{"title":"Special Financing","description":null,"products":[{"product_id":"api-512c-discrete-microphone-line-preamplifier-512c","title":"API 512c Discrete Microphone \/ Line Preamplifier","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 512C Discrete Mic \/ Line Pre\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOffering low noise (-129 EIN) and 65 dB of gain, the 512c includes phantom power, and switchable polarity, -20 dB pad and Mic or Instrument\/Line selector. Front panel XLR and 1\/4 inch connectors combined with rear panel mic access allows for additional flexibility when installed into an API lunchbox\u003cspan class=\"lunchbox_reg\"\u003e®\u003c\/span\u003e, API's 10 position 500V vertical rack, or an API console.\u003c\/p\u003e\n\u003cp\u003eThe API 512c remains faithful to the circuit designs of API's founder, Saul Walker. Fully featured and still hand assembled, the 512c carefully preserves the original sound character that made it so much a part of the early days of recording. Offering high headroom and a wide variety of inputs and input access points, it is equally at home in the commercial recording studio as it is in the home project studio.\u003c\/p\u003e\n\u003cp\u003eThe 512c Mic\/Line Preamp makes use of the 2520 op-amp and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167937515803,"sku":"512C","price":895.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47188525056283,"sku":"512CEBAYPRO","price":761.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/512C-0.jpg?v=1692021456"},{"product_id":"api-a2d-microphone-preamp-a2d","title":"API A2D Microphone Preamp","description":"\u003cp\u003e\u003cstrong style=\"font-size: 16px;\"\u003eAPI A2D Mic Preamps with Digital Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD Analog section consists of the circuitry contained in two 312s, half of that of the popular API 3124+. A level control pot with an expanded 20-segment metering system shows precise mic gain levels, while control switches include polarity, 48v phantom power, input pad, Mic\/Line select and 2:1 transformer routing, which selects a lower gain contribution from output transformer. Each analog input contains a balanced low-Z input XLR connector and a high-Z instrument input on a 1\/4\" jack.\u003c\/p\u003e\n\u003cp\u003eThe digital section of the A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD includes two API discrete 2510 amplifiers with level pots to adjust the feed to the A\/D converters, each with a corresponding 20-segment calibrated meter. A multi-position switch selects the desired sample frequency. The External Sync LED will light when an external clock signal is used.\u003c\/p\u003e\n\u003cp\u003eRear panel analog connectors include an XLR input and output for each channel, as well as a balanced 1\/4\" TRS insert to the A\/D converter. The TRS insert allows the A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD to have external analog processing devices inserted in the audio chain (EQs, compressors, etc.)\u003c\/p\u003e\n\u003cp\u003eThe A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD's digital interface connectors are a SPDIF single-ended RCA connector and an AES digital out on XLR. A coaxial BNC accepts external Super Clock, which will illuminate the front panel EXT SYNC LED when locked.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the A\u003cspan class=\"a2d_superscript\"\u003e2\u003c\/span\u003eD comes with a pair of 9-pin D-sub connectors that allow the multiple units to be linked together with all units operating off the first sample-rate clock in the chain.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167937679643,"sku":"A2D","price":2275.25,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":47190633021723,"sku":"A2DEBAYPRO","price":1916.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_a2d_1_xl.jpg?v=1692021449"},{"product_id":"api-225l-discrete-compressor-225l","title":"API 225L Discrete Compressor","description":"\u003cp\u003eBoth NEW (\"feed forward\") and OLD (\"feed back\") methods are selectable on the front panel, providing two choices of gain reduction. NEW gain reduction is typical of the newer VCA type compressors that rely on RMS detectors for the gain control voltage. OLD or Feed-Back method is what most of the classic compressors used for the gain control circuit There also is a SOFT or HARD selector. SOFT provides a more subtle compression resulting in a very natural, less compressed sound. HARD results in a more typical, sharp knee type compression that has a much more severe limiting effect.\u003c\/p\u003e\n\u003cp\u003eRelease time is adjusted by rotating the inner concentric R knob. Release time constants: continuously variable from .3 seconds to 3 seconds. Attack time is adjusted by rotating the outer concentric A knob. Attack time constants: continuously variable from 1 millisecond to 25 milliseconds.\u003c\/p\u003e\n\u003cp\u003eAPI's 225L is designed for individual channel use, or through the use of the external LINK funcauto-makeuption. Two units can be combined for Stereo applications via a rear access pin. The 225L also has a side-chain input for the detector amplifier.\u003c\/p\u003e\n\u003cp\u003eThe 225L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 225L Compressor makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167939711259,"sku":"225L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/225L-0.jpg?v=1692021455"},{"product_id":"api-235l-discrete-channel-noise-gate-235l","title":"API 235L Discrete-Channel Noise Gate","description":"\u003cp\u003e\n\t\u003cspan class=\"\" style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 235L Discrete Channel Noise Gate\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tThreshold control from -45 to +25 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\tVariable Fine Adjustable Depth to -80 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tAdjustable Release\/Hold Time, 50mS to 3 sec\u003c\/div\u003e\n\u003cdiv\u003e\n\t2:1 Expander or Noise Gate Selection\u003c\/div\u003e\n\u003cdiv\u003e\n\tRelease or Hold Switch for Release control knob\u003c\/div\u003e\n\u003cdiv\u003e\n\tAlways at Unity Gain, Regardless of settings\u003c\/div\u003e\n\u003cdiv\u003e\n\tLED Gain Reduction Meter\u003c\/div\u003e\n\u003cdiv\u003e\n\tUses the API 2510 and API 2520 Op-Amps\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Output, to +28 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 235L Noise Gate\/Expander has the ability to reduce noise in any type of program. The 235L can open unusually fast, without losing any part of the sound. Its extreme flexibility, repeatable settings, and superb sound make it ideal for all studio, live sound, and broadcast applications.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 235L is one of the fastest noise gates manufactured today. When an engineer is faced with program material with a high level of background noise, the 235L can either Gate the signal at a preset Threshold, or with the use of the Expander function, can reduce the background noise to an almost undetectable level. This can be achieved without the typical loss of the program material caused by slow triggering of the signal, or \"pinging\" caused by false triggering.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWith a wide range of adjustment, the 235L can operate from -45 to +25 dBu, fitting into any audio situation regardless of program level. Once the Threshold level is set, the Attack time can be selected to react faster than 100uS or slightly slower than 25mS to reduce false triggering. Although the Depth control has a full range of -80 dB, the scale is expanded in the first half of rotation so 0 to 9 dB is available for fine tuning of subtle, undetectable gating. The second half of rotation is from 10 to 80 dB for more drastic noise reduction.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Expander function uses a 1:2 ratio, allowing the signal to \"sneak up\" to the full signal level without any loss of \"under threshold\" vocal or percussion nuances. Setting the threshold in the Gate function to the desired level, then switching to the Expander mode is the perfect setup.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFor special gating functions such as the famed \"gated snare reverb\", the Release function can be switched to Hold, and the Release control becomes the Hold time. In both scenarios, the unselected function has a set time of 100mS.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWhen used with the other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 235L makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167939973403,"sku":"235L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_235l_1_l.jpg?v=1692021460"},{"product_id":"api-205l-discrete-direct-input-205l","title":"API 205L Discrete Direct Input","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 205L Discrete Direct Input\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tWide range GAIN control\u003c\/div\u003e\n\u003cdiv\u003e\n\tHi-Z input, like a Tube Amp\u003c\/div\u003e\n\u003cdiv\u003e\n\tThin \u0026lt; \u0026gt; Fat TONE Control reduces low end mud\u003c\/div\u003e\n\u003cdiv\u003e\n\tBRIGHT Switch boosts the presence\u003c\/div\u003e\n\u003cdiv\u003e\n\t20 dB PAD lowers the input level\u003c\/div\u003e\n\u003cdiv\u003e\n\t100 K LOAD switch changes the tone of instruments\u003c\/div\u003e\n\u003cdiv\u003e\n\t5 Segment LED Meter shows Output Level\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Coupled Output to +28 dBm\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll Discrete Design\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 205L Instrument Direct is specifically designed to accept a guitar or bass direct into it, without any loading on the pickups. The Gain Control is used to normalize the instrument's input level, up to a +4 dBu output level. With the use of the unique TONE control, the low end \"mud\" can be reduced. Turning on the BRIGHT switch adds clarity, like the bright switch on any amp. The combination of these two functions may eliminate the need for any EQ on the instrument when recording, keeping the signal pure.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe input is designed specifically to load a pickup the same way that a tube guitar amp would, retaining all of the tone, and minimizing the loading effect on the pickup. This minimal path eliminates the need to use a standard direct box, which more times than not only converts the signal to a balanced mic level output, which still requires a mic input, equalizer, and fader to get the signal to a recordable level.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 205L is capable of boosting any instrument to a hefty line level without additional amplifiers. With the 100 K LOAD switch, the tone of the pickup can be altered slightly, which tends to darken the high frequency content. The BRIGHT switch adds a treble boost in the same manner that most instrument amplifiers do, clarifying the instrument and adding presence to it without the need for outboard equalization. When inserting an instrument with an internal preamp or a line level instrument such as a sampler or a keyboard, the 205L has a 20 dB PAD switch to drop the level without loading, thereby retaining the full range of the 205L and its features.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWhen used with other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output. Also, the output of the 205L can be fed to tape, or the input of a guitar power amplifier. The artist can then be in the control room while the instrument amp is isolated in the studio.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 205L can be used in the Legacy or Vision Series Consoles, or in the L200 Rack. The 205L Direct makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity characteristic of API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167940006171,"sku":"205L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10000800_1.jpg?v=1692021453"},{"product_id":"api-215l-discrete-hp-lp-sweep-filter-215l","title":"API 215L Discrete HP\/LP Sweep Filter","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAPI 215L Discrete HP\/LP Sweep Filter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003csection class=\"product-features\"\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/section\u003e\u003cdiv\u003e\n\tWide range 6 dB per octave LOPASS control\u003c\/div\u003e\n\u003cdiv\u003e\n\tWide range 12 dB per octave HIPASS control\u003c\/div\u003e\n\u003cdiv\u003e\n\tBalanced input stage\u003c\/div\u003e\n\u003cdiv\u003e\n\tPassive filter design for smooth tone\u003c\/div\u003e\n\u003cdiv\u003e\n\tUnity gain throughout\u003c\/div\u003e\n\u003cdiv\u003e\n\tHard Wire BYPASS switch\u003c\/div\u003e\n\u003cdiv\u003e\n\tTransformer Coupled Output to +28 dBu\u003c\/div\u003e\n\u003cdiv\u003e\n\tAll Discrete Design\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe API 215L is a unique passive, sweepable filter, designed specifically to contour the sound to preserve the natural tone of the signal. Its extreme flexibility, repeatable settings and superb sound make it ideal for all studio, live sound and broadcast applications.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 215L design is a passive low pass filter with a slope of only 6 dB per octave, and a passive dual high pass filter with a slope of 12 dB per octave. The filters are isolated from each other with the same discrete transistor buffer used in the famous 550 series equalizers. This minimizes interaction between the filters, as well as providing a low impedance source for the filter following the buffer.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe input section is a balanced circuit using the API 2510 all discrete op-amp, minimizing the loading effect on any device plugged into it. The output stage is a transformer balanced output, driven by the all discrete API 2520 op-amp.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe filters are both continuously adjustable, with a range from 20 Hz to 20 kHz in two bands. The low pass filter has a range from 500 Hz to 20 kHz, and the high pass filter has a range from 20 Hz to 600 Hz. This covers a broad range of frequencies throughout the entire audio spectrum.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tBecause of the subtle nature of the 215L filter, it finds a home with uses like rolling off the low end of a hi-hat, where a natural sound is desired, not the usual \"phase-shifter\" sound of a 18 to 24 dB per octave filter found on most consoles. It can also be used to thin out room mics, without the complete loss of low end which again usually results from steep filter circuits.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 215L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 215L Filter makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167940137243,"sku":"215L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_215l_1_l.jpg?v=1692021453"},{"product_id":"manley-labs-massive-passive-stereo-tube-eq-1069478","title":"Manley Labs Massive Passive Stereo Tube EQ","description":"\u003cp\u003eThe MASSIVE PASSIVE is a two channel, four band equalizer, with additional high pass and low pass filters. \"Passive\" refers to the tone shaping part of this clever new EQ design not using any active circuitry. Only metal film resistors, film capacitors and hand-wound inductors sculpt the sound, kinda like a Pultec EQ on hyper-steroids. Super-beefy, hugely-high-headroom Manley all-tube make-up gain amplifiers deliver your tunes into the next realm. \"Massive\".... it's a fitting word for this beast. You'll need to experience this.\u003c\/p\u003e\u003cdiv\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Filters\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003e5 frequencies Hi Pass and bypass, PLUS 5 frequencies Lo Pass with bypass. We made them extra steep. 36 dB\/oct ! Why? When you need to remove the garbage, this does the trick and allows more of the real music to be untouched. The other reason is that it sounds killer when combined with the regular bands. Towards the mids this degree of steepness may be tamed somewhat. We're going for pure \"usefulness\" not \"well, we guess it's standard\". Thinking drums and guitar stacks, and other tough jobs. These filters are passive too.\u003c\/div\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003eHigh Pass Filters = 22, 39, 68, 120, 220, OFF\u003c\/li\u003e\n\u003cli\u003eLow Pass Filters = 6K, 7K5, 9K, 12K, 18K, OFF\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cspan style=\"font-weight: bold;\"\u003eParametric Frequencies\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003eLOW - 22, 33, 47, 68, 100, 150, 220, 330, 470, 680, 1K\u003c\/div\u003e\u003cdiv\u003eLM - 82, 120, 180, 270, 390, 560, 820, 1K2, 1K8, 2K7, 3K9\u003c\/div\u003e\u003cdiv\u003eHM - 220, 330, 470, 680, 1K, 1K5, 2K2, 3K3, 4K7, 6K8, 10K\u003c\/div\u003e\u003cdiv\u003eHI - 560, 820, 1K2, 1K8, 2K7, 3K9, 5K6, 8K2, 12K, 16K, 27K\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Manley Labs","offers":[{"title":"New | On Order","offer_id":46167942103323,"sku":"MASSIVEPASSIVE","price":6999.0,"currency_code":"USD","in_stock":true},{"title":"Repack | In Stock","offer_id":47102200512795,"sku":"MASSIVEPASSIVERP","price":5600.0,"currency_code":"USD","in_stock":true},{"title":"Demo | In Stock","offer_id":47478377218331,"sku":"MASSIVEPASSIVEEBAYPRO","price":5628.72,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned - Serial Number | On Order","offer_id":50320177201435,"sku":"C1055602","price":4899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/msmp-ft-2020.jpg?v=1692021493"},{"product_id":"api-5500-stereo-dual-mono-550-equalizers-with-range-switch-5500","title":"API 5500 Stereo\/Dual Mono 550 Equalizers with Range Switch","description":"\u003ch2\u003eAPI 5500 Stereo\/Dual Mono 550 Equalizers with Range Switch\u003c\/h2\u003e\n\u003cp\u003eTypical of API products, the 5500 contains no integrated circuits in its signal path. The gain comes from two hand-built 2520 Operational Amplifiers in each channel. The balanced input is handled by a 2510 Discrete Operational Amplifier, which is similar to the 2520, but without the high-current output stage. A key component of the API sound, the 2520 coupled with the API 2503 output transformer, is capable of delivering +30dBm before clipping.\u003c\/p\u003e\n\u003cp\u003eAn extremely useful feature in the 5500 is the range control. The range of the amplitude controls can be reduced to 1\/2 or 1\/4 of their stated scale, providing a means to adjust the tonal balance with finer resolution in an even gentler manner. This is especially useful for complex program material as contained in stems or submixes and is ideally suited for mastering purposes.\u003c\/p\u003e\n\u003cp\u003eAPI's 5500 also features a true hard-wire bypass which wires the output connector directly to the input. Shortly after the power is first applied, or immediately after it is lost, a special circuit enables \"bypass mode\" so that power thumps are never heard.\u003c\/p\u003e\n\u003cp\u003eThe 5500's input XLR is connected to an active balanced circuit. The unit's output XLR is driven from a transformer coupled output and can drive any load from 600 ohms or more to full output capability. There is no change from input to output in the unit's polarity, so it is suitable in studios using either pin 2 or pin 3 as the \"hot\" connection. Additionally, the 5500 has a 1\/4 inch input connector that interrupts any present signal on the input XLR. It is balanced and can be driven from either balanced or unbalanced sources. A positive signal on the tip will deliver a positive signal on pin 2 of the output XLR. Using the 1\/4 inch input does not bypass any internal circuitry and does not change the gain or operating levels.\u003c\/p\u003e\n\u003cp\u003eThe 5500 features API's industry exclusive five-year parts warranty and exhibits the reliability and long life characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | On Order","offer_id":46167942431003,"sku":"5500","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_5500_1_xl.jpg?v=1692021477"},{"product_id":"api-550a-discrete-3-band-equalizer-550a","title":"API 550A Discrete 500-Series 3-Band Equalizer","description":"\u003cp\u003eForty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004.\u003c\/p\u003e\n\u003cp\u003eThe 550A provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost\/cut are selected by three dual-concentric switches, and a pushbutton \"in\" switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the 550A.\u003c\/p\u003e\n\u003cp\u003eThe combination of Walker's incomparable 2520 op amp and his \"Proportional Q\" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization.\u003c\/p\u003e\n\u003cp\u003eWith the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music.\u003c\/p\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942463771,"sku":"550A","price":1195.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | Out Of Stock","offer_id":47103722389787,"sku":"C103627","price":755.16,"currency_code":"USD","in_stock":false},{"title":"Open Box | On Order","offer_id":47317582905627,"sku":"550AEBAYPRO","price":985.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned - Version: 550A | Out Of Stock","offer_id":51226599817499,"sku":"C103642","price":899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_550a_1_xl.jpg?v=1692021508"},{"product_id":"api-560-discrete-10-band-graphic-equalizer-560","title":"API 560 Discrete 10-Band Graphic Equalizer","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 560 Discrete 10 Band Graphic Equalizer\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eWith a wide range of 500 mounting options, from racks to consoles, the 560 proves an invaluable asset to all critical performance applications. Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp.\u003c\/p\u003e\n\u003cp\u003eThe extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Of course, the 2520's ability to drive low impedance loads is key when it is paired with API's custom output transformers. The results are quite audible with better low frequency reproduction and tighter imaging, which gives you that legendary API \"punch in your gut\" sound.\u003c\/p\u003e\n\u003cp\u003eThe 10 precision EQ bands make the 560 ideal for signal sweetening and room tuning. A great companion to a parametric EQ, the 560 utilizes API's unique \"Proportional Q\" design introduced during the '60s. This design intuitively widens the filter bandwidth at lower boost\/cut levels and narrows it at higher settings. Additionally, boost and cut characteristics are identical, allowing previous actions to be undone if desired.\u003c\/p\u003e\n\u003cp\u003eReliable, durable and uniform, the API 560 EQ delivers that \"one-of-a-kind API sound\" with precision easy set filtering and high headroom in a compact package. If you want the sound of classic American music in an easy-to-set graphic EQ package, you want the API 560.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167942955291,"sku":"560","price":995.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46167942988059,"sku":"560EBAYPRO","price":822.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_560_1_xl.jpg?v=1692021480"},{"product_id":"avantone-bv-1-multi-pattern-tube-microphone-bv1","title":"Avantone BV-1 Multi-Pattern Tube Microphone","description":"\u003cdiv\u003eThe Avantone \"Buttercream (B-series)\" mics from Avantone Pro are Avantone's premium products designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone BV-1 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950’s and 1960’s…but at a fraction of their cost! The rugged BV-1 microphone body and capsule assembly are precision machined of Brass. Aesthetically, it features an elegant Buttercream baked on finish, accented with polished nickel trim and grill. The transformer coupled tube circuitry has its origins in famous European vintage designs. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. Any studio can proudly offer the Avantone BV-1 as a primary vocal mic…It exudes class visually as well as sonically. The versatile Avantone BV-1 mic is able to produce professional results with a warm, pleasing sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the unwanted vibrations up into the mic, this isolation allows for superior professional results. 9-Pattern Tube microphone with dual 34mm gold sputtered thin Mylar capsule assemblies. Military grade -10dB pad and 80Hz roll off switches. “Hand Selected” Russian made 6072A tube.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eUses include: \u003c\/div\u003e\n\u003cdiv\u003eStudio vocals, acoustic guitar, mandolin, drum overheads, piano, room mic, etc...\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Avantone","offers":[{"title":"Pre-Owned","offer_id":46167944102171,"sku":"BV1BBLEM","price":599.99,"currency_code":"USD","in_stock":false},{"title":"New","offer_id":49638231769371,"sku":"BV1","price":999.0,"currency_code":"USD","in_stock":false},{"title":"Repack | In Stock","offer_id":49638232162587,"sku":"BV1RP","price":586.03,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/bv1_0_2.jpg?v=1692021496"},{"product_id":"avantone-active-mixcubes-powered-full-range-mini-reference-monitors-mixcubes-a","title":"Avantone Active MixCubes Powered Full-Range Mini Reference Monitors","description":"\u003cp\u003eThe AVANTONE MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAPPLICATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eActive Recording \/ Mixdown Monitors\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENGINEERING OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Avantone Active Mixcubes are designed to be  high-resolution, full-range powered mini-reference monitors for fixed or remote locations.\u003c\/p\u003e\n\u003cp\u003eThe secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFORMANCE OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe original  5C Sound Cubes™  were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREAR PANEL CONTROLS\/CONNECTIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBalanced Input - This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.\u003c\/p\u003e\n\u003cp\u003eSystem Gain - This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.\u003c\/p\u003e\n\u003cp\u003eOn\/Off Switch - This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.\u003c\/p\u003e\n\u003cp\u003eAC Input - This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/p\u003e\n\u003cp\u003eGround Lift Switch - By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“…consistently flat in the midrange — the same characteristics that made the Auratone a valued listening reference. They got plenty loud without distortion and showed off the vocal, snare, toms, upper range of the kick and solo instruments in a number of mixes, just as I expected. I'm a big believer in listening to tracks across a wide range of speakers. The Avantone Active MixCubes offer another chance to evaluate creative studio output and make judgements regarding how my work would translate across a wide range of systems… these are a no-brainer for those wanting another quick-and-dirty reference to help in the quest for tracks that translate.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Kevin Becka    Technical Editor - Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"... the MixCubes yield a  microscopic-style view of critical  midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson    Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper    Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Probably the clearest Auratone substitute available as a current product is Avantone's MixCube. This is a great little speaker, which sees daily use in my own mix system and which in some respects actually improves on the original Auratone's specs...The MixCube would top my list in terms of price\/performance ratio...This speaker is one of the best monitoring tools there is, and I use it every day. No other speaker I've heard at anything like this price provides the kind of razor-sharp balance perspective that the MixCube can, and I'd not want to have to judge bass, kick, or vocal levels without it. It's also fantastic for working in the less-than-ideal acoustics of most real-world small studios, and in this respect it's easily one of the best bang-for-buck products available for anyone trying to create commercial-grade mixes on a shoe-string.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Mike Senior   Author of MIXING SECRETS FOR THE SMALL STUDIO, SOS Columnist \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Randy Bachman    Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Brian Lucey    Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Alessandro Giordani    Synchronia Studio - Rome \u003c\/p\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46167944298779,"sku":"MIXCUBESA","price":499.0,"currency_code":"USD","in_stock":true},{"title":"New - Bundle: CLA-100 | On Order","offer_id":47187458818331,"sku":"MIXCUBESACLA100BUNDLE","price":699.0,"currency_code":"USD","in_stock":false},{"title":"New - Type: FBA | Out Of Stock","offer_id":51735115923739,"sku":"MIXCUBESAFBA","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MIXCUBESA_0_1.jpg?v=1692021495"},{"product_id":"avid-sync-hd-1069639","title":"Avid SYNC HD","description":"\u003cp\u003eKeep even your largest and most demanding Pro Tools HD projects in perfect sync with the Avid Sync HD. Incorporating a high-fidelity, low-jitter master Word Clock that supports operations up to 192 kHz, standard pull-up\/pull-down rates for film and video applications as well as near sample-accurate lock to serial timecode (through RS-422), LTC, or bi-phase\/tach signals- the Avid Sync HD is an ideal choice for any audio engineer.  Get yours today at Alto Music!\u003c\/p\u003e","brand":"Avid","offers":[{"title":"New | On Order","offer_id":46167948329243,"sku":"MH040","price":2095.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":46167948362011,"sku":"C102213","price":813.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MH040_0.jpg?v=1692021540"},{"product_id":"avantone-mixcubes-passive-full-range-mini-reference-monitors-in-butter-creme-mixcubes","title":"Avantone MixCubes Passive Full-Range Mini Reference Monitors in Butter Creme","description":"\u003cp\u003eThe AVANTONE MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENGINEERING OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe wanted to take it up a notch though...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFORMANCE OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMPLIFICATION and WIRING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...the MixCubes yield a microscopic-style view of critical midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson, Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper, Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eRandy Bachman, Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBrian Lucey, Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Alessandro Giordani, Synchronia Studio - Rome\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46167957209371,"sku":"MIXCUBES","price":299.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47187371917595,"sku":"MIXCUBESRP","price":219.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mixcubes_0.jpg?v=1692021595"},{"product_id":"api-525-discrete-compressor-re-issue-525","title":"API 525 Discrete Compressor - Re-Issue","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eAPI 525 Discrete Compressor Re-Issue\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eRelease times vary with frequency, with high frequency \/ full bandwidth content released faster than lower frequencies for natural envelope tracking. Attack time is fixed, chosen to catch the fastest peaks, without \"pumping\". Equally useful as a tracking, mixdown or program compressor\/limiter, the 525 utilizes \"vintage\" dynamics control and an easy to use multi-function control set. The 525 has a hard-wire bypass switch, a balanced input, and a pinout that is the same as all the other 500 series modules. Two or more 525s can be linked for multi-channel compression.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe API 525 Compressor makes use of the 2510 and 2520 op-amps and exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/div\u003e","brand":"API","offers":[{"title":"New | In Stock","offer_id":46167962059035,"sku":"525","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/prod_525_1_xl_1.jpg?v=1692021593"},{"product_id":"shure-sm81-lc-instrument-microphone-1069801","title":"Shure SM81 Condenser Microphone","description":"\u003cp\u003eThe Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.\u003c\/p\u003e\n\u003cp\u003eThe SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"New | In Stock","offer_id":46167963599131,"sku":"SM81","price":439.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47188375470363,"sku":"SM81SP2EBAYPRO","price":290.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/sm81_medhr.jpg?v=1692021599"},{"product_id":"manley-variable-mu-stereo-limiter-compressor-1069858","title":"Manley Variable MU Stereo Limiter\/Compressor","description":"\u003cp\u003e\u003cstrong\u003eManley Variable MU Stereo Limiter\/Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Manley Variable Mu® Limiter\/Compressor has been Manley's best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu® is Manley's registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression. The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that they know of. Even the side-chain has glowing rectifier bottles. How’s it work? The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\u003c\/p\u003e\n\u003cp\u003eThe compress mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!\u003c\/p\u003e\n\u003cp\u003eYou might notice that the Manley Variable Mu® Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that’s what Manley's Variable Mu® Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression. Like one reviewer put it: “It’s like pouring a bowl of sweet cream over the mix.” Mmmmmm. Yummy. Give your music a big hug.\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"New | On Order","offer_id":46167968055579,"sku":"VARIMU","price":4999.0,"currency_code":"USD","in_stock":true},{"title":"Demo | In Stock","offer_id":51519528927515,"sku":"VARIMUEBAYPRO","price":4188.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mslchp-ft.png?v=1692021733"},{"product_id":"manley-labs-enhanced-pultec-eqp-1a-eqp1as","title":"Manley Labs Stereo Enhanced Pultec EQP-1A","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eManley Labs Enhanced Pultec EQP-1A\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eThe MANLEY ENHANCED PULTEC EQP-1A is our own interpretation of the historic Pultec Equalizer as originally produced by Pulse Techniques, Inc. We have been building these Manley Pultec EQs since 1990 after we bothered to hunt down Eugene Shenk in New Jersey to ask for his permission and blessings to produce our own version of his classic piece. These Manley Pultec units employ our own simple and clean all-tube make-up gain block to reamplify the signal after the passive EQ circuit.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEQ may be set to 'flat' positions or BYPASSED entirely. All BOOST and CUT controls are continuously variable conductive plastic potentiometers for absolutely silent operation and long life. Our single rack unit monoblocks occupy one-third of the space of the 'antique Pultecs', an important consideration for allocation of outboard rack space. And if you notice, we've added a couple extra frequencies too. The rear mounted input switch selects 0 degrees or 180 degrees PHASE INVERT for the balanced gold pin XLR input or the transformerless unbalanced bridging input (1\/4\" jack) may be selected in that switch's middle position.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePeople often ask us if our Pultec EQ's sound like the old ones to which we reply, \"Yes! But better!\" The originals had three transformers in the signal path whereas ours can be used completely transformerless. Our Manley Enhanced Pultec has a vastly superior B+ power supply, with regulated and balanced heater supply. Our line amp is known to be killer-sounding. The components we use today just weren't available in the 1960's. So, if you want a project with crackling carbon pots, dirty open frame wafer switches, 5% and 10% tolerance noisy carbon resistors, exposed tubes sticking out the back of the 3U chassis, etc., go pay top dollar for an antique Pultec!\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe MANLEY PULTEC EQP-1A, available in both single and 2-channel versions, uses 1 x 12AX7WA and 1 x 6414 (or 5965) in our ALL-TUBE single-ended line amplifier for the gain make-up and extra-beefy sound; gain is factory set for unity but additional gain is available by a rear mounted feedback adjustment trimpot. Like our 40dB Mic Preamps, the Manley Pultecs offer both transformer coupled balanced and direct capacitor coupled unbalanced outputs for easy interface and sonic variety.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eKick drum? Bring on the Pultecs and all the iron you can muster! You'll soon discover the power and magic of having those individual Low Frequency BOOST and CUT controls in that LF shelf circuit. . . Need a little clarity or extension? Try that middle bell-shaped Boost dialing in the sharpness of the boost on the BANDWIDTH control. Something bugging you? Ease it off with the HF shelf cut. You'll see. There's no substitute for a what a Manley Pultec EQ can do!\u003c\/div\u003e","brand":"Manley Labs","offers":[{"title":"New | On Order","offer_id":46167968153883,"sku":"EQP1AS","price":4999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/EQP1ASEBAYPRO-0.jpg?v=1692021669"},{"product_id":"dangerous-music-monitor-st-1069888","title":"Dangerous Music Monitor ST Stereo Monitor Control System","description":"\u003ch2\u003eDangerous Music MONITOR ST\u003c\/h2\u003e\n\u003ch3\u003eSimply The Best Monitor Controller Available\u003c\/h3\u003e\n\u003cp\u003eAn audiophile-grade, multi-purpose monitor controller for tracking, mixing and mastering that won't color your sound. Designed by the renowned Chris Muth, the MONITOR ST handles all of your input sources, speaker switching, cue, talkback and headphone needs, all in a 1U package with crystal clarity. With its stepped attenuator, five input sources, three speaker outputs, programmable I\/O levels, dedicated subwoofer out and more – all accessed via the elegant remote control – you won’t leave the sweet spot while handling all your studio routing effortlessly. the MONITOR ST is so accurate, clear and flexible that you’ll see its remote atop even the world’s best consoles!\u003c\/p\u003e\n\u003ch3\u003eFirst Things First – You Must Hear Everything\u003c\/h3\u003e\n\u003cp\u003eTrue craftsmanship is in the details. If you can’t hear the nuances of what you’re working on, then you simply can’t make informed decisions. Everything from placing a mic, to turning a knob on an EQ, to coaching a singer though a delicate passage depends on being able to hear exactly what’s going on. With the advent of “prosumer” gear, the monitoring path is typically sacrificed to meet a price-point, and even some of the world’s most revered and expensive large-format consoles have less-than-accurate center sections that obscure the sound. To solve these problems, we’ve made zero compromises  in the MONITOR ST, employing audiophile-grade components in an unconditionally transparent design. Whether you’re working in a project studio or managing the complex monitor routing in a multi-room studio, the MONITOR ST will provide the most accurate and reliable monitoring available anywhere.\u003c\/p\u003e\n\u003ch3\u003eAll Analog Volume Knob \u0026amp; Switching\u003c\/h3\u003e\n\u003cp\u003eIf the studio were a car, the volume knob is the steering wheel, your connection to the whole mechanism through which all important feedback is routed. Not all volume controls are created equal – some affect frequency response at different levels, some introduce noise, some rely on tone-snatching digital level controls. the MONITOR ST’s volume control is a relay-actuated stepped analog attenuator made from top-shelf audiophile-grade components, expertly implemented into Chris Muth’s no-compromise analog signal path. From the remote’s elegantly-shaped knob, you’ll get crystal clear sonics with dead-accurate volume level recalls and better than 0.01dB gain tracking between channels. Whether you’re blasting playback through the mains or squinting at your small monitors at whisper volumes, the MONITOR ST will never color your sound or skew your stereo image. And because \u003cem\u003eall\u003c\/em\u003e the switching within the MONITOR ST is handled by relays, your audio signals are delivered to your speakers unadulterated, removing all the guesswork while tracking, mixing or mastering.\u003c\/p\u003e\n\u003ch3\u003eEffortless and Elaborate Signal Routing\u003c\/h3\u003e\n\u003cp\u003eAs the centerpiece of your studio, the MONITOR ST handles complex routing elegantly. There are four analog inputs, three speaker outputs, plus a stereo subwoofer output with programmable level offset and filter that can be assigned to any of the three speaker pairs (or used for a 4th pair of studio monitors). All of these ins and outs can be custom calibrated with onboard, programmable level offsets that you can recall instantly for different devices and configurations. Need to monitor a -10dBV commercial source like a CD player with levels perfectly matched? No problem. The on-board talkback mic, slate output and the robust 20w\/channel headphone amplifier – which can receive the Main Mix or the Aux In for custom artist mixes – round out all the routing needs for any studio. And the Aux Input can be layered with any of the four main inputs, offering up even more routing solutions.\u003c\/p\u003e\n\u003ch3\u003eProgrammable Offsets\u003c\/h3\u003e\n\u003cp\u003eMain monitors louder than your near-fields? No problem. Just switch between them and adjust the MONITOR ST’s level offsets in Setup mode until they’re matched, and then store. Now every time you switch between speakers they are matched for apparent loudness. You can do the same with the inputs, and with the Subwoofer Output, getting all of your studio’s gear in perfect balance for seamless monitoring.\u003c\/p\u003e\n\u003ch3\u003eElegant and Efficient Remote Control\u003c\/h3\u003e\n\u003cp\u003eStay in the sweet spot while managing every signal in your studio. the MONITOR ST’s award-winning design is centered around an ergonomic, intuitive and indestructible remote control that hosts access to all of the MONITOR ST’s features. Connected with a single shielded Cat-5 cable, this remote is equally at home on a desk or the armrest of a big console – wherever your listening sweet spot is. The illuminated switches give you instant visual feedback of all your settings, while the stepped volume knob triggers the audiophile-grade relays in the main unit. Get this remote under your hands to find out why the MONITOR ST has won a TEC Nomination, A Future Music Ace Award and was crowned a Certified Hit by Mix Magazine.\u003c\/p\u003e\n\u003ch3\u003eAn Expandable System\u003c\/h3\u003e\n\u003cp\u003eRequire 5.1, 7.1, 10.2 or greater? Just add the MONITOR SR to your ST system. The SR modules allow you to add as many channels as you need to handle all of your surround monitoring tasks, all with the world-class sound and control that the ST has to offer. And with the Dangerous Music CONVERT-2 you can connect the ST’s remote and control a number of essential switching functions.\u003c\/p\u003e\n\u003ch3\u003eAwards\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTEC Nomination\u003c\/li\u003e\n\u003cli\u003eFuture Music Ace Award\u003c\/li\u003e\n\u003cli\u003eCertified Hit - Mix Magazine\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Pre-Owned | On Order","offer_id":46167969530139,"sku":"MONITORSTRP","price":1988.0,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46167969562907,"sku":"MONITORST","price":2749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/monitorst-f-remote.png?v=1692021734"},{"product_id":"mackie-hr624-mk-2-powered-studio-monitor-hr624mk2","title":"Mackie HR624 MKII Powered Studio Monitor","description":"\u003cp\u003eWith the same design as the HR824mk2 in a smaller package, the HR624mk2 high-resolution Active studio reference monitor is the perfect alternative when space is limited. The new Zero Edge Baffle™ minimizes diffraction for a crystal clear image of your mix, and controls sound waves for wide, even dispersion. Acoustic Space, LF roll-off and HF controls let you easily tailor the sound to suit your space and taste. And thanks to remarkably linear frequency response, you always get accurate mix translation. Combine all this with superior bass extension, and your studio’s sweet spot becomes a full-on sweet zone.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"New | On Order","offer_id":46167979655451,"sku":"HR624MK2","price":599.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":47215790686491,"sku":"HR624MK2EBAYPRO","price":368.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/hr624mk2.jpg?v=1692022060"},{"product_id":"shure-sm27-condenser-microphone-c01","title":"Shure SM27-LC Condenser Microphone","description":"\u003cp\u003eThe SM27 is a rugged and versatile large-diaphragm, side-address cardioid microphone, with low self-noise and extended frequency response that picks up vocal and instrument nuances with clarity. Durable Shure construction features three separate mesh layers that reduce wind and breath noise. Equally comfortable on stage or in the studio.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"New | On Order","offer_id":46167986209051,"sku":"SM27LC","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/sm27_medhr.jpg?v=1692022104"},{"product_id":"manley-labs-slam-stereo-limiter-and-microphone-preamp-1070243","title":"Manley Labs SLAM Stereo Limiter and Microphone Preamp","description":"\u003cp\u003eWe’ve got plenty of gain for you in this new tube circuit, up to 60dB with 20dB more in the limiter– plenty for soft singers using low output ribbon mics. The input attenuator is right up front, like a variable pad so your loud rock ‘n’ rollers won’t cause a problem either. Track direct with the Direct Instrument input or bring your line level inputs into the SLAM! for processing. The DI inputs have selectable input impedance, depending on how far you plug the 1\/4\" cable into the jack: push it in all the way and the input impedance is 100KOhms, pull it out halfway and it becomes 10 megOhms which reduces pickup loading and allows all the highs to get through. Come on in!\u003c\/p\u003e\n\u003ch3\u003eGet it LOUD... two different and distinct limiters per channel:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe ELOP® LIMITER:\u003c\/strong\u003e Our beloved Electro-Optical Levelling Amplifier circuit, the ELOP®, still the favorite for vocal tracking, shows up here with its new switchable side-chain high pass filter making it much more useful for mixes and other tracks as well. One of the most appreciated aspects of our original ELOP® is the simplicity of a two knob limiter, which is optimum for demanding pro recording pressures. You can still grab two knobs and have complete control of level and dynamics and be ready to hit that record button. Intuitive controls and a straight ahead signal path through quality components simply work. The ELOP® limiter implementation is done like we did in our VOXBOX® which pioneered the idea of limiting the mic signal before it hits any active stage. The ELOP limiter moves to the line stage when LINE is selected. The ELOP sidechain provides different HP filters on a toggle. The 200 Hz setting has been tailored for vocals and adds a touch of de-essing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe FET LIMITER: \u003c\/strong\u003eHere’s a new fast FET based \"brick wall\" limiter that spans the range of clean predictable limiting to the grunge and gravel that other FET based limiters are desired for. The FET RELEASE control allows you to dial up a variety of colors. There is even a \"CLIP\" setting that provides as round a shape as has ever been available. (Read more below about the CLIP settings.) We aimed at \"sound\" first, then experimented with circuits until we heard what we wanted discovering fresh approaches that provide a very wide range of useful dynamic control. For example, you can set up for a fast brick wall limiter with slower releases for minimum artifacts, or go with the faster releases to get some crunch and then get extreme loudness. The Attack control is unusual too providing the sonic control common with its historic brothers but very unusually retaining the zero overshoot “none-shall-pass” brick wall that defines a real limiter. And it’s punchy! As the saying goes, “Louder is better.” The SLAM! optimizes levels to analog to digital converters with ballz, warmth and loudness verging on silly or just clean and safe.\u003c\/p\u003e\n\u003cp\u003eWhat is especially nifty is the ability to use the ELOP® and FET limiters together at the same time dialing in whatever amounts of each effect you like. Every limiter has its own character or sound and here we have combined two powerful world-class tools that can be uniquely blended and mixed to taste and purpose. Even the metering is appropriate for each limiter so you can easily see how each is contributing.\u003c\/p\u003e\n\u003cp\u003eMetering on the SLAM! is exceptional. The two full size real VU meters show you the raw input levels, the final output levels, and the ELOP® Limiter gain reduction in the traditionally preferred format for visually displaying apparent loudness. VU’s are cool. Noticing how mastering engineers often need a switchable pad on their VU's because the \"optimized\" levels tend to pin the needles in the red, the SLAM! VU’s also have a 0, -3dB, -6dB switch to help with this situation. There are also very fast and super accurate multi-color LED ladder peak meters that display the input and output levels and the FET gain reduction, and some combinations. They will do Peak, Peak Hold timed, and Peak Hold until reset, and also allow you to manually set where the individual bars change colors to match your other gear. And with maximum clean I\/O levels of +30 dBu, it is a lot more likely you will use these meters to see what’s clipping downstream. It probably won’t be the Manley tube line drivers inside!\u003c\/p\u003e\n\u003cp\u003eThe back panel should keep everybody happy. In the sea of jacks including the big power supply connector, you'll find all the usual XLR’s for transformer balanced I\/O and 1\/4\" phone jacks for direct unbalanced I\/O. Eight Bantam jacks in a mini-patchbay configuration handle the side-chain inserts and linking functions. You can insert EQs into the ELOP® and FET limiters, and there are more jacks for you to mix in an external signal into the side chains. Another pair of jacks provides for easy linking for 5.1 surround work if you have three or four SLAM!'s. It’s all here.\u003c\/p\u003e\n\u003cp\u003eSpeaking of Linking... all previous Manley dynamics units require both channels to be setup for near identical settings rather than the more common \"just set the Left side\". The SLAM! lets you do it both ways. The \"L Side\" method is the \"STEREO LINK\" mode and is quick and convenient but, like others, uses a mono mix for the side-chain. The \"BOTH \u0026amp; EXT\" adds the rear panel link jacks to the link buss so you could chain up several SLAM!s for linked surround work. Both or all 6 channels should be set similarly. This mode is usually better for mastering as it responds to the true peak level of the channels rather than an artificial mono mix.\u003c\/p\u003e\n\u003cp\u003eOutside the Box, that's where the power supply is. The illuminated power switch turns on the external power supply. Keeping the power supply far away also keeps additional heat and magnetic fields away from the precious audio. The power supply is housed in a sturdy cast aluminum 7\" x 4\" x 5\" box that is easy to mount to or place in the bottom of a rack. A seriously humongous 16 pin connector, and 6' multicore cable connects the two boxes.\u003c\/p\u003e\n\u003cp\u003eThe SLAM! also seems a natural as a mastering tool. The FET limiter works great on mixes, and the ELOP® now has a high pass filter switch that is spot-on for mastering. We offer a dedicated mastering version which eliminates the mic preamps, adds detented controls replacing the pots, and provides extra metering options. Manley compressors and EQs seem to be the most popular pieces of gear ever when it comes to mastering. The ultimate analog rack for the final important touches to the mix would have include the SLAM!, The Variable Mu® and The Massive Passive. Combine this with some digital processors of similar calibre and one has a respectable and very effective set of mastering tools. That Manley rack plus some Manley Microphones would make an ultimate stereo recording chain too. This is gear you’ll want to keep for a lifetime.\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"New | On Order","offer_id":46167986307355,"sku":"SLAM","price":9399.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | In Stock","offer_id":52165750554907,"sku":"SLAMRP","price":7199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10009190.jpg?v=1692022115"},{"product_id":"black-lion-audio-micro-clock-mk2-microclockmk2","title":"Black Lion Audio BLA Micro Clock MKII","description":"\u003cp\u003eWhen we introduced the Micro Clock MKII, we didn’t anticipate the amount of demand and controversy that managed to accompany it. External clocking is certainly a hot button issue. Some folks maintain that there’s no basis for it; that it’s a sort of modern “emperor’s new clothes.” The reasoning behind this is that the device being clocked externally will simply filter the incoming clock signal through its phase locked loop, thereby eliminating any sort of benefit associated with the superior clock. In addition, the simple act of accepting the incoming signal and creating a new signal that’s in phase will add some jitter.\u003c\/p\u003e\n\u003cp\u003eThe biggest problem with this theory is that we know nothing about the PLL filter in question; it’s completely hypothetical. Many PLL’s in pro audio are designed to filter out unwanted signals that are outside of the desired bandwidth, although some are configured to filter out unwanted harmonics that lie within the signal’s frequency band. It’s incredibly rare to find one that does both at the same time. In the case of the Micro Clock MKII, it outputs a high bandwidth signal that is rare to find in internal clocks. Whether or not an external word clock can improve the sound quality of a receiving device is completely dependent on how the receiving device accepts an external word clock signal, and is dependant on the quality of the receiving device’s internal clock. It’s best to do an A\/B listening comparison to know whether the external clock is making a positive impact on the sound or not.\u003c\/p\u003e\n\u003cp\u003eThe Micro Clock MKII is simple and probably even boring looking by most standards. It’s housed in a rugged 3” x 4” chassis that provides optimum RF shielding. It has no lights, no frequency display, and none of the usual visual candy that your friends might envy. However, for a modest black box, it does its job incredibly well and at a price that’s unheard of for this level of performance!\u003c\/p\u003e\n\u003cp\u003eIt features six selectable output frequencies from 44.1 kHz on up to 192 kHz. The output level is approximately 5 volts peak to peak. Jitter at the crystal oscillator is approximately 1 picosecond RMS, and just under 10 picoseconds RMS at the output. The power supply is a 9 volt DC wall wart that’s capable of accepting both 120 and 240 volts AC. The clock is compatible with all modern digital devices that have 75 ohm BNC word clock inputs.\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"New | In Stock","offer_id":46167993483547,"sku":"MICROCLOCKMK2","price":299.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47238393954587,"sku":"MICROCLOCKMK2SP1EBAYPRO","price":177.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/black-lion-audio-micro-clock-mk2_1.jpg?v=1692022180"},{"product_id":"avantone-ck40-stereo-multi-pattern-fet-microphone-ck-40","title":"Avantone CK-40 Stereo Multi-Pattern FET Microphone","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\t\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAvantone Stereo Multi-Pattern FET Microphone\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe AVANTONE “Cabernet (C-series)” mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe AVANTONE CK-40 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the world's finest Stereo FET Mics…but at a fraction of their cost!\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOur rugged CK-40 microphone body and capsule assembly are precision machined of BRASS.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Discreet Class A Low-Noise FET circuitry will yield pleasing professional results comparable to much more expensive designs.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAny studio can proudly offer the STEREO CK-40 as a group vocal mic, room mic, piano mic, or utility condenser due to its versatility…It exudes class visually as well as sonically.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tManufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe versatile AVANTONE CK-40 Stereo Class A FET microphone features twin LARGE 35mm center-terminated pressure gradient transducers. Their close physical proximity places them in a tight vertical array to allow accurate stereo imaging without phase issues arising. The top capsule\/grill assembly rotates UP TO 90 degrees relative to the lower capsule\/grill assembly. This feature along with the multi-pattern independent selector choices allow for all stereo recording techniques to be utilized. (XY-Coincident \/ Blumlein, M-S)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 2 sets of pad, pattern select  \u0026amp; LF rolloff switches independently control the capsules. (Front switches control the lower fixed grill\/capsule while the rear switches control the upper rotating headgrill.)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 3 patterns allow the CK-40 to be used in a variety of situations including M-S recording.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe 80Hz HIGH-PASS filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from “muddying up” the track.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe CK-40 operates on standard 48 volt phantom power and includes a 5-Pin mic cable that plugs into the included 1x2 stereo splitter box. Two standard XLR mic cables are then all that is required to connect to a phantom powered mic preamp\/console channel.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSo many sonic and spatial options are available with this microphone and we encourage you to experiment and use your ears as the final judge for stereo panning spread, use of omni –vs- cardioid or whether utilizing M-S miking techniques will better serve your particular situation etc…\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEach CK-40 Mic is individually serialized.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tUses Include:\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tStudio group vocals, acoustic guitar, mandolin, drum overheads, piano, room mic, etc…\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tStandard Included Items:\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAVANTONE CK-40 Stereo FET Microphone\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAVANTONE Custom Retro Shockmount W\/ Extra Elastic bands\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t1 x 2 Splitter Box (Stereo Breakout Box)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tElegant padded genuine wooden Mic box\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t30' 5-pin cable\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFoam wind filter\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPadded Aluminum storage \/ travel case\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOwners Manual\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003e\"I love the sound of the CK-40 !!! I have been using it on overheads. percussion, and group vocals!! Just did a session at the legendary Sunset Sound in Hollywood with Los Lobos and Herbie Hancock where I used the CK-40 and I just loved the way the mic captured the true essence of the vocals!! Love this mic!!\"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cem\u003eCesar Mejia\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tType:\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eStereo True Condenser Microphone\u003c\/div\u003e\n\u003cdiv\u003e\n\tPolar Patterns\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eCardioid, Omni, Figure-8 (x2)\u003c\/div\u003e\n\u003cdiv\u003e\n\tCapsule(s)\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e(2) Dual plate 35mm gold sputtered diaphragm  \/ brass assembly\u003c\/div\u003e\n\u003cdiv\u003e\n\tFrequency Response\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e20-20,000 Hz +\/- 3dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput Impedance\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u0026lt;=250 Ohms \/ transformer isolated\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tMaximum SPL\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t147 dB (0.5% THD @1000Hz)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEquivalent noise level\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t17dB (A weighted EC651)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tS\/N Ratio\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t77dB re 1Pa\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSensitivity\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t-40dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOutput Connector\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tMale XLR 5 pin with included breakout box and cable\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tIncluded Accessories\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWood Box, Shockmount, Foam Filter, 2x1 splitter box, 30' Cable, Metal road case\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tHigh-Pass Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t80 Hz 6dB\/octave\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAttenuation Switch\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t-10dB\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPower Requirements\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eStandard 48 Volt Phantom (x2) 3mA current consumption\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFinish\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPolished Nickel trim \/ Metallic Cabernet Red Body\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWeight\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t.95 kgs \/ 2.1 lbs\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tDimensions: 27.6cm X 49mm\u003c\/div\u003e","brand":"Avantone","offers":[{"title":"New | On Order","offer_id":46167999152411,"sku":"CK40","price":599.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47186889933083,"sku":"CK40RP","price":389.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/ck40_1_2500x2500_1.jpg?v=1692022262"},{"product_id":"shure-beta-27-condenser-instrument-microphone-beta27","title":"Shure Beta 27 Condenser Instrument Microphone","description":"\u003cp\u003eThe Beta 27 side-address condenser microphone is precision engineered for professional sound reinforcement and project studio recording applications. Its flat frequency response and low self-noise provide unerring performance in demanding environments. A tight supercardioid pattern ensures high gain-before-feedback and maximum isolation from other sound sources.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"New | In Stock","offer_id":46168004559131,"sku":"BETA27","price":419.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/beta27.jpg?v=1692022348"},{"product_id":"roland-gaia-sh-01-gaia-sh-01","title":"Roland GAIA SH-01 37-Key Synthesizer with Arpeggiator","description":"\u003ch2\u003eRoland GAIA SH-01 37 Key Synthesizer\u003c\/h2\u003e\n\u003cp\u003eWith its massive sound, hands-on ease, and affordable price, the GAIA SH-01 is a high-performance value with old-school charm. The triple-stacked engine puts potent virtual analog synthesis under your fingertips, yet the control panel is so fun, friendly, and inviting, even first-timers can create great sounds. The signal flow is simple to grasp, with logically arranged knobs, sliders, and buttons. Hands-on control and fat sound make this little powerhouse a joy for music students, songwriters, session players, and live performers of all styles and skill levels.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHuge sound with three virtual analog engines onboard, each with a dedicated oscillator, filter, amplifier, envelope, and LFO\u003c\/li\u003e\n\u003cli\u003eLayer up to five simultaneous effects, including distortion, flanger, delay, reverb, low boost, and more\u003c\/li\u003e\n\u003cli\u003e64-voice polyphony for massive sounds without note drop-out\u003c\/li\u003e\n\u003cli\u003eFun, hands-on control panel that's great for instant gratification, and for learning synthesis\u003c\/li\u003e\n\u003cli\u003eLightweight, compact body with 37 full-size keys\u003c\/li\u003e\n\u003cli\u003eRuns on AC or battery power for portable convenience\u003c\/li\u003e\n\u003cli\u003eD Beam, arpeggiator, and Phrase Recorder onboard\u003c\/li\u003e\n\u003cli\u003eUSB ports for saving user patches to USB flash drives, and for audio\/MIDI connection to computers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTriple-Fat Virtual Analog\u003c\/h4\u003e\n\u003cp\u003eSink your teeth into the new triple-stacked virtual analog engine, comprising three complete synths for incredibly thick, powerful sound. Unleash the beef of three oscillators that drive a trio of multimode, resonant filters, multi-shape LFOs, and amplifiers, plus nine envelope generators. It's like having three synthesizers in one! With 64 polyphonic voices onboard, the GAIA SH-01 makes it possible to play massive sounds without experiencing note drop-out.\u003c\/p\u003e\n\u003ch4\u003eStackable Effects\u003c\/h4\u003e\n\u003cp\u003eFrom the silkiest reverb to the grittiest growl, the SH-01's instantly selectable multi-effects will catapult your sounds into another spatial dimension. You can layer up to five simultaneous effects for dozens of variations. The onboard effects include reverb, distortion, fuzz, bit crash, flanger, phaser, pitch shifter, low boost, and delay with panning and tempo sync. Dedicated control knobs are provided for tweaking the effects in real time.\u003c\/p\u003e\n\u003ch4\u003ePortable Power\u003c\/h4\u003e\n\u003cp\u003eAt less than 10 pounds, the GAIA SH-01 is lightweight, compact, and great for musicians on the go. The 37-note keyboard is full-size, however, so performers can play naturally and comfortably. The synth can be powered via AC or batteries* for the ultimate in portable convenience. A battery-life indicator on the front panel ensures that you won't lose power unexpectedly. When used in conjunction with a battery-powered amp such as Roland's CUBE Street, MOBILE CUBE, BA-330 or KC-110, the GAIA SH-01 can be played and heard anywhere!\u003c\/p\u003e\n\u003ch4\u003eInstant Control\u003c\/h4\u003e\n\u003cp\u003eThe front panel puts every control directly under your fingertips. There are no hidden menus, no nonsense. Just play and move the knobs and sliders, or wave your hands over the invisible D Beam for dramatic effects. The logically designed front panel shows the signal path from left to right. It helps beginners understand synthesis, while experienced players will love the instant gratification of hands-on control during performance.\u003c\/p\u003e\n\u003ch4\u003ePhrase Recorder and Arpeggiator\u003c\/h4\u003e\n\u003cp\u003eHold a note or chord and let the arpeggiator create musical magic automatically for you. The tempo can be set via tap tempo. In addition, the onboard Phrase Recorder lets you record what you play on the keyboard as well as the movements of the knobs and sliders. The controller data can also be played back independently to complement the notes you play in real time.\u003c\/p\u003e\n\u003ch4\u003eUSB and EXT IN\u003c\/h4\u003e\n\u003cp\u003eConnect directly to a computer (Mac or PC) with one simple USB cable, and stream audio directly to the software of your choice. The SH-01's USB ports can also be used to transmit and receive MIDI data, and to store your patches and phrases (recorded with the Phrase Recorder) to a USB memory stick. For integrating with external devices, the SH-01's EXT input lets you connect external audio sources such as an MP3-player and play along with your favorite songs or backing tracks - great for practice and live performance. Manipulate the incoming audio with three Center Cancel modes, which let you eliminate pre-recorded vocals, guitars, or bass.\u003c\/p\u003e\n\u003cp\u003eCan be powered by eight rechargeable Ni-MH AA batteries.\u003c\/p\u003e","brand":"Roland","offers":[{"title":"0 | On Order","offer_id":46168005607707,"sku":"SH01","price":599.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47319343005979,"sku":"SH01EBAYPRO","price":468.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/roland-gaia-sh-01-37-key-synthesizer-with-arpeggiator.jpg?v=1692022364"},{"product_id":"avid-hd-i-o-8x8x8-interface-9900-58669-40","title":"Avid HD I\/O 8x8x8 Interface","description":"\u003cdiv style=\"font-family: Arial, 'New York', sans-serif; \"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cfont class=\"Apple-style-span\"\u003e\u003cspan class=\"Apple-style-span\"\u003e\u003cb\u003eAvid Hd I\/o 8 X 8 X 8 Interface\u003c\/b\u003e\u003c\/span\u003e\u003c\/font\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"font-family: Arial, 'New York', sans-serif; \"\u003e\n\t \u003c\/div\u003e\n\u003cdiv style=\"font-family: Arial, 'New York', sans-serif; \"\u003e\n\t\u003cdiv\u003e\n\t\tWhat is HD I\/O?\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tHD I\/O is a high-performance Pro Tools HD Series audio interface that’s designed to completely integrate with Pro Tools|HD systems. The interface features premium A\/D and D\/A conversion and advanced circuitry, giving you pristine sound quality and clarity and the lowest possible latency. 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The microphone cartridge is completely compatible with Shure L, LX, T, EC, SC, UC, ULX, SLX, Performance Gear, UHF and UHF-R series handheld wireless transmitters.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"New | On Order","offer_id":46168095949083,"sku":"RPW184","price":828.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/rpw184.jpg?v=1692023363"},{"product_id":"martin-0015m-15-series-mahogany-acoustic-guitar-c01","title":"Martin 00-15M 15-Series Mahogany Acoustic Guitar","description":"\u003cp\u003eThe 00-15M model continues the Martin tradition with a 00-14 fret body size, solid mahogany construction and a rich satin finish. Satisfy your desire with an affordable solid wood guitar that is visually distinctive and innovative.\u003c\/p\u003e\n\u003cp\u003eAvailable in a small to large body this all solid Mahogany instrument with lush mid-range tones just keeps getting better with every chord you play. A classic all American guitar with your budget in mind.\u003c\/p\u003e","brand":"Martin","offers":[{"title":"New | In Stock","offer_id":46168097030427,"sku":"0015M","price":1799.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":51777835925787,"sku":"0015MEBAYPRO","price":1459.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned","offer_id":52288705626395,"sku":"0015MEBAYPRO","price":1459.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/00-15M_body.jpg?v=1706289362"},{"product_id":"focusrite-isa428-mk2-4-channel-microphone-preamp-428mkii","title":"Focusrite ISA 428 MK2 4-Channel Microphone Preamp","description":"\u003cp\u003eThe ISA 428 MkII provides four of Focusrite’s prestigious transformer-based microphone preamps. It features the same classic circuitry and renowned audio quality found in the original at a new level of affordability. 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Finally, accurate six-segment LED metering is designed to catch even the fastest transients on every channel.\u003c\/p\u003e\n\u003cp\u003eOver 25 years, Focusrite has earned a reputation for bringing superb audio quality and engineering excellence to an array of audio professionals. Whether you’re looking to preserve the sound of your classic microphones, or searching for the perfect front end for your digital studio, the ISA 428 MkII brings legendary tools to your studio at an exceptional new price.\u003c\/p\u003e\n\u003ch4\u003eThe ISA Pre\u003c\/h4\u003e\n\u003cp\u003eThe ISA microphone preamplifier was first introduced back in 1985. This transformer-based preamplifier formed the first half of the ISA110 mic pre and EQ module on Focusrite's critically acclaimed Forté console. This console, and the later Studio console were hailed by many as the finest sounding consoles ever built. \u003c\/p\u003e\n\u003cp\u003eThe ISA microphone preamplifier went on to form the cornerstone of all ISA and RED Focusrite products. The topology has never changed, except for the addition of a variable impedance circuit, allowing ISA users to either perfectly match the preamp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used. The original ISA 110 setting was supplemented by three further impedance settings.\u003c\/p\u003e\n\u003cp\u003eThe Focusrite preamp is renowned for its transparency, but there's also a subtle warmth that transformer core saturation contributes. This seeming contradiction of warmth plus beautifully open, unrestricted high frequencies, is a classic hallmark of the mid 80's Focusrite designs.\u003c\/p\u003e\n\u003cp\u003eWith processors whose bandwidth is strictly limited to the audible (20Hz to 20kHz) bandwidth alone, significant roll-off can still occur, affecting the higher audible frequencies of the signal. Therefore, in order to capture every subtle nuance, exactly as it occurs whilst avoiding any roll-off, the preamp must operate over a far greater bandwidth. The extremely broad frequency response of Focusrite preamps - close to 200kHz at the top end - guarantees accurate phase response across the much narrower range of human hearing, the roll-off point being moved entirely outside of the audible hearing range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrainworx bx_console Focusrite SC plugin exclusively free for Clarett, Red, RedNet and ISA customers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/www.altomusic.com\/media\/wysiwyg\/enhanced-product\/brainworx-banner-1366-768.png\" alt=\"\"\u003e\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Pre-Owned | On Order","offer_id":46168117018907,"sku":"ISA428MK2EBAYPRO","price":1594.0,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46168117051675,"sku":"ISA428MK2","price":2299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1283418480_img_177092.jpg?v=1692023611"},{"product_id":"roland-vh-11-vh-11","title":"Roland V-Drums VH-11 Hi-Hat Cymbal Pad","description":"\u003cp\u003eWith eyes closed, drummers will think they’re playing a regular two-piece hi-hat. 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It all starts with the famed 512c Mic Preamplifier, which includes the benefit of additional Mic, Line or Instrument input switching. Next is the 527 multi-mode Compressor with fully adjustable Threshold, Attack, Release, and Ratio controls on detented pots. The patented \u003cspan class=\"thrust_bold_italic\"\u003eTHRUST\u003c\/span\u003e\u003cspan class=\"thrust_reg\"\u003e®\u003c\/span\u003e circuit in the 527 gives your track the \"in-your-face\" punch that has made this circuit an award winner. Also included in The Channel Strip is probably the most recognized and revered API EQ of all time, the 550A three-band Equalizer with its switchable frequencies and 12dB of boost or cut. The 550A's High and Low frequency bands can be individually switched to be shelving EQs, and the \"B.P. 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It’s perfect for smaller players or anyone else who wants the traditional semi-acoustic elements but not the traditional size. With semi-hollow, flat-top bodies, and even chicken head knows, the AMF models have the quintessential 60s look and feel. Ibanez designed the AMF with the aim of bringing the traditional tone and look of hollow body guitars into more modern musical realms.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNeck Type: Artcore set-In\u003c\/li\u003e\n\u003cli\u003eBody: Maple top\/back\/sides\u003c\/li\u003e\n\u003cli\u003eBinding: Body and neck\u003c\/li\u003e\n\u003cli\u003eFrets: Large frets\u003c\/li\u003e\n\u003cli\u003eFingerboard: Bound rosewood\u003c\/li\u003e\n\u003cli\u003eInlay: Pearl dot\u003c\/li\u003e\n\u003cli\u003eBridge: Quick Change III\u003c\/li\u003e\n\u003cli\u003ePickups: Exposed ACH1-S neck pickup, ACH2-S bridge pickup\u003c\/li\u003e\n\u003cli\u003eHardware color: Chrome\u003c\/li\u003e\n\u003cli\u003eWidth: Max width at lower bout: 14-3\/4\"\u003c\/li\u003e\n\u003cli\u003eBody Thickness: Max body thickness: 2-5\/8\"\u003c\/li\u003e\n\u003cli\u003eCase sold separately\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ibanez","offers":[{"title":"New | On Order","offer_id":46168166891803,"sku":"AM73BTF","price":449.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/AM73B_TF_5B_05_F.jpg?v=1720019644"},{"product_id":"avid-machine-control-for-mac-c01","title":"Avid Machine Control for Mac","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eAvid Machine Control for Mac \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tMachineControl from Avid is software that enables easy integration and control of external audio\/video devices within the Pro Tools system via industry-standard serial 9-pin machine control protocols. Common tasks such as fast forward, rewind, jog, shuttle, and more are easily accessible through the Pro Tools graphical interface. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe software offers track-arming for integrated laybacks to external transports, and also allows for slaving Pro Tools 5.1 and higher software to compatible Sony 9-pin devices, allowing the Pro Tools system to emulate a remote deck. It supports serial time code as a positional reference and features faster lockup times to Sony 9-pin. \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe software allows for scrubbing of audio and video simultaneously from within Pro Tools. The transport window provides enhanced feedback for the various control modes, including displaying the difference between Shuttle mode and true Rewind or Fast Forward modes. The control software will also tell Pro Tools if a machine's local\/remote mode has been changed from its front panel, eliminating communication problems that might otherwise occur.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSony 9-pin and VideoMedia V-LAN protocols supported\u003c\/div\u003e\n\u003cdiv\u003e\n\tScrub to picture\u003c\/div\u003e\n\u003cdiv\u003e\n\tSupports compatible non-linear video recorders\/players\u003c\/div\u003e\n\u003cdiv\u003e\n\tControl the audio or video machine's transport operations within the Pro Tools environment - jog shuttle, fast forward, rewind, etc.\u003c\/div\u003e\n\u003cdiv\u003e\n\tPro Tools on-screen cursor and transport counter keep you informed of the machine's position at all times\u003c\/div\u003e\n\u003cdiv\u003e\n\tImproved status indication in the transport window provides user feedback for the various control modes\u003c\/div\u003e\n\u003cdiv\u003e\n\tSlaving of Pro Tools to external controllers via 9-pin Remote Mode \u003c\/div\u003e","brand":"Avid","offers":[{"title":"New | On Order","offer_id":46168182489371,"sku":"MS092","price":749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MS092_0.jpg?v=1692024156"},{"product_id":"digidesign-192-digital-card-c01","title":"Digidesign 192 Digital Card","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eDigidesign 192 Digital Card (Special Price!)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\t Along with its outstanding sonic specs, 192 I\/O includes an additional I\/O option bay, allowing you to add more inputs or outputs, and making it one of the most unique and flexible audio interfaces on the market. To expand the analog I\/O capacity of 192 I\/O, you can add either a 192 AD card, providing 8 more channels of high-definition analog input, or the 192 DA card, which gives you 8 additional channels of analog output. 192 I\/O can also be outfitted with the 192 Digital card, which adds 8 channels of AES\/EBU, TDIF, and ADAT I\/O connections.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tBy way of an expansion bay, 192 I\/O allows you to increase I\/O options with one of three available expansion cards - 192 AD, 192 DA or 192 Digital. Whether you want more analog inputs, outputs or digital I\/O, 192 I\/O is flexible enough to be custom tailored to suit your needs.

The 192 Digital card complements 192 I\/O's stock configuration with eight more channels of AES\/EBU, TDIF and ADAT I\/O connections - all of which can utilize the real-time sample-rate converter chips for streaming digital signals with any sample rate into your Pro Tools session. Simply install the 192 Digital card in 192 I\/O's easy-access back panel expansion bay, and you're ready to go.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cdiv\u003e\n\t\t\u003cu\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/u\u003e\n\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tAnalog Inputs\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eNA\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tAnalog Outputs\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eNA\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tDigital Inputs\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e8 AES\/EBU, 8 T\/DIF, 8 lightpipe\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tDigital Inputs\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eplus stereo AES\/EBU, stereo spdif\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tDigital Inputs\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e8 CH AES\/EBU, 8 CH T\/DIF, 8 CH ADAT\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tDigital Outputs\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e8 CH AES\/EBU, 8 CH T\/DIF, 8 CH ADAT\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tRack Height\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e192 Expansion Card\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tSamp. Rate\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eNA\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tNotes\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eProvides 8 Additional Channels of Digital I\/O\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tManufacturer Part Number\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e9900-28978-00\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Avid","offers":[{"title":"New | In Stock","offer_id":46168183701787,"sku":"MH192DIGSP2","price":299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/digidesign-MH192DIGSP2-0.jpg?v=1692024169"},{"product_id":"roland-us-20-c01","title":"Roland US-20 A\/B\/Y Type Unit Selector Floor Pedal","description":"\u003ch2\u003eRoland US-20\u003c\/h2\u003e\n\u003cp\u003e\n\tThe Roland US-20 is a floor pedal unit that allows a GK-2AH-equipped guitar to control and switch between two GR-compatible devices simultaneously - the GR-33 Guitar Synthesizer and VG-88 V-Guitar System, for example.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e\n    GK-compatible unit selector with one GK-2AH input, two C-13 cable outputs\u003c\/li\u003e\n  \u003cli\u003e\n    Two pedals for switching or combining connected units\u003c\/li\u003e\n  \u003cli\u003e\n    Durable metal construction\u003c\/li\u003e\n  \u003cli\u003e\n    Compatibility with GR-33\/30\/1\/09\/50, VG-88\/8, GI-10\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Roland","offers":[{"title":"New | On Order","offer_id":46168184553755,"sku":"US20","price":453.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317843214619,"sku":"US20RP","price":349.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/roland-US20-0.jpg?v=1692024173"},{"product_id":"shure-sm-27-sc-condenser-microphone-c01","title":"Shure SM27-SC Condenser Microphone","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eShure SM27 Condenser Microphone\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\tThe SM27 is a rugged and versatile large-diaphragm, side-address cardioid microphone, with low self-noise and extended frequency response that picks up vocal and instrument nuances with clarity. Durable Shure construction features three separate mesh layers that reduce wind and breath noise. Equally comfortable on stage or in the studio.\u003c\/p\u003e\n\u003cp\u003e\n\t\u003cu\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tUniform cardioid pattern for superior off axis rejection\u003c\/div\u003e\n\u003cdiv\u003e\n\tSuperior transient response from a low-mass large Mylar® diaphragm\u003c\/div\u003e\n\u003cdiv\u003e\n\tFlat, neutral frequency response for natural reproduction on stage or in the studio\u003c\/div\u003e\n\u003cdiv\u003e\n\t3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect for consistent, extended low-end\u003c\/div\u003e\n\u003cdiv\u003e\n\tDurable metal construction.\u003c\/div\u003e","brand":"Shure","offers":[{"title":"New | On Order","offer_id":46168185110811,"sku":"SM27SC","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/sm27_medhr_1.jpg?v=1692024172"},{"product_id":"roland-gk-kitbg3-divided-pickup-kit-for-bass-guitar-c01","title":"Roland GK-KITBG3 Divided Pickup Kit for Bass Guitar","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eRoland GK-KITBG3 Divided Pickup Kit for Bass Guitar\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThis kit includes all parts for permanent installation of a GK-3B Divided Pickup into an electric BASS: a GK-3B Divided Pickup, circuit board, switches, power indicator LED, 13-pin connector, wiring and hardware. Professional installation is required.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tDivided guitar pickup for use with Roland V-BASS System, GR-20 Guitar Synthesizer\u003c\/div\u003e\n\u003cdiv\u003e\n\t3-position switching between divided pickup, natural bass pickup, or mix of both\u003c\/div\u003e","brand":"Roland","offers":[{"title":"New | On Order","offer_id":46168211128603,"sku":"GKKITBG3","price":399.99,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47316978401563,"sku":"GKKITBG3RP","price":384.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/roland-GKKITBG3-0.jpg?v=1692024326"}],"url":"https:\/\/www.altomusic.com\/collections\/special-financing.oembed?page=33","provider":"Alto Music","version":"1.0","type":"link"}