{"title":"Studio Monitoring","description":"","products":[{"product_id":"avantone-active-mixcubes-powered-full-range-mini-reference-monitors-mixcubes-a","title":"Avantone Active MixCubes Powered Full-Range Mini Reference Monitors Butter Creme","description":"\u003cp\u003eThe AVANTONE MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAPPLICATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eActive Recording \/ Mixdown Monitors\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENGINEERING OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Avantone Active Mixcubes are designed to be  high-resolution, full-range powered mini-reference monitors for fixed or remote locations.\u003c\/p\u003e\n\u003cp\u003eThe secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFORMANCE OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe original  5C Sound Cubes™  were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREAR PANEL CONTROLS\/CONNECTIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBalanced Input - This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.\u003c\/p\u003e\n\u003cp\u003eSystem Gain - This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.\u003c\/p\u003e\n\u003cp\u003eOn\/Off Switch - This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.\u003c\/p\u003e\n\u003cp\u003eAC Input - This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/p\u003e\n\u003cp\u003eGround Lift Switch - By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“…consistently flat in the midrange — the same characteristics that made the Auratone a valued listening reference. They got plenty loud without distortion and showed off the vocal, snare, toms, upper range of the kick and solo instruments in a number of mixes, just as I expected. I'm a big believer in listening to tracks across a wide range of speakers. The Avantone Active MixCubes offer another chance to evaluate creative studio output and make judgements regarding how my work would translate across a wide range of systems… these are a no-brainer for those wanting another quick-and-dirty reference to help in the quest for tracks that translate.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Kevin Becka    Technical Editor - Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"... the MixCubes yield a  microscopic-style view of critical  midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson    Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper    Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Probably the clearest Auratone substitute available as a current product is Avantone's MixCube. This is a great little speaker, which sees daily use in my own mix system and which in some respects actually improves on the original Auratone's specs...The MixCube would top my list in terms of price\/performance ratio...This speaker is one of the best monitoring tools there is, and I use it every day. No other speaker I've heard at anything like this price provides the kind of razor-sharp balance perspective that the MixCube can, and I'd not want to have to judge bass, kick, or vocal levels without it. It's also fantastic for working in the less-than-ideal acoustics of most real-world small studios, and in this respect it's easily one of the best bang-for-buck products available for anyone trying to create commercial-grade mixes on a shoe-string.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Mike Senior   Author of MIXING SECRETS FOR THE SMALL STUDIO, SOS Columnist \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Randy Bachman    Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Brian Lucey    Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Alessandro Giordani    Synchronia Studio - Rome \u003c\/p\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46167944298779,"sku":"MIXCUBESA","price":499.0,"currency_code":"USD","in_stock":true},{"title":"New - Bundle: CLA-100 | On Order","offer_id":47187458818331,"sku":"MIXCUBESACLA100BUNDLE","price":699.0,"currency_code":"USD","in_stock":false},{"title":"New - Type: FBA | Out Of Stock","offer_id":51735115923739,"sku":"MIXCUBESAFBA","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/MIXCUBESA_0_1.jpg?v=1692021495"},{"product_id":"focal-twin6-be-near-field-monitor-each-twin6be","title":"Focal Twin6 Be Monitor","description":"\u003cp\u003eThe Twin6 Be is the best seller of the Focal Professional range and the most versatile work tool of the SM6 line. It represents the only necessary solution for recording, mixing and mastering. The image precision, treble definition as well as midrange neutrality are at the heart of its reputation.\u003c\/p\u003e\u003cp\u003eThe excellent articulation of the bass and midbass registers, even at very high sound levels, makes it an unavoidable reference for engineers who require absolute transparency. Furthermore, the design of the Twin6 Be permits a high SPL while at the same time offering a stable tonal balance. One of the two 6.5\" woofers works in large band (midrange  bass) whereas the other reproduces from 40 to 150Hz. This creates a bass that preserves all the signal dynamics, without any masking effect in the midrange, thereby keeping all its neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning on the control plate on the back of the Twin6 Be in order to obtain a\u003c\/p\u003e","brand":"Focal","offers":[{"title":"New | On Order","offer_id":46167945249051,"sku":"FPST6","price":2299.0,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | In Stock","offer_id":46167945281819,"sku":"C103560","price":1373.44,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/twin6beface.jpg?v=1692021495"},{"product_id":"a-designs-audio-atty-stereo-attenuator-atty","title":"A Designs Audio ATTY Stereo Attenuator","description":"\u003cdiv\u003eManufacturer’s Description:\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe ATTY (rhymes with “Patty”) is a no-compromise totally transparent passive two-channel line-level attenuator. ATTY’s\u003c\/div\u003e\u003cdiv\u003eattractive price point and tiny footprint (4-1\/2” x 1-1\/2” x 3”) makes it a highly versatile and convenient solution for many\u003c\/div\u003e\u003cdiv\u003eapplications.  Suitable for use in any world-class recording facility, it can also serve as a cost-effective solution to more than\u003c\/div\u003e\u003cdiv\u003ea few problems faced by project studio owners, and is an invaluable addition to just about any live or remote broadcast rig.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eATTY’s interface is simplicity personified. Housed in a rugged metal enclosure, it has two Neutrik XLR\/balanced 1\/4” combo\u003c\/div\u003e\u003cdiv\u003ejacks and two balanced XLR outputs that deliver noise-free operation. A single convenient knob controls both output\u003c\/div\u003e\u003cdiv\u003echannels, and a Mute button lets you easily silence your source without having to change a dialed-in level.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eATTY’s passive design allows it to be used in a plethora of applications, the most common being control of any line-level\u003c\/div\u003e\u003cdiv\u003eoutput device…but wait - there’s more! Say you’re recording kick drum and snare with an API 3124. The input gain is set at\u003c\/div\u003e\u003cdiv\u003ethe sweet spot…but, due to the API’s hot output, you need a touch of attenuation to protect your converters from clipping,\u003c\/div\u003e\u003cdiv\u003eand you don’t want to change sound quality by using its pads or record with compression. ATTY is the answer.  Another\u003c\/div\u003e\u003cdiv\u003euseful application is wiring an ATTY in line with a stereo tube preamp (such as the A-Designs MP-2A) and exploring different\u003c\/div\u003e\u003cdiv\u003ein\/out level combinations without overloading other gear. It’s also a handy device for maintaining level control of powered\u003c\/div\u003e\u003cdiv\u003emonitors that have a separate volume control on each speaker. Once you calibrate your monitors to equal levels, you need\u003c\/div\u003e\u003cdiv\u003enever touch them again\u003c\/div\u003e","brand":"A Designs Audio","offers":[{"title":"New | In Stock","offer_id":46167945511195,"sku":"ATTY","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/atty-02.jpg?v=1692021493"},{"product_id":"auralex-mopad-monitor-isolation-pads-4-pack-mopad4","title":"Auralex Mopad Monitor Isolation Pads (4-Pack)","description":"\u003cp\u003e\n\tYour loudspeakers are the most critical components you use to verify the quality of your work. No matter how good your mixer, mics, preamps, cables, and other pieces of gear that you've invested in, you're not truly hearing what your recordings sound like until you isolate your monitors from their environment. This is where the Auralex MoPADs come in. MoPAD Monitor Isolation Pads provide sonic isolation between your monitors and whatever your monitors are resting on, INSTANTLY improving the accuracy of your entire monitoring system. MoPADs are affordable, easy to implement and really effective at decoupling your monitors from your room and all its contents. You've gotta get some! Until you do, you'll never know what your recordings really sound like.\u003c\/p\u003e","brand":"Auralex","offers":[{"title":"New | On Order","offer_id":46167952589083,"sku":"MOPAD4","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/71fyi_icjsl._ac_sl1500.jpg?v=1692021565"},{"product_id":"genelec-8030-bi-amplified-monitoring-system-c01","title":"Genelec 8030 Bi-amplified Monitoring System","description":"\u003cp\u003eThe very compact 8030A is a powerful bi-amplified nearfield monitor system ideal for project and home studios, workstations, installations, and surround sound monitoring. The MDE (Minimum Diffraction Enclosure) enclosure has rounded edges and a gently curved front and sides to achieve a very smooth frequency response and superb imaging qualities with minimized cabinet edge diffraction.\u003c\/p\u003e\n\n\u003cp\u003eLike all Genelec 8000 Series monitors, the 8030A also features the advanced Genelec Directivity Control Waveguide (DCW), a revolutionary flow-optimized reflex port design, optimized die-cast aluminium structure with extremely durable semi-matt finish and acoustically optimized metal grilles. Low distortion drivers are driven by dedicated amplifiers after sophisticated filtering. Magnetic shielding, overload protection circuitry and versatile room response controls are standard. The versatile mounting features include integrated rear support points for wall and floor stands plus a further 3\/8\" thread for mounting on the cabinet base.\u003c\/p\u003e\n\n\u003cp\u003eEvery Genelec 8030A monitor comes with an Iso-Pod(Isolation Positioner\/Decoupler) as standard. The Iso-Pod is a clever mounting stand, which allows the system to perform in either the vertical or horizontal position. It also enables the acoustic axis of the monitor to be aimed at the listener, while acoustically and mechanically decoupling the monitor from the surface it is resting on.\u003c\/p\u003e","brand":"Genelec","offers":[{"title":"Pre-Owned | On Order","offer_id":46167953408283,"sku":"8030A-EBAYPRO","price":709.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10003890.jpg?v=1692021590"},{"product_id":"avantone-mixcubes-passive-full-range-mini-reference-monitors-in-butter-creme-mixcubes","title":"Avantone MixCubes Passive Full-Range Mini Reference Monitors in Butter Creme","description":"\u003cp\u003eThe AVANTONE MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENGINEERING OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe wanted to take it up a notch though...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFORMANCE OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMPLIFICATION and WIRING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...the MixCubes yield a microscopic-style view of critical midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson, Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper, Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eRandy Bachman, Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBrian Lucey, Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Alessandro Giordani, Synchronia Studio - Rome\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46167957209371,"sku":"MIXCUBES","price":299.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47187371917595,"sku":"MIXCUBESRP","price":219.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mixcubes_0.jpg?v=1692021595"},{"product_id":"akg-k271mkii-studio-headphones-k271mk2","title":"AKG K271mkii Studio Headphones","description":"\u003cp\u003eThe newly designed AKG legend, K 271 MK II combines the benefits of AKG’s circumaural design for extreme comfort and a closed-back design for maximum isolation from ambient noise. 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Designed by the renowned Chris Muth, the MONITOR ST handles all of your input sources, speaker switching, cue, talkback and headphone needs, all in a 1U package with crystal clarity. With its stepped attenuator, five input sources, three speaker outputs, programmable I\/O levels, dedicated subwoofer out and more – all accessed via the elegant remote control – you won’t leave the sweet spot while handling all your studio routing effortlessly. the MONITOR ST is so accurate, clear and flexible that you’ll see its remote atop even the world’s best consoles!\u003c\/p\u003e\n\u003ch3\u003eFirst Things First – You Must Hear Everything\u003c\/h3\u003e\n\u003cp\u003eTrue craftsmanship is in the details. If you can’t hear the nuances of what you’re working on, then you simply can’t make informed decisions. Everything from placing a mic, to turning a knob on an EQ, to coaching a singer though a delicate passage depends on being able to hear exactly what’s going on. With the advent of “prosumer” gear, the monitoring path is typically sacrificed to meet a price-point, and even some of the world’s most revered and expensive large-format consoles have less-than-accurate center sections that obscure the sound. To solve these problems, we’ve made zero compromises  in the MONITOR ST, employing audiophile-grade components in an unconditionally transparent design. Whether you’re working in a project studio or managing the complex monitor routing in a multi-room studio, the MONITOR ST will provide the most accurate and reliable monitoring available anywhere.\u003c\/p\u003e\n\u003ch3\u003eAll Analog Volume Knob \u0026amp; Switching\u003c\/h3\u003e\n\u003cp\u003eIf the studio were a car, the volume knob is the steering wheel, your connection to the whole mechanism through which all important feedback is routed. Not all volume controls are created equal – some affect frequency response at different levels, some introduce noise, some rely on tone-snatching digital level controls. the MONITOR ST’s volume control is a relay-actuated stepped analog attenuator made from top-shelf audiophile-grade components, expertly implemented into Chris Muth’s no-compromise analog signal path. From the remote’s elegantly-shaped knob, you’ll get crystal clear sonics with dead-accurate volume level recalls and better than 0.01dB gain tracking between channels. Whether you’re blasting playback through the mains or squinting at your small monitors at whisper volumes, the MONITOR ST will never color your sound or skew your stereo image. And because \u003cem\u003eall\u003c\/em\u003e the switching within the MONITOR ST is handled by relays, your audio signals are delivered to your speakers unadulterated, removing all the guesswork while tracking, mixing or mastering.\u003c\/p\u003e\n\u003ch3\u003eEffortless and Elaborate Signal Routing\u003c\/h3\u003e\n\u003cp\u003eAs the centerpiece of your studio, the MONITOR ST handles complex routing elegantly. There are four analog inputs, three speaker outputs, plus a stereo subwoofer output with programmable level offset and filter that can be assigned to any of the three speaker pairs (or used for a 4th pair of studio monitors). All of these ins and outs can be custom calibrated with onboard, programmable level offsets that you can recall instantly for different devices and configurations. Need to monitor a -10dBV commercial source like a CD player with levels perfectly matched? No problem. The on-board talkback mic, slate output and the robust 20w\/channel headphone amplifier – which can receive the Main Mix or the Aux In for custom artist mixes – round out all the routing needs for any studio. And the Aux Input can be layered with any of the four main inputs, offering up even more routing solutions.\u003c\/p\u003e\n\u003ch3\u003eProgrammable Offsets\u003c\/h3\u003e\n\u003cp\u003eMain monitors louder than your near-fields? No problem. Just switch between them and adjust the MONITOR ST’s level offsets in Setup mode until they’re matched, and then store. Now every time you switch between speakers they are matched for apparent loudness. You can do the same with the inputs, and with the Subwoofer Output, getting all of your studio’s gear in perfect balance for seamless monitoring.\u003c\/p\u003e\n\u003ch3\u003eElegant and Efficient Remote Control\u003c\/h3\u003e\n\u003cp\u003eStay in the sweet spot while managing every signal in your studio. the MONITOR ST’s award-winning design is centered around an ergonomic, intuitive and indestructible remote control that hosts access to all of the MONITOR ST’s features. Connected with a single shielded Cat-5 cable, this remote is equally at home on a desk or the armrest of a big console – wherever your listening sweet spot is. The illuminated switches give you instant visual feedback of all your settings, while the stepped volume knob triggers the audiophile-grade relays in the main unit. 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The HP4 features four discrete headphone outputs on the front panel each with its own volume potentiometer and 150mW of amplification per channel. The HP4 also features adjustment over control room monitors with a separate volume control, monitor mute switch and mono switch giving you an extremely powerful monitoring solution at an amazingly low price.\u003c\/p\u003e\n\u003cp\u003eTired of straining to hear the headphones? The HP4’s four 130 mW headphone outputs are clear, clean, and screaming loud, all packed in a compact, 1\/3U chassis. Features include balanced L\/R line inputs and outputs, global mute, overall level control, and sum to mono. 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In addition, there is a ‘signal-on\/continuous’ switch. This provides the option of automatic power up whenever the subwoofer receives a signal and automatic power off after 15 minutes of no signal.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSub10 Mk2\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Sub10 Mk2 and the Sub12 are powerful subwoofers designed to extend the low frequency capabilities of any near or midfield monitoring and are ideal matches for ADAM monitors such as the AX- or the SX-Series.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tA large (2”) voice coil is driven by a 200W Ice Power amp. This amp stays cool as it uses PWM technology in the amp and the power supply sections, producing \u0026gt; 90% overall efficiency, and can handle its maximum power without danger to the electronics or the driver. The Sub10 Mk2 houses an 10” woofer, capable of a frequency response of 25Hz - 150Hz. The larger Sub12 has a 12” woofer capable of producing a 3dB higher SPL max output and reproduces frequencies down to 22Hz.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tBoth versions work with a new down-firing bass reflex tube that, due to its shape and size, avoids unnecessary ventilation noise. For larger rooms or higher levels it is possible to chain as many ADAM Subs together as necessary. All inputs and outputs have both XLR and RCA (cinch) connectors.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSubwoofer\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tNumber\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e1\u003c\/div\u003e\n\u003cdiv\u003e\n\tBasket Ø\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e10\" (260 mm)\u003c\/div\u003e\n\u003cdiv\u003e\n\tVoice coil Ø\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e2\" (50 mm)\u003c\/div\u003e\n\u003cdiv\u003e\n\tCone material\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003ePaper\u003c\/div\u003e\n\u003cdiv\u003e\n\tBuilt-in Amplifiers\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tSubwoofer\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e1\u003c\/div\u003e\n\u003cdiv\u003e\n\tAmp. power RMS \/ music\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e200 W \/ 300 W\u003c\/div\u003e\n\u003cdiv\u003e\n\tInput connectors\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tAnalog\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eXLR \/ RCA\u003c\/div\u003e\n\u003cdiv\u003e\n\tGeneral data\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tPanel\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eRear\u003c\/div\u003e\n\u003cdiv\u003e\n\tFrequency response\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e25 Hz - 150 Hz\u003c\/div\u003e\n\u003cdiv\u003e\n\tTHD \u0026gt; 60 Hz\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e≤1 %\u003c\/div\u003e\n\u003cdiv\u003e\n\tMax. peak\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e≥113 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tCrossover frequencies\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e50 - 150 Hz\u003c\/div\u003e\n\u003cdiv\u003e\n\tInput impedance\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e10 KOhm\u003c\/div\u003e\n\u003cdiv\u003e\n\tWeight\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e46.3 lb (21 kg)\u003c\/div\u003e\n\u003cdiv\u003e\n\tHeight x Width x Depth\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e22\" (560 mm) x 12\" (300 mm) x 15.5\" (400 mm)\u003c\/div\u003e\n\u003cdiv\u003e\n\tWarranty\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e5 Years\u003c\/div\u003e\n\u003cdiv\u003e\n\tDelivery contents\u003c\/div\u003e\n\u003cdiv\u003e\n\tPower cord, Manual\u003c\/div\u003e","brand":"ADAM Audio","offers":[{"title":"New | On Order","offer_id":46168020779291,"sku":"SUB10MK2","price":1699.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47320409735451,"sku":"SUB10MK2EBAYPRO","price":1338.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/87a8532_2.jpg?v=1692022523"},{"product_id":"spl-volume-8-highend-multichannel-volume-controller-c01","title":"SPL Volume 8 Highend Multichannel Volume Controller","description":"\u003cp\u003e\n\tWe love good speakers.\u003cbr\u003e\n\t\u003cbr\u003e\n\tAs a cost-effective alternative to our full-featured Stereo and Surround Monitoring Controllers MTC 2381 and SMC 2489, the SPL volume controllers are dedicated solely to level control.\u003cbr\u003e\n\t\u003cbr\u003e\n\tThe Volume2 model is intended for stereo applications, while the Volume8 can control up to eight channels. Both devices are designed with active circuitries to circumvent inevitable disadvantages of passive circuitries that result in impedance variation and therefore degraded linearity in frequency response.\u003cbr\u003e\n\t\u003cbr\u003e\n\tWho needs analog level control?\u003cbr\u003e\n\t\u003cbr\u003e\n\tSimply put, most DAW (Digital Audio Workstation) users. A majority of D\/A converters and sound cards provide nothing in the way of analog level monitoring control, and this means the necessity of varying signal levels at the converter outputs. The result is a lowered bit rate in the monitoring signal, which leads to commensurate loss of audio quality.\u003cbr\u003e\n\t\u003cbr\u003e\n\tA further, very interesting application area is in the construction of a straight multi-channel playback chain, where the Volume8 is situated between the playback machine and either power amp and speakers or simply active speaker systems. In such cases, the playback machine must offer analog outputs. This provides for minimal financial and electronic efforts through the most direct possible playback path. Common AV receivers employ VCA and DAC components which tend to produce more distortions, or the signal runs through further AD\/DA converters for the volume control. Thus especially with SACD or DVD-A sources, only a high-quality analog, direct control of the source output ensures an unimpaired playback of the original information.\u003cbr\u003e\n\t\u003cbr\u003e\n\tAdditional Reasons for employing the Volume 8\u003cbr\u003e\n\t\u003cbr\u003e\n\tHigh quality balancing stages with extremely good common mode rejection (minimize interferences and disturbances in the signal paths) The mute switch allows for very fast reaction times in cases where loud speakers or ears should be protected (for example, with computer crashes) Users of analog summing without monitoring facilities can cost effectively improve their systems\u003c\/p\u003e","brand":"SPL","offers":[{"title":"New | On Order","offer_id":46168021106971,"sku":"2608","price":879.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/volume8_frei-1.jpg?v=1692022531"},{"product_id":"aviom-a16d-pro-a-2u-rack-mounted-8-port-a-net-distributor-c01","title":"Aviom A16d Pro A 2u Rack Mounted 8 Port A Net Distributor","description":"\u003cp\u003eThe A-16D Pro is designed to distribute the A-Net Signal from an A-16T Transmitter, the AN-16\/i Input Module, the original A-16D Distributor, or another A-16D Pro Distributor. Each A-16D Pro accepts one A-Net input signal and provides eight simultaneous A-Net outputs using standard Category-5 cables. The 2U device contains a host of professional features that makes setup and installation fast and easy. The A-16D Pro Distributor also features a dedicated A-Net Thru jack that allows the A-Net signal to be sent to other A-16D Pro A-Net Distributors, providing for virtually unlimited system expansion. In addition, the Thru jack can be used to connect other A-Net compatible units, such as the AN-16\/o Output Module, allowing the A-16D Pro to become a central link in an audio distribution network. The A-16D Pro Distributor eliminates the need to daisy-chain Personal Mixers, simplifying stage and studio setups. The unit is powered by an internal switching power supply, with an IEC connector on the rear panel. All connections for A-Net In, Out, and Thru use Neutrik s EtherCon connectors. EtherCon connectors feature a heavy duty XLR-style barrel that provides extra protection to cable ends and also provides a quick-release locking mechanism. The A-16D Pro A-Net Distributor provides eight channels of isolated (floating ground) DC power to the connected A-16 Personal Monitor Mixers directly, eliminating the need for a power supply at each mixer s location. The original A-16D Distributor remains in the product line. Unlike the A-16D, the A-16D Pro does not require any external DC power supplies. Inside the A-16D Pro is Aviom s unique power sub-system design which virtually eliminates the possibility of introducing hum or ground loops into an audio system. All connections on the A-16D Pro are on the front panel. A pass-through cable cutout is provided for flexible cable routing. As with all Aviom A-Net compatible products, cable runs of up to 500 feet (150 meters) are po\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eOne A-Net input, eight powered A-Net outputs\u003c\/li\u003e\n\u003cli\u003eA-Net Thru for system expansion (unpowered A-Net output)\u003c\/li\u003e\n\u003cli\u003eIsolated DC power supplies for eight A-Net Personal Mixers via the Cat-5e cable\u003c\/li\u003e\n\u003cli\u003eEtherCon connections throughout\u003c\/li\u003e\n\u003cli\u003eMultiple A-Net Distributors can be used in a system\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Aviom","offers":[{"title":"New | On Order","offer_id":46168030609691,"sku":"A16DPROA","price":1365.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10024200.jpg?v=1692022628"},{"product_id":"akg-k702-professional-headphones-c01","title":"AKG K702 Professional Headphones","description":"\u003cp\u003eThe K 702 are the new reference for open-back dynamic AKG headphones. They combine an extremely accurate response with yet unseen agility and spaciousness. This is achieved by using revolutionary flat-wire voice coils and a patented Varimotion two-layer diaphragm. A totally open design and a high performance cable complete these reference headphones.\u003c\/p\u003e\n\u003cp\u003eTheir comfortable, specially shaped “3D-form” ear pads and a padded genuine-leather headband ensure a perfect fit. They are individually tested and numbered.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFlat wire voice coil\u003c\/li\u003e\n\u003cli\u003ePatented Varimotion™ two-layer diaphragm\u003c\/li\u003e\n\u003cli\u003e\"3D Form\" ear pads for perfect fit\u003c\/li\u003e\n\u003cli\u003eIndividually tested and numbered\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"New | On Order","offer_id":46168046862619,"sku":"K702","price":429.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317415461147,"sku":"K702SPEBAYPRO","price":203.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/akg_k702.jpg?v=1692022805"},{"product_id":"focal-cms50-2-way-near-field-monitor-5-woofer-repack-c01","title":"Focal CMS50 2-Way Near Field Monitor 5\" Woofer Missing Rubber Footing (CMS50)","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eFocal CMS50 2 Way Near Field Monitor 5\" Woofer (Factory Repack)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003e**Please Note: There is no original box and it's missing metal base plates**\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eFull Manufactures Warranty!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-top: 0px; padding-bottom: 0px; margin-top: 0px; margin-bottom: 12px; \"\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe CMS 50 is the most compact monitoring loudspeaker of all the Focal Professional range. Its design permits listening from 50cm away, while still keeping the possibility of the monitors at a great distance from one another without damaging the soundstage. The 5” mid-woofer reaches down to 55Hz, while offering a controlled bass and a totally linear midrange. The midrange register of the CMS 50 has unequalled neutrality in its price range. The Al-Mg inverted dome tweeter offers outstanding dynamics and a degree of definition in the treble that allow precise measurement of reverb and other effects which are normally very difficult to assess.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eFOCAL CMS 50 Active Studio Monitor Specifications\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cul\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eFrequency response (+\/-3dB) \u003c\/strong\u003e: 55Hz - 28kHz\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eMaximum SPL :\u003c\/strong\u003e 105dB SPL (peak @ 1m)\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eInput\u003c\/strong\u003e : Balanced 20 kOhms \/ Unbalanced 47 kOhms\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eConnector\u003c\/strong\u003e XLR \/ RCA\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eHF amplifier stage \u003c\/strong\u003e: 50W RMS, class AB\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eLF amplifier stage :\u003c\/strong\u003e 80W RMS, class AB\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eElectric supply\u003c\/strong\u003e : Mains voltage: 220 - 230V (1.6A fuse rating)\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t120V (3.5A fuse rating)\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t100V (4A fuse rating)\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tIEC inlet and detachable power cord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eAdjustment : \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cul\u003e\n\t\u003cli\u003e\n\t\t- Adjustable sensitivity, +4dBu \/ 0 \/ -10dBV\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t- Adjustable volume, -66dB \/ 0dB\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t- Adjustable high-pass filter, full \/ 45 \/ 60 \/ 90Hz (12dB\/oct.)\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t- Adjustable LF Shelving, 0 \/ -4 \/ -2 \/ +2dB\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t- Adjustable HF Shelving, 0 \/ -4 \/ -2 \/ +2dB\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t- Desktop notch (160Hz), adjustable, 0 \/ -2 \/ -4 \/ -6dB\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t- Power ON\/OFF switch, mains voltage selector\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t- STANDBY\/ON switch\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eIndicators\u003c\/strong\u003e : Power ON \/ OFF LED\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eStandby\u003c\/strong\u003e \/ ON LED\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eAudio Clip \u003c\/strong\u003eLED\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eWoofer : \u003c\/strong\u003e5\" Focal drive unit, Polyglass cone\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eTweeter : \u003c\/strong\u003eAluminum\/Magnesium inverted dome Focal tweeter\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eShielding : \u003c\/strong\u003eIntegral by magnet design\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eConstruction :\u003c\/strong\u003e Reinforced and damped die cast aluminum cabinet\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eFinish :\u003c\/strong\u003e Black powder cabinet\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eDimensions with spikes :\u003c\/strong\u003e 289.5 x 190 x 201mm (11.4\" x 7.5\" x 7.9\")\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eDimensions with table stand :\u003c\/strong\u003e 299.2 x 190 x 201mm (11.8\" x 7.5\" x 7.9\")\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\u003cstrong\u003eNet weight\u003c\/strong\u003e : 7.7kg - (17lb)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focal","offers":[{"title":"Default Title","offer_id":46168113447195,"sku":"CMS50RP","price":397.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":51992857116955,"sku":"CMS50RPEBAYPRO","price":404.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/CMS50RP-0.jpg?v=1692023573"},{"product_id":"spl-phonitor-headphone-monitoring-system-c01","title":"SPL Phonitor One Headphone Amplifier Model","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003ch2 style=\"font-size: 13px; font-weight: bold; margin-top: 1em; color: rgb(51, 51, 51); \"\u003e\n\tWhy Headphones?\u003c\/h2\u003e\n\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; \"\u003e\n\tThere is more than meets the eye in working with headphones. For example the  modern audio production is often a decentralized process, maybe recording and track laying in one studio and mixing in another and as a result a production often take place in acoustically questionable rooms. In such circumstances, a mix might occur in an acoustically deficient ambiance (for example, in an extremely modal room), and employing headphones then begins to make sense when a successful mix would otherwise turn out to be impossible.\u003c\/p\u003e\n\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; \"\u003e\n\tBut another fact is that many musicians or producers might wish to – or be able to – mix at home (to say nothing of having to). Then the headphone becomes a clear must, enabling an evening or late night session that can only take place thanks to its being unhindered by the local acoustic environment.\u003c\/p\u003e\n\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; \"\u003e\n\t \u003c\/p\u003e\n\u003ch2 class=\"exp\" style=\"font-size: 13px; font-weight: bold; margin-top: 1em; color: rgb(51, 51, 51); background-image: url(http:\/\/www.spl.info\/fileadmin\/templates\/html\/media\/expand2.gif); background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; padding-right: 2em; background-position: 98% 60%; background-repeat: no-repeat no-repeat; \"\u003e\n\tAll Advantages For Headphones\u003c\/h2\u003e\n\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\tAs many already know, there are clear advantages to monitoring and mixing with headphones, but there are also a couple of disadvantages. The main one being that it is very difficult (if not impossible) to accurately judge room ambience.\u003c\/p\u003e\n\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\tTherefore, several years ago SPL began planning the development of a compact, professional headphone amplifier design based on its 120 volt technology. The inspiration came from project manager Hermann Gier‘s desire to eliminate major disadvantages in working with headphones. It therefore meant transferring the essential ambient parameters of loudspeaker monitoring to headphone monitoring.\u003c\/p\u003e\n\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\tAfter several years of development and painstaking optimization, SPL have now introduced the Phonitor, whose name is a derivative of “Headphone“ and “Monitor“.\u003c\/p\u003e\n\u003cdiv\u003e\n\t\u003ch2 class=\"exp\" style=\"font-size: 13px; font-weight: bold; margin-top: 1em; color: rgb(51, 51, 51); background-image: url(http:\/\/www.spl.info\/fileadmin\/templates\/html\/media\/expand2.gif); background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; padding-right: 2em; background-position: 98% 60%; background-repeat: no-repeat no-repeat; \"\u003e\n\t\tWith and Without Magnifiers\u003c\/h2\u003e\n\t\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\t\tThe Phonitor encompasses the advantages of both kinds of monitoring methods: On one hand the analytical headphone monitoring is like working with an acoustic magnifier but without external room influences; on the other hand, as with loudspeaker monitoring, forgoing the microscopic effect, but with room ambiance.\u003cbr\u003e\n\t\tWorking with the magnifier effect on headphones has the advantage of safely hearing clicks or similar defects and helps in fine tuning crossfades or to judge tonal problems in individual tracks.\u003cbr\u003e\n\t\t\u003cbr\u003e\n\t\tOn loudspeakers such analysis is much more difficult, as such problems just are not as apparent as when working without being able to “zoom in” aurally. \u003cbr\u003e\n\t\tConversely, loudspeakers provide monitoring with the advantage of spatial balance in a (definable through placement) stereo width, which in turn provides the illusion of an acoustic stage.\u003cbr\u003e\n\t\t\u003cbr\u003e\n\t\tTraditional headphone reproduction produces 180-degree stereo width in the middle of the head, and it is exactly this which creates the very problematic-to-impossible headphone mixing environment. An essential reason for such unnatural ambiance is the complete separation of the channels, which does not exist either in natural hearing or in stereo loudspeaker reproduction. This makes it nearly impossible to judge tonal balance, a stereo image and the phantom centre level. Panorama adjustments as well as related EQ settings that one attempts with headphones, typically just do not function on loudspeakers. \u003cbr\u003e\n\t\t\u003cbr\u003e\n\t\tMoreover, what is often called the “super stereo effect” with headphones usually creates a great deal of ear fatigue in the long run. Over loudspeakers the sound stage is felt in front, while in contrast, when monitoring through headphones, the stage is present on the left and on the right – but frontal and rear information is lost.\u003c\/p\u003e\n\t\u003cdiv\u003e\n\t\t\u003ch2 style=\"font-size: 13px; font-weight: bold; margin-top: 1em; color: rgb(51, 51, 51); background-image: url(http:\/\/www.spl.info\/fileadmin\/templates\/html\/media\/expand1.gif); background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; padding-right: 2em; background-position: 98% 60%; background-repeat: no-repeat no-repeat; \"\u003e\n\t\t\tThe End Of Ear Fatigue\u003c\/h2\u003e\n\t\t\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\t\t\tAside from the unnatural headphone ambiance there are further disadvantages with fatigue when mixing or listening with headphones. First, some headphones can be very uncomfortable to wear... \u003cbr\u003e\n\t\t\t\u003cbr\u003e\n\t\t\tConventional headphone amplifiers can also be a contributing factor to premature ear fatigue. Almost without exception, present-day headphone amplifiers employ comparatively undemanding IC’s. In the best cases they might work with symmetrical voltages of +\/-15V to +\/-18V, and in less favorable cases, with only a simple supply of 9 or 12V from cheaper external “wall-wart“ power supplies. But the voltage level acts in circuitry much like the cubic inch capacity to the productive power of a combustion engine: Cubic inch capacity is replaceable with nothing but more cubic inch capacity – and in the productive power of electronics, voltage level functions similarly. \u003cbr\u003e\n\t\t\t\u003cbr\u003e\n\t\t\tFor some years, now, SPL has addressed this issue in with its mastering series of products through its own specifically developed 120 volt technology. Consoles and signal processors of the SPL Mastering Series appear as central elements in installations of today’s most renowned mastering houses (z. B. Bob Ludwig’s Gateway Mastering \u0026amp; DVD in the USA, Simon Heyworth’s Super Audio Mastering in Great Britain or the Galaxy Studios in Belgium).\u003cbr\u003e\n\t\t\tThis 120 volt technology is based on discrete operation amplifiers from SPL’s own production, developed and perfected over many years by SPL’s co-founder and chief developer, Wolfgang Neumann. These SUPRA OPs work with high-performance semiconductors in Class A technology at a symmetrical voltage of +\/-60V. \u003cbr\u003e\n\t\t\tIn the Phonitor nine SUPRA OPs are employed. The SUPRA OPs have a Signal To Noise Ratio of 116dB and offer a nearly 34dB headroom – that yields an unequalled 150dB dynamic range.\u003cbr\u003e\n\t\t\t\u003cbr\u003e\n\t\t\tThe musical result cannot be mistaken: Regardless of the monitoring means, regardless of how loud you monitor – the Phonitor always remains a distant, impartial factor unaffected when used to capacity and beyond being overloaded. \u003cbr\u003e\n\t\t\t\u003cbr\u003e\n\t\t\tThe phase stability is always perfect and its THD is next to immeasurable. The Phonitor’s SUPRA OPs cannot be stressed even in the most stressful circumstances, and for precisely this reason its musical sound is always relaxed and spacious. All frequencies are reproduced in balance, basses are stable and tight, mids are clear and differentiated and highs remain transparent and soft.\u003cbr\u003e\n\t\t\t\u003cbr\u003e\n\t\t\tSuch supreme and heretofore unreachable neutrality in audio reproduction is the direct consequence of our technical approach and basis in 120 volt technology: Possible disturbances from such as noise or distortion are so slight that we even arrive at the boundaries of the best measuring equipment, and what remains is quite simply unaltered musical sound.\u003c\/p\u003e\n\t\t\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\t\t\t \u003c\/p\u003e\n\t\t\u003cbr\u003e\n\t\t\u003cdiv\u003e\n\t\t\t\u003cdiv class=\"kasten\" style=\"margin-top: 0px !important; margin-right: 0px !important; margin-bottom: 10px !important; margin-left: 0px !important; text-align: left; \"\u003e\n\t\t\t\t\u003cp class=\"oben\" style=\"font-size: 13px; font-weight: bold; color: rgb(51, 51, 51) !important; text-align: right; line-height: 1.3em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; width: 653px; height: 10px !important; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; \"\u003e\n\t\t\t\t\t \u003c\/p\u003e\n\t\t\t\t\u003cdiv class=\"kasten-body\" style=\"background-image: url(http:\/\/www.spl.info\/fileadmin\/templates\/html\/media\/runde-ecken-mittelgrau.png); background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(204, 204, 204); background-position: 0px 0px; background-repeat: no-repeat no-repeat; \"\u003e\n\t\t\t\t\t\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: bold; color: rgb(51, 51, 51) !important; text-align: left; line-height: 1.3em; margin-top: 0px; margin-right: 1em; margin-bottom: 0px; margin-left: 1em; \"\u003e\n\t\t\t\t\t\t\u003cspan class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: Verdana, sans-serif; font-size: medium; \"\u003ePhonitoring.\u003c\/span\u003e\u003c\/p\u003e\n\t\t\t\t\u003c\/div\u003e\n\t\t\t\t\u003cp class=\"unten\" style=\"font-size: 13px; font-weight: bold; color: rgb(51, 51, 51) !important; text-align: right; line-height: 1.3em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; width: 653px; height: 10px !important; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; \"\u003e\n\t\t\t\t\t \u003c\/p\u003e\n\t\t\t\u003c\/div\u003e\n\t\t\t\u003cspan class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: Verdana, sans-serif; font-size: medium; \"\u003e\u003c\/span\u003e\n\t\t\t\u003cdiv class=\"csc-default\" id=\"c4163\"\u003e\n\t\t\t\t\u003ch2 style=\"font-size: 13px; font-weight: bold; margin-top: 1em; color: rgb(51, 51, 51); \"\u003e\n\t\t\t\t\t\u003cspan class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: Verdana, sans-serif; font-size: medium; \"\u003eAudio\u003c\/span\u003e\n\u003c\/h2\u003e\n\t\t\t\t\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; \"\u003e\n\t\t\t\t\t\u003cspan class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: Verdana, sans-serif; font-size: medium; \"\u003eFrequency Response: ‹10Hz to ›200kHz \u003cem\u003e(-3dB)\u003c\/em\u003e\u003cbr\u003e\n\t\t\t\t\tCMR:-80dBu\u003cem\u003e (@1kHz, 0dBu input level and unity gain)\u003c\/em\u003e\u003cbr\u003e\n\t\t\t\t\tCrosstalk: -67dB \u003cem\u003e(@1kHz)\u003c\/em\u003e\u003cbr\u003e\n\t\t\t\t\tTHD: 0,005% (\u003cem\u003e@ 1kHz, 0dBu input level and unity gain)\u003c\/em\u003e\u003cbr\u003e\n\t\t\t\t\tNoise: -97dBu \u003cem\u003e(A-weighted)\u003c\/em\u003e\u003cbr\u003e\n\t\t\t\t\tDynamic Range: 129,5dB\u003cem\u003e (@ 600 Ohms Impedance)\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\t\t\t\t\u003cdiv\u003e\n\t\t\t\t\t \u003c\/div\u003e\n\t\t\t\u003c\/div\u003e\n\t\t\t\u003cspan class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: Verdana, sans-serif; font-size: medium; \"\u003e\u003c\/span\u003e\n\t\t\t\u003cdiv class=\"accordion csc-frame csc-frame-invisible\" style=\"text-decoration: none; \"\u003e\n\t\t\t\t\u003ch2 style=\"font-size: 13px; font-weight: bold; margin-top: 1em; color: rgb(51, 51, 51); background-image: url(http:\/\/www.spl.info\/fileadmin\/templates\/html\/media\/expand1.gif); background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; padding-right: 2em; background-position: 98% 60%; background-repeat: no-repeat no-repeat; \"\u003e\n\t\t\t\t\t\u003cstrong\u003eInputs\u003c\/strong\u003e\n\u003c\/h2\u003e\n\t\t\t\t\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\t\t\t\t\t\u003cem\u003e(XLR connections, electronically balanced)\u003c\/em\u003e\u003cbr\u003e\n\t\t\t\t\tImpedance: ca. 20 Ohms balanced\/ca. 10 Ohms unbalanced \u003cbr\u003e\n\t\t\t\t\tMaximum Input Level: +24dBu\u003c\/p\u003e\n\t\t\t\t\u003cdiv\u003e\n\t\t\t\t\t\u003ch2 style=\"font-size: 13px; font-weight: bold; margin-top: 1em; color: rgb(51, 51, 51); background-image: url(http:\/\/www.spl.info\/fileadmin\/templates\/html\/media\/expand1.gif); background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; padding-right: 2em; background-position: 98% 60%; background-repeat: no-repeat no-repeat; \"\u003e\n\t\t\t\t\t\t\u003cstrong\u003eOutputs\u003c\/strong\u003e\n\u003c\/h2\u003e\n\t\t\t\t\t\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\t\t\t\t\t\tXLR Connections: Input thru, electronically balanced\u003cbr\u003e\n\t\t\t\t\t\tHeadphone Output: 6,3 mm stereo TRS connection\u003cbr\u003e\n\t\t\t\t\t\t\u003cem\u003ePin Wiring Tip = left, Ring = right, Shaft = GND, Impedance: 9 Ohms\u003c\/em\u003e\u003c\/p\u003e\n\t\t\t\t\t\u003cdiv\u003e\n\t\t\t\t\t\t\u003ch2 class=\"exp\" style=\"font-size: 13px; font-weight: bold; margin-top: 1em; color: rgb(51, 51, 51); background-image: url(http:\/\/www.spl.info\/fileadmin\/templates\/html\/media\/expand2.gif); background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; padding-right: 2em; background-position: 98% 60%; background-repeat: no-repeat no-repeat; \"\u003e\n\t\t\t\t\t\t\t\u003cstrong\u003e\u003cem\u003eP\u003c\/em\u003eower Amplifier\u003c\/strong\u003e\n\u003c\/h2\u003e\n\t\t\t\t\t\t\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\t\t\t\t\t\t\tMax. Output Performance: \u003cbr\u003e\n\t\t\t\t\t\t\t1,7W (+32,2dBm) @ 1 kHz and 600 Ohms connection\u003cbr\u003e\n\t\t\t\t\t\t\t360mW (+25,6dBm) @ 1 kHz and 30 Ohms connection\u003c\/p\u003e\n\t\t\t\t\t\t\u003cdiv\u003e\n\t\t\t\t\t\t\t\u003ch2 class=\"exp\" style=\"font-size: 13px; font-weight: bold; margin-top: 1em; color: rgb(51, 51, 51); background-image: url(http:\/\/www.spl.info\/fileadmin\/templates\/html\/media\/expand2.gif); background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; padding-right: 2em; background-position: 98% 60%; background-repeat: no-repeat no-repeat; \"\u003e\n\t\t\t\t\t\t\t\t\u003cstrong\u003eDisplay Elements\u003c\/strong\u003e\n\u003c\/h2\u003e\n\t\t\t\t\t\t\t\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\t\t\t\t\t\t\t\tVU Meter: Input levels from -20dB to +5dB\u003cbr\u003e\n\t\t\t\t\t\t\t\tSignal LED: Input signals from -22dBu\u003cbr\u003e\n\t\t\t\t\t\t\t\tOverload LED: Displays input overload from +21dBu\u003c\/p\u003e\n\t\t\t\t\t\t\t\u003cdiv\u003e\n\t\t\t\t\t\t\t\t\u003ch2 class=\"exp\" style=\"font-size: 13px; font-weight: bold; margin-top: 1em; color: rgb(51, 51, 51); background-image: url(http:\/\/www.spl.info\/fileadmin\/templates\/html\/media\/expand2.gif); background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; padding-right: 2em; background-position: 98% 60%; background-repeat: no-repeat no-repeat; \"\u003e\n\t\t\t\t\t\t\t\t\t\u003cstrong\u003ePower Supply\u003c\/strong\u003e\n\u003c\/h2\u003e\n\t\t\t\t\t\t\t\t\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\t\t\t\t\t\t\t\t\tVoltages: 230V AC, 50Hz\/120V AC, 60Hz\u003cbr\u003e\n\t\t\t\t\t\t\t\t\tPower Consumption: max 23,7VA\u003cbr\u003e\n\t\t\t\t\t\t\t\t\tFuses (slow blow): 200-240V AC: 500mA\/100-120V AC: 1A\u003c\/p\u003e\n\t\t\t\t\t\t\t\t\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\t\t\t\t\t\t\t\t\t \u003c\/p\u003e\n\t\t\t\t\t\t\t\t\u003ch2 class=\"exp\" style=\"font-size: 13px; font-weight: bold; margin-top: 1em; color: rgb(51, 51, 51); background-image: url(http:\/\/www.spl.info\/fileadmin\/templates\/html\/media\/expand2.gif); background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; padding-right: 2em; background-position: 98% 60%; background-repeat: no-repeat no-repeat; \"\u003e\n\t\t\t\t\t\t\t\t\t\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\n\u003c\/h2\u003e\n\t\t\t\t\t\t\t\t\u003cp class=\"bodytext\" style=\"font-size: 13px; font-weight: normal; color: rgb(51, 51, 51); text-align: justify; line-height: 1.3em; display: block; \"\u003e\n\t\t\t\t\t\t\t\t\tH x W x D (mm): 106 x 216 x 393 (H w\/o Feet 88mm\/2U)    \u003cbr\u003e\n\t\t\t\t\t\t\t\t\tWeight: 4,05kg\u003cbr\u003e\n\t\t\t\t\t\t\t\t\t\u003cbr\u003e\n\t\t\t\t\t\t\t\t\t\u003cem\u003e0dBu = 0,775V. Subject to change without notice.\u003c\/em\u003e\u003c\/p\u003e\n\t\t\t\t\t\t\t\u003c\/div\u003e\n\t\t\t\t\t\t\u003c\/div\u003e\n\t\t\t\t\t\u003c\/div\u003e\n\t\t\t\t\u003c\/div\u003e\n\t\t\t\u003c\/div\u003e\n\t\t\u003c\/div\u003e\n\t\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"New - Version: PHONITOR | On Order","offer_id":46168174395675,"sku":"SPLPHON1","price":679.0,"currency_code":"USD","in_stock":true},{"title":"New | On Order","offer_id":46168174428443,"sku":"PHONITOR","price":1799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/p2_silber_front.png?v=1692024134"},{"product_id":"magneto-audo-labs-variohm-c01","title":"Magneto Audio Labs VariOhm","description":"\u003cp\u003e\n\tThe VariOhm is a unique device that allows the user to control the impedance relationship between a microphone and a preamp\/interface. But utilizing impedance control, one can achieve a variety of tonal settings, expanding your selection of sonic textures and colors to choose from. The VariOhm will make your current microphones, preamps and interfaces sound like completely new tools.\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp\u003e\n\t\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t\u003cstrong\u003eImpedance Settings\u003c\/strong\u003e - 50, 200, 300, 500, 1.2k, 2.4k\u003cbr\u003e\n\t\u003cstrong\u003eVertical Heigh\u003c\/strong\u003et - Single RU\u003cbr\u003e\n\t\u003cstrong\u003eHorizontal Width\u003c\/strong\u003e - Half RU\u003cbr\u003e\n\t\u003cstrong\u003eInput\/Output\u003c\/strong\u003e - XLR\u003cbr\u003e\n\t\u003cstrong\u003eCompletely Passive\u003c\/strong\u003e - No power required\u003cbr\u003e\n\t\u003cstrong\u003eSwitches\u003c\/strong\u003e - Bypass, Phantom(on\/off), Phase\u003c\/p\u003e","brand":"Magneto Audio Labs","offers":[{"title":"New | In Stock","offer_id":46168207163675,"sku":"MLV01","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/variohm-full.jpg?v=1692024304"},{"product_id":"dynaudio-bm6a-single-powered-studio-monitor-bm6a","title":"Dynaudio BM6A SINGLE Powered Studio Monitor","description":"\u003cdiv\u003eThe Dynaudio Acoustics BM6A is a 2-way, Active studio monitor powered by twin 50 Watt amplifiers, featuring a 7\" woofer and a 1\" dome tweeter, housed in a no-nonsense cabinet with a black and aluminum finish, and sold as a pair.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe cabinet interior has been treated with damping material to minimize aberrant, vibration-related distortion, and the fluid-protected tweeter features a rear acoustic chamber. The amps are convection cooled, and there are a pair of front panel LED's indicating power, and overdrive or thermal protection activity, respectively.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe rear panel of the BM6A is refreshingly minimalist, featuring a trio of High, Mid and Low frequency boost\/cut switches, a balanced or unbalanced level sensitivity switch, and a dedicated High Pass filter switch. The lone connector is a balanced XLR female. The frequency switches are provided for subtle adjustment to the given room environment, not playback enhancement.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe BM6A is actually about this: if your mix is really good, it'll sound really good, and if it isn't, it won't. Neutrality, and balanced, un-hyped frequency delivery on playback, should be the objective in studio monitor speaker design. There are many active monitors available to choose from these days , and neutrality is both a manufacturing boast, and an engineering holy grail, that the BM6A actually delivers.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003e2-Way Active Monitors with dual 100-Watt amplifiers and electronic crossover\u003c\/div\u003e\u003cdiv\u003eFull magnetic shielding for use in close proximity to computer monitors\u003c\/div\u003e\u003cdiv\u003eUnique linear phase and frequency response ensures neutral playback, minimizes listening fatigue\u003c\/div\u003e\u003cdiv\u003eInterior damping of speaker cabinet minimizes resonance and vibration-related distortion\u003c\/div\u003e\u003cdiv\u003eThermally protected tweeter with rear acoustic chamber\u003c\/div\u003e\u003cdiv\u003eSlow-attack optical High-Frequency Limiter\u003c\/div\u003e\u003cdiv\u003eOverdrive protection circuitry for Low-Frequency amplifier with True Clipping front panel LED indicator\u003c\/div\u003e\u003cdiv\u003eInput sensitivity level switch for balanced or unbalanced operation\u003c\/div\u003e\u003cdiv\u003eHigh and Low-Frequency trim controls with 5dB range for subtle adjustment to room acoustic environment\u003c\/div\u003e\u003cdiv\u003eHigh-Frequency control from 3kHz upward, Low-Frequency control from 100Hz downward\u003c\/div\u003e\u003cdiv\u003eXLR Connector\u003c\/div\u003e\u003cdiv\u003eSwitchable 115-230 VAC power supply for international use\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eLow Frequency Driver\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e 7\" One-piece molded polypropylene cone Woofer with 3\" Aluminum voice coil\u003c\/div\u003e\u003cdiv\u003eMid Frequency Driver\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e No\u003c\/div\u003e\u003cdiv\u003eHigh Frequency Driver\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e 1\" Esotec soft dome Tweeter with rear chamber, magnetic fluid, die-cast Aluminum front, and 4mm Aluminum voice coil\u003c\/div\u003e\u003cdiv\u003eLF Amplifier\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e 100 Watts\u003c\/div\u003e\u003cdiv\u003eHF Amplifier\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e 100 Watts\u003c\/div\u003e\u003cdiv\u003eCrossover\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e Electronic, 24 dB\/Octave Slope, 2.2 kHz, 4th Order Phase Aligned\u003c\/div\u003e\u003cdiv\u003eFrequency Range\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e 41 Hz - 21 kHz +\/-3 dB\u003c\/div\u003e\u003cdiv\u003eImpedance\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e Not Applicable, self-amplified\u003c\/div\u003e\u003cdiv\u003eMaximum Sound Pressure Level (SPL)\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e 118 dB @ 1 Meter\u003c\/div\u003e\u003cdiv\u003eControls and Indicators\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e Rear:\u003c\/div\u003e\u003cdiv\u003e1 x +4\/-10 Input Sensitivity Switch\u003c\/div\u003e\u003cdiv\u003e1 x High Frequency Trim Knob\u003c\/div\u003e\u003cdiv\u003e1 x Low Frequency Trim Knob\u003c\/div\u003e\u003cdiv\u003e1 x Power Switch\u003c\/div\u003e\u003cdiv\u003e1 x 115-230 Voltage Selector Switch\u003c\/div\u003e\u003cdiv\u003eFront:\u003c\/div\u003e\u003cdiv\u003e1 x Low Frequency Amplifier Clip LED Indicator\u003c\/div\u003e\u003cdiv\u003e1 x Power\/Protection Circuitry On LED Indicator\u003c\/div\u003e\u003cdiv\u003eConnectors\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e 1 x XLR Female, Balanced\u003c\/div\u003e\u003cdiv\u003eShielded\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e Yes\u003c\/div\u003e\u003cdiv\u003eDimensions (HxWxD)\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e 13.3 x 8.5 x 12.6\" (338 x 217 x 321mm)\u003c\/div\u003e\u003cdiv\u003eWeight\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e 24.2 lb (11.0 kg)\u003c\/div\u003e\u003cdiv\u003eSpecialties\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e\t\u003c\/span\u003e High and Low Frequency Trim control\u003c\/div\u003e\u003cdiv\u003e115-230 Voltage selector switch\u003c\/div\u003e","brand":"Dynaudio","offers":[{"title":"New | On Order","offer_id":46168219353371,"sku":"995002011","price":1099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/dynaudio-BM6A-0.jpg?v=1692024372"},{"product_id":"eminence-asd1001s-high-frequency-driver-for-jbl-jrx-series-c01","title":"Eminence ASD1001S High Frequency Driver for JBL JRX Series","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eEminence ASD1001S High Frequency Driver for JBL JRX Series\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tSPECIFICATION\u003c\/div\u003e\n\u003cdiv\u003e\n\tThroat Size\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e1\", 25.4mm\u003c\/div\u003e\n\u003cdiv\u003e\n\tNominal Impedance*\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e8 ohms\u003c\/div\u003e\n\u003cdiv\u003e\n\tPower Rating**\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e50W @ 2.5kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\tFree Air Resonace\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e1.23kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\tUsable Frequency Range\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e2.5Hz-20kHz\u003c\/div\u003e\n\u003cdiv\u003e\n\tSensitivity***\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e104.3dB (1W\/1m across 2.5kHz-20kHz)\u003c\/div\u003e\n\u003cdiv\u003e\n\tMagnet Weight\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e12oz, 0.34kg\u003c\/div\u003e\n\u003cdiv\u003e\n\tVoice Coil Diameter\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e1.3\" \/ 33mm\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tTHIELE \u0026amp; SMALL PARAMETERS\u003c\/div\u003e\n\u003cdiv\u003e\n\tDC Resistance (Re)\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e6.7\u003c\/div\u003e\n\u003cdiv\u003e\n\tCoil Inductance (Le)\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e1.1mH\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tMOUNTING INFO\u003c\/div\u003e\n\u003cdiv\u003e\n\tOverall Diameter\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e3.5\", 88.9mm\u003c\/div\u003e\n\u003cdiv\u003e\n\tMounting Holes Diameter\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e~\u003c\/div\u003e\n\u003cdiv\u003e\n\tMounting Holes B.C.D.\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e~\u003c\/div\u003e\n\u003cdiv\u003e\n\tMounting Thread\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e1 3\/8\" 18 NEF ext.\u003c\/div\u003e\n\u003cdiv\u003e\n\tDepth\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e2.45\", 62mm\u003c\/div\u003e\n\u003cdiv\u003e\n\tWeight\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e2 lbs, 0.9 kg\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tMATERIALS OF CONSTRUCTION\u003c\/div\u003e\n\u003cdiv\u003e\n\tDiaphragm Material\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eDiamond Titanium\u003c\/div\u003e\n\u003cdiv\u003e\n\tMagnet Composition\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eFerrite\u003c\/div\u003e","brand":"Eminence","offers":[{"title":"New | On Order","offer_id":46168316477723,"sku":"ASD1001S","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/asd1001s.jpg?v=1692024647"},{"product_id":"neumann-kh120-5-25-inch-bi-amplified-studio-monitor-kh120","title":"Neumann KH120 5.25\" Bi-Amplified Studio Monitor","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eNeumann KH120 5.25 Inch Bi-Amplified Studio Monitor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\t\u003cdiv\u003e\n\t\tThe KH 120 2-way monitor speaker packs Neumann's decades of experience in professional audio into a compact design that's ideal for use as a main nearfield monitor, or as a rear monitor in larger systems. The speaker features a 5.25\" composite sandwich cone woofer and a 1\" titanium fabric dome tweeter to provide clear, natural audio with a wide frequency response. Large ports on the cabinet help to extend bass response, while an elliptical MMD waveguide on the tweeter provides a wide sweet spot.\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\t \u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tThe cabinet is made from durable painted aluminum. It has non-parallel walls to reduce internal standing waves and a single-piece front panel for reduced diffraction and smoother frequency response. A robust metal grille protects the speaker elements from damage. The cabinet is also magnetically shielded for safe use near video monitors and other electronics.\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\t \u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tThe speaker has an XLR input for wide compatibility with professional audio systems and devices. Acoustic controls let you adjust bass, low-mid, and treble frequencies, allowing you to modify the speaker's performance to match your environment. Powerful analog amplifiers provide a combined peak power of 180W to provide a strong performance with ample headroom and excellent transient response. The speaker has integrated mounting points for versatile installation. It also features a universal power supply for convenient international use.\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\t \u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tCompact Design\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tThe speaker's compact design is ideal for use as a primary nearfield monitor or as a rear monitor in larger systems\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tPremium Drivers\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tA 5.25\" composite sandwich cone woofer and a 1\" titanium fabric dome tweeter provide clear, natural audio with a wide frequency response. Separate electronic peak limiters and thermal protection circuitry are built-in\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tBass Ports\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tA pair of large ports on the front of the cabinet help to extend low frequency response and reduce bass compression\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tElliptical Waveguide\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tThe elliptical mathematically modeled dispersion (MMD) waveguide around the tweeter provides a smooth off-axis response, providing a wide horizontal dispersion and narrow vertical dispersion to create a wide sweet spot while reducing reflections\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tAluminum Cabinet\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tThe painted aluminum cabinet minimized resonances and offers excellent heat dissipation for a long lifespan. The cabinet has non-parallel walls to minimize internal standing waves and a single-piece front panel with no discontinuities to reduce diffraction and offer a smooth frequency response\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tMetal Grille\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tA robust metal grille protects the speaker elements from damage\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tMagnetically Shielded\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tThe speaker is magnetically shielded for safe use near video monitors and other electronics\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tStandard Input\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tThe standard XLR input offers wide compatibility with professional audio systems and devices\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tAcoustic Controls\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\t4-way acoustic controls let you adjust bass, low-mid, and treble frequencies, allowing you to modify the speaker's performance to match your environment\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tAnalog Amplifiers\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tPowerful analog amplifiers provide a combined peak power of 180W to provide a strong performance with ample headroom and excellent transient response\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tProduction Consistency\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tEach speaker is made to exacting specifications so that any KH 120 can be paired with another KH 120 with excellent results\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\t2-Color Logo\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tThe 2-color Neumann logo displays operation status and indicates activation of the internal protection system. The logo is also dimmable for low-light environments\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tInput and Output Controls\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tInput gain and output level controls provide versatile interfacing with signal sources\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tGround-Lift Switch\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tA ground-lift switch allows you to eliminate hum caused by ground loops\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tMounting Options\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tThe speaker has a pair of M8 mounting points on the rear panel. A number of other mounting accessories are available separately\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tUniversal Power\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tThe universal switch-mode power supply allows convenient international use\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\t \u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\t\u003cstrong\u003eSpecification:\u003c\/strong\u003e\n\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tLow Frequency Driver\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 5.25\" (133mm) Composite Sandwich Woofer\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tHigh Frequency Driver\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 1\" (25mm) Titanium Fabric Dome Tweeter\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tAmplifier\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e Bass: 50W, 80W Peak\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tTreble: 50W, 80W Peak\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tCrossover\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 2kHz, 24dB\/Oct, 4th Order\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tFrequency Range\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 52Hz - 21kHz ±3dB\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tMaximum Sound Pressure Level (SPL)\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 111.1dB\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tInput Impedance\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 10 kOhms\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tInput Gain\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 0 to -15dBu\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tOutput Level\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 94, 100, 108, and 114dB\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tCMRR\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e \u0026gt; 56dB @ 15kHz\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tEqualization\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 4-Position Switches for High, Mid, and Bass\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tConnectors\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 1 x XLR Input\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\t1 x Power Input\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tCabinet\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e Painted Aluminum\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tIndicators\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e Red\/White Illuminated Neumann Logo\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tShielded\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e Yes\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tProtection\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e Low and High Limiters, Overheating\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tMounting\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 2 x M8 Mounting Points\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tPower Requirements\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 100-240VAC, 50\/60Hz\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tPower Consumption\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e Idle: 20W\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tFull Output: 200W\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tOperating Temperature\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 50 to 104°F (10 to 40°C)\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\t\u0026lt; 90% Relative Humidity\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tDimensions (HxWxD)\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 10.9 x 7.1 x 8.6\" (277 x 182 x 220mm)\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\tWeight\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e 13.7 lbs (6.2kg)\u003c\/div\u003e\n\t\u003cdiv\u003e\n\t\t \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Neumann","offers":[{"title":"New | On Order","offer_id":46168328962331,"sku":"KH120","price":749.0,"currency_code":"USD","in_stock":false},{"title":"Repack | On Order","offer_id":47316395786523,"sku":"KH120RP","price":630.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/kh120main.jpg?v=1692024756"},{"product_id":"vic-firth-db22-safe-sound-headphones-c01","title":"Vic Firth DB22 Safe Sound Headphones","description":"\u003cp\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eVic Firth DB22 Safe Sound Headphones\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe Vic Firth dB22 Isolation Headset is better than foam earplugs. The non-electronic isolation headset was developed to protect your hearing. The isolation headset's lightweight construction and padded foam cushions provide maximum comfort, while also reducing overall noise levels by 22 dB. You get valuable protection from potential damage, and the headset is not only ideal for drum practice, but also has benefits for any musician.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tReduce overall noise levels by 22dB \u003c\/div\u003e\n\u003cdiv\u003e\n\tProtection from hearing loss \u003c\/div\u003e\n\u003cdiv\u003e\n\tLightweight construction and padded foam cushions provide maximum comfort \u003c\/div\u003e\n\u003cdiv\u003e\n\tIdeal for use in drum practice\u003c\/div\u003e","brand":"Vic Firth","offers":[{"title":"New | On Order","offer_id":46168335253787,"sku":"VFDB22","price":32.95,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":47183257174299,"sku":"VFDB22-EBAYPRO","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/61mebcoqhsl._ac_sl1200.jpg?v=1692024834"},{"product_id":"shure-srh940-dj-headphones-c01","title":"Shure SRH940 DJ Headphones","description":"\u003ch2\u003eShure SRH940 DJ Headphones\u003c\/h2\u003e\n\u003cp\u003eDesigned for professional audio engineers and in-studio talent, SRH940 Headphones provide accurate response across the entire audio spectrum to deliver smooth high-end extension with tight bass. Superior transient response minimizes distortion. Collapsible, lightweight design with premium padded headband offers superior comfort and portability. Included detachable cables and replacement set of velour ear pads ensure a long product life.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAccurate frequency response delivers smooth high-end extension with tight bass, and superior transient response for minimal distortion\u003c\/li\u003e\n\u003cli\u003eLightweight, ergonomic fit with premium padded headband provide maximum comfort over extended periods\u003c\/li\u003e\n\u003cli\u003eClosed-back, circumaural design rests comfortably over the ears and reduces background noise\u003c\/li\u003e\n\u003cli\u003eFolds flat and is adjustable for convenient storage and portability\u003c\/li\u003e\n\u003cli\u003eDetachable locking cable securely locks cable into ear cup and enables easy replacement\u003c\/li\u003e\n\u003cli\u003eLegendary Shure quality withstands the rigors of everyday use\u003c\/li\u003e\n\u003cli\u003eReplaceable velour ear pads included to ensure long product life and maximum comfort\u003c\/li\u003e\n\u003cli\u003eTwo included detachable cables (coiled \u0026amp; straight) provide flexible wearing options and easy replacement\u003c\/li\u003e\n\u003cli\u003eZippered, hard travel case protects headphones when on-the-go or in storage\u003c\/li\u003e\n\u003cli\u003eIncludes threaded ¼” (6.3 mm) gold-plated adapter and two-year limited warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shure","offers":[{"title":"New | On Order","offer_id":46168339775771,"sku":"SRH940","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/1604274615_img_1425740.jpg?v=1692024899"},{"product_id":"coleman-audio-ms6r-speaker-selector-c01","title":"Coleman Audio MS6R Speaker Selector","description":"\u003cp\u003e\n\t\u003cspan class=\"Apple-style-span\" style=\"font-family: Arial; font-size: 16px; \"\u003e\u003cstrong\u003eColeman Audio MS6R SPeaker Selector\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\tThis is passive version of the MS6A is as basic of a monitor switcher as you can get; six inputs and one output all on XLR connectors. Passive switching means the signal you put into the box is the signal you get out of it. There are no active electronics.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFeatures\u003c\/div\u003e\n\u003cdiv\u003e\n\t•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e6 Stereo Inputs, 1 Stereo Output\u003c\/div\u003e\n\u003cdiv\u003e\n\t•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eBalanced XLR connectors (pin 2 hot)\u003c\/div\u003e\n\u003cdiv\u003e\n\t•\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e1U Standard Rack Mount Enclosure\u003c\/div\u003e","brand":"Coleman Audio","offers":[{"title":"New | In Stock","offer_id":46168343642395,"sku":"MS6R","price":695.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47346515214619,"sku":"MS6REBAYPRO","price":619.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/coleman-audio-ms6r-0.jpg?v=1692024930"},{"product_id":"dangerous-music-monitor-sr-c01","title":"Dangerous Music MONITOR SR","description":"\u003ch2\u003eDangerous Music Monitor SR\u003c\/h2\u003e\n\u003ch3\u003eThe MONITOR Series\u003c\/h3\u003e\n\u003cp\u003eThe Dangerous Music MONITOR ST is an audiophile-grade, multi-purpose monitor controller for tracking, mixing and mastering that won’t color your sound. With the SR expansion unit, you can turn the award-winning ST into a versatile surround monitoring system. Need to work in 5.1, 7.1, 10.2?  No problem, just include as many SR units as needed. The MONITOR ST\/SR combo is simply the most accurate, clear and flexible surround monitoring solution available.\u003c\/p\u003e\n\u003ch3\u003eImpeccable Sound, Elegant Control\u003c\/h3\u003e\n\u003cp\u003eDesigned by the legendary Chris Muth, the MONITOR ST\/SR system handles all of your input sources and speaker routing with crystal clarity and massive headroom delivered from a meticulously designed circuit built from only the highest quality components available. With its relay-actuated analog stepped attenuator, ever-expandable input channels and speaker outs, programmable I\/O levels, all controlled via the sleek remote control, you can accurately dial in even the most elaborate surround systems for rock solid imaging and crystal clarity. And because all the switching within the MONITOR ST\/SR combo is handled by relays, your audio signals are delivered to your speakers unadulterated, removing all the guesswork while tracking, mixing or mastering.\u003c\/p\u003e\n\u003ch3\u003eSophisticated Surround Signal Routing\u003c\/h3\u003e\n\u003cp\u003eThe MONITOR ST\/SR handles the complex routing of a surround system with ease. When used together, the ST unit routes your front L-R speakers, the SR unit seamlessly handles the remaining inputs and speaker outputs, while the straightforward remote manages both units as an elegantly unified system. All connections on the SR are made via highest quality DB-25 connectors, and even with just one SR unit you can instantly manage both your L-R stereo plus sub and your surround array with LFE, all without patching a single cable. There is also a dedicated port for sending the selected input source to a surround metering array.\u003c\/p\u003e\n\u003ch3\u003eProgrammable Offsets\u003c\/h3\u003e\n\u003cp\u003eThe key to successful monitoring is dead accurate input and output calibration. With the MONITOR ST\/SR combination, you’ve got remote programmable input level offsets and front-panel calibration ports for surround channels on the SR. You can approach the often-debated surround calibration process in whatever way you deem best for your studio, workflow and preferences.\u003c\/p\u003e\n\u003ch3\u003eElegant and Efficient Remote Control\u003c\/h3\u003e\n\u003cp\u003eStay in the sweet spot while managing every signal in your surround studio. The MONITOR ST\/SR’s award-winning, ergonomic, intuitive and indestructible remote control puts all of the functions at your fingertips – including individual muting of center, L-R front and rear, and LFE channels. You can even mute and solo channels in groups. The illuminated switches give you instant visual feedback of all your settings, while the stepped volume knob triggers the audiophile-grade relays in the main unit. Get this remote under your hands to find out why the MONITOR ST\/SR has won a TEC Nomination, A Future Music Ace Award and was crowned a Certified Hit by Mix Magazine.\u003c\/p\u003e\n\u003ch3\u003eSurround Yourself With The Best DAC Available\u003c\/h3\u003e\n\u003cp\u003eThe Dangerous Music CONVERT-8 is the perfect DAC for use in a MONITOR ST\/SR surround system. 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Whether you prefer the holistic approach or like to listen analytically, the K 701 will turn perception into pure enjoyment. Features: Revolutionary flat-wire voice coil technology. Patented AKG Varimotion ultra-precision two-layer diaphragm. Self-adjusting cushioned genuine-leather headband and specially shaped \"3D-Form\" ear pads. Bi-wiring, high-performance cable with 1\/4\" jack plug. 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The Sub8 houses an excellent 8\" woofer with a large 50mm voicecoil, and is driven by a 160W ICE Power amp. This amp stays cool while handling maximum power levels, even if they are sustained. The front baffle features two motorized knobs that let you tailor the subwoofer's input level and crossover frequency settings for the best performance in your studio. These knobs can be controlled with an included wireless remote, allowing you to optimize your sound reproduction from your ideal listening position. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe Sub8 subwoofer is an ideal match for ADAM monitors such as the A7, ANF10, P11A, S1A and S2A. \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ci\u003e2 year standard warranty, extension to 5 year warranty upon registration in ‘My ADAM’ User Area\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ADAM Audio","offers":[{"title":"New | On Order","offer_id":46168360845595,"sku":"SUB8","price":1099.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/sub8.jpg?v=1692025119"},{"product_id":"rolls-pi9-phone-patch-2-pi9-c01","title":"Rolls PI9 Phone Patch 2","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eRolls PI9 Phone Patch 2\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe PI9 Phone Patch II from Rolls is a compact unit ideal for applications in broadcasting, conferencing, phone training, or any other time a phone call needs to be recorded or sent over a PA system.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSimply connect the PI9 to a standard telephone connection, and it will use transformer isolation to direct the signal to a pair of RCA jacks or the 3.5mm mini jack. 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It is a stereo controller with three digital inputs, three analog inputs and a headphone system. It's comprised of a rack mounted unit and table top remote control. Avocet has many features including; dim, mute, phase, mono, and 16 bit truncation functions, plus a speaker select switch that sends line level balanced audio to one of three outputs. The six input sources have on the fly gain trim capability and all digital signals are up-sampled and jitter reduced to ensure highest accuracy during D\/A conversion.\u003cbr\u003e \u003cbr\u003e The internal headphone amplifier can be fed from the program source or an external input. 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A pair of auxiliary link stereo jack sockets (TRS) are provided via the rear panel for connection to further DA-6 units for the distribution of even more channels.\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46168377196827,"sku":"DA6","price":1149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/drawmer-da6-balanced-distribution-amplifier.jpg?v=1692025305"},{"product_id":"drawmer-sp2120-speaker-protector-sp2120-c01","title":"Drawmer SP2120 Speaker Protector","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eDrawmer SP2120 Speaker Protector\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tSound System Protection in 2 easy steps...\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tStep 1: Insert key to ‘unlock’ front panel and adjust VU meter pre-set until the peaks of the incoming audio illuminate the red endstop 0dB LEDs.\u003c\/div\u003e\n\u003cdiv\u003e\n\tStep 2: Adjust max output level pre-set until sound system volume reaches the maximum permitted SPL as specified by the installer or client. Remove key... and sleep soundly.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe new Drawmer SP2120 Speaker Protector offers both strict level control and tremendous peace of mind to the contractor, installer and venue in the knowledge that only the maintenance engineer and the venue manager hold a key. As its name suggests the 1U, two channel processor eliminates the possibility of ‘unauthorised’ excessive sound pressure levels on speaker systems which could result in damage to both chassis drivers and amplifier electronics. The unit also gives a wide variety of venues, such as clubs, theatres, pubs, schools, universities etc. the opportunity to comply with the local legislation regarding noise levels.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFeatures include: \u003c\/div\u003e\n\u003cdiv\u003e\n\tKey Holder access only\u003c\/div\u003e\n\u003cdiv\u003e\n\tTakes only minutes to install\u003c\/div\u003e\n\u003cdiv\u003e\n\tDual 16 segment Left\/Right bargraphs for ‘at a glance’ level metering\u003c\/div\u003e\n\u003cdiv\u003e\n\t‘Protection’ processing 16 segment bargraph display\u003c\/div\u003e\n\u003cdiv\u003e\n\tNo sound quality loss even during heavy protection processing\u003c\/div\u003e\n\u003cdiv\u003e\n\tOnce installed and calibrated completely eliminates the possibility of ‘unauthorised’ volume levels\u003c\/div\u003e\n\u003cdiv\u003e\n\tEliminates sound system abuse and the resulting cost of chassis speaker re-cones, HF diaphragm replacements and amplifier repairs\u003c\/div\u003e\n\u003cdiv\u003e\n\tReduces ‘call-out’ costs of sound system service\/repair engineers\u003c\/div\u003e\n\u003cdiv\u003e\n\tReduces sound system ‘down time’ and the consequential loss of venue income\u003c\/div\u003e\n\u003cdiv\u003e\n\tIsolation transformer output option\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe SP2120 front panel features an integral security lock to ensure that adjustments to maximum volume levels are implemented by key holders only. In ‘unlocked’ mode two front panel pre-sets are exposed and available for adjustment by the installer. The first calibrates the 16 segment Left\/Right bargraphs to the incoming audio and dictates the point at which ‘protection’ processing commences. The second sets the absolute volume level to which the sound system is allowed to perform. If the SP2120 receives increased signal levels, the transparent ‘protection’ circuitry is activated which maintains the specified system volume level without degradation in sound quality.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe SP2120 greatly benefits from Drawmer’s 25 years experience in designing industry standard dynamic processing devices. Its signal path combines a mixture of ‘multiple time constant’ circuitry and automatic gain control (AGC) which allow small overloads to sound louder - even though they’re not. Its concept and development was encouraged by Drawmer distributors and installers dissatisfied with other protection systems currently available. These often take the form of a crude switch, either turning off the power or disconnecting the speakers, both of which are ‘disruptive’ in any event. The SP2120 is intended to be inserted in the sound system immediately prior to the amplifier stage.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSP2120 Tamper Proof Security Panel (only available for serial number 0845 or higher):\u003c\/div\u003e\n\u003cdiv\u003e\n\tDrawmer have gone to great lengths to make the Speaker Protector tamper-proof by incorporating the locking mechanism on the front. However, if the rear of the unit, along with the power amplifier, were reconnected, by an engineer\/dj trying to gain more level, then the protection system would effectively be bypassed. For this reason Drawmer have designed the Speaker Protector Tamper-proof Bracket - trapping the XLR’s in place and making it extremely difficult to disconnect them without removing the bracket. This bracket could be specified in order to conform to Local Authority noise abatement regulations.\u003c\/div\u003e","brand":"Drawmer","offers":[{"title":"New | On Order","offer_id":46168377327899,"sku":"SP2120","price":1029.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/sp2120_large_63a77930-b424-474a-b51e-aeaec2972aa1.jpg?v=1692025310"},{"product_id":"spl-2861-2-control-stereo-monitor-control-2861-c01","title":"SPL 2Control Stereo Monitor Controller","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cstrong\u003e\u003cspan style=\"font-size: 16px; \"\u003eSPL 2861 2 Control Stereo Monitor Control\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n\tThe 2Control with its unique Crossfeed control allows to judge a stereo panorama on headphones just like with loudspeakers. The units concept is consequently based upon duality: Two channels, two sources, two loudspeaker sets, two headphones 2Control.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Pre-Owned | On Order","offer_id":46168379031835,"sku":"2861EBAYPRO","price":628.45,"currency_code":"USD","in_stock":false},{"title":"New | On Order","offer_id":46168379064603,"sku":"2861","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/2control_black.png?v=1692025346"},{"product_id":"shure-se535-sound-isolating-earphones-in-clear-se535-c01","title":"Shure SE535-CL Pro Sound Isolating Earphones, Clear","description":"\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eSE535 Professional Sound Isolating™ Earphones provide spacious sound and rich bass through triple high-definition drivers. The discrete, secure design includes a detachable cable with wireform fit to keep earphones in place and cables out of the way. Sound Isolating technology blocks up to 37 dB of outside noise. Includes a premium carrying case, 1\/4” adapter and fit kit with a wide selection of sleeves for a custom fit.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTriple high-definition drivers deliver spacious sound and rich bass in a discrete, durable design.\u003c\/li\u003e\n\u003cli\u003eSound Isolating™ design featuring fit kit with a variety of sleeves blocks up to 37 dB of outside noise so you can hear the details of your music.\u003c\/li\u003e\n\u003cli\u003eSecure, over-the-ear design ensures earphones stay in place and cables out of the way for unmatched, long-wearing comfort.\u003c\/li\u003e\n\u003cli\u003eGold-plated MMCX connector has a lock-snap mechanism allowing 360-degree rotation for a comfortable fit.\u003c\/li\u003e\n\u003cli\u003eDetachable cable is durable enough to withstand everyday wear, yet allows for easy replacement in case of damage.\u003c\/li\u003e\n\u003cli\u003eIncludes a zippered carrying case, ¼” adapter and fit kit with selection of sleeves.\u003c\/li\u003e\n\u003cli\u003eDesigned to withstand the rigors of live performance with two-year warranty.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Shure","offers":[{"title":"New | In Stock","offer_id":46168390598939,"sku":"SE535CLEAR","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/se535-cl_pro_straight_hanging_detached_on-white.jpg?v=1692025430"},{"product_id":"avantone-active-mixcubes-powered-full-range-mini-reference-monitors-mixcubesblacka-c01","title":"Avantone Active MixCubes Powered Full-Range Mini Reference Monitors","description":"\u003cp\u003eThe Avantone MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003c\/p\u003e","brand":"Avantone","offers":[{"title":"Pre-Owned | On Order","offer_id":46168390795547,"sku":"MIXCUBESBLACKARP","price":379.99,"currency_code":"USD","in_stock":false},{"title":"New | In Stock","offer_id":46168390828315,"sku":"MIXCUBESBLACKA","price":499.0,"currency_code":"USD","in_stock":true},{"title":"New - Version: FBA | In Stock","offer_id":50111706169627,"sku":"MIXCUBESBLACKAFBA","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mixcubesblacka_0_1.jpg?v=1692025437"},{"product_id":"adam-sub-7-pro-140w-1x7-subwoofer-sub7pro","title":"Adam Audio Sub7 PRO 140W 1x7\" Subwoofer","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eADAM SUB 7 PRO 140W 1x7\" Subwoofer\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tADAM subwoofers\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tOur subwoofers are dedicated to ADAM Audio’s primary goal: the best possible authenticity in the reproduction of music. For our subwoofers, this means combining power and precision while simultaneously avoiding “impressive” bass volume at the cost of accuracy. Their task is it to complement the highly acclaimed lucidity and transparency of the ADAM monitors in the lower and lowest frequencies.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAll subwoofers up to the Sub2100 feature both balanced (XLR) and unbalanced (RCA) in and output connectors, and numerous controls to adapt to different room acoustics and requirements.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t“I recommend it highly to anyone looking for a top-notch subwoofer.” Tape Op on the Sub12 (Feb\/March 2009)\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tPanel\/Controls\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAll subwoofers up to the Sub2100 feature a number of controls to adapt to different room acoustics and requirements.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAll units have a level control that varies from -60dB to +6dB, a phase ±180° switch and variable upper frequency barrier control (50-150Hz), a switchable 85Hz high pass filter for the satellite output. In addition, there is a ‘signal-on\/continuous’ switch. This provides the option of automatic power up whenever the subwoofer receives a signal and automatic power off after 15 minutes of no signal.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSub7\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Sub7 has been designed to complement smaller monitors like the AX-Series´models A3X, A5X, and A7X. Its small footprint allows for an easy placement even in small environments.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe front panel features two motorized potentiometers that let you adapt the input level and crossover frequency settings for the best performance. These pots can also be controlled with an included wireless remote control, allowing you to optimize your sound reproduction from your ideal listening position.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tConnectors and controls\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe Sub7 is equipped with both balanced (XLR) and unbalanced (RCA or Cinch) in and output connectors and numerous controls. A 0°\/180° phase switch and a switchable 85Hz highpass filter allows you to find the best settings for an ideal sound and performance.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tCombining depth and precision\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe low cut off frequency of 32Hz (-3dB point) enables this subwoofer to reproduce register of even this range in a highly authentic manner.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSubwoofer\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tNumber\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e1\u003c\/div\u003e\n\u003cdiv\u003e\n\tBasket Ø\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e7\" (178 mm)\u003c\/div\u003e\n\u003cdiv\u003e\n\tVoice coil Ø\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e1.5\" (38 mm)\u003c\/div\u003e\n\u003cdiv\u003e\n\tCone material\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003ePaper\u003c\/div\u003e\n\u003cdiv\u003e\n\tBuilt-in Amplifiers\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tSubwoofer\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e1\u003c\/div\u003e\n\u003cdiv\u003e\n\tAmp. power RMS \/ music\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e140 W \/ 210 W\u003c\/div\u003e\n\u003cdiv\u003e\n\tControl panel\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tEQ 80 Hz\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e-60 to +6 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tInput connectors\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tAnalog\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eXLR \/ RCA\u003c\/div\u003e\n\u003cdiv\u003e\n\tGeneral data\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\tPanel\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003eFront\u003c\/div\u003e\n\u003cdiv\u003e\n\tFrequency response\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e32 Hz - 150 Hz\u003c\/div\u003e\n\u003cdiv\u003e\n\tTHD \u0026gt; 60 Hz\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e≤1 %\u003c\/div\u003e\n\u003cdiv\u003e\n\tMax. peak\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e≥107 dB\u003c\/div\u003e\n\u003cdiv\u003e\n\tCrossover frequencies\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e50 - 150 Hz\u003c\/div\u003e\n\u003cdiv\u003e\n\tInput impedance\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e10 KOhm\u003c\/div\u003e\n\u003cdiv\u003e\n\tWeight\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e17.6 lb (8 kg)\u003c\/div\u003e\n\u003cdiv\u003e\n\tHeight x Width x Depth\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e14.5\" (370 mm) x 8\" (200 mm) x 11\" (280 mm)\u003c\/div\u003e\n\u003cdiv\u003e\n\tWarranty\u003cspan class=\"Apple-tab-span\" style=\"white-space:pre\"\u003e \u003c\/span\u003e5 Years\u003c\/div\u003e\n\u003cdiv\u003e\n\tDelivery contents\u003c\/div\u003e\n\u003cdiv\u003e\n\tRemote control, Batteries (3 x AAA), Power cord, Manual\u003c\/div\u003e","brand":"ADAM Audio","offers":[{"title":"New | On Order","offer_id":46168411537691,"sku":"SUB7PRO","price":499.99,"currency_code":"USD","in_stock":false},{"title":"Repack | On Order","offer_id":47316885438747,"sku":"SUB7PRORP","price":549.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/adam-audio-sub-7-4462488.jpg?v=1692025619"},{"product_id":"avantone-pm-single-1-passive-mixcube-in-butter-cream-color-pm","title":"Avantone PM Single (1) Passive MixCube in Butter Creme Color","description":"\u003cp\u003eTheir design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENGINEERING OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe wanted to take it up a notch though...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFORMANCE OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMPLIFICATION and WIRING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...the MixCubes yield a microscopic-style view of critical midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson, Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper, Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Randy Bachman, Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Brian Lucey, Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Alessandro Giordani, Synchronia Studio - Rome\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Avantone","offers":[{"title":"New | On Order","offer_id":46168416223515,"sku":"PM","price":159.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":47316844282139,"sku":"PMRP","price":119.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/mixcubepassive-creme-front.jpg?v=1692025668"},{"product_id":"avantone-pmb-ltd-ed-single-1-passive-mixcube-in-black-pmb-c01","title":"Avantone MixCube Single (1) Passive  PMB in Black","description":"\u003cp\u003eTheir design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENGINEERING OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe wanted to take it up a notch though...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFORMANCE OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMPLIFICATION and WIRING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...the MixCubes yield a microscopic-style view of critical midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-George Peterson, Mix Magazine \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Michael Cooper, Electronic Musician Magazine \u003c\/p\u003e\n\u003cp\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/p\u003e\n\u003cp\u003e-Randy Bachman, Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Brian Lucey, Magic Garden Mastering \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e-Alessandro Giordani, Synchronia Studio - Rome \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Avantone","offers":[{"title":"New | On Order","offer_id":46168417206555,"sku":"PMB","price":159.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317412643099,"sku":"PMBRP","price":119.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/pmb_0_1.jpg?v=1692025670"},{"product_id":"avantone-pb-ltd-ed-passive-black-mixcubes-pair-pb-c01","title":"Avantone Passive Black MixCubes PB Pair","description":"\u003cp\u003eThe AVANTONE MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENGINEERING OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe wanted to take it up a notch though...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFORMANCE OBJECTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMPLIFICATION and WIRING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cdiv\u003e\u003cem\u003e\"...the MixCubes yield a microscopic-style view of critical midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235\/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future.\"\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003e-George Peterson, Mix Magazine \u003c\/p\u003e\n\u003cdiv\u003e\u003cem\u003e“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003e-Michael Cooper, Electronic Musician Magazine \u003c\/p\u003e\n\u003cdiv\u003e\u003cem\u003e“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes. We A\/B 'd them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate. We have already improved our bass sound. We love them!\"\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003e-Randy Bachman, Recording Artist (The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band, Bachman-Cummings)\u003c\/p\u003e\n\u003cdiv\u003e\u003cem\u003e\"I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...\"\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003e-Brian Lucey, Magic Garden Mastering \u003c\/p\u003e\n\u003cdiv\u003e\u003cem\u003e\"We are the first Italian mastering studio to adopt your speakers as second reference monitors. They are incredible to check the midrange, expecially the right balance of the voice or the kick and bass!\"\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003e-Alessandro Giordani, Synchronia Studio - Rome\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Avantone","offers":[{"title":"New | In Stock","offer_id":46168417108251,"sku":"PB","price":299.0,"currency_code":"USD","in_stock":true},{"title":"Repack | On Order","offer_id":51797237170459,"sku":"PBRP","price":259.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/pb_02.jpg?v=1692025664"},{"product_id":"avantone-amb-single-1-active-mixcube-in-black-amb-c01","title":"Avantone Single (1) Active MixCube AMB in Black","description":"\u003cp\u003eThe Avatone Active MixCubes are powered, shielded, full-range studio mini-reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually major studios for the last 25 years.\u003c\/p\u003e\n\u003cp\u003eThe Avantone Active MixCubes are designed to be high resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full range transducer.\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way large monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in the newly developing age of High Definition Audio, there is still a need to hear what your mix will sound like when played back over small \"bass-challenged\" systems such as televisions, clock radios, computers, car stereos, ipod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing.\u003c\/p\u003e\n\u003cp\u003eMore than twelve months of R\u0026amp;D, comparative listening \u0026amp; tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from those old familiar 5C Sound Cubes engineers were so fond of in the 1980's-1990's. Listening tests reveal that the Mix Cubes have a smoother midrange, more accurate, transparent top end response with extended bass while maintaining the basic characteristics of those original little cubes.\u003c\/p\u003e\n\u003cp\u003eConstructed of non-layered, high rigidity MDF board due to its natural low-resonance characteristics. All cabinet edges are radiused. Elegent Polyurethane high gloss \"Butter Cream\" finish. 7mm thick neoprene pad embedded into the base of the cabinet serves as a skid-resistant acoustic isolator. For creative mounting solutions, we recessed an industry standard 5\/8\"-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eThe paper cone (chosen for its musical character) was custom designed utilizing the latest in FEA modeling and \"old-school\" speaker design artistry. The finest New Zealand pulp material is blended with mica fibers for rigidity and longevity. The cloth surround material is made in Japan and has unique damping characteristics, enabling a predictable compliance over the lifespan of the driver. The motor structure is made of certified 1008 low carbon steel by Sumitomo. The magnets are Y-40 GRADE (MIL-SPEC) yielding a 43 oz High-power\/low-distortion motor structure. The proprietary 5.25\" die-cast aluminum frame supports the driver\/cone minimizing mechanical transfers. The outer mounting face of the aluminum frame is polished for an elegant appearance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSystem Type: Active (self-powered) shielded full-range single speaker\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 90Hz-17kHz (accessible musical range)\u003c\/li\u003e\n\u003cli\u003eSPL\/Sensitivity: 94dB @ 1W\/1m\u003c\/li\u003e\n\u003cli\u003ePower: 35W RMS class A\/B\u003c\/li\u003e\n\u003cli\u003eCooling: Convection\/Heat sink-aluminum fins\u003c\/li\u003e\n\u003cli\u003eDriver: 8 ohm 5.25\" cast aluminum frame\/paper cone\u003c\/li\u003e\n\u003cli\u003eCabinet: Sealed design\/18mm MDF\/with Dacron acoustical stuffing\u003c\/li\u003e\n\u003cli\u003eInputs: XLR \u0026amp; TRS +4\/Balanced \u0026amp; RCA\/-10 Unbalanced\u003c\/li\u003e\n\u003cli\u003eCabinet Dimensions: 6.5\" x 6.5\" x 8.125\" cabinet depth; 6.5\" x 6.5\" x 9.5\"overall depth\u003c\/li\u003e\n\u003cli\u003eCabinet Weight: 8.8 lbs (each)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Avantone","offers":[{"title":"New | On Order","offer_id":46168417304859,"sku":"AMB","price":259.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47316322189595,"sku":"AMBRP","price":229.99,"currency_code":"USD","in_stock":false},{"title":"New - Version: fba | In Stock","offer_id":50062981529883,"sku":"AMBFBA","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/amb_0_2.jpg?v=1692025668"},{"product_id":"sennheiser-hd-650-open-air-pro-headphones-hd650","title":"Sennheiser HD 650 Pro Open Air Professional Headphones","description":"\u003cp\u003eThe audiophile Sennheiser HD 650 is the ultimate in open, dynamic headphone design. Developed from the award-winning HD 600, HD 650 headphones feature improved materials for even better sound reproduction. These headphones will captivate you with their expressiveness and emotion while maintaining absolute precision and lifelike reproduction.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContact pressure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe wearing comfort of a set of headphones is determined not only by its weight but also by the force with which the earpieces are pressed onto the ears. This force is given in newtons (N), whereby 1 N corresponds to the compressive force which a mass of about 100 g exerts on a solid surface. The DIN Standard 45500 Part 10 limits the maximum permissible contact force to 5 N. Values of between 1.3 and 4 N are common, although lower values apply for open headphones. Higher values can be found in the case of closed headphones. Here, a higher contact pressure is required in order to achieve sufficient sealing, which is important for the reproduction of low frequencies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJack plug\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA common audio connector in consumer electronics and music industry. Available in various diameters; in the hi-fi segment, 1\/8\" and 1\/4\" are widely used. Poles range from one to four. (Examples: headphone jack or jack of an electric guitar).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEar coupling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA distinction is made between headphones which are worn on the external ear (supra-aural) and those which surround the ear (circumaural). Open headphones have foam ear pads that rest on the ears or ring pads that surround the ears. Closed headphones, on the other hand, nearly always have circumaural ear pads.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCable length\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe cable length is usually measured between the anti-kink sleeves of the cable (cable length without connectors).\u003c\/li\u003e\n\u003cli\u003eFrequency response (headphones)\u003c\/li\u003e\n\u003cli\u003eThe frequency response of a pair of headphones is given within limits defined by the manufacturer.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSound pressure level (SPL)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDue to the impractical numerical values, the sound pressure is usually given as the logarithmic value of the sound pressure level according to the equation: dB SPL = 20 x log (po \/ 0.00002 Pa). The abbreviation SPL (sound pressure level) is added in order to make a clear distinction from other uses of dB. The reference sound pressure, which is at the same time the threshold of hearing, is then 0 dB SPL. The threshold of pain is 140 dB SPL. A difference in the sound pressure level of 1 dB is just about perceptible, while a doubling of the sound pressure corresponds to 6 dB and a doubling of the volume corresponds to a rise of 10 dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD, total harmonic distortion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTotal harmonic distortion is a measure of non-linear harmonic distortion and is given in %. Non-linear harmonic distortions are signals which were not present in the original before the signal was converted by the headphones. These unwanted signals are caused by the diaphragm, whose movements do not precisely move in time with the electric signals that cause it to move. Unfortunately, this is a feature of all electroacoustic transducers. Although it cannot be completely eliminated, suitable steps can be taken to minimise it. However, the user is not interested in why this distortion takes place but in how great the level of distortion must be for it to become perceptible. According to the findings of several research projects, a total harmonic distortion of 1% in the frequency range of 100 to 2000 Hz is imperceptible. Below 100 Hz, the perceptibility threshold lies at 10%.\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"New | Out Of Stock","offer_id":46168435228955,"sku":"HD650","price":499.95,"currency_code":"USD","in_stock":false},{"title":"Pre-Owned | On Order","offer_id":47102218043675,"sku":"HD650EBAYPRO","price":348.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/hd_650_product_shot_cutout_front.jpg?v=1692025771"},{"product_id":"art-headamp6-headamp6-c01","title":"ART HeadAmp6","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eArt HeadAmp 6 6 Channel Headphone Amp\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe HeadAmp6 is a fully-featured six -channel stereo headphone amplifier that includes six auxiliary inputs to allow separate \"more-me\" mixes on each headphone channel.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEach output channel has a dual function Balance Control which will pan between Left \u0026amp; Right input of the main signal bus, or vary the mix between the main stereo signal bus and the auxiliary input for that respective channel.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEach output channel includes one front and two rear panel stereo 1\/4-inch TRS head-phone jacks for ease of installation and quick patching capability. Mono, Mute L, and Mute R select buttons and on each channel select between four operating modes; 1) Stereo, 2) Mono Left, 3) Mono Right, 4) Mono Both (Left \u0026amp; Right) for versatile monitoring solutions. Independent output level controls on each channel personalize monitoring levels.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tInput options include XLR and 1\/4-inch TRS balanced inputs with matching \"Thru\" jacks for bridging multiple units. An additional front panel stereo 1\/4-inch TRS Direct In jack for quick patch override of the rear panel inputs is included for quick insertion of any stereo source. Master Volume control sets the main signal bus level. Eight-segment precision LED level metering on the main bus and four-segment indicators on each output channel provide visual feedback of the signal level at all key points.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFeatures\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSix Independent High-Power Headphone Amplifier Channels\u003c\/div\u003e\n\u003cdiv\u003e\n\tDual Function Balance\/Mix Control per Channel\u003c\/div\u003e\n\u003cdiv\u003e\n\tFront Panel Stereo Aux Input for each Channel\u003c\/div\u003e\n\u003cdiv\u003e\n\tMultiple Monitoring Settings per Channel\u003c\/div\u003e\n\u003cdiv\u003e\n\tIndividual Output Level Control per Channel\u003c\/div\u003e\n\u003cdiv\u003e\n\tPrecision Four Segment LED Metering Per Channel\u003c\/div\u003e\n\u003cdiv\u003e\n\tMaster Volume Control w\/ Eight Segment LED Metering\u003c\/div\u003e\n\u003cdiv\u003e\n\tFront Panel Direct In Jack\u003c\/div\u003e\n\u003cdiv\u003e\n\tOne Front and Two Rear Mounted Headphone Jacks per Channel\u003c\/div\u003e\n\u003cdiv\u003e\n\tConnects and Drives up to 18 Headphones Simultaneously\u003c\/div\u003e\n\u003cdiv\u003e\n\tXLR and 1\/4\" Main Inputs and Outputs\u003c\/div\u003e\n\u003cdiv\u003e\n\tParallel Main Outputs for Multiple Unit Use\u003c\/div\u003e\n\u003cdiv\u003e\n\tAudio Utilities Series Overview\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAudio Utilities by Applied Research and Technology are audio devices that have been designed and engineered to exceed high standards for audio performance and functionality. These innovative, high-quality components are perfect for virtually any audio application where precision frequency tailoring, reliable performance and rugged design are of the utmost importance. ART Audio Utilities deliver extremely precise and powerful flexibility, with quality features and reliable design criteria necessary for top-level audio performance.\u003c\/div\u003e","brand":"ART","offers":[{"title":"New | On Order","offer_id":46168448729371,"sku":"HEADAMP6","price":209.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/HEADAMP6_0_1.jpg?v=1692025811"},{"product_id":"art-headamp6-pro-headamp6pro-c01","title":"ART HeadAmp6 Pro","description":"\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cp style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Arial\"\u003e\n\t\u003cspan style=\"font-size: 16px; \"\u003e\u003cstrong\u003eART HeadAmp6 Pro  6 Channel Headphone Amp\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\t \u003c\/p\u003e\n\u003cdiv\u003e\n\tThe ART HeadAmp6PRO is a six-channel stereo headphone amplifier that includes a six-channel auxiliary input section that can be used to provide the popular \"More-Me\" function on each headphone mix. Each output channel also features a dual function BALANCE control which will pan between LEFT \u0026amp; RIGHT sides of the main signal bus, or vary the MIX between the main signal bus and the AUXILIARY input for that respective channel.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tBass and treble controls are included on each output channel for fine-tuning the tone. Outputs include both front and rear panel stereo 1\/4-inch TRS jacks for ease of installation and quick patching capability. Two MONO select buttons on each channel select between four operating modes; 1) Stereo, 2) Mono Left, 3) Mono Right, 4) Mono Both (Left \u0026amp; Right) for versatile monitoring solutions.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe main outputs for each channel of the headphone amplifier are rear mounted stereo TRS jacks and are wired in parallel with the corresponding output jacks on the front panel. Front panel, rear panel, or both front and rear panel outputs can be used simultaneously to drive headphones or be used as feeds to additional headphone amplifiers in a distributed audio network.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tInput options include XLR and 1\/4-inch TRS balanced inputs with matching \"Thru\" jacks for bridging multiple HeadAmp 6 Pro units. An additional front panel stereo 1\/4-inch TRS jack for quick patch override of the rear panel inputs is included for quick insertion of any stereo source. Eight-segment LED level indicators provide visual feedback of the signal level on all channels as well as the main signal bus.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tFeatures\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tSix Channels with Separate Bass \u0026amp; Treble Controls\u003c\/div\u003e\n\u003cdiv\u003e\n\tFront \u0026amp; Rear Panel Output Jacks\u003c\/div\u003e\n\u003cdiv\u003e\n\tXLR \u0026amp; 1\/4-inch TRS Balanced Inputs\u003c\/div\u003e\n\u003cdiv\u003e\n\tOperates in Stereo, Mono (Source Left), Mono (Source Right) or Summed Mono (Source Left \u0026amp; Right)\u003c\/div\u003e\n\u003cdiv\u003e\n\tAuxiliary Front Mounted Separate Source Input\u003c\/div\u003e\n\u003cdiv\u003e\n\t8-Sement LED Level Indicators on all Channels \u0026amp; Bus\u003c\/div\u003e\n\u003cdiv\u003e\n\tAudio Utilities Series Overview\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tAudio Utilities by Applied Research and Technology are audio devices that have been designed and engineered to exceed high standards for audio performance and functionality. These innovative, high-quality components are perfect for virtually any audio application where precision frequency tailoring, reliable performance and rugged design are of the utmost importance. ART Audio Utilities deliver extremely precise and powerful flexibility, with quality features and reliable design criteria necessary for top-level audio performance.\u003c\/div\u003e","brand":"ART","offers":[{"title":"New | On Order","offer_id":46168448794907,"sku":"HEADAMP6PRO","price":299.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47320522850587,"sku":"HEADAMP6PROEBAYPRO","price":208.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/art-HEADAMP6PRO-0.jpg?v=1692025814"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/collections\/krk-rokit-7-g4-7-powered-studio-monitor.jpg?v=1691748668","url":"https:\/\/www.altomusic.com\/collections\/studio-monitoring.oembed?page=38","provider":"Alto Music","version":"1.0","type":"link"}