{"title":"Studio Projects","description":null,"products":[{"product_id":"studio-electronics-c1-condenser-microphone-c01","title":"Studio Electronics C1 Condenser Microphone","description":"\u003cp\u003e\n\tThe Studio Projects C1 is a large diaphragm, fixed-cardioid condenser microphone employing a 1.06 (27mm) capsule, high quality, low noise amplifier and balanced, transformerless output circuitry. It features switchable -10dB or -20dB pad and 6dB@75Hz or 150Hz high pass filter for added control in various recording applications and a clear, full response expected from a large capsule microphone design.\u003c\/p\u003e","brand":"Studio Projects","offers":[{"title":"New | On Order","offer_id":46168019763483,"sku":"SPC1","price":299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/10020650.jpg?v=1692022501"},{"product_id":"zoom-b3-bass-effects-console-b3-c01","title":"Zoom B3 Bass Effects Console B3","description":"\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eZoom B3 Bass Effects Console\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tZoom’s B3 Bass Effects and Amp Simulator combines the ease of a stompbox pedalboard with the power of a multi-effects processor and a USB audio interface. With complete control over individual effects and amp modeling, you can change your tones on the fly for both stage and studio.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cstrong style=\"font-size: 14px;\"\u003eThree stomps. One pedal.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe B3 offers three large LCD displays and corresponding footswitches that form a graphical interface, allowing you to utilize up to three stompbox and amp effects simultaneously. The interface has also been simplified with three control knobs for each display. This intuitive design makes creating, saving and rearranging the effect chain of your sounds a breeze and provides easy navigation in live and studio settings.\u003c\/div\u003e\n\u003cdiv\u003e\n\tEvolution of tube amp simulation.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tA newly developed sigmoid curve clipper re-creates the smooth clipping of a tube amp’s waveform. From the warm, fat sound of R\u0026amp;B to the intense, aggressive tone of metal, the B3 can simulate amplifier sounds that are authentic to the original models while maintaining the nuances of fingering and picking techniques.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eSuper-real amp modeling.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe B3’s 12 super-real amp models range from vintage to the latest trends in amp technology, each with its own distinct cabinet modeling that can be used to alter its tone characteristics. By combining different amplifiers and cabinets, you can digitally create your own custom rig. The B3’s modeling technology provides the best tone for both live performance and direct recording.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003e[Modeled bass amplifiers]\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cul\u003e\n\t\u003cli\u003e\n\t\tAMPEG SVT\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tFENDER BASSMAN 100\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tHARTKE HA3500\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tSWR SM-900\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tAMPEG B-15\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tACOUSTIC 360\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tAGUILAR DB750\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tPOLYTONE MINI BRUITE III\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tMARSHALL SUPER BASS\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tGALLIEN KRUEGER 800RB\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tEDEN WT-800\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tMARK BASS LITTLE MARK III\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003e99 World-Renowned Stompbox Effects.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe B3 offers 99 diverse types of stompbox effects, including some of the world’s most popular bass pedals and rack-mounted processors. You can use up to three effects in any combination, as well as its high-quality stereo tube presets and bass synthesizers. It also includes patches personally designed by four of the world’s top bassists: Victor Wooten (Béla Fleck \u0026amp; the Flecktones), David Ellefson (Megadeth), Frank Bello (Anthrax) and Doug Wimbish (Living Colour). In addition, the B3 can store up to 100 of your original creations without a hitch.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eThe Newest Generation of DSP: ZFX-IV.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe all-new ZFX-IV DSP effects processor boasts amazing power and clarity, upgrading everything from sound to functionality and operability over previous ZFX versions. By using 32-bit floating-point processing, the B3 can produce amplifier sounds that are more realistic than ever before.\u003c\/div\u003e\n\u003cdiv\u003e\n\tLooper function with 40-second phrase recording\/overdubbing.\u003c\/div\u003e\n\u003cdiv\u003e\n\tThe B3’s Looper capabilities include 40 seconds of phrase recording and overdubbing. The “sound-on-sound” function allows you to layer bass sounds as many times as you want in real time and use looped sounds as simple backing tracks. You can even create a “full band” feel with the built-in drum machine and DSP effects for a live solo.\u003c\/div\u003e\n\u003cdiv\u003e\n\tNote: When the UNDO\/REDO function is enabled, the recording time is limited to 20 seconds.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eUSB Audio Interface for DAW Recording.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe B3 operates as an audio interface, letting you record directly to your computer via USB. All of your sound settings used during rehearsals or live performances can be recorded to your favorite DAW such as the included Steinberg Sequel LE recording software. The pedal’s direct monitoring capability eliminates latency issues, assuring realistic studio conditions and hassle-free operation.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eYour Personal drummer.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tEvery bassist needs a drummer, and with the B3 you can choose from 40 different rhythm patterns, including 4, 8 and 16-beat, shuffle and many others. The tap key also makes it easy to set the tempo and start a one-man jam session anytime.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eBalanced XLR Output for DI Use.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWith its built-in XLR output, you can avoid DI boxes completely and connect the B3 directly to any mixing console to maintain a balanced, high quality signal. Its convenient Pre\/Post switch can direct an effected sound to the main outputs while sending the original analog bass guitar signal directly to the XLR output without passing through an A\/D converter.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eAdd a B3 to Your Pedalboard.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe B3 is perfect for use in combination with traditional stompboxes. By adding a B3 to your pedalboard, you can decrease the size and complexity of your setup, while expanding your system’s effects and modeling capabilities.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eAccurate, Real-Time Tuner Function.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe pedal’s Tuner function offers smooth, real-time response with precise bass tuning accuracy. Whether you’re in the middle of a performance or practicing alone in your room, simply hold down the pedal’s center footswitch to start getting your strings back in tune. In addition, the B3’s LCD displays and LED indicators make the Tuner easy to see on a dark stage, where you can also mute the output to tune silently.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eWorld's Fastest Patch Change Speed: 1ms.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tWith the B3’s amazing 1ms patch change speed, you’ll never miss a beat. Change from rhythm playing to a solo in an instant by simply tapping a switch.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eRuns on Batteries, AC Adapter, or USB Power.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe B3 can operate on three different power sources: AC adaptor (included), batteries or USB bus power when plugged into your computer. Four AA\/LR6 alkaline batteries provide over six hours of continuous use. Whether on stage or in the studio, the B3 gives you reliable power options.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eSuper-Low Noise Design.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tThe B3’s “noise floor” of -100dBm virtually eliminates background noise and the ZNR noise reduction removes feedback and other unwanted sounds, providing you with clear tones, along with natural release decay and reverb tails.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eOptional Expression Pedal and Footswitch.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tConnect an optional FP02 expression pedal to the B3 and control effect parameters such as wah, pitch shift, volume, drive gain, modulation rate and delay\/reverb mix in real time. Use an optional FS01 footswitch to tap the tempo used for the drum machine, looper and effects. You can also use an FS01 to mute the Delay\/Reverb input or turn Delay Hold on or off.\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eFree Edit \u0026amp; Share Software for Mac\/PC.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\t \u003c\/div\u003e\n\u003cdiv\u003e\n\tZoom’s Edit\u0026amp;Share software, which is available as a free download, allows you to create, edit and save your personalized amp and effect settings on your computer. Use its “radar charts” to access visual representations of each preset’s tone characteristics, the “amp\/effect” sorting feature to easily locate your sounds and drag-and-drop options to rearrange patches for editing. With Edit\u0026amp;Share, you can download the latest patches online, as well as share your patches with others.\u003c\/div\u003e","brand":"Studio Projects","offers":[{"title":"Default Title | On Order","offer_id":46169813844251,"sku":"B3","price":149.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":47317717549339,"sku":"B3EBAYPRO","price":126.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/B3_0.jpg?v=1692028223"},{"product_id":"phil-jones-c4-compact-4x5-400w-bass-cab-c4-c01","title":"Studio Projects C4 Small Diaphragm Condenser Microphones (Matched Pair)","description":"\u003cp\u003eThe C4 Mk II is small diaphragm condenser microphone set featuring interchangeable capsules, switchable -10dB pad\/high pass filter and a linear low-noise, solid state amplifier body. The microphone’s modularity makes it a useful multi-purpose tool intended for all-around use on stage, on location and in studios of all caliber.\u003c\/p\u003e\n\u003cp\u003eAs a cardioid (pressure gradient) microphone, the C4 provides excellent pickup of on-axis sources while attenuating extraneous sound occurring from around and behind the mic. This makes it ideal for close miking of individual instruments where bleed from other nearby instruments or sound is undesirable. The C4 cardioids also make excellent stereo pairs for coincident and near-coincident miking techniques such as X-Y and ORTF. Additionally the C4’s are quite useful on a drum kit as overheads and on toms.\u003c\/p\u003e\n\u003cp\u003eUsed as an omni-directional (pressure) microphone, the C4 offers a warm tonal response and is recommended especially for close miking in favorable acoustical environments. There is very little off axis coloration owing to the inherent physical properties of pressure capsules, and it is this - combined with the low self-noise of the mic amplifier that makes the C4 omni an excellent ambience mic –especially in pairs. In a good room, a pair of omni’s can provide a vibrant and live feel to recordings, which is not achievable through the use of directional microphones.\u003c\/p\u003e\n\u003cp\u003eRecommended uses are, spaced pair omni, Jecklin disc (OSS), piano, guitar, drum overheads and room miking. The C4 is available in pairs with mic clips and windscreens.\u003c\/p\u003e","brand":"Studio Projects","offers":[{"title":"New | On Order","offer_id":46172711059739,"sku":"C4","price":399.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":51606857548059,"sku":"C4EBAYPRO","price":303.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/C4_0.jpg?v=1692030580"}],"url":"https:\/\/www.altomusic.com\/collections\/studio-projects.oembed","provider":"Alto Music","version":"1.0","type":"link"}