{"title":"Softube Plugins","description":null,"products":[{"product_id":"softube-passive-active-eq-pack-plug-in-sftpaqnate","title":"Softube Passive-Active Pack","description":"\u003cp\u003eThis collection includes three highly useable equalizer models that are unique to Softube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePassive Equalizer\u003c\/strong\u003e is modeled from a famous German passive three-band equalizer, and features a wide bandwidth and an unsurpassed clear and open sound. The low boost gives you a warm low end, perfect to fatten up a bass drum or bass guitar track. Cutting the highs gives you a very gentle 6 dB cut which allows you to remove highs in a very musical way. The high boost is open and crisp and breathes life into any track.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eActive Equalizer\u003c\/strong\u003e is modeled from an active equalizer design made somewhere in the Swiss alps in the seventies. Whereas the Passive Equalizer is wide, clear and unintrusive, the Active Equalizer is more of a surgeon with a tight and focused sound. It's a highly useful problem solver when you need to get into details.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFocusing Equalizer\u003c\/strong\u003e is an inspiring and untraditional take on the EQ concept, which is all made up by Softube. The Focusing Equalizer works in a very musical way and does a lot of thinking for you.\u003c\/p\u003e\n\u003cp\u003eAt first glance it may seem like you're sacrificing versatility by using an equalizer with a limited set of options - why use a three-band equalizer when you can use your digital equalizer with umpteen bands, continous gain, selectable Q and different curves all built in? Well, equalization is all about sound design. Having an equalizer where the designer has already made some of the choices four you is like having an experienced sound engineer helping out and giving you directions.\u003c\/p\u003e","brand":"Softube","offers":[{"title":"New | On Order","offer_id":46177483882779,"sku":"SFT-PAQ-NAT","price":149.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/SFTPAQNATE_0_1.jpg?v=1692034595"},{"product_id":"softube-spring-reverb-plug-in-sftspr1","title":"Softube Spring Reverb Plug-In","description":"\u003cp\u003eWhen your mix lacks that certain something, Softube's Spring Reverb may very well be it. A spring reverb is built into a lot of classic guitar amplifiers and is consequently often used for guitars. But you wouldn't do it justice to think a reverb of this type was limited to guitars only. It can add a lot of personality and character to a vocal track, a snare drum, percussion, an electric organ or just about anything. It's very much a sound of its own and it will help set your mix apart from the rest.\u003c\/p\u003e\n\u003cp\u003ePlus, there's not only one spring reverb sound. Softubes has included a few settings so you can choose which spring reverb character you're after. The number of springs and their tension highly affects the sound and feel, so it's up to you to determine what your track needs. There are also tube-driven Bass and Treble controls to further affect the sound. And if you want that explosive boom you'll get from shaking a true spring reverb (making the springs bounce and slam into each other), we modeled that too.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSprings\u003c\/strong\u003e Control the number of springs in use. There are three sets of springs in the reverb unit and you can choose how many of the sets you would like to use. Set the control to ONE for a more pronounced springy sound and to THREE for a smoother sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShake\u003c\/strong\u003e Since we don't want you to smack your computer to get that thunderous springs-being-shaken sound, Spring Reverb features a slider that can be used to accomplish the same thing safely.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTension\u003c\/strong\u003e Tunes up or down the tension of all three springs. Adjusting the Tension parameter will change the sound of the strings from slow and smooth (left) to quick and harsh (right). Together with the Springs knob, this control is an excellent tool to change the overall character of the reverb.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass, Treble and the input stage\u003c\/strong\u003e Authentic tube simulation using the same technology as the Amp Room products on the wet signal.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Softube","offers":[{"title":"New | On Order","offer_id":46177490141467,"sku":"SFTSPR1","price":89.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/SFTSPR1_0.png?v=1692034591"},{"product_id":"softube-abbey-road-brilliance-pac-sft-arsb-1","title":"Softube Abbey Road Brilliance Pack","description":"\u003ch2\u003eStraight out of Abbey Road\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eBrighten up your life with these classic Abbey Road Studios equalizers!\u003c\/p\u003e\n\u003cp\u003eMeticulously modeled by Softube, the RS127 Rack, RS127 Box, and RS135 deliver the sweetest treble equalization imaginable – the sound of real passive analog circuitry in all its glory.\u003c\/p\u003e\n\u003cp\u003eWith the Brilliance Pack, today's DAW-based mix engineers can add all the air and top frequencies they want, without the slightest trace of harshness – just like the world's top engineers at Abbey Road Studios have done on their recordings from the 1960s onwards.\u003c\/p\u003e\n\u003ch2\u003eBrighten up your life with these classic equalizers\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eMeticulously modeled by Softube, the RS127 Rack, RS127 Box and RS135 deliver the sweetest treble equalization imaginable. With the Brilliance Pack, today's DAW-based mix engineers can add all the air and top frequencies they want, without the slightest trace of harshness — just like Abbey Road Studios' engineers have done on their recordings from the 1960s onwards.\u003c\/p\u003e\n\u003ch2\u003eClassic crispness\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eAbbey Road Studios engineers found the presence boxes excellent for guitars, vocals and drums, especially snare and kick drum direct to tape. The units were in constant operation throughout the studios during recording and mixing, used to define the sound of instruments, brighten up the feed to the echo chambers and patch over compressors to create de-essers. They even found their way into the cutting rooms.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Softube","offers":[{"title":"New | On Order","offer_id":46177595162907,"sku":"SFT-ARSB-1","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/SFTARSB1_0.jpg?v=1692034642"},{"product_id":"softube-buchla-259e-twisted-waveform-generator-sft-259e-1","title":"Softube Buchla 259e Twisted Waveform Generator","description":"\u003ch2\u003eHow twisted can things get?\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith Buchla 259e, the answer is — pretty twisted! This coveted dual oscillator module is the first-ever officially licensed plug-in version of a Buchla product.\u003c\/p\u003e\n\u003cp\u003eWhile the unit can be used for traditional synth patches, its unusual inner workings makes Buchla 259e excel at metallic, cold, harsh, digital and screeching sounds.\u003c\/p\u003e\n\u003ch2\u003eWhat is a Twisted Waveform Generator anyways?\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe 259e consists of two separate oscillators — Principal and Modulation — where Modulation can be used either to modulate the Principal oscillator or as a separate generator of audible notes. Furthermore, the sine wave generated by the Principal oscillator is simultaneously applied to two of the eight available waveshape tables. A morph voltage pans between the two tables and a warp voltage varies the amplitude of the sinusoidal (driving) waveform. Both these functions can be modulated by the Modulation oscillator.\u003c\/p\u003e\n\u003ch2\u003eHere's where it gets really twisted\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eThree of the waveshape tables are actually not tables in the classical sense — they are simply portions of the 259e operating program, full of unpredictable noise and frequent silences. This is the innovative Mem Skew mode, possibly the most unique feature of the Buchla 259e. When these tables are selected, the FM controls are re-assigned to table scanning functions and the FM inputs become table modulators.\u003c\/p\u003e\n\u003ch2\u003eMore than traditional sounds\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eTo sum it up, while the Buchla 259e can certainly be used for more traditional sounds, it excels at creating otherworldly twisted digital sonic landscapes. Which is why it is one of the most coveted synth modules on the market.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Softube","offers":[{"title":"New | On Order","offer_id":46182464094491,"sku":"SFT-259E-1","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/SFT259E1_0.jpg?v=1692039268"},{"product_id":"softube-buchla-296e-spectral-processor-sft-296e-1","title":"Softube Buchla 296e Spectral Processor","description":"\u003ch2\u003eHigh-end spectral filtering and processing\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eScratch the surface of any synthesizer, and you’ll find the heritage of a few great brands. Buchla has been responsible for some of the most innovative, creative, and sonically spectacular electronic musical equipment ever made, and we’re proud to have such a legendary name in our Modular system. In addition to our previously released 259e Twisted Waveform Generator, take advantage of the myriad spectral processing capabilities of the big friendly filter bank; the new 296e Spectral Processor; the only software version of this module officially licensed by Buchla U.S.A.\u003c\/p\u003e\n\u003ch2\u003eRare and exclusive\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe 296e is one of the most expensive and exclusive hardware synth modules in the world, and for very good reason. Its complexity, versatility, and sheer quality make it legendary.\u003c\/p\u003e\n\u003cp\u003eSculpt any sound with this ultimately programmable 16-band graphic EQ. Morph between two separate modulatable response curves. Control the individual levels of each band through external incoming CV or use the internal spectral transfer (vocoding) to link the envelopes of odd and even bands with their VCAs (and vice versa). And use the “freeze” function (as a toggle-button, or externally controlled by CV) to sample and hold these values (envelope times, A levels, or B levels).\u003c\/p\u003e\n\u003cp\u003eThe 296e Spectral Processor is capable of a startling variety of effects, wonderful world-building from mere white noise, or the separation of musical inputs into any elemental collection of individual parts, to be reused and reimagined at will.\u003c\/p\u003e\n\u003ch2\u003eEar-pleasing vocoder\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe center frequency of each band is pre-selected to complement the human ear’s discrimination curve, with the result that each one sounds meaningfully unique and pleasing. Its capability for intricate transformations allow it to be a real time performance filter, a programmable compound equalizer, and even a spectrum transferring vocoder.\u003c\/p\u003e\n\u003cp\u003e16 band-pass filters are available, each with its own VCA on input, and envelope follower on output. They can be divided into two collections of eight, odd and even. In hardware this function can be used to split the module for use as a limited vocoder, with eight bands performing analysis and eight performing resynthesis. But of course in software you can affordably run a pair of 296e modules side-by-side, for a full 16-band spectral transfer vocoding experience. The user can adjust envelope decay times, and pre-emphasis may be applied to smooth the frequency response for even more malleable vocoding.\u003c\/p\u003e\n\u003ch2\u003eSpecial MIDI function\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eA special addition in our software version of the module is the ability to ‘play’ the individual filter bands using MIDI. Note values attach to the different fixed filter frequencies, while MIDI velocity data affects the amplitude value of a given band’s VCA.\u003c\/p\u003e\n\u003cp\u003eAdd to this the wealth of great-sounding combination options available at a single click in Softube Modular, and the Buchla 296e turns an already attractive ecosystem into a truly expansive spectrum.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Softube","offers":[{"title":"New | On Order","offer_id":46182464684315,"sku":"SFT-296E-1","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/SFT296E1_0.jpg?v=1692039271"},{"product_id":"softube-oto-biscuit-virtual-instrument-sft-oto-b","title":"Softube OTO Biscuit Virtual Instrument","description":"\u003ch2\u003eVive Le Biscuit\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eInitially introduced in hardware in the late '00s, the French-made OTO Biscuit quickly became a cult classic with DJs and electronic music producers around the world. Gritty bit-crushing, lo-fi multi-effects, a sweet and smooth analog filter, and a quality look and feel, made it a go-to awesome-sound-maker in clubs and studios alike.\u003c\/p\u003e\n\u003cp\u003eNow it’s available in software, bringing those crunchy, dirty, edgy sounds closer to the DAW-based studio or laptop-based performance rig, and making it more intuitive than ever before.\u003c\/p\u003e\n\u003ch2\u003eDetailed lo-fi control\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Biscuit offers incredibly detailed control of the sonic possibilities of bit manipulation, with eight individually invertable or mutable bits.\u003c\/p\u003e\n\u003cp\u003eAdd control of sample rate, waveshaping, delay, even pitch-shifting, and Biscuit starts to look like far more than a simple loss-simulator.\u003c\/p\u003e\n\u003cp\u003eAnalog filtering (controllable manually or with a built-in step sequencer) rounds off sharp edges and makes even the harshest digital screech sound alive and organic. This is a truly manipulable timbre-creation tool.\u003c\/p\u003e\n\u003ch2\u003eGreat for the studio and the stage\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eTry it on a drum loop for gentle lo-fi digital distortion, or complete screaming chaos, and everything in-between. Take synth sounds to the next level, creating arcade game blips and bloops, adding insane aliasing and overtones, making pads move and swell with the filter. Even apply to vocals or guitars to turn analog sounds into electronic, robotic, futuristic fantasies.\u003c\/p\u003e\n\u003cp\u003eWe’ve modeled both the digital and analog parts of the Biscuit, with unrelenting detail, and the plug-in features a low-latency mode that makes live use possible – a particularly popular way to play with the Biscuit is to mangle drums or drops in a DJ set, or create seemingly studio-bound sounds live on stage.\u003c\/p\u003e\n\u003ch2\u003eMore than just a sweet treat...?\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eAnd it’s simpler than ever before with the plug-in, as the added visualisations of the lower ‘brain’ section make working with the digital effects on board far easier and more enjoyable. See the shapes of the 8 different waves as you apply them to your signal. Drag delay time and feedback around with their own dedicated knobs, and sync to the DAW tempo or tap in your own. Pitch-shift and blend with your dry signal for ringing bell overtones or super-fat sub-bass.\u003c\/p\u003e\n\u003cp\u003eAt first, the Biscuit can seem like a novelty, only for crazy once-in-a-while sounds, a totally optional cherry on the cake. But dive in a little deeper and you’ll find it’s its very own confection, sweet and moreish. Before long you’ll be using it on pretty much every project and wondering if it’s good for your teeth.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Softube","offers":[{"title":"New | On Order","offer_id":46182466289947,"sku":"SFT-OTO-BSP","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/SFTOTOBSP_0.jpg?v=1692039265"},{"product_id":"softube-parallels-virtual-instrument-sft-para","title":"Softube Parallels Virtual Instrument","description":"\u003ch2\u003eDual-source dream-synth\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn Stockholm, Sweden, there’s a synth emporium like no other – a store with such vibrancy, such range, such color, that you’d need a dozen eyes and ears to take it all in. And the guy who runs it is no ordinary guy. He’s special, in all the best ways. His imagination fizzes and crackles with delight at the sounds of a million billion sparkling circuit boards.\u003c\/p\u003e\n\u003cp\u003eOut of this hot-bed, this toy-box, this fantasy-factory, Parallels was born; an instrument with not one but two sound sources, each running painstakingly recorded and exquisitely calibrated multi-waveforms from every dream-machine must-have synth you could ever want, and sculpting the resulting sounds with the highest-quality Softube filters, modulators, and effects. If you’re looking for inspiration and sheer sound-quality in your music, this is your golden ticket.\u003c\/p\u003e\n\u003ch2\u003eRare, boutique, even unreleased sounds...\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eThere are many possible approaches to take in creating a brand new instrument. Parallels focuses on two main things. First, it should always sound fantastic, with a minimum of fuss. And second, it should inspire the artist with elegant workflow, superb layout and visual feedback, and a sense of endless possibility.\u003c\/p\u003e\n\u003cp\u003eA huge part of the first point is taken care of by the source material. Almost a hundred high-quality pre-recorded multi-waveforms live at the heart of Parallels. These come from classic synths, digital and analog, hard-wired and modular, FM and phys mod, and from environmental and combined sources too. Even some super-rare and unreleased pieces are represented.\u003c\/p\u003e\n\u003ch2\u003eAlgorithmic dual-wavescanning technology\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eEach waveform has a progression of some kind in its 15 second duration – a filter sweep, or a pitch diffusion for example – and playback can start from any point of the artist’s choosing, providing almost infinite sounds-per-sound, even at the source.\u003c\/p\u003e\n\u003cp\u003eThe playback method can be described as wavescanning, with pre-calibrated loop lengths per source for the best possible sonic outcome. The artist can choose how far the playhead will move through the source scene, and at what rate, before returning to its start point and settling into its sustain loop. All this with up to 14 voices at once.\u003c\/p\u003e\n\u003cp\u003eEven just one of these source sections would be an intriguing instrument on its own. Parallels has two –  independent and blendable in parallel – and much more besides.\u003c\/p\u003e\n\u003ch2\u003eShape 'n' shake\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eEach source can pass through its own shaper section, for example, with a choice of three analog-modeled filter types; a state-variable filter (low, high, or band-pass), a vactrol-style low pass gate, or a triad of resonant peaks.\u003c\/p\u003e\n\u003cp\u003eAnd what about the four ‘mod pods’ on the left! Each one can be filled by one of five modulator types (LFO, random, Euclidian sequencer, step sequencer, or envelope) and can modulate almost any parameter in the instrument, even pairing up to co-modulate single parameters in a blend amount selected by the artist. Apart from being utterly beautiful, the five modulation source options are versatile and intuitive, bringing all sorts of possibilities to the rest of the instrument.\u003c\/p\u003e\n\u003ch2\u003eSoftube quality effects\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003ePerhaps best of all; the effects. Softube’s track record for rich, living effects in software is well-established. Many synthesizer effects are an afterthought. Ours have been our very essence for more than a decade. Parallels features five three-knob effects in sequence; individually adjustable, modulatable, and bypassable. A hot and hairy distortion precedes a chewy, tasty chorus. Then a flanger with stereo spread built into its feedback control. Finally delay, and a succulent purpose-built algorithmic reverb to kiss the output signal goodbye.\u003c\/p\u003e\n\u003cp\u003eParallels is a software instrument like no other; a beautiful, intuitive, single-page interface concealing a wealth of treasures within. Created by dreamers, controlled by you.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Softube","offers":[{"title":"New | On Order","offer_id":46182466847003,"sku":"SFT-PARA","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/SFTPARA_0.jpg?v=1692039271"},{"product_id":"softube-tube-tech-eq-collection-sft-tteq-2","title":"Softube Tube-Tech EQ Collection","description":"\u003ch2\u003eTimeless equalizers revitalized\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eFat, tube-driven, passive equalizers can be so much more than functional tools. They impart character and style to any source; drums, synths, vocals, guitars, strings, brass… you name it! As such, they’ve been sought after in top-of-the-line international studios for decades, and their sound enriches the textures of thousands of classic records, in every genre you can imagine.\u003c\/p\u003e\n\u003cp\u003eNow combined into a single plug-in, which not only improves the workflow but allows for a revitalized approach to the sonics using our latest digital signal processing technology, the Tube-Tech Equalizers Mk II are a huge step forward for an already phenomenal pair of processors.\u003c\/p\u003e\n\u003ch2\u003eMuch more than function\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eFat, tube-driven, passive equalizers can be so much more than functional tools. They impart character and style to any source; drums, synths, vocals, guitars, strings, brass… you name it! As such, they’ve been sought after in top-of-the-line international studios for decades, and their sound enriches the textures of thousands of classic records, in every genre you can imagine.\u003c\/p\u003e\n\u003ch2\u003eQuite a few tricks up its sleeves\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eTry, for example, the famous 'Pultec' low-end trick. Because the filters for the low frequency boost and attenuate functions are slightly offset in frequency (despite being controlled by the same frequency knob) it’s possible to create attractive and well-focused bumps or cuts in the low end by boosting and attenuating simultaneously. Give a kick drum more body, for example, by boosting heavily at 60 CPS and then attenuating to deal with the muddiness. The bump will remain, but you’ll have cleaned up too.\u003c\/p\u003e\n\u003ch2\u003eUnmatchable together\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe ME 1B was designed to accompany the PE 1C equalizer, and provide control over the frequencies that the PE 1C cannot adjust. On its own it's a great tool to shape the midrange of any audio material, and together with the PE 1C it becomes a versatile and full-featured equalizer.\u003c\/p\u003e\n\u003ch2\u003eStraightforward interface\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe user interface of the ME 1B is pretty straightforward. You have three different sections, the Low Frequency Peak, Mid Frequency Dip and the High Frequency Peak. The only confusing thing is that the mid section never boosts, but always attenuates the selected frequency. The other two sections, low and high frequency, always boost the frequencies. But as soon as you start to use the ME 1B in conjunction with the Tube-Tech PE 1C 'Pultec' Equalizer you'll find that these equalizers complement each other perfectly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Softube","offers":[{"title":"New | On Order","offer_id":46182473367835,"sku":"SFT-TTEQ-2","price":199.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/SFTTTEQ2_0.jpg?v=1692039287"}],"url":"https:\/\/www.altomusic.com\/collections\/softube-plugins.oembed","provider":"Alto Music","version":"1.0","type":"link"}