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Behringer’s XR Air series of digital mixers eliminate the need for a bulky mixing desk, effects rack, mic snake, or system slowing plug-ins in one rugged stage box\/rack-mountable solution. Connect your laptop, Android, iOS tablet, or smartphone via onboard Ethernet, USB, or onboard Wi-Fi to control the entire mixing environment from any part of the venue, including right on stage—a game-changing feature for live acts that perform without a dedicated sound engineer. \u003cbr\u003e\u003cbr\u003eEach channel features a pre-set enabled 4-band parametric EQ, low-cut filter, compressor, limiter, noise gate, and more. The 100-band RTA (real-time analyzer) acts like an extra hand at the board, helping you boost or cut frequencies on the edge of rumble or unwanted feedback. 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Despite the massive impact on pop culture, the groundbreaking Polysynth's high costs made it out of reach to most. At over $17,000 (adjusted for inflation) dollars at introduction-- and pushing 10K-15K in today's used market—the “OB” remains one of the most highly desired but elusive synths ever made.\u003c\/p\u003e\n\u003cp\u003eGreat news came in 2018 when Uli Behringer announced plans to recreate the storied analog classic. Brimming with the detail and quality we’ve come to expect from Behringer synths—and true to Uli Behringer’s stance that no synthesizer should ever cost more than $1,500--\u003cstrong\u003eThe wait is finally over.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBehringer has faithfully recreated the analog Icon behind soundtracks like “The Terminator” and hits by a diverse range of artists—including The Thompson Twins, New Order, Madonna, and Prince—plus rockers like Queen, Rush, and even VanHalen. After 6 years in development (and, for some, over 4 decades of wanting), the \u003cstrong\u003eUB-Xa\u003c\/strong\u003e has arrived at \u003cstrong\u003eAlto Music\u003c\/strong\u003e at a price that is within everyone's reach.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Behringer UB-Xa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRigorously and faithfully re-born, right down to the 3340 and 3320 style microprocessor-driven VCOs and VCFs, the UB-Xa delivers the lush textures, powerful bass lines, and punching brass you’ve been waiting for. Like the original, the UB-Xa features Bi-Timbral architecture that allows you to spit the keyboard or double up two distinct patches on one key for massive sonic possibilities. The UB-Xa even comes loaded with the entire bank of 106 original pre-set sounds from 1981, plus sound-signature variations of the OB-Xa, OB-X, OB-8, and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModern Necessities and an Analog Heart\u003c\/strong\u003e\u003cstrong\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDespite the meticulous attention to detail that went into developing the sounds, capabilities, and even the e quirks of the quintessential 80s synth, Behringer doesn’t leave you stranded in the 80s—with 80s limitations. Starting with 16 voices of polyphony, the UB-Xa has double the capability of its 1981 8-voice counterpoint, and that’s just the start. The UB-Xa can store 512 user program memories above and beyond the original 106 preset sounds. Plus, you can keep your favorite “go-to patches” right at your command using the additional preset buttons to recall up to 15 memories.\u003c\/p\u003e\n\u003cp\u003eDespite all the vintage-style Analog warmth and punch, luxurious bi-timbral layers, and creative potential at command--you’d have an impossibly hard time making the most of such a sophisticated synth without modern connectivity. Naturally, Behringer’s got you covered. The UB-Xa features full MIDI implementation over class-compliant USB (TYPE-B), a 16-channel 5-pin in-out and through ports—plus footswitch jacks for vibrato, filter, sustain, program advance, and hold.\u003c\/p\u003e\n\u003cp\u003ePerhaps the most exciting and highly anticipated modern advantage featured on the UB-Xa is the expressive advantage of Behringer’s new 61 full-sized key bed. Dedicated keyboard players will especially enjoy the semi-weighted piano-like action. 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Capable of fantastic audio reproduction and loaded with high-end features, plus customizable control and configuration, the Behringer Wing-48 is your “personal,” 48-track digital mixing console. Because fully featured digital mixers can be an overwhelming and intimidating experience, Behringer’s innovative new approach to digital mixing is intuitive and easy for both the pro and casual user. With the potential to expand, connect, configure, and reconfigure workflow to suit your unique needs, the Behringer Wing is in a class of its own.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnique audio Source treatment and grouping \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFocusing on audio-origin type rather than a simple channel number assignment, this system emphasizes the unique treatment applied to each input “source.”\u003c\/p\u003e\n\u003cp\u003eEach source (input) can have a variety of treatments assigned based on how you want to mix and enhance each signal. Apply Stereo, mono, or mid-side and add phantom power, set gain, meter, mute, and more with each incoming signal. Then, label each source with a name, icon, color, and several tags for specific grouping and filtering treatments. Now, you can apply each treatment to the type of audio source that you're mixing in easily identifiable groups. With Behringer’s Wing Co-Pilot App, you can label Sources while patching on stage, regardless of whether the signal is patched to a channel, SD recording, or any other output, for instant source recognition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe “personal” 48-channel digital mixer \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMixing old-school analog with modern digital mixer operation and DAW-like workflow,\u003cstrong\u003e t\u003c\/strong\u003ehe Wing-48 is anything but an ordinary mixing console. The control surface utilizes a 10” flip-up capacitive touchscreen interface, touch-sensitive rotary controls, and 3 sections of 24 automated faders. Each fader section can be configured and reconfigured according to your needs. For instance, you can assign a specific bus-send fader alongside the corresponding channel fader or set up a dedicated channel for highly dynamic sources-- like lead vocals or a soloist--right where you want it.\u003c\/p\u003e\n\u003cp\u003eEditing and monitoring channel status and workflow couldn’t be any easier. With the touch-sensitive rotary controls, you can even work on selected channel processing while the main display is used for other functions. Alongside the central display screen, a section with 4 rotary encoders, 20 buttons, and 2 LCDs allows you to custom-tailor the most critical functions you need quick access to. The large rotary encoder can also be used for fine adjustments on up to 8 user parameters, remote USB DAW control, and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio Quality Tone Shaping and FX’s \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGreat sound begins with 8 XLR phantom power-equipped microphone inputs and outputs with pro-series MIDAS preamps for highly detailed vocal performances. All input channels feature LO, hi-cut filters, all-pass, tilt EQ, sound Maxer, and a 6-band parametric EQ. All buses, matrices, and mains also feature an 8-band parametric EQ plus 8 digital emulations of world-favorite hardware equalizers. Wings onboard FX’s rack out 8 stereo processors with outstanding reverb using TC Electronics VSS3 algorithms, Lexicon, Quantec, and EMT emulations. 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