettings\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tJust click on the hammer symbol in the systray of the taskbar and the settings dialog of the HDSP 9652 comes up. The clear structured, easy to understand window plus the unique informative status windows for input signal, clock mode, sample rate and time code make your work with Hammerfall DSP to a real pleasure. With a simple mouse click you gain access to the full power of your card.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWhen working with several digital sources it is not only necessary to know if these are properly locked, but also if they are totally synchronized. RMEs exclusive SyncCheck\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e ® checks all input signals and displays their actual state, and thanks to our new Intelligent Clock Control (ICC)\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e   concept you have all clocks and states under control - with ease.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tA display of the time code at the ADAT Sync-In port offers a quick check of the communication between external device and Hammerfall.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eTech Specs\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSupported sample rates: 32 kHz, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t8 buffer sizes\/latencies available: 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms, 186 ms\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tASIO zero CPU load technology: 0 (zero!)% CPU load when using ALL 52 channels!\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAll settings changeable in real-time\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tClock modes slave and master\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAutomatic and intelligent master\/slave clock control\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEnhanced Mixed mode: All inputs and outputs simultaneously operational\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tUnsurpassed Bitclock PLL (audio synchronization) in ADAT mode\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEnhanced Zero Latency Monitoring for latency-free submixes and perfect ASIO Direct Monitoring\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tDIGICheck, the ultimate measurement, analysis and test tool\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tInput 3 x optical (TOSLINK), 1 x coaxial (RCA), 2 x MIDI, word clock (BNC)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tInput format SPDIF, AES\/EBU (Consumer, Professional), ADAT® optical\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput 3 x optical (TOSLINK), coaxial (RCA), 2 x MIDI, word clock (BNC)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFormat output SPDIF, AES\/EBU (Consumer\/Professional), ADAT optical\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":46168341119259,"sku":"HDSP9652","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/hdsp-9652-c.png?v=1692024905"},{"product_id":"rme-adi-4dd-aes-converter-c01","title":"RME ADI-4DD AES Converter","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eRME ADI-4DD AES Converter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tRMEs ADI-4 DD is a highly cost-efficient AES to ADAT and ADAT to AES converter. Support for up to 96 kHz and a built-in jitter suppression are just two of several outstanding features.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe actual states of incoming and outgoing signals and ongoing operations within the unit are displayed by LEDs in an easily overseeable way. SyncCheck\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e ® , already found in other RME products, not only shows if an input signal is locked, but also if multiple inputs are in synchronicity. Furthermore RMEs SyncAlign\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e ® technology prevents accidental errors of ± 1 sample misalignment between the AES\/EBU inputs. The AES output signal can be set to Professsional or Consumer subcode. Channel 1\/2 can optionally be received and output optically (TOSLINK).\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tRME's SteadyClock(TM) technology guarantees an excellent performance in all clock modes. Its highly efficient jitter suppression enables the ADI-4 DD to refresh and clean up any clock signal, and to provide the clock signal as reference clock at the word clock output. Additionally, Intelligent Clock Control\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e (ICC) will maintain the last sample rate detected as valid in case of fault and loss of input signal. The device can be stacked without limit, all devices will be sample synchronous by using word clock. All settings are stored at power-off.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eFeatures\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe device basically consists of two converters: four AES-3 inputs to double ADAT outputs, and double ADAT inputs to four AES-3 outputs. The double ADAT ports enable full 8 channel support, from 32 kHz up to 96 kHz (S\/MUX). The unit provides one XLR I\/O directly. A DB-25 connector allows for a use of industry standard AES-3 I\/O breakout cables. Setting an internal connector easily changes the DB-25 connector to meet the pinout of Tascam (Digidesign), Yamaha and Euphonix cables.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eApplication examples:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tAES\/EBU frontend for RME's digital I\/O cards (ADAT optical I\/O)\u003c\/div\u003e\n\u003cdiv\u003e\n\tServes as 8-Channel AES and ADAT I\/O for all digital mixing desks with ADAT or AES ports\u003c\/div\u003e\n\u003cdiv\u003e\n\tAllows to operate up to 4 SPDIF or AES devices\u003c\/div\u003e\n\u003cdiv\u003e\n\tConverts between AES-3, SPDIF and SPDIF optical\u003c\/div\u003e\n\u003cdiv\u003e\n\tRemoves jitter from AES-3 and ADAT signals\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eConversion modes (selection):\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t8-Channel AES to ADAT optical converter (96 kHz)\u003c\/div\u003e\n\u003cdiv\u003e\n\t2-Channel AES to 8-Channel ADAT splitter (96 kHz)\u003c\/div\u003e\n\u003cdiv\u003e\n\t8-Channel ADAT to AES converter (96 kHz)\u003c\/div\u003e\n\u003cdiv\u003e\n\t2-Channel AES to 8-Channel AES splitter (96 kHz)\u003c\/div\u003e\n\u003cdiv\u003e\n\t4-Channel AES Double Wire to AES Single Wire converter (96 kHz)\u003c\/div\u003e\n\u003cdiv\u003e\n\t4-Channel AES Single Wire to AES Double Wire converter (96 kHz)\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll in all the ADI-4 DD shows an unsurpassed flexibility together with a sensational price point. It is a perfect interface solution in all areas, from home user up to broadcast applications.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eTech Specs\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tInput AES\/EBU: 1 x XLR, 4 x via DB-25 connector, electrically isolated, highly sensitive input stage (\u0026lt; 0.3 Vpp), SPDIF compatible\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput AES\/EBU: 1 x XLR, 4 x via DB-25 connector, transformer balanced, 5 Vpp\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSPDIF Optical: Second ADAT port can be switched to serve as SPDIF I\/O\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tInput ADAT® optical 2 x TOSLINK, 24-Bit, Bitclock PLL\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput ADAT® optical: 2 x TOSLINK, 24-Bit\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tInput word clock: BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput word clock: BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSync sources: ADAT optical, AES\/EBU, word clock\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tVaripitch: by input signal or word clock\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSample rates: 32 kHz, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable (Sync\/word clock)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSample rate range: AES, word clock: 27 kHz-105 kHz, ADAT 33 kHz - 57 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tJitter: Internal clock \u0026lt; 1 ns, word clock In \u0026lt; 2 ns, ADAT In \u0026lt; 2 ns\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tJitter sensitivity: all PLLs operate even at 100 ns Jitter without problems\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tJitter suppression: circa 30 dB (2.4 kHz)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPower Supply: Operates with voltages ranging from 7-30V DC oder AC, allowing operation with practically any power source, including batteries\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tExternal high-quality switching power supply included, for worldwide operation at 100-240 Volt\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tDimensions: 215 x 44 x 100 mm\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eCables (not included)\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tBO25MXLR4M4F3: Digital Breakout Multicore, D-Sub to 4 x XLR-F \/ 4 x XLR-M, 3 m\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tBO25MXLR4M4F6: Digital Breakout Multicore, D-Sub to 4 x XLR-F \/ 4 x XLR-M, 6 m\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title | On Order","offer_id":46168341184795,"sku":"ADI4DD","price":949.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47316505198875,"sku":"ADI4DDRP","price":743.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rme_ad-4-dd_front_back.png?v=1692024908"},{"product_id":"rme-adi-192-dd-c01","title":"RME ADI-192 DD","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eRME ADI-192 DD \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe ADI-192 DD is the successor to the highly successful ADI-8 DD. The completely re-engineered device was designed to be the most powerful format and sample rate converter ever. Hence the ADI-192 DD not only features considerable improvements compared to the\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eADI-8 DD, but also adds a number of new and unique features:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tSupports 192 kHz with ADAT, TDIF und AES\u003c\/div\u003e\n\u003cdiv\u003e\n\t8-Channel sample rate conversion up to 192 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\tSample Rate Conversion can be selected for AES, TDIF or ADAT\u003c\/div\u003e\n\u003cdiv\u003e\n\t8-Channel Sample Rate Conversion without phase errors (sub-sample synchronous)\u003c\/div\u003e\n\u003cdiv\u003e\n\tSteadyClock for maximum jitter suppression and clock regeneration\u003c\/div\u003e\n\u003cdiv\u003e\n\tComplete triple format converter AES\/TDIF\/ADAT with added SPDIF TOSLINK I\/O\u003c\/div\u003e\n\u003cdiv\u003e\n\tDirect support for Double and Quad Wire, S\/MUX and S\/MUX4\u003c\/div\u003e\n\u003cdiv\u003e\n\tAlso when using SRC\u003c\/div\u003e\n\u003cdiv\u003e\n\tSpecial TDIF word clock output\u003c\/div\u003e\n\u003cdiv\u003e\n\tSimplified and easy-to-use user interface\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eFeatures\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe unit consists of three 8-Channel format converters with 24-bit audio resolution. The three output formats ADAT, TDIF and AES independently access the three input formats ADAT, TDIF and AES schematic view. Thanks to free selection of inputs, signals can be copied and distributed between all connected devices - without the need to change any cables. Due to the unlimited input selection, the unit not only transfers data to the same output format.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFor example it can be operated as quad AES\/EBU sample rate converter.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFour XLR AES\/EBU inputs and outputs each, and two ADAT and TDIF inputs and outputs allow full 8-Channel operation even at 96 kHz \/ 24-bit. At 192 kHz, there are eight AES channels and four ADAT and TDIF channels. Switchable 24\/192kHz sample rate converters allow 8-Channel sample rate conversion and clock decoupling of the highest quality.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eApplications include:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tAES\/EBU frontend for RME's digital I\/O-cards (with ADAT optical I\/O)\u003c\/div\u003e\n\u003cdiv\u003e\n\tTDIF frontend for RME's digital I\/O-cards (with ADAT optical I\/O)\u003c\/div\u003e\n\u003cdiv\u003e\n\tAES and ADAT frontend for DTRS machines\u003c\/div\u003e\n\u003cdiv\u003e\n\t8-Channel AES, TDIF and ADAT input and output for digital mixers with ADAT\/TDIF port\u003c\/div\u003e\n\u003cdiv\u003e\n\tOperation of four SPDIF or AES devices with different sample rates in any digital audio network\u003c\/div\u003e\n\u003cdiv\u003e\n\tConverts Double and Quad Wire to Single Wire and vice versa, even with simultaneous sample rate conversion\u003c\/div\u003e\n\u003cdiv\u003e\n\t48 LEDs clearly display the current status of the incoming and outgoing signals and the processing performed within the unit. The SyncCheck technology known from other RME devices indicates whether the input signal is locked and whether all inputs are sychronized. The AES output signal can be given a consumer or professional status. The first AES output (channels 1\/2) is also available as optical TOSLINK.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tProfessionals will love the fact that the ADI-192 DD supports Double Wire, Quad Wire, S\/MUX and S\/MUX4, making it compatible to all methods of increasing sample rates by sample multiplexing on all platforms. The unit can also convert between these formats, even along with SRC. If more than 8 channels are required, several units can be cascaded and synchronized sample-accurately by word clock.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe ADI-192 DD also features an automatic distribution mode. If only one of the four AES inputs is used, the device will copy these two channels to the other three AES outputs.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tRMEs SteadyClock(TM) guarantees excellent clock quality in every situation. Due to the highly efficient jitter reduction, any clock signal can be improved and refreshed, and subsequently be used as reference clock at the word clock output. Intelligent Clock Control (ICC)\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e   will retain the last valid sample frequency in case of a loss of the input signal. All settings are retained when the device is switched off.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tConclusion: The ADI-192 DD is the all-in-one solution for every application of format and sample rate conversion, from 2 to 8 channels. Its flexibility is unsurpassed and the price\/performance ratio is simply sensational.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eTech Specs\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tInput AES\/EBU: 4 x XLR, transformer balanced, highly sensitive input stage (\u0026lt; 0.3 Vpp), SPDIF compatible, max. 192 kHz Single Wire\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput AES\/EBU: 4 x XLR, transformer balanced, 4.5 Vpp, max. 192 kHz Single Wire\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tInput ADAT optical: 2 x TOSLINK, 24-bit, Bitclock PLL\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput ADAT optical: 2 x TOSLINK, 24-bit\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tInput\/Output TDIF: 2 x D-sub 25 pin, 24-bit\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tInput\/Output SPDIF front: 2 x TOSLINK, 24-bit, max. 192 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tInput Word Clock: Signal Adaptation Circuit (functional from 1.2 Vpp)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput Word Clock: BNC, low impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSync sources: Internal, ADAT optical in, AES\/EBU in, TDIF in, word clock in\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tVaripitch: by input signal or word clock\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSample frequencies: 444.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz, variable (sync\/word clock)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSample rate range: AES, word clock: 28 kHz-204 kHz, ADAT\/TDIF 30 kHz - 54 kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tJitter: Internal clock \u0026lt; 1 ns, external clocks \u0026lt; 1 ns\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tJitter sensitivity: all PLLs operate error-free even at 100 ns\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tJitter suppression: \u0026gt;30 dB (2.4 kHz)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSRC dynamic ratio: 140 dB RMS unweighted, 143 dBA\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSRC THD+N: \u0026lt; -140 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSample rate ratio: max. 7:1 \/ 1:7\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPower supply: Internal switching mode PS, 100V - 240V AC, 20 Watt\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tDimensions: (WxHxD) 483 x 44 x 200 mm\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWarranty: 2 years\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":46168341283099,"sku":"ADI192","price":1599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/adi-192-dd-c.png?v=1692024898"},{"product_id":"rme-fireface-ucx-usb-firewire-audio-interface-firefaceucx-c01","title":"RME FireFace UCX USB \u0026 Firewire Audio Interface","description":"\u003ch3\u003eRME FireFaceUCX USB \u0026amp; Firewire Audio Interface 32 Channel, 24-Bit \/ 192KHz High End\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.\u003c\/p\u003e\n\u003cp\u003eIn doing this the Fireface UCX marks a new packing record: 300 electronic components more than inside the already well-stocked Fireface UC! In a tremendous effort RME packed once again all the latest technologies, introduced with the award winning flagship UFX, plus a bunch of newly developed ones, into a half 19 inch housing with full mobile usability.\u003c\/p\u003e\n\u003cp\u003eThe result is an awesome combination of RME's most successful products: Fireface UFX, Firefaces UC\/400 and Babyface. The Fireface UCX is not just a smaller version of the smash hit UFX, with the HFX-core, the preamps and the complete effects engine. The UCX continues the tradition of RME's tremendously successful compact interfaces, and combines it with the Babyface's usability through the optional RME remotes. With the Fireface UCX RME reinvented an already perfect product, by improving existing features and characteristics plus adding sophisticated new ones.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":46168468062491,"sku":"FIREFACEUCX","price":1599.0,"currency_code":"USD","in_stock":false},{"title":"Repack | On Order","offer_id":47102181900571,"sku":"FIREFACEUCXRP","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rme-FIREFACEUCX-0.jpg?v=1692025965"},{"product_id":"rme-rackmount-rm-19-adapter-for-9-5-devices-rm-19-c01","title":"RME Rackmount RM-19 Adapter for 9.5” Devices","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eRME Rackmount RM-19 Adapter for 9.5” Devices\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tRackmount adaptor to mount half 19\" RME units into a 19\" rack: RME Fireface 400, Multiface 2, ADI-2.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tJust remove the factory-mounts and replace them with the RM19.\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":46168470487323,"sku":"RM19","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rme-RM19-0.jpg?v=1692025951"},{"product_id":"rme-fireface-800-firewire-computer-recording-interface-repack-fireface-c01","title":"RME Fireface 800 FireWire Computer Recording Interface (FIREFACE)","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eImpeccable A\/D\/A converters and lots of I\/O.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe RME Fireface 800 FireWire Computer Recording Interface offers 8 balanced line I\/Os with software-controlled switching of the levels in the analog domain. All levels are under software control except the mic pre-amps and the headphone outputs. High-level A\/D and D\/A converter chips, I\/Os that operate up to 192kHz, and 119 dBA dynamic range on playback speak to the stellar level of sound quality. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe front features 4 balanced mic inputs with class-A stage, 48V phantom power and individual jack and XLR inputs, which can also be used as additional line inputs. 2 of the 4 mic inputs are available permanently as channels 9 and 10, while the other 2 can be used together with or instead of inputs 7 and 8 on the rear. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tA hi-Z instrument input for guitar and bass includes a soft-limiter, custom-tuned for musical instruments, that affords overload protection of the A\/D-converter. The limiter's harmonic distortion can be used for tube-like distortions. A special circuit delivers fuzz-box-type guitar distortions. A multi-stage filter hi- and low-frequency filter lets you clean up the sound as desired.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe FireWire 800's digital I\/Os include 2 ADAT I\/Os for connecting and inserting effect devices, mixers, or external converters. The 192kHz SPDIF-I\/O works concurrently with 10 analog in- and outputs at the highest sample rate, plus 2 digital ones. All inputs and outputs are active at the same time. For example, the instrument input can be used either instead of, or together with, the line input on the back. The jack and the XLR sockets of the mic inputs can even be used simultaneously. To summarize, up to 35 signal sources can be connected to the Fireface 800 and recorded to 28 separate tracks.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe DSP-based TotalMix mixer derives from the popular Hammerfall DSP series, with all inputs and outputs having the ability to be freely mixed, distributed and routed. Up to 14 completely independent stereo submixes are possible. The internal flash memory enables all settings including TotalMix to be recalled on startup. The device also works stand-alone as a submixer, A\/D and D\/A converter, headphone mixer, format converter, instrument or mic pre-amp, and monitor mixer.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe SteadyClock sync and clock technology enable the unit to be used as a sync reference for your whole studio. SteadyClock refreshes clock signals and removes jitter. A time code option (TCO) for synchronizing to LTC, video and VITC can be added with the insert slot on the back.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Fireface 800 has a second port for hub functionality, a bi-lingual mode for full FireWire 400 compatibility, and an additional FW 400 port. With the multi-ports, several Fireface 800s can be used in parallel and at the same time with no problems.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/div\u003e\n\u003cdiv\u003e\n\t-8 balanced line I\/Os with software-controlled switching\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Pristine 192kHz A\/D and D\/A conversion\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Up to 119 dBA dynamic range on playback\u003c\/div\u003e\n\u003cdiv\u003e\n\t-4 balanced mic inputs on the front with 48V phantom power and individual jack and XLR inputs\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Hi-Z instrument input for guitar and bass with soft limiter\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Special guitar distortion circuit\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Multi-stage filter hi- and low-frequency filter\u003c\/div\u003e\n\u003cdiv\u003e\n\t-2 ADAT I\/Os\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Up to 35 signal sources can be connected to and recorded to 28 separate tracks\u003c\/div\u003e\n\u003cdiv\u003e\n\t-TotalMix mixer allows all inputs and outputs to be freely mixed, distributed and routed\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Up to 14 completely independent stereo submixes\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Internal flash memory enables all settings to be recalled on startup\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Works stand-alone as a submixer, A\/D and D\/A converter, headphone mixer, format converter, instrument or mic pre-amp, and monitor mixer\u003c\/div\u003e\n\u003cdiv\u003e\n\t-SteadyClock sync and clock technology\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Time code option (TCO) for synchronizing to LTC, video and VITC can be added with the insert slot on the back\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Includes a second port for hub functionality, a bi-lingual mode for full FireWire 400 compatibility, and an additional FW 400 port\u003c\/div\u003e\n\u003cdiv\u003e\n\t-Several Fireface 800s can be used in parallel at the same time\u003c\/div\u003e","brand":"RME","offers":[{"title":"Pre-Owned | On Order","offer_id":46169189646619,"sku":"FIREFACERP","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rme-FIREFACERP-0.jpg?v=1692027684"},{"product_id":"rme-firefaceuc-fire-face-uc-audio-interfaceusb-2-0-high-speed-36-channel-firefaceuc-c01","title":"RME FireFaceUC Fire Face UC Audio InterfaceUSB 2.0 High Speed 36-Channel (FIREFACEUC)","description":"\u003cdiv\u003eThe compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver. \u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eUnder both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/div\u003e\u003cdiv\u003eIntegrated DSP TotalMix software\u003c\/div\u003e\u003cdiv\u003eWord clock \u0026amp; MIDI\u003c\/div\u003e\u003cdiv\u003e2 digitally controlled mic preamps in high-end quality\u003c\/div\u003e\u003cdiv\u003eSteadyClock for maximum jitter suppression and clock refresh\u003c\/div\u003e\u003cdiv\u003eEnhanced stand-alone operation with rotary encoder and front panel display\u003c\/div\u003e\u003cdiv\u003eAnalog \u0026amp; digital input\/output\u003c\/div\u003e\u003cdiv\u003e54 level meter peak\/RMS, hardware-calculated\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/div\u003e\u003cdiv\u003eBit Rate\u003cspan class=\"Apple-tab-span\" style=\"white-space: pre; \"\u003e \u003c\/span\u003e24bit\u003c\/div\u003e\u003cdiv\u003eSample Rate (kHz)\u003cspan class=\"Apple-tab-span\" style=\"white-space: pre; \"\u003e \u003c\/span\u003e32, 44.1, 48, 64, 88.2, 96, 128, 176.4, 192\u003c\/div\u003e\u003cdiv\u003eConnection\u003cspan class=\"Apple-tab-span\" style=\"white-space: pre; \"\u003e \u003c\/span\u003eUSB 2.0\u003c\/div\u003e\u003cdiv\u003eInputs\u003cspan class=\"Apple-tab-span\" style=\"white-space: pre; \"\u003e \u003c\/span\u003eAnalog inputs: 6 x 1\/4\" TRS (4 x line, 2 x line\/instrument), 2 x XLR\/TRS combo connector (2 x mic\/line), all servo-balanced. Digital input: 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES\/EBU compatible)\u003c\/div\u003e\u003cdiv\u003eOutputs\u003cspan class=\"Apple-tab-span\" style=\"white-space: pre; \"\u003e \u003c\/span\u003eAnalog outputs: 6 x 1\/4\" TRS, servo-balanced, DC-coupled signal path. 1 x 1\/4\" TRS unbalanced. Digital output: 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES\/EBU compatible)\u003c\/div\u003e\u003cdiv\u003eMidi\u003cspan class=\"Apple-tab-span\" style=\"white-space: pre; \"\u003e \u003c\/span\u003e2 x MIDI input\/output via breakout cable (4 x 5-pin DIN jacks) for 32 channels low jitter hi-speed MIDI\u003c\/div\u003e\u003cdiv\u003ePower\u003cspan class=\"Apple-tab-span\" style=\"white-space: pre; \"\u003e \u003c\/span\u003e13W\u003c\/div\u003e\u003cdiv\u003eWeight\u003cspan class=\"Apple-tab-span\" style=\"white-space: pre; \"\u003e \u003c\/span\u003e1.5kg\u003c\/div\u003e\u003cdiv\u003eDimensions\u003cspan class=\"Apple-tab-span\" style=\"white-space: pre; \"\u003e \u003c\/span\u003e265mm H x 44mm H x 165mm D (without rack ears), 218mm H x 44mm H x 155mm D (without rack ears\/handles)\u003c\/div\u003e\u003cdiv\u003eSystem Requirements (PC)\u003cspan class=\"Apple-tab-span\" style=\"white-space: pre; \"\u003e \u003c\/span\u003eWindows XP (from SP2)\/Vista\/Vista (64)\/Windows 7: full ASIO multi-client operation of WDM and ASIO 2.0. WDM (DirectSound) with stereo and multi-Channel support\u003c\/div\u003e\u003cdiv\u003eSystem Requirements (MAC)\u003cspan class=\"Apple-tab-span\" style=\"white-space: pre; \"\u003e \u003c\/span\u003eMac OS X (10.5 or higher) Intel core audio, core MIDI\u003c\/div\u003e","brand":"RME","offers":[{"title":"Pre-Owned | In Stock","offer_id":46171460141339,"sku":"FIREFACEUCRP","price":929.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rme_fireface_uc_front_back_1.png?v=1692029189"},{"product_id":"rme-advanced-remote-control-advanced-remote-control-for-ufx-ucx-rmearc","title":"RME Advanced Remote Control (Advanced Remote Control for UFX\/UCX)","description":"\u003ch2\u003eWhy you need the RME Advanced Remote Control (Advanced Remote Control for UFX\/UCX):\u003c\/h2\u003e\u003cdiv\u003eThis wired Advanced Remote Control (ARC) has been designed for direct access to the most frequently used actions and commands required in a studio's daily work. Its extremely flexible configuration through TotalMix FX will simplify the workflow and greatly increase the usability of the RME interface in any real world situation.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe Advanced Remote Control (ARC) can be used with all Fireface UCX. It can also be used with all Fireface UFX with a serial number 23241707 (built after June 2011) or higher. Upcoming interfaces that feature an Advanced Remote Control connector will also be compatible. Users that own a Fireface UFX with a serial number below 23241707 have to send their UFX to their distributor as it requires a hardware modification to be fully compatible to the Advanced Remote Control. This modification is not free of charge.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe ARC consists of a solid metal case with a main encoder dial, 2 push buttons and 6 LED-equipped buttons. The Remote Control connects to the main interface via a 5 m (16.4 ft.) cable and a special connector on the back of both units.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe top of the Advanced Remote Control features a rotary encoder with push switch function, 2 lower buttons, and 6 upper buttons with Status LED. The rotary encoder is used to change various parameters, like gain and volume. The left button Prog is programmable, and can perform several functions. The same is true for the upper 6 buttons, which also include a status LED to signal the current state.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe ARC provides default settings for the 7 programmable buttons, but can be freely configured via the Key Commands dialog of TotalMix FX. All buttons can be assigned to more than 36 different commands. The behavior of each individual button can be changed between push, toggle, enable and disable, depending on the base function.\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":46175097094427,"sku":"RMEARCRP","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/RMEARC-0.jpg?v=1692033319"},{"product_id":"rme-digiface-usb-the-optical-box-dfusb","title":"RME Digiface USB 66-Channel 192 kHz USB Audio Interface","description":"\u003cp\u003eThis compact, portable and lightweight audio interface (only 220 g \/0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.\u003c\/p\u003e\n\u003cp\u003eThe latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.\u003c\/p\u003e\n\u003cp\u003eThe Digiface USB is an extremely compact \u0026amp; portable digital audio interface with 4 optical ADAT \/ SPDIF I\/Os, and an analog high-quality line\/phones output via 6.3 mm TRS jack. Continuing the legacy of RME‘s famous HDSP Digiface, a triple ADAT I\/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I\/O, resulting in 32 channels input and output each when using ADAT optical.\u003c\/p\u003e\n\u003cp\u003eThe analog output hosts channels 33\/34, and can be used freely thanks to TotalMix FX, RME‘s routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).\u003c\/p\u003e\n\u003cp\u003eEach single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.\u003c\/p\u003e\n\u003cp\u003eIts small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.\u003c\/p\u003e\n\u003cp\u003eLike all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer \u003cstrong\u003eTotalMix FX\u003c\/strong\u003e. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main\/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.\u003c\/p\u003e","brand":"RME","offers":[{"title":"New | In Stock","offer_id":46177113342235,"sku":"DFUSB","price":629.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":48830257987867,"sku":"DFUSBRP","price":549.99,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":50120860074267,"sku":"C103725","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rme_digiface-usb-front.jpg?v=1692034382"},{"product_id":"rme-arc-usb-advanced-remote-control-rmearcusb","title":"RME Arc USB Advanced Remote Control","description":"\u003cp\u003eThis wired remote has been designed for direct access to the most frequently used actions and commands of TotalMix FX, being an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real world situations.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB is a USB 1.1 (UAC1) MIDI remote control, natively compatible to Windows and Mac OS X. As soon as it is present in the operating system TotaIMix FX will detect it and communicate with it, without disturbing other remote controls. Therefore it is also not necessary to switch the ARC USB on or off within TotalMix FX - it will just work.And because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001!\u003c\/p\u003e\n\u003cp\u003eAs soon as the ARC USB is connected to a computer any button press or wheel turning will cause the respective action performed by TotalMix FX - and therefore also by the RME audio interface.\u003c\/p\u003e\n\u003cp\u003eWith the UFX+ and UFX II the ARC USB can also be connected directly to these devices, currently the only RME interfaces having an internal USB 1.1 host with matching connector. This way of connecting is handy in stand-alone mode, where the ARC USB is also supported by the UFX+ and UFX II.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB is bus powered, but draws only little current. Also it uses USB 1.1 as bus standard, which these days is uncritical due to its lower frequency and speed demands. USB 2 cables with 5 meter to 10 meter length, and cheap USB 2 cable extensions that usually make a bus-powered interface fail will work perfectly for the ARC USB. Still at higher lengths RME recommends to use active USB 2 cables (also called extension or repeater cables), which are not expensive and work over lengths of more than 20 meters.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB can control several interfaces simultaneously, which happens automatically as the Key Commands dialog in TotalMix FX is specific to the currently selected audio interface. Just assign only the functions that are desired for each respective interface. After that the ARC USB keys and the encoder wheel remote the respective interface where they have been assigned to, without the need to further switch or select anything in normal operation.\u003c\/p\u003e","brand":"RME","offers":[{"title":"New | In Stock","offer_id":46179769155867,"sku":"RMEARCUSB","price":179.0,"currency_code":"USD","in_stock":true},{"title":"Repack | In Stock","offer_id":48017699864859,"sku":"RMEARCUSBRP","price":155.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rme_arc_usb_top.png?v=1692035966"},{"product_id":"rme-madiface-usb-64-channel-usb-2-0-audio-interface-madiface-usb","title":"RME MADIface USB 64-Channel USB 2.0 Audio Interface","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eManufacturer Refurbished with Full Warranty\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe compact MADIface USB provides MADI I\/O over USB 2.0 while supporting the format's full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I\/Os can be operated simultaneously for full 128 channel input and output access, mixed and routed by TotalMix. Even without computer the small box delivers extraordinary bi-directional format converter and active repeater functionality.\u003c\/p\u003e\n\u003cp\u003eIts sturdy and bus-powered design makes it as easy to use as reliable in operation. MADIface USB is both MADI portability at its best as also a perfect desktop solution to connect MADI equipment to any Mac and PC. A real gem in flexibility, usefullness and trouble-free operation - as you expect it from RME.\u003c\/p\u003e\n\u003cp\u003eMADIface USB offers several operation modes when used with a Mac or Windows computer: 64 Channel Mix, Redundancy mode, 128 Channel Mix and a straight routing mode.\u003c\/p\u003e\n\u003cp\u003eThe option \u003cstrong\u003eDisable TotalMix \u003c\/strong\u003ecompletely disables TotalMix, the unit's flexible internal mixer and routing matrix. All input and output data is going straight to record\/coming from playback, with no mixing or routing involved. In this mode the outputs are mirrored, carrying the same signal.\u003c\/p\u003e\n\u003cp\u003eIn \u003cstrong\u003e64 Channel Mix \u003c\/strong\u003emode TotalMix shows 64 input, playback and output channels. All settings in TotalMix use the data from one MADI input port, and send identical data to both MADI output ports. The currently active MADI input port can be configured in the Settings dialog.\u003c\/p\u003e\n\u003cp\u003eThe option \u003cstrong\u003eAutoSelect \u003c\/strong\u003eactivates an automatic input selection. Using both inputs at the same time, AutoSelect puts the device into Seamless Redundancy mode. The MADIface USB will switch to the other input in real-time if the current one fails.\u003c\/p\u003e\n\u003cp\u003eIn \u003cstrong\u003e128 Channel Mix \u003c\/strong\u003emode record and playback is still limited to 64 channels, with the current input selected in the Settings dialog. But the other input is also available through TotalMix, and the output signal is not mirrored, but separated, with TotalMix having 128 output channels. Applications like independent mix output, monitoring and serial pass-through of the second source are just a few clicks away.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteadyClock\u003c\/strong\u003eas well as RME's well known\u003cstrong\u003eMADI compatibility\u003c\/strong\u003eensure hassle-free operation with other devices.\u003cstrong\u003eMIDI over MADI\u003c\/strong\u003etechnology may be used to remote-control other MADI devices.\u003cstrong\u003eDIGICheck\u003c\/strong\u003e, an included complete audio analyzing suite, supports the user under Mac OS X and Windows.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Pre-Owned | On Order","offer_id":46180922589467,"sku":"MADIFACEUSBRP","price":742.49,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":47474156470555,"sku":"MADIFACEUSB","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MADIFACEUSBRP_0_1.jpg?v=1692037448"},{"product_id":"rme-fireface-ufx-ii-usb-audio-interface-rmeufx2","title":"RME Fireface UFX II USB Audio Interface","description":"\u003cp\u003eThe unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source.\u003c\/p\u003e\n\u003cp\u003eNumerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.\u003c\/p\u003e\n\u003cp\u003eWith exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME’s famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities.\u003c\/p\u003e\n\u003cp\u003eWith capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications.\u003c\/p\u003e\n\u003cp\u003eThe Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit’s channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME’s optional ARC USB remote controller.\u003c\/p\u003e\n\u003cp\u003eRME’s Fireface UFX II incorporates premium AD\/DA converters, optimized analog I\/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments.\u003c\/p\u003e\n\u003cp\u003eFurther, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance.\u003c\/p\u003e","brand":"RME","offers":[{"title":"New | In Stock","offer_id":46181279301915,"sku":"RMEUFX2","price":2799.0,"currency_code":"USD","in_stock":true},{"title":"New - Bundle: Free Sonarworks Bundle | On Order","offer_id":49349836538139,"sku":"RMEUFX2BUNDLE","price":2799.0,"currency_code":"USD","in_stock":false},{"title":"Repack | In Stock","offer_id":49839691858203,"sku":"RMEUFX2RP","price":2488.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: FBA | On Order","offer_id":49840068100379,"sku":"RMEUFX2FBA","price":2799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/RMEUFX2_0.jpg?v=1692037799"},{"product_id":"rme-adi-2-fs-mastering-class-ad-da-converter-adi2fs","title":"RME ADI-2 FS Mastering Class AD \/ DA Converter","description":"\u003cp\u003eThe ADI-2 FS is a compact and extremely flexible 2-channel Hi-End AD\/DA-converter. The small 9.5\" unit offers first-class AD\/DA-conversion from\/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is - simply get connected!\u003c\/p\u003e\n\u003cp\u003eBalanced analog inputs and outputs, monitoring via headphone output, SteadyClock FS for optimal conversion quality, 3-stage hardware input and output level control and the additional modes D-D and A-A turn the ADI-2 FS into a universal tool and a flexible problem solver. Its pro-class sound qualifies it also as extension for other premium converters.\u003c\/p\u003e\n\u003cp\u003eThe ADI-2 FS is equipped with two servo-balanced analog line inputs via XLR\/phones combo jacks, simultaneously usable balanced XLR and unbalanced phone jacks, an adjustable High Power headphone output on the front, an ADAT compatible optical SPDIF I\/O, and a coaxial SPDIF I\/O (RCA, AES\/EBU compatible). These extensive connectivity options provide most flexible and uncompromised signal transmission.\u003c\/p\u003e\n\u003cp\u003eThe analog inputs use the advanced circuit design of the highly acclaimed ADI-2 Pro, thus offering outstandingly low noise and distortion as well as an extended frequency response. Three different settings for input and output levels provide perfect compatibility in the analog domain. A further highlight is SteadyClock FS,RMEs latest clock technology for maximum jitter suppression and lowest self-jitter. It guarantees superb sound quality completely independent from the quality of the current reference clock. The ADI-2 FS also uses the conversion technology of the ADI-2 Pro: the AK557x family and the AK4490 not only offer 192 kHz sampling frequency and lowest distortion, but also a dynamic range of 120 dBA.\u003c\/p\u003e\n\u003cp\u003eBut the ADI-2 has more to offer than tremendous sound. It also provides exciting digital connectivity. Its coaxial RCA SPDIF I\/O has a switchable Channel Status to make it fully AES\/EBU compatible (cable adapter required). The optical TOSLINK I\/Os can handle up to 192 kHz and also serve as ADAT I\/O, even at 192 kHz. An operation with SPDIF input and ADAT output or vice versa is supported, in both AD\/DA and D-D mode.\u003c\/p\u003e\n\u003cp\u003eThe clear layout and distinct labeling of the front panel with its functional buttons, the informative status display, a 6 LED level meter as well as the tidy back panel make it easy to operate the unit right out of the box.\u003c\/p\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":46182982517019,"sku":"ADI2FS","price":949.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":50088076017947,"sku":"ADI2FSRP","price":849.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rme_adi-2-fs_front.jpg?v=1692040630"},{"product_id":"rme-12mic-mic-and-line-level-preamp-for-audio-networks-12mic","title":"RME 12Mic - Mic and Line Level Preamp for Audio Networks","description":"\u003cp\u003eThe RME 12Mic is a twelve channel remote controllable microphone preamplifier with no-compromise A\/D conversion, integrated AVB and MADI connectivity, and a multitude of features designed to make it a perfect companion for any professional recording.\u003c\/p\u003e\n\u003ch2\u003eRME’s first preamp for audio networks\u003c\/h2\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003eThe RME 12Mic features twelve microphone and line level inputs with digital, no-compromise, studio-quality conversion; remote controllable gains; integrated MADI and AVB connectivity; plus a multitude of additional functionality, designed to make it the perfect companion for any professional recording setup.\u003c\/p\u003e\n\u003ch1\u003eTwelve transparent mic preamps for exceptional conversion performance\u003c\/h1\u003e\n\u003cp\u003eThe PAD-free microphone input stages have a 75 dB gain range and accept signals of up to +18 dBu. On the conversion side, the extraordinary SNR values show anastonishing 121.2 dB(A) on all channels. All twelve front-facing XLR connections accept microphone and line level signals, whilst the first four connections also accept TRS connectors, with switchable high impedance (Hi-Z) for instruments.\u003c\/p\u003e\n\u003ch1\u003eMADI \u0026amp; ADAT for maximum flexibility\u003c\/h1\u003e\n\u003cp\u003eBoth coaxial and optical (via an SFP module) MADI I\/O is available for independent or redundant operation, and can be used for daisy chaining, merging and converting MADI signals at incredibly low latency. Three optical ADAT outputs provide up to 24 channels of audio at single speed (for example, a combination of microphone inputs, MADI signals and AVB signals), or 12 output channels at 96 kHz sampling rate, ensuring compatibility with a wide range of audio interfaces. Additionally, the ADAT ports can also be used to send monitor mixes from the AVB or MADI inputs to existing DACs\/headphone amps.\u003c\/p\u003e\n\u003ch1\u003eTwo fully redundant network ports\u003c\/h1\u003e\n\u003cp\u003eFor the first time, RME offers an AVB device with two fully redundant network ports, based on the recommendations of MILAN. The RME AVB Core has meticulously implemented the IEEE standards for audio- streaming, discovery and control, allowing RME devices to be both discovered and fully controlled by any AVB controller, and making vendor-specific control protocols a thing of the past. Any signal reaching the 12Mic can be routed and streamed over a network with fixed latency and guaranteed bandwidth - no switch configuration is required!\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | In Stock","offer_id":46183099760923,"sku":"12MIC","price":2999.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":50220570476827,"sku":"12MICEBAYPRO","price":2699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rme_12mic_front.jpg?v=1692041236"},{"product_id":"rme-avb-tool-mic-preamp-router-converter-avbtool","title":"RME AVB Tool Mic Preamp, Router \u0026 Converter","description":"\u003cp\u003eThe RME AVB Tool combines MADI and deterministic AVB networked audio with four high-precision microphone, instrument and line level inputs, plus headphone and separate line level outputs. Following RME’s concept of maximum versatility and connectivity, 128 channels of MADI I\/O have been also added to this half rack 19” device.\u003c\/p\u003e\n\u003ch2\u003eHigh-grade quality analog inputs\u003c\/h2\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003eThe AVB Tool is a pristine analog converter featuring the most commonly-found analog signals in a control room, recording studio or on stage: four XLR-TRS combo inputs, with remote controllable 75 dB gain in 1 dB steps; an input line level sensitivity of +18 dBu, with switchable high impedance on every channel; a stereo headphone output; and two analog line level outputs, with switchable +4\/+19 dBu reference levels. Power is provided by an external power supply (with locking connector), and a K-slot lock port adds an additional level of security against theft. Seamless redundancy is available for all MADI signals, whenever the secondary MADI port is mirrored with the same signal as the coaxial MADI input. If redundancy is not required, the (optional) optical single- or multimode MADI module is treated as an individual MADI I\/O with full bandwidth.\u003c\/p\u003e\n\u003ch1\u003e8-Stream Gigabit AVB\u003c\/h1\u003e\n\u003cp\u003eOn the AVB side, the number of streams available in the RME AVB core have been doubled to eight streams in AM824 (legacy AVB) or high-performance AAF (MILAN compatible) format - with configurable size and format per stream. Up to 128 audio channels can be sent and received over AVB in total across all streams. The AVB Tool has the same input stages as the first four channels of the 12Mic – successfully combining the components found in the Fireface UFX II and UFX+ into a new AD converter, extended with switchable High Impedance, balanced line level on the TRS, and two balanced line level outputs at the rear for monitoring.\u003c\/p\u003e\n\u003ch1\u003ePlug’n’play - rapid user interaction\u003c\/h1\u003e\n\u003cp\u003eControl all device states directly from the front panel with an encoder and buttons for convenient, direct access to all features. RME AVB devices can also be fully remote controlled via a web-interface on any network link (including wirelessly over Wi-Fi), allowing for the rapid creation of gain groups, phantom power switching, and routing of signals to headphones for monitoring. The integrated routing matrix allows for quick routing of any analog inputs straight to the headphone output, as well as all digital signals and AVB streams. As such, problem-solving of signals, clocking, connectivity or other issues is both simple and straight-forward!\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":46183099793691,"sku":"AVBTOOL","price":1899.0,"currency_code":"USD","in_stock":false},{"title":"Repack | On Order","offer_id":48830208966939,"sku":"AVBTOOLRP","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rme_avbtool_front_1.jpg?v=1692041235"},{"product_id":"rme-digiface-dante-256-channel-usb-audio-interface-dfdante","title":"RME Digiface Dante - 256-Channel USB Audio Interface","description":"\u003cp\u003eA lightweight, portable audio interface, combining Dante network connectivity and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation.\u003c\/p\u003e\n\u003cp\u003eDigiface Dante uses RME’s well-known USB driver for Windows and macOS, with lowest latency and industry leading stability, and is equipped with the latest TotalMix FX for flexible routing or mixing operations. High quality phones output offers a quick listen to any audio channel, but can also be used as line output to provide an additional analog stereo mixdown.\u003c\/p\u003e\n\u003cp\u003eTwo BNC sockets for word clock I\/O are switchable to MADI I\/O, with up to 64 channels. The total sum of Dante and MADI, 128 channels, are transferred via USB 3.0 and handled via both Dante control software and RME’s TotalMix FX, for full and struggle-free control of all audio. Please note that Dante has the same channel count limitation as MADI - the total number of channels is halfed at Double Speed (32 + 32 @ 96 kHz), and again halfed at Quad Speed (16 + 16 channels @ 192 kHz).\u003c\/p\u003e\n\u003cp\u003eEquipped with two banks of redundant network ports, the Digiface Dante is more than just an audio interface. It also offers the functionality of a switch, connecting up to 4 network lines.\u003c\/p\u003e\n\u003cp\u003eUsed without USB the Digiface Dante automatically turns into a 64-channel Dante \/ MADI converter. 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Along with the integrated SteadyClock, the QS offers an AD- and DA-conversion of the highest quality.\u003c\/p\u003e\n\u003cp\u003eAnalog and digital limiters, 4 hardware reference levels up to +24 dBu, AES\/EBU and ADAT I\/O (optional MADI I\/O) at up to 192 kHz, remote control via MIDI, digital input and output trimming for full level calibration, volume control for all 8 analog outputs, either separately or globally, digital thru-mode, operation over a wide voltage range and many more features make the QS truely unique.\u003c\/p\u003e\n\u003cp\u003eThe ADI-8 QS is RME's reference - highest performance in every detail, at an unbeaten price\/performance ratio!\u003c\/p\u003e\n\u003c!----\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":48830307729691,"sku":"ADI8QS","price":3049.0,"currency_code":"USD","in_stock":false},{"title":"Repack | On Order","offer_id":48830366253339,"sku":"ADI8QSRP","price":2199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/51r6qTItycL._SL1215.jpg?v=1717095866"},{"product_id":"rme-m1620-pro-16-input-20-output-high-end-avb-madi-adat-to-analog-converter","title":"RME M1620 Pro 16 Input \/ 20 Output High-End AVB \/ MADI \/ ADAT to Analog Converter","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe RME M-1620 Pro converts 16 analog line-level signals (per channel switchable up to +24 dBu) to and from MADI, ADAT and Milan network technology. This innovative unit is designed with a newly developed front panel that combines LED level meters with a display and includes two separate headphone outputs for monitoring - all within a single-height 19-inch rack device. Cutting-edge converters and flexible internal routing place it at the forefront of any audio network.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003eSimplicity at first glance\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- Flexibility and reliability beyond\u003c\/h1\u003e\n\u003cp\u003eRME prioritizes reliability by equipping the M-1620 Pro with built-in redundancy. This includes dual network and dual MADI connections, along with a monitored DC input in addition to the internal AC power supply. A unique system clearly signals when an issue arises, ensuring seamless operation. With full stand-alone capability, users can adjust device settings directly on the unit for quick modifications or to recall entire user-defined presets.\u003c\/p\u003e\n\u003cp\u003eThe Milan-certified model transmits and receives up to 128 channels at 48 kHz (96 @ 96 kHz, 64 @ 192 kHz) with precise, fixed latency across a deterministic network. It reveals its status and configurable options to controllers using the open IEEE 1722.1 (ATDECC) standard.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003eAdd Analog and AVB I\/O\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto any existing MADI devices\u003c\/h1\u003e\n\u003cp\u003eThe M-1620 Pro allows manual configuration of the converter’s aliasing filters for optimal impulse and frequency response. Jitter on digital input signals is effectively reduced with SteadyClock FS. Separate Word Clock BNC and coaxial MADI connectors, with optional optical MADI via an SFP module, allow the device to be easily integrated into existing infrastructure.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003ePlug \u0026amp; play\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- rapid user interaction\u003c\/h1\u003e\n\u003cp\u003eControl all device states directly from the front panel for convenient, direct access to all features. RME AVB devices can also be fully remote controlled via a web-interface on any network link (including wirelessly over Wi-Fi), allowing for the rapid creation of gain groups, phantom power switching, and routing of signals to headphones for monitoring. The integrated routing matrix allows for quick routing of any analog inputs straight to the headphone output, as well as all digital signals and AVB streams. As such, problem-solving of signals, clocking, connectivity or other issues is both simple and straight-forward!\u003c\/p\u003e\n\u003c!----\u003e","brand":"RME","offers":[{"title":"New | In Stock","offer_id":48949307605275,"sku":"M1620PRO","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/RME_M-1620-Pro-front-back.jpg?v=1718045557"},{"product_id":"rme-hdspe-aox-m-24-bit-192-khz-128-x-128-channel-avb-pci-express-card","title":"RME HDSPe AoX-M 24 Bit \/192 kHz, 128 x 128 channel, AVB PCI Express Card","description":"\u003cp\u003eThe HDSPe AoX PCIe x4 audio interface cards combine dual network ports with headphone output, AES3, MIDI, and internal expansion headers for up to four MADI ports. Whether used in a Thunderbolt™ expansion chassis or built into DAWs or audio processors, these cards send and receive up to 512 channels of audio and provide numerous mixing and routing capabilities.\u003c\/p\u003e\n\u003cp\u003eOccupying only a single slot, the PCIe x4 interface transmits and receives up to 512 channels of network audio signals on two separate RJ45 connectors. The network audio channels can partially be replaced (or extended in case of the Milan® version) with MADI signals by adding up to two optional dual optical or dual coaxial extension cards. It is therefore possible to integrate four MADI input signals, four MADI output signals plus up to 256 network audio channels per direction within a single audio interface for the first time – on macOS and Windows.\u003c\/p\u003e\n\u003cp\u003eIn comparison to these massive channel counts, the ¼” stereo headphone jack occupies a lot of space on the card – for good reasons, because it allows monitoring of any signal reaching the card – from the computer, the network, or the optional MADI inputs. And to add one more signal to the mix – a stereo AES3 digital I\/O is available together with MIDI on a breakout cable, making it a versatile and full-fledged professional interface.\u003c\/p\u003e\n\u003ch1\u003eFlexible Mixing \u0026amp; Routing with TotalMix\u003c\/h1\u003e\n\u003cp\u003eThe vast number of channels can be managed by the user in two steps. Using a driver dialog or web interface, the user first adjusts the network vs. optional MADI channel count, and then pre-selects which inputs reach the 256 channel TotalMix engine. The remaining 256 channels are passed straight through. All 512 channels are visible to the DAW for recording. TotalMix offers its basic functionality without effects, but with all the great benefits such as presets, layouts, loopback, sub-mixes, and many more.\u003c\/p\u003e\n\u003cp\u003eThe card can be installed in external Thunderbolt™ enclosures as a perfect addition to mobile recording setups, or installed in common DAWs or audio processors.\u003c\/p\u003e\n\u003c!----\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":48949373829403,"sku":"HDSPEAOX-M","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/HDSPe-AoX.jpg?v=1718046561"},{"product_id":"rme-hdspe-aox-d-24bit-192-khz-512-x-512-channel-dante-pci-express-card","title":"RME HDSPe AoX-D 24Bit \/ 192 kHz, 512 x 512 channel, DANTE PCI Express Card","description":"\u003cp\u003eThe HDSPe AoX PCIe x4 audio interface cards combine dual network ports with headphone output, AES3, MIDI, and internal expansion headers for up to four MADI ports. Whether used in a Thunderbolt™ expansion chassis or built into DAWs or audio processors, these cards send and receive up to 512 channels of audio and provide numerous mixing and routing capabilities.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOccupying only a single slot, the PCIe x4 interface transmits and receives up to 512 channels of network audio signals on two separate RJ45 connectors. The network audio channels can partially be replaced (or extended in case of the Milan® version) with MADI signals by adding up to two optional dual optical or dual coaxial extension cards. It is therefore possible to integrate four MADI input signals, four MADI output signals plus up to 256 network audio channels per direction within a single audio interface for the first time – on macOS and Windows.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIn comparison to these massive channel counts, the ¼” stereo headphone jack occupies a lot of space on the card – for good reasons, because it allows monitoring of any signal reaching the card – from the computer, the network, or the optional MADI inputs. And to add one more signal to the mix – a stereo AES3 digital I\/O is available together with MIDI on a breakout cable, making it a versatile and full-fledged professional interface.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003eFlexible Mixing \u0026amp; Routing with TotalMix\u003c\/h1\u003e\n\u003cp\u003eThe vast number of channels can be managed by the user in two steps. Using a driver dialog or web interface, the user first adjusts the network vs. optional MADI channel count, and then pre-selects which inputs reach the 256 channel TotalMix engine. The remaining 256 channels are passed straight through. All 512 channels are visible to the DAW for recording. TotalMix offers its basic functionality without effects, but with all the great benefits such as presets, layouts, loopback, sub-mixes, and many more.\u003c\/p\u003e\n\u003cp\u003eThe card can be installed in external Thunderbolt™ enclosures as a perfect addition to mobile recording setups, or installed in common DAWs or audio processors.\u003c\/p\u003e\n\u003c!----\u003e","brand":"RME","offers":[{"title":"New | On Order","offer_id":48949410791707,"sku":"HDSPEAOX-D","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/HDSPe-AoX_80d92a28-aadc-4c7d-a5d9-f24a2633e35b.jpg?v=1718047420"},{"product_id":"rme-madiface-xt-ii-394-channel-triple-madi-usb-3-0-audio-interface","title":"RME MADIface XT II 394-Channel Triple MADI USB 3.0 Audio Interface","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRME presents the MADIface XT II a 394-channel 192 kHz USB 3.0 audio interface with comprehensive connectivity and control options for live and studio work. Compared to its predecessor MADIface XT, the MADIface XT II features updated digital and analog circuitry and surpasses the first generation with significantly improved analog and digital performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe MADIface XT was the world's first USB 3.0 audio interface at the time of its release - and impressed with its combination of an extremely high channel count, comprehensive connectivity and a compact desktop housing. With two practical mic\/line preamps (XLR\/TRS combo inputs), two balanced XLR line outputs, a stereo line headphone output, a variety of digital signal options (MADI coaxial and optical, MIDI\/AES, word clock), as well as an additional PCI Express connection, the MADIface XT left nothing to be desired in terms of connectivity.\u003c\/p\u003e\n\u003ch1\u003eNew\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAnalog\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eRecords\u003c\/h1\u003e\n\u003cp\u003eThe successor MADIface XT II maintains this successful formula and surpasses the signal values of its predecessor in numerous areas. Among other things, the MADIface XT II convinces with a higher signal-to-noise ratio and a lower THD value during AD conversion.\u003cbr\u003e\u003cbr\u003eFurthermore, the maximum balanced line output level of the XLR line outputs has been increased from +15 dBu to +24 dBu. The stereo headphone output of the MADIface XT II also delivers a significantly higher output level of +19 dBu and, with an output impedance of 1 Ohm, significantly more power than its predecessor. All outputs also have several switchable level options.\u003c\/p\u003e\n\u003ch1\u003eNew\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDigital Circuit\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eBoard\u003c\/h1\u003e\n\u003cp\u003eOn the new digital board, the previous analog mini-DIN socket for remote control of individual functions has been replaced by an ARC USB remote port, which enables comprehensive control of the MADIface XT II with the optional ARC USB. The MADIface XT II also offers the Room EQ known from the Fireface UFX III with nine parametric bands for use in surround setups for up to 20 mono output channels.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003ePowerful Applications\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor Mixing, Monitoring and Measurement included\u003c\/h1\u003e\n\u003cp\u003eThe MADIface XT II comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DigiCheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.\u003c\/p\u003e\n\u003cp\u003eThe additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows\/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003eFemtoseconds\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor Clocking\u003c\/h1\u003e\n\u003cp\u003eWith the latest SteadyClock FS, the MADIface XT II features RME's latest clock and jitter rejection technology. Based on a femto clock, SteadyClock FS reduces the intrinsic jitter of the MADIface XT II to an absolute minimum, and filters clock jitter efficiently from  as low as 1 Hz.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003eUSB 3 Class Compliant\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAudio\u003c\/h1\u003e\n\u003cp\u003eThe MADIface XT II operates in two different modes: driver-based USB 3 and Class Compliant. The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required, the device will be directly recognized when the CC firmware is loaded.\u003c\/p\u003e\n\u003cp\u003eThe new MADIface XT II focuses on USB 3.0, as PCIExpress can no longer be used externally. The new device's Class Compliant mode has been significantly upgraded, as all 394 channels can now be transmitted simultaneously without a driver. In addition, there are various formats and settings for the channel sequence in order to make optimum use of Class Compliant.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003eARC\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eUSB Remote Control -\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePlug’n Play Plus\u003c\/strong\u003e\n\u003c\/h1\u003e\n\u003cp\u003eThe optional available ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB is a USB 1.1 MIDI remote control for the MADIface XT II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the XT II.\u003c\/p\u003e","brand":"RME","offers":[{"title":"New | In Stock","offer_id":49441460683035,"sku":"MADIFACEXTII","price":2999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":50088141095195,"sku":"MADIFACEXTIIRP","price":2199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/RME_MADIface-XT-II_front.jpg?v=1727110431"},{"product_id":"rme-fireface-802-fs-ae-60-channel-192-khz-usb-audio-interface","title":"RME Fireface 802 FS AE 60-Channel 192 kHz USB Audio Interface","description":"\u003ch1\u003e20 Years\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFireface\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e800\u003c\/h1\u003e\n\u003cp\u003eFor the 20th anniversary of the legendary Fireface 800, RME presents an exclusive special edition: the Fireface 802 FS AE in an elegant and dark design, inspired by the successful ADI-2 series with an optionally available, new color-matching ARC USB Remote Control.\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFireface 802 FS\u003c\/strong\u003e, was introduced in 2023 and brings numerous improvements that further support modern studio environments. With the FS model, RME introduced their unique\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etechnology, which guarantees even more precise clocking and less jitter. This leads to a significant sound improvement and higher stability, especially in complex digital audio environments. In addition, the analog circuitry has been further optimized, resulting in even better\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003esignal quality\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand reduced latency.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS also offers an optional Class Compliant mode (30 channel I\/O with up to 192 kHz) and operation with TotalMix FX for iPad, RME’s app to fully control the Fireface 802 FS from the iPad without any computer. The alternative CC mode can be activated via a recessed pushbutton switch directly at the back of the interface. For controlling TotalMix FX including the latest Room EQ feature, users will find a USB-A port for direct connection of the optional available ARC USB.\u003c\/p\u003e","brand":"RME","offers":[{"title":"New | In Stock","offer_id":49511487078683,"sku":"FF802FSAE","price":2299.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":50289029677339,"sku":"FF802FSAEEBAYPRO","price":2069.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/RME_FIREFACE-802-FS-AE_Front-Back.jpg?v=1728406153"},{"product_id":"rme-arc-usb-limited-black-edition","title":"RME ARC USB - Limited Black Edition","description":"\u003ch1\u003e20 Years\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFireface\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e800\u003c\/h1\u003e\n\u003cp\u003eFor the 20th anniversary of the legendary Fireface 800, RME presents an exclusive special edition: the Fireface 802 FS AE in an elegant and dark design, inspired by the successful ADI-2 series with an optionally available, new color-matching ARC USB Remote Control.\u003c\/p\u003e\n\u003ch1\u003eThe One Remote for\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTotalMix\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFX\u003c\/h1\u003e\n\u003cp\u003eThis wired remote has been designed for direct access to the most frequently used actions and commands of TotalMix FX, being an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real world situations.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB is a USB 1.1 (UAC1) MIDI remote control, natively compatible to Windows and Mac OS X. As soon as it is present in the operating system\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"TotalMix FX\" href=\"https:\/\/rme-audio.de\/totalmix-fx.html\"\u003eTotaIMix FX\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewill detect it and communicate with it, without disturbing other remote controls. Therefore it is also not necessary to switch the ARC USB on or off within TotalMix FX - it will just work.\u003c\/p\u003e","brand":"RME","offers":[{"title":"New | In Stock","offer_id":49511501103387,"sku":"ARCUSBBLACK","price":179.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":49790603264283,"sku":"ARCUSBBLACKEBAYPRO","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/RME_ARC-USB-Top.jpg?v=1728406400"},{"product_id":"rme-m-1610-pro-madi-avb-interface","title":"RME M-1610 Pro MADI AVB Interface","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe RME M-1610 Pro combines 16 analog inputs with 8 balanced analog line level outputs, independent stereo headphones, redundant AVB ports, up to two independent MADI ports, ADAT outputs, remote control with web interface and dual internal power supplies - to deliver M-32 Pro performance at an attractive price point.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003eSimplicity at first glance\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- Flexibility and reliability beyond\u003c\/h1\u003e\n\u003cp\u003eIntegrating 16 analog inputs with a switchable sensitivity of up to +24 dBu per channel; 8 corresponding analog outputs; and an additional headphone output, the M-1610 Pro brings plenty of analog I\/O to any studio setup. With its coaxial and (optional) optical MADI, redundant AVB, four ADAT optical outputs, and redundant DC coupled outputs, the device represents one of the most versatile and highest-performing converters on the market.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003eAdd Analog and AVB I\/O\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto any existing MADI devices\u003c\/h1\u003e\n\u003cp\u003eAt the request of recording engineers using a variety of analog effects and instruments in their sessions, RME have combined the outstanding performance of the M-32 Pro AD and DA converters into a single device, and at an unbeatable price-point.\u003c\/p\u003e\n\u003cp\u003eWhen compared with the M-32 Pro series, which were designed primarily for fixed installations, the M-1610 Pro adds a selection of additional user-friendly features, for seamless operation in studio, live and broadcast. Input and output TRS jacks provide alternative connections for the D-Sub inputs (inputs 11-16) and D-Sub outputs (outputs 1-2), alongside redundant network ports, a headphone output for monitoring and trouble-shooting, and quick access buttons for source selection and volume.\u003c\/p\u003e\n\u003cp\u003eThe internal routing matrix provides visual control over all channels side by side - up to eight AVB streams (with a total of 128 channels); the coaxial and (optional) optical MADI ports (with each up to 64 channels); all analog I\/O; and the ADAT outputs, for flexible routing between the 272 inputs and 298 outputs.\u003c\/p\u003e\n\u003cp\u003eLowest converter latencies and deterministic AVB networking with configurable network delay down to 0.3 ms allow the M-1610 Pro to deliver samples, even from multiple devices, at incredible speeds - time-aligned with nanosecond accuracy across an entire network. The AD and DA filters have been carefully optimized for different sampling rates, with a focus on accuracy and RME’s signature ‘transparency’ (nothing added, nothing removed). Together with SteadyClock FS, RME’s ultra-low jitter digital clock technology, the conversion to and from analog is state-of-the-art, at any level and across all digital formats. As a notable difference to similar devices, the three analog line levels per channel each offer the full dynamic range of the converters.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003ePlug \u0026amp; play\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- rapid user interaction\u003c\/h1\u003e\n\u003cp\u003eControl all device states directly from the front panel for convenient, direct access to all features. RME AVB devices can also be fully remote controlled via a web-interface on any network link (including wirelessly over Wi-Fi), allowing for the rapid creation of gain groups, phantom power switching, and routing of signals to headphones for monitoring. The integrated routing matrix allows for quick routing of any analog inputs straight to the headphone output, as well as all digital signals and AVB streams. 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