{"title":"Trident","description":"","products":[{"product_id":"trident-78-16-16-channel-8-bus-console-with-led-meter-bridge-78-16","title":"Trident 78-16 16-Channel 8-Bus Console with LED Meter Bridge","description":"\u003cp\u003eThe new Series 78 all analog consoles are all Trident through and through.\u003c\/p\u003e\n\u003cp\u003eThe Trident Series 78 is a cost effective mixing console tailored for engineers, studio owners, educational facilities, houses of worship, and live sound applications.\u003c\/p\u003e\n\u003cp\u003eThe 78’s are Split\/lnline consoles with individual channels in 4-way panels. Using an 8 subgroup configuration and incorporating 6 Aux sends, its routing options are vast and simple to use. Connections are fast and easy with DB-25’s throughout the board and XLR’s for speaker and main outputs.\u003c\/p\u003e\n\u003cp\u003eWith the 80B EQ at its core, including selectable channel inserts and discrete preamps driving the inputs, the Series 78 consoles offer a wide array of summing and mixing options. The uncompromised sonic quality and compact footprint of the 78’s are able to meet any demand.\u003c\/p\u003e\n\u003cp\u003eFeatures found throughout the 78 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 78 carries that tradition forward.\u003c\/p\u003e\n\u003cp\u003eBottom line: The Trident 78 was created with all of this in mind so that you can use it to make great sounding tracks.\u003c\/p\u003e\n\u003cdiv data-id=\"aab95ea\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eModularity Throughout\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"1dfdad0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe 78’s by design are manufactured to be a more cost effective variant of the fully modular 88’s. Incorporating a similar chassis design and the same meter bridge, the 78’s have a rugged and proven core. Using a simi-modular design the 78’s are able to effectively reduce their overall costs without a significant sacrifice to serviceability.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll input channels are individual boards, faders included, each in a 4 channel pack.\u003c\/li\u003e\n\u003cli\u003eSubgroups are individual boards, faders included, each in a 4 channel pack.\u003c\/li\u003e\n\u003cli\u003eMaster Channel is an individual channel separated from all others.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"ffa7235\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eSplit\/Inline Console:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"f703abc\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eSince the inception of this configuration by Trident Audio on the A-Range console in the late 1960’s it has been adopted throughout the industry and remains a standard configuration for our consoles today.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual Inputs to the channels with line and monitor inputs\u003c\/li\u003e\n\u003cli\u003e4 Band EQ with sweeping mid bands and selectable low and high bands\u003c\/li\u003e\n\u003cli\u003e27dB of headroom\u003c\/li\u003e\n\u003cli\u003eChannel Inserts\u003c\/li\u003e\n\u003cli\u003eSelectable EQ Path\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"e090c4a\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMicrophone Preamp:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"a7e5d73\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe 78’s incorporate the same high quality Class A Discrete preamp as the 88’s. These preamps have lots of headroom and high gain fully capable of driving ribbon microphones.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e60dB gain discrete preamp\u003c\/li\u003e\n\u003cli\u003eBalanced inputs\u003c\/li\u003e\n\u003cli\u003eBalanced inserts with full bypass\u003c\/li\u003e\n\u003cli\u003eInput Reverse Switch\u003c\/li\u003e\n\u003cli\u003eMic\/Line Switch\u003c\/li\u003e\n\u003cli\u003ePhantom Power Switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"2295230\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003ePowerful EQ:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"be0a742\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe 78’s incorporate the iconic Series 80B console EQ as the main channel EQ throughout the console. This EQ is known throughout the industry for its musicality and ease of use.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSelectable high bands at 8k and 12k\u003c\/li\u003e\n\u003cli\u003eSweepable High and Low Mids\u003c\/li\u003e\n\u003cli\u003eSelectable low bands at 60Hz and 120Hz\u003c\/li\u003e\n\u003cli\u003e50Hz High Pass Filter\u003c\/li\u003e\n\u003cli\u003eSelectable Channel Insert\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"e6831f8\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMaster Section:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"5f4e5b4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe master section of the 78’s are laid out for ease of use and have all the necessary features to manage your monitors, talkback, and stereo returns.\u003cbr\u003eThe 78’s master section is an independent channel from the rest of console to ensure that your console’s master output functions can be easily and quickly serviced with little or no downtime.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMain \u0026amp; Alt Monitor Control\u003c\/li\u003e\n\u003cli\u003eMute, Dim \u0026amp; Mono Controls\u003c\/li\u003e\n\u003cli\u003e2 On board Headphone connections with Gain\u003c\/li\u003e\n\u003cli\u003e8 Subgroups\u003c\/li\u003e\n\u003cli\u003e8 Stereo FX Returns\u003c\/li\u003e\n\u003cli\u003eTwo 2 Track Returns\u003c\/li\u003e\n\u003cli\u003eSubgroup Monitor Returns\u003c\/li\u003e\n\u003cli\u003e2 Mono and 1 Stereo AUX\u003c\/li\u003e\n\u003cli\u003eSubgroup Stereo FX Returns\u003c\/li\u003e\n\u003cli\u003e1\/8″ TRS Selectable Input\u003c\/li\u003e\n\u003cli\u003eOnboard or External Talkback Mic\u003c\/li\u003e\n\u003cli\u003eSelectable Output Transformer Option\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Trident","offers":[{"title":"New | On Order","offer_id":46182875857179,"sku":"78-16","price":21000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/7816_0.jpg?v=1692039911"},{"product_id":"trident-78-24-24-channel-8-bus-console-with-led-meter-bridge-78-24","title":"Trident 78-24 24-Channel 8-Bus Console with LED Meter Bridge","description":"\u003cp\u003eThe new Series 78 all analog consoles are all Trident through and through.\u003c\/p\u003e\n\u003cp\u003eThe Trident Series 78 is a cost effective mixing console tailored for engineers, studio owners, educational facilities, houses of worship, and live sound applications.\u003c\/p\u003e\n\u003cp\u003eThe 78’s are Split\/lnline consoles with individual channels in 4-way panels. Using an 8 subgroup configuration and incorporating 6 Aux sends, its routing options are vast and simple to use. Connections are fast and easy with DB-25’s throughout the board and XLR’s for speaker and main outputs.\u003c\/p\u003e\n\u003cp\u003eWith the 80B EQ at its core, including selectable channel inserts and discrete preamps driving the inputs, the Series 78 consoles offer a wide array of summing and mixing options. The uncompromised sonic quality and compact footprint of the 78’s are able to meet any demand.\u003c\/p\u003e\n\u003cp\u003eFeatures found throughout the 78 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 78 carries that tradition forward.\u003c\/p\u003e\n\u003cp\u003eBottom line: The Trident 78 was created with all of this in mind so that you can use it to make great sounding tracks.\u003c\/p\u003e\n\u003cdiv data-id=\"aab95ea\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eModularity Throughout\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"1dfdad0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe 78’s by design are manufactured to be a more cost effective variant of the fully modular 88’s. Incorporating a similar chassis design and the same meter bridge, the 78’s have a rugged and proven core. Using a simi-modular design the 78’s are able to effectively reduce their overall costs without a significant sacrifice to serviceability.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll input channels are individual boards, faders included, each in a 4 channel pack.\u003c\/li\u003e\n\u003cli\u003eSubgroups are individual boards, faders included, each in a 4 channel pack.\u003c\/li\u003e\n\u003cli\u003eMaster Channel is an individual channel separated from all others.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"ffa7235\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eSplit\/Inline Console:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"f703abc\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eSince the inception of this configuration by Trident Audio on the A-Range console in the late 1960’s it has been adopted throughout the industry and remains a standard configuration for our consoles today.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual Inputs to the channels with line and monitor inputs\u003c\/li\u003e\n\u003cli\u003e4 Band EQ with sweeping mid bands and selectable low and high bands\u003c\/li\u003e\n\u003cli\u003e27dB of headroom\u003c\/li\u003e\n\u003cli\u003eChannel Inserts\u003c\/li\u003e\n\u003cli\u003eSelectable EQ Path\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"e090c4a\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMicrophone Preamp:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"a7e5d73\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe 78’s incorporate the same high quality Class A Discrete preamp as the 88’s. These preamps have lots of headroom and high gain fully capable of driving ribbon microphones.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e60dB gain discrete preamp\u003c\/li\u003e\n\u003cli\u003eBalanced inputs\u003c\/li\u003e\n\u003cli\u003eBalanced inserts with full bypass\u003c\/li\u003e\n\u003cli\u003eInput Reverse Switch\u003c\/li\u003e\n\u003cli\u003eMic\/Line Switch\u003c\/li\u003e\n\u003cli\u003ePhantom Power Switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"2295230\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003ePowerful EQ:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"be0a742\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe 78’s incorporate the iconic Series 80B console EQ as the main channel EQ throughout the console. This EQ is known throughout the industry for its musicality and ease of use.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSelectable high bands at 8k and 12k\u003c\/li\u003e\n\u003cli\u003eSweepable High and Low Mids\u003c\/li\u003e\n\u003cli\u003eSelectable low bands at 60Hz and 120Hz\u003c\/li\u003e\n\u003cli\u003e50Hz High Pass Filter\u003c\/li\u003e\n\u003cli\u003eSelectable Channel Insert\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"e6831f8\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMaster Section:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"5f4e5b4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe master section of the 78’s are laid out for ease of use and have all the necessary features to manage your monitors, talkback, and stereo returns.\u003cbr\u003eThe 78’s master section is an independent channel from the rest of console to ensure that your console’s master output functions can be easily and quickly serviced with little or no downtime.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMain \u0026amp; Alt Monitor Control\u003c\/li\u003e\n\u003cli\u003eMute, Dim \u0026amp; Mono Controls\u003c\/li\u003e\n\u003cli\u003e2 On board Headphone connections with Gain\u003c\/li\u003e\n\u003cli\u003e8 Subgroups\u003c\/li\u003e\n\u003cli\u003e8 Stereo FX Returns\u003c\/li\u003e\n\u003cli\u003eTwo 2 Track Returns\u003c\/li\u003e\n\u003cli\u003eSubgroup Monitor Returns\u003c\/li\u003e\n\u003cli\u003e2 Mono and 1 Stereo AUX\u003c\/li\u003e\n\u003cli\u003eSubgroup Stereo FX Returns\u003c\/li\u003e\n\u003cli\u003e1\/8″ TRS Selectable Input\u003c\/li\u003e\n\u003cli\u003eOnboard or External Talkback Mic\u003c\/li\u003e\n\u003cli\u003eSelectable Output Transformer Option\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Trident","offers":[{"title":"New | On Order","offer_id":46182876021019,"sku":"78-24","price":27500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/7824_0.jpg?v=1692039911"},{"product_id":"trident-78-32-32-channel-8-bus-console-with-led-meter-bridge-78-32","title":"Trident 78-32 32-Channel 8-Bus Console with LED Meter Bridge","description":"\u003cp\u003eThe new Series 78 all analog consoles are all Trident through and through.\u003c\/p\u003e\n\u003cp\u003eThe Trident Series 78 is a cost effective mixing console tailored for engineers, studio owners, educational facilities, houses of worship, and live sound applications.\u003c\/p\u003e\n\u003cp\u003eThe 78’s are Split\/lnline consoles with individual channels in 4-way panels. Using an 8 subgroup configuration and incorporating 6 Aux sends, its routing options are vast and simple to use. Connections are fast and easy with DB-25’s throughout the board and XLR’s for speaker and main outputs.\u003c\/p\u003e\n\u003cp\u003eWith the 80B EQ at its core, including selectable channel inserts and discrete preamps driving the inputs, the Series 78 consoles offer a wide array of summing and mixing options. The uncompromised sonic quality and compact footprint of the 78’s are able to meet any demand.\u003c\/p\u003e\n\u003cp\u003eFeatures found throughout the 78 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 78 carries that tradition forward.\u003c\/p\u003e\n\u003cp\u003eBottom line: The Trident 78 was created with all of this in mind so that you can use it to make great sounding tracks.\u003c\/p\u003e\n\u003cdiv data-id=\"aab95ea\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eModularity Throughout\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"1dfdad0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe 78’s by design are manufactured to be a more cost effective variant of the fully modular 88’s. Incorporating a similar chassis design and the same meter bridge, the 78’s have a rugged and proven core. Using a simi-modular design the 78’s are able to effectively reduce their overall costs without a significant sacrifice to serviceability.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll input channels are individual boards, faders included, each in a 4 channel pack.\u003c\/li\u003e\n\u003cli\u003eSubgroups are individual boards, faders included, each in a 4 channel pack.\u003c\/li\u003e\n\u003cli\u003eMaster Channel is an individual channel separated from all others.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"ffa7235\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eSplit\/Inline Console:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"f703abc\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eSince the inception of this configuration by Trident Audio on the A-Range console in the late 1960’s it has been adopted throughout the industry and remains a standard configuration for our consoles today.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual Inputs to the channels with line and monitor inputs\u003c\/li\u003e\n\u003cli\u003e4 Band EQ with sweeping mid bands and selectable low and high bands\u003c\/li\u003e\n\u003cli\u003e27dB of headroom\u003c\/li\u003e\n\u003cli\u003eChannel Inserts\u003c\/li\u003e\n\u003cli\u003eSelectable EQ Path\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"e090c4a\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMicrophone Preamp:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"a7e5d73\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe 78’s incorporate the same high quality Class A Discrete preamp as the 88’s. These preamps have lots of headroom and high gain fully capable of driving ribbon microphones.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e60dB gain discrete preamp\u003c\/li\u003e\n\u003cli\u003eBalanced inputs\u003c\/li\u003e\n\u003cli\u003eBalanced inserts with full bypass\u003c\/li\u003e\n\u003cli\u003eInput Reverse Switch\u003c\/li\u003e\n\u003cli\u003eMic\/Line Switch\u003c\/li\u003e\n\u003cli\u003ePhantom Power Switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"2295230\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003ePowerful EQ:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"be0a742\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe 78’s incorporate the iconic Series 80B console EQ as the main channel EQ throughout the console. This EQ is known throughout the industry for its musicality and ease of use.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSelectable high bands at 8k and 12k\u003c\/li\u003e\n\u003cli\u003eSweepable High and Low Mids\u003c\/li\u003e\n\u003cli\u003eSelectable low bands at 60Hz and 120Hz\u003c\/li\u003e\n\u003cli\u003e50Hz High Pass Filter\u003c\/li\u003e\n\u003cli\u003eSelectable Channel Insert\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"e6831f8\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMaster Section:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"5f4e5b4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe master section of the 78’s are laid out for ease of use and have all the necessary features to manage your monitors, talkback, and stereo returns.\u003cbr\u003eThe 78’s master section is an independent channel from the rest of console to ensure that your console’s master output functions can be easily and quickly serviced with little or no downtime.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMain \u0026amp; Alt Monitor Control\u003c\/li\u003e\n\u003cli\u003eMute, Dim \u0026amp; Mono Controls\u003c\/li\u003e\n\u003cli\u003e2 On board Headphone connections with Gain\u003c\/li\u003e\n\u003cli\u003e8 Subgroups\u003c\/li\u003e\n\u003cli\u003e8 Stereo FX Returns\u003c\/li\u003e\n\u003cli\u003eTwo 2 Track Returns\u003c\/li\u003e\n\u003cli\u003eSubgroup Monitor Returns\u003c\/li\u003e\n\u003cli\u003e2 Mono and 1 Stereo AUX\u003c\/li\u003e\n\u003cli\u003eSubgroup Stereo FX Returns\u003c\/li\u003e\n\u003cli\u003e1\/8″ TRS Selectable Input\u003c\/li\u003e\n\u003cli\u003eOnboard or External Talkback Mic\u003c\/li\u003e\n\u003cli\u003eSelectable Output Transformer Option\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Trident","offers":[{"title":"New | On Order","offer_id":46182876053787,"sku":"78-32","price":33000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/7832_0.jpg?v=1692039911"},{"product_id":"trident-series-88-16-channel-8-bus-mixer-88-16","title":"Trident Series 88-16-Channel 8-Bus Mixer","description":"\u003csection data-id=\"328a8e7\" data-element_type=\"section\"\u003e\n\u003cdiv data-id=\"b19f104\" data-element_type=\"column\"\u003e\n\u003cdiv data-id=\"6a7ec47\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003csection data-id=\"328a8e7\" data-element_type=\"section\"\u003e\n\u003cdiv data-id=\"b19f104\" data-element_type=\"column\"\u003e\n\u003cdiv data-id=\"6a7ec47\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003csection data-id=\"328a8e7\" data-element_type=\"section\"\u003e\n\u003cdiv data-id=\"b19f104\" data-element_type=\"column\"\u003e\n\u003cdiv data-id=\"6a7ec47\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003csection data-id=\"328a8e7\" data-element_type=\"section\"\u003e\n\u003cdiv data-id=\"b19f104\" data-element_type=\"column\"\u003e\n\u003cdiv data-id=\"6a7ec47\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003csection data-id=\"328a8e7\" data-element_type=\"section\"\u003e\n\u003cdiv data-id=\"b19f104\" data-element_type=\"column\"\u003e\n\u003cdiv data-id=\"6a7ec47\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003csection data-id=\"328a8e7\" data-element_type=\"section\"\u003e\n\u003cdiv data-id=\"b19f104\" data-element_type=\"column\"\u003e\n\u003cdiv data-id=\"6a7ec47\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003csection data-id=\"328a8e7\" data-element_type=\"section\"\u003e\n\u003cdiv data-id=\"b19f104\" data-element_type=\"column\"\u003e\n\u003cdiv data-id=\"6a7ec47\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003csection data-id=\"328a8e7\" data-element_type=\"section\"\u003e\n\u003cdiv data-id=\"b19f104\" data-element_type=\"column\"\u003e\n\u003cdiv data-id=\"6a7ec47\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003csection data-id=\"328a8e7\" data-element_type=\"section\"\u003e\n\u003cdiv data-id=\"b19f104\" data-element_type=\"column\"\u003e\n\u003cdiv data-id=\"6a7ec47\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003csection data-id=\"328a8e7\" data-element_type=\"section\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-id=\"b19f104\" data-element_type=\"column\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-id=\"6a7ec47\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Trident 88 is a classically styled, in-line, eight-buss analog console and an advancement in lineage of the revered Series 80 mixing desks.\u003c\/p\u003e\n\u003cp\u003eDesigned with manufacturability in mind, the 88 is artfully constructed for ease of use and workhorse reliability.\u003c\/p\u003e\n\u003cp\u003eAvailable in stock configurations of 16, 24, 32, and 40 channels. The model 88 is sized to fit the modern, high end facility – whether private, institutional, or professional.\u003c\/p\u003e\n\u003cp\u003eAlong with the pleasingly familiar routing and feel of a classic Trident desk, are modern refinements that serve to improve functionality, workflow and performance specifications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv data-id=\"300446f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eFor example, integration with outboard processors and mic pre’s, such as the 500 format, is provided simply and elegantly by means of an exclusive, switchable input. This bypasses the channel preamp circuitry and allows for insertion of external signal sources directly to the channel equalizer.\u003c\/p\u003e\n\u003cp\u003eBeing a Trident, the equalization is of course, wonderful, and on the 88 – it is also plentiful. Always available on the channel, monitor, effects returns and group sections.\u003c\/p\u003e\n\u003cp\u003eIn the area of customization, the 88 has options for vu metering, transformer I\/O, automation, short loading and channel configurations exceeding 40 inputs.\u003c\/p\u003e\n\u003cp\u003eFeatures found throughout the 88 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. With 27dB of headroom, the 88 is designed to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 88 carries that tradition forward.\u003c\/p\u003e\n\u003cp\u003eBottom line: The Trident 88 was created with all of this in mind so that you can use it to make great sounding tracks.\u003c\/p\u003e\n\u003cdiv data-id=\"118972c\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eFully Modular Design:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"7e2cad9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned with manufacturability in mind.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Trident 88 was made from the ground up to be a rugged and reliable console. We went to great lengths to make sure that the 88’s are easy to build and equally easy to maintain. The 88 is designed so that the entire console can be serviced with a single screw driver. Motherboards are shock-mounted with rubber standoffs to isolate them from the chassis and provide additional protection from structure born stresses. A channel can be swapped in matter of minutes and the console will continue to function if one or more channels are removed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFaders, channels, groups, and master section are individually removable.\u003c\/li\u003e\n\u003cli\u003eAll rear connections are also removable.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"5abd6ba\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eSplit\/Inline Console:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"49df8cb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eHaving a Split\/Inline console effectively will double your inputs to your stereo buss. This has become more and more a common configuration for recording consoles in today’s market. We took it a step further and added an EQ to the monitor path that can also be swapped with the main channel EQ.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual Input to the Channels – line and monitor\u003c\/li\u003e\n\u003cli\u003eFour band, sweepable channel EQ, is switchable with monitor Tilt EQ.\u003c\/li\u003e\n\u003cli\u003eDual Inserts to each Channel at the preamp, or the main channel EQ.\u003c\/li\u003e\n\u003cli\u003e8 Auxes: 6 mono and 2 Stereo\u003c\/li\u003e\n\u003cli\u003e27dB of headroom\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"8f3631e\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMicrophone Preamp:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"d911dd8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eIncorporating a Discrete Class A preamp to the 88’s is a departure from previous Trident console preamps in the 80 Series. This give’s the 88’s a higher quality stock preamp from the start and also incorporates the option to add a Lundahl input transformer to any channel desired.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiscrete Class A\u003c\/li\u003e\n\u003cli\u003e65dB gain\u003c\/li\u003e\n\u003cli\u003eBalanced inputs, with optional Lundahl transformers\u003c\/li\u003e\n\u003cli\u003eFull bypass insert\u003c\/li\u003e\n\u003cli\u003eInput Reverse Switch\u003c\/li\u003e\n\u003cli\u003eMic\/Line Switch\u003c\/li\u003e\n\u003cli\u003ePhantom Power Switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"6bfeeb6\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eConsole EQ:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"9a8b7ee\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eExpanding the great success of 80 Series recording consoles is only logical. Taking the highly regarded 80B EQ and improving on it with the 80C EQ was a great step forward for its time. The 80C EQ took all of the great sound of the 80B and gave it even more control. Keeping the 80C EQ as the brawn of the 88’s was a decision that required no second thought.\u003cbr\u003eAdding more EQ to the 88 was the next step forward for a more versatile analog recording console’s progression. Having EQ to the vast majority of the inputs to the 88 console means more analog controls at your fingers.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh and low shelving\u003c\/li\u003e\n\u003cli\u003eLow\/high mid peaking\u003c\/li\u003e\n\u003cli\u003e4 Sweepable bands boost\/cut to +\/-15dB.\u003c\/li\u003e\n\u003cli\u003e50Hz high pass filter\u003c\/li\u003e\n\u003cli\u003eInsert pre\/post eq\u003c\/li\u003e\n\u003cli\u003eMonitor in: Tilt EQ\u003c\/li\u003e\n\u003cli\u003eGroup FX Returns: 12kHz and 80hz shelving\u003c\/li\u003e\n\u003cli\u003eGroup Monitor Returns: 12kHz and 80hz shelving\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"9aa4a48\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMaster Section:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"bd09752\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eKeeping control of your workflow with ease and speed is the core function of an analog recording console. Your time spent setting up a mix and the ability to have tactile control with immediate effect over your work is essential and time saving.\u003c\/p\u003e\n\u003cp\u003eThe 88’s are designed to give you maximum control and routing options all onboard at your fingertips. Making your creative process more effective and saving you time in the process.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 Subgroups\u003c\/li\u003e\n\u003cli\u003e3 Monitor Controls\u003c\/li\u003e\n\u003cli\u003e8 Monitor returns with high and low EQ\u003c\/li\u003e\n\u003cli\u003e8 Auxes; 6 Mono 2 Stereo\u003c\/li\u003e\n\u003cli\u003e8 Stereo FX Returns with high and low EQ\u003c\/li\u003e\n\u003cli\u003e8 Stereo Aux Returns assignable to the Stereo FX Returns\u003c\/li\u003e\n\u003cli\u003e1\/8″ TRS Input Onboard\u003c\/li\u003e\n\u003cli\u003eTalkback to Auxes in pairs, Groups, or Studio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Trident","offers":[{"title":"New | On Order","offer_id":46182876840219,"sku":"88-16","price":32750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/8816_0.jpg?v=1692039913"},{"product_id":"trident-series-88-24-channel-8-bus-mixer-88-24","title":"Trident Series 88-24-Channel 8-Bus Mixer","description":"\u003csection data-id=\"328a8e7\" data-element_type=\"section\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-id=\"b19f104\" data-element_type=\"column\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-id=\"6a7ec47\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Trident 88 is a classically styled, in-line, eight-buss analog console and an advancement in lineage of the revered Series 80 mixing desks.\u003c\/p\u003e\n\u003cp\u003eDesigned with manufacturability in mind, the 88 is artfully constructed for ease of use and workhorse reliability.\u003c\/p\u003e\n\u003cp\u003eAvailable in stock configurations of 16, 24, 32, and 40 channels. The model 88 is sized to fit the modern, high end facility – whether private, institutional, or professional.\u003c\/p\u003e\n\u003cp\u003eAlong with the pleasingly familiar routing and feel of a classic Trident desk, are modern refinements that serve to improve functionality, workflow and performance specifications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv data-id=\"300446f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eFor example, integration with outboard processors and mic pre’s, such as the 500 format, is provided simply and elegantly by means of an exclusive, switchable input. This bypasses the channel preamp circuitry and allows for insertion of external signal sources directly to the channel equalizer.\u003c\/p\u003e\n\u003cp\u003eBeing a Trident, the equalization is of course, wonderful, and on the 88 – it is also plentiful. Always available on the channel, monitor, effects returns and group sections.\u003c\/p\u003e\n\u003cp\u003eIn the area of customization, the 88 has options for vu metering, transformer I\/O, automation, short loading and channel configurations exceeding 40 inputs.\u003c\/p\u003e\n\u003cp\u003eFeatures found throughout the 88 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. With 27dB of headroom, the 88 is designed to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 88 carries that tradition forward.\u003c\/p\u003e\n\u003cp\u003eBottom line: The Trident 88 was created with all of this in mind so that you can use it to make great sounding tracks.\u003c\/p\u003e\n\u003cdiv data-id=\"118972c\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eFully Modular Design:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"7e2cad9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned with manufacturability in mind.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Trident 88 was made from the ground up to be a rugged and reliable console. We went to great lengths to make sure that the 88’s are easy to build and equally easy to maintain. The 88 is designed so that the entire console can be serviced with a single screw driver. Motherboards are shock-mounted with rubber standoffs to isolate them from the chassis and provide additional protection from structure born stresses. A channel can be swapped in matter of minutes and the console will continue to function if one or more channels are removed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFaders, channels, groups, and master section are individually removable.\u003c\/li\u003e\n\u003cli\u003eAll rear connections are also removable.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"5abd6ba\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eSplit\/Inline Console:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"49df8cb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eHaving a Split\/Inline console effectively will double your inputs to your stereo buss. This has become more and more a common configuration for recording consoles in today’s market. We took it a step further and added an EQ to the monitor path that can also be swapped with the main channel EQ.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual Input to the Channels – line and monitor\u003c\/li\u003e\n\u003cli\u003eFour band, sweepable channel EQ, is switchable with monitor Tilt EQ.\u003c\/li\u003e\n\u003cli\u003eDual Inserts to each Channel at the preamp, or the main channel EQ.\u003c\/li\u003e\n\u003cli\u003e8 Auxes: 6 mono and 2 Stereo\u003c\/li\u003e\n\u003cli\u003e27dB of headroom\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"8f3631e\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMicrophone Preamp:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"d911dd8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eIncorporating a Discrete Class A preamp to the 88’s is a departure from previous Trident console preamps in the 80 Series. This give’s the 88’s a higher quality stock preamp from the start and also incorporates the option to add a Lundahl input transformer to any channel desired.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiscrete Class A\u003c\/li\u003e\n\u003cli\u003e65dB gain\u003c\/li\u003e\n\u003cli\u003eBalanced inputs, with optional Lundahl transformers\u003c\/li\u003e\n\u003cli\u003eFull bypass insert\u003c\/li\u003e\n\u003cli\u003eInput Reverse Switch\u003c\/li\u003e\n\u003cli\u003eMic\/Line Switch\u003c\/li\u003e\n\u003cli\u003ePhantom Power Switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"6bfeeb6\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eConsole EQ:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"9a8b7ee\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eExpanding the great success of 80 Series recording consoles is only logical. Taking the highly regarded 80B EQ and improving on it with the 80C EQ was a great step forward for its time. The 80C EQ took all of the great sound of the 80B and gave it even more control. Keeping the 80C EQ as the brawn of the 88’s was a decision that required no second thought.\u003cbr\u003eAdding more EQ to the 88 was the next step forward for a more versatile analog recording console’s progression. Having EQ to the vast majority of the inputs to the 88 console means more analog controls at your fingers.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh and low shelving\u003c\/li\u003e\n\u003cli\u003eLow\/high mid peaking\u003c\/li\u003e\n\u003cli\u003e4 Sweepable bands boost\/cut to +\/-15dB.\u003c\/li\u003e\n\u003cli\u003e50Hz high pass filter\u003c\/li\u003e\n\u003cli\u003eInsert pre\/post eq\u003c\/li\u003e\n\u003cli\u003eMonitor in: Tilt EQ\u003c\/li\u003e\n\u003cli\u003eGroup FX Returns: 12kHz and 80hz shelving\u003c\/li\u003e\n\u003cli\u003eGroup Monitor Returns: 12kHz and 80hz shelving\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"9aa4a48\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMaster Section:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"bd09752\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eKeeping control of your workflow with ease and speed is the core function of an analog recording console. Your time spent setting up a mix and the ability to have tactile control with immediate effect over your work is essential and time saving.\u003c\/p\u003e\n\u003cp\u003eThe 88’s are designed to give you maximum control and routing options all onboard at your fingertips. Making your creative process more effective and saving you time in the process.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 Subgroups\u003c\/li\u003e\n\u003cli\u003e3 Monitor Controls\u003c\/li\u003e\n\u003cli\u003e8 Monitor returns with high and low EQ\u003c\/li\u003e\n\u003cli\u003e8 Auxes; 6 Mono 2 Stereo\u003c\/li\u003e\n\u003cli\u003e8 Stereo FX Returns with high and low EQ\u003c\/li\u003e\n\u003cli\u003e8 Stereo Aux Returns assignable to the Stereo FX Returns\u003c\/li\u003e\n\u003cli\u003e1\/8″ TRS Input Onboard\u003c\/li\u003e\n\u003cli\u003eTalkback to Auxes in pairs, Groups, or Studio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Trident","offers":[{"title":"New | On Order","offer_id":46182876872987,"sku":"88-24","price":41750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/8824_0.jpg?v=1692039912"},{"product_id":"trident-32-channel-8-bus-fully-modular-console-with-led-meter-bridge-88-32","title":"Trident 32-Channel 8-Bus Fully Modular Console with LED Meter Bridge","description":"\u003csection data-id=\"328a8e7\" data-element_type=\"section\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-id=\"b19f104\" data-element_type=\"column\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-id=\"6a7ec47\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Trident 88 is a classically styled, in-line, eight-buss analog console and an advancement in lineage of the revered Series 80 mixing desks.\u003c\/p\u003e\n\u003cp\u003eDesigned with manufacturability in mind, the 88 is artfully constructed for ease of use and workhorse reliability.\u003c\/p\u003e\n\u003cp\u003eAvailable in stock configurations of 16, 24, 32, and 40 channels. The model 88 is sized to fit the modern, high end facility – whether private, institutional, or professional.\u003c\/p\u003e\n\u003cp\u003eAlong with the pleasingly familiar routing and feel of a classic Trident desk, are modern refinements that serve to improve functionality, workflow and performance specifications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv data-id=\"300446f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eFor example, integration with outboard processors and mic pre’s, such as the 500 format, is provided simply and elegantly by means of an exclusive, switchable input. This bypasses the channel preamp circuitry and allows for insertion of external signal sources directly to the channel equalizer.\u003c\/p\u003e\n\u003cp\u003eBeing a Trident, the equalization is of course, wonderful, and on the 88 – it is also plentiful. Always available on the channel, monitor, effects returns and group sections.\u003c\/p\u003e\n\u003cp\u003eIn the area of customization, the 88 has options for vu metering, transformer I\/O, automation, short loading and channel configurations exceeding 40 inputs.\u003c\/p\u003e\n\u003cp\u003eFeatures found throughout the 88 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. With 27dB of headroom, the 88 is designed to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 88 carries that tradition forward.\u003c\/p\u003e\n\u003cp\u003eBottom line: The Trident 88 was created with all of this in mind so that you can use it to make great sounding tracks.\u003c\/p\u003e\n\u003cdiv data-id=\"118972c\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eFully Modular Design:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"7e2cad9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned with manufacturability in mind.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Trident 88 was made from the ground up to be a rugged and reliable console. We went to great lengths to make sure that the 88’s are easy to build and equally easy to maintain. The 88 is designed so that the entire console can be serviced with a single screw driver. Motherboards are shock-mounted with rubber standoffs to isolate them from the chassis and provide additional protection from structure born stresses. A channel can be swapped in matter of minutes and the console will continue to function if one or more channels are removed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFaders, channels, groups, and master section are individually removable.\u003c\/li\u003e\n\u003cli\u003eAll rear connections are also removable.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"5abd6ba\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eSplit\/Inline Console:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"49df8cb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eHaving a Split\/Inline console effectively will double your inputs to your stereo buss. This has become more and more a common configuration for recording consoles in today’s market. We took it a step further and added an EQ to the monitor path that can also be swapped with the main channel EQ.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual Input to the Channels – line and monitor\u003c\/li\u003e\n\u003cli\u003eFour band, sweepable channel EQ, is switchable with monitor Tilt EQ.\u003c\/li\u003e\n\u003cli\u003eDual Inserts to each Channel at the preamp, or the main channel EQ.\u003c\/li\u003e\n\u003cli\u003e8 Auxes: 6 mono and 2 Stereo\u003c\/li\u003e\n\u003cli\u003e27dB of headroom\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"8f3631e\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMicrophone Preamp:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"d911dd8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eIncorporating a Discrete Class A preamp to the 88’s is a departure from previous Trident console preamps in the 80 Series. This give’s the 88’s a higher quality stock preamp from the start and also incorporates the option to add a Lundahl input transformer to any channel desired.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiscrete Class A\u003c\/li\u003e\n\u003cli\u003e65dB gain\u003c\/li\u003e\n\u003cli\u003eBalanced inputs, with optional Lundahl transformers\u003c\/li\u003e\n\u003cli\u003eFull bypass insert\u003c\/li\u003e\n\u003cli\u003eInput Reverse Switch\u003c\/li\u003e\n\u003cli\u003eMic\/Line Switch\u003c\/li\u003e\n\u003cli\u003ePhantom Power Switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"6bfeeb6\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eConsole EQ:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"9a8b7ee\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eExpanding the great success of 80 Series recording consoles is only logical. Taking the highly regarded 80B EQ and improving on it with the 80C EQ was a great step forward for its time. The 80C EQ took all of the great sound of the 80B and gave it even more control. Keeping the 80C EQ as the brawn of the 88’s was a decision that required no second thought.\u003cbr\u003eAdding more EQ to the 88 was the next step forward for a more versatile analog recording console’s progression. Having EQ to the vast majority of the inputs to the 88 console means more analog controls at your fingers.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh and low shelving\u003c\/li\u003e\n\u003cli\u003eLow\/high mid peaking\u003c\/li\u003e\n\u003cli\u003e4 Sweepable bands boost\/cut to +\/-15dB.\u003c\/li\u003e\n\u003cli\u003e50Hz high pass filter\u003c\/li\u003e\n\u003cli\u003eInsert pre\/post eq\u003c\/li\u003e\n\u003cli\u003eMonitor in: Tilt EQ\u003c\/li\u003e\n\u003cli\u003eGroup FX Returns: 12kHz and 80hz shelving\u003c\/li\u003e\n\u003cli\u003eGroup Monitor Returns: 12kHz and 80hz shelving\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-id=\"9aa4a48\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMaster Section:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-id=\"bd09752\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cp\u003eKeeping control of your workflow with ease and speed is the core function of an analog recording console. Your time spent setting up a mix and the ability to have tactile control with immediate effect over your work is essential and time saving.\u003c\/p\u003e\n\u003cp\u003eThe 88’s are designed to give you maximum control and routing options all onboard at your fingertips. Making your creative process more effective and saving you time in the process.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 Subgroups\u003c\/li\u003e\n\u003cli\u003e3 Monitor Controls\u003c\/li\u003e\n\u003cli\u003e8 Monitor returns with high and low EQ\u003c\/li\u003e\n\u003cli\u003e8 Auxes; 6 Mono 2 Stereo\u003c\/li\u003e\n\u003cli\u003e8 Stereo FX Returns with high and low EQ\u003c\/li\u003e\n\u003cli\u003e8 Stereo Aux Returns assignable to the Stereo FX Returns\u003c\/li\u003e\n\u003cli\u003e1\/8″ TRS Input Onboard\u003c\/li\u003e\n\u003cli\u003eTalkback to Auxes in pairs, Groups, or Studio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Trident","offers":[{"title":"New | On Order","offer_id":46182877987099,"sku":"88-32","price":50500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/8832_0.jpg?v=1692039912"},{"product_id":"trident-a-range-500-series-eq-2-space-module-a-range500eq","title":"Trident A-Range 500 Series EQ 2 Space Module","description":"\u003cp\u003eThe legendary A-Range® equaliser holds a unique place in audio history, with a stunningly musical sound that resulted from its all-discrete transistor circuitry and the use of inductors in the upper and lower mid bands. The A-Range® s a faithful re-creation of the original four band Trident A-Range® equaliser in a 500 module format, that will add the unique Trident signature to any programme material.\u003c\/p\u003e\n\u003cp\u003eThe mid frequency EQ sections are “peaking”, while the high and low frequency sections are “shelving”. A distinguishing feature of both the original A-Range® console and this module, is the use of faders for level adjustment, rather than rotary potentiometers. These faders feature a useful centre detent at mid travel to denote zero boost or cut of the selected frequency. The use of faders makes it very easy to see not only how much equalisation is being applied. Each band is rotary-switch-selectable to one of four frequencies, while individual push buttons engage the three high pass and three low pass filters. An LED peak level indicator is included to warn when levels get too high. The Line level input and output are balanced for maximum signal integrity \u0026amp; high output levels with minimum distortion.\u003c\/p\u003e\n\u003cp\u003eThe difference between shelving and peaking equalisers are as follows. A shelving equaliser boosts or cuts all frequencies equally, above or below a certain frequency, usually the point where it effectively reaches its “shelf” state. A “high shelf” EQ boosts or cuts high frequencies and a “low shelf” type boosts or cuts low frequencies. This type of circuit is very popular in hi-fi systems but is also actually highly musical when applied in a recording environment. In contrast, a peaking equaliser is one that, as its name implies, has a centre frequency that is boosted or attenuated more than others. The frequency range over which it reaches its peak and then falls down is known as the bandwidth (or “Q”). Because this type of design reaches a peak and then falls away, it is possible with this type of circuit to “home in” on particular frequencies and make adjustments without affecting those around them. This can be particularly useful when working with instruments such as bass guitars and snare drums. By incorporating both shelving and peaking equalisers into the design of the versatile A-Range®, it is possible to get the best of both types of design.\u003c\/p\u003e","brand":"Trident","offers":[{"title":"New | On Order","offer_id":46183445889307,"sku":"A-RANGE500EQ","price":799.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":49947075936539,"sku":"ARANGE500EQEBAYPRO","price":696.56,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/trident-arange500.jpg?v=1692041913"},{"product_id":"trident-hi-lo-500-series-tracking-filter-hi-lo","title":"Trident Hi-Lo 500 Series Tracking Filter","description":"\u003ch2\u003e\u003cstrong\u003eHi-Lo Dynamic Filtering.\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003eThe Hi-Lo is not just a filter. Trident Audio has created an analog adaptive filtering circuit for the 500 Series format.\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThe Trident Hi-Lo, an adaptive Hi-Cut\/Lo-Cut frequency filtering module that responds dynamically to program material, providing a high degree of control and signal enhancement, unavailable in any modern-day 500 series package.\u003c\/p\u003e\n\u003ch4\u003eThe Hi-Cut\u003c\/h4\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis is a sweepable low pass filter with unity gain in the selected passband and a selectable (12dB per octave or 24dB per octave) roll-off outside the passband. The cutoff frequency can be set from 75Hz to 24kHz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003eIn addition, a RESONANCE control can be\u003c\/span\u003e\u003cspan class=\"s1\"\u003e switched into circuit, to introduce a resonant peak at the selected cutoff frequency. The size of this peak, which is dependant on the elected frequency selected on the front panel, can \u003c\/span\u003e\u003cspan class=\"s3\"\u003ebe varied from zero to approximately +12dB. \u003c\/span\u003e\u003cspan class=\"s1\"\u003eAt maximum setting, RESONANCE stops just short of self-oscillation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eA HI-CUT ENABLE switch allows each individual frequency band or filter to be assessed, while a red PEAK warning indicator will illuminate at approximately +16dBu, approximately 12dBu below clipping. To allow adequate headroom, avoid boosting the signal by more than an amount which just causes this LED to flash on occasional peaks.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eHi-Cut Dynamic Tracking\u003c\/h4\u003e\n\u003cp class=\"p1\"\u003eUsing the TRACK SIGNAL function enables the Hi-Cut filter to be used for dynamic noise reduction. This is a technique that relies on the psychoacoustic effect of ‘masking’, in which a louder signal will cover up a quieter signal of the same frequency. In this mode, the cutoff frequency tracks dynamically the high frequency content of the music, with the FREQUENCY control setting the frequency to which the filter will close down in the absence of any high-frequency content.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith a noisy signal applied (e.g. from analog tape or other material with a high background noise content), start with the FREQUENCY control at maximum (fully clockwise) and back off the control until the noise just disappears.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUse of higher resonant settings will result in the movement of the filter becoming audible and indeed, combined with the lower settings of the FREQUENCY control, this can \u003cspan class=\"s1\"\u003ebe the basis of some unique \u003c\/span\u003especial effects.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eFurther possibilities\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"p1\"\u003eThe sweep range of the Hi-Cut \u003cspan class=\"s1\"\u003efilter is extremely wide, from \u003c\/span\u003e\u003cspan class=\"s2\"\u003eeffectively subsonic, right up \u003c\/span\u003eto full audible bandwidth. This suggests the possibility of fading tracks in and out, not in the amplitude domain as is usual, but in the frequency domain.\u003c\/p\u003e\n\u003ch4\u003eThe Lo-Cut\u003c\/h4\u003e\n\u003cp class=\"p1\"\u003eThis is a sweepable high pass filter with unity gain in the selected passband and selectable (12dB per octave or 24dB per octave) roll-off \u003cspan class=\"s1\"\u003eoutside of the passband. The cutoff frequency can\u003c\/span\u003e be set manually, anywhere from 15Hz to 16kHz.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003eIn addition, a RESONANCE control can be \u003c\/span\u003e\u003cspan class=\"s3\"\u003eswitched into the circuit, to introduce a resonant\u003c\/span\u003e peak at the selected cutoff frequency. The size of this peak, which is dependant on the \u003cspan class=\"s3\"\u003eelected frequency selected on the front panel, can be varied from zero to approximately\u003c\/span\u003e +12dB. At maximum setting, RESONANCE stops just short of self-oscillation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA LOW-CUT ENABLE switch allows each individual frequency band or filter to be assessed, while a red PEAK warning indicator will illuminate at approximately +16dBu, approximately 12dBu below clip-ping. To allow adequate headroom, avoid boosting the signal by more than an amount which just causes this LED to flash on occasional peaks.\u003c\/p\u003e\n\u003ch4\u003eLo-Cut Dynamic Tracking\u003c\/h4\u003e\n\u003cp class=\"p1\"\u003eUsing the TRACK SIGNAL function, enables the Lo-Cut filter to be used for a dynamic hum or rumble reduction. This is a technique that relies on the psychoacoustic effect of ‘masking’, in which a louder signal will cover up a quieter signal of the same frequency. In this mode, the cut-off frequency tracks dynamically the low frequency content of the music, with the FREQUENCY control setting the frequency to which the filter will open up in the absence of any low-frequency content.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith a noisy signal applied (e.g. from a record deck or other material with a high background noise content), start with the FREQUENCY control at minimum (fully anticlockwise) and advance the control until the hum or rumble just disappears.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn practice, this technique demands a trade-off between noise reduction and\u003c\/span\u003e loss \u003cspan class=\"s1\"\u003eof some low-frequency content of \u003c\/span\u003ethe program material. However, using the steepest (24dB per octave) slope maximizes the \u003cspan class=\"s2\"\u003eamount of low-frequency content \u003c\/span\u003e\u003cspan class=\"s1\"\u003eretained. In addition, discreet use \u003c\/span\u003e\u003cspan class=\"s2\"\u003eof the RESONANCE control to \u003c\/span\u003eintroduce a small peak of a few dB at the cutoff frequency can psychoacoustically enhance the \u003cspan class=\"s3\"\u003eapparent bandwidth of the \u003c\/span\u003efiltered signal. Use of higher \u003cspan class=\"s4\"\u003eresonant settings will result \u003c\/span\u003ein the movement of the filter becoming audible and indeed, combined with higher settings \u003cspan class=\"s5\"\u003eof the FREQUENCY control, this can be the basis of some unique effects.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eFurther possibilities\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"p1\"\u003eThe sweep range of the Lo-Cut filter is extremely wide, from effectively ultrasonic to right down to full audio bandwidth. This suggests the possibility of fading tracks in and out, not in the amplitude domain as usual, but in the frequency domain.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eHi-Lo Peak Indicators\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Trident Hi-Lo includes LED peak indicators on the outputs of both the Hi-Cut filter section and the Lo-Cut filter section. Since the filters are in series (the Hi-Cut circuitry before the Lo-Cut), the Hi-Cut Peak LED monitors the Hi-Cut filter stage only, and the Lo-Cut Peak LED monitors to signal thru both stages, and as such, the output of the unit. This gives the most flexibility for clip monitoring in the unit. The Output of the Hi-Lo can drive approximately 27.5 dB into a 600 Ohm load. The clip levels are approximately 12 dB below the actual signal Clip (so we have this occur at +16dBu) and allow for tweaks in resonance which may exceed that but allow for headroom after the clip indicator has just reached active.\u003c\/p\u003e\n\u003cp\u003eIt should also be noted, that if neither the Hi-Cut or Lo-Cut switches are enabled, the peak LED indicators are actively monitoring the incoming signal level.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eDynamic Linking Linked Stereo Tracking\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"p1\"\u003eThe Trident Hi-Lo module also offers the option of linked stereo tracking when paired with a second Trident Hi-Lo module. Ordinarily, most 500 Series racks offer paired slots by default. The Trident Hi-Lo provides an on-board stereo link switch (S9) for use in this instance. With both modules, stereo link switches selected to on, and the modules fitted in the pre-paired slots, the modules are now paired together.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBy enabling both Hi-Lo modules TRACK SIGNAL switches, and setting the FREQUENCY controls to identical positions, the left and right signals are now summed together, and the automatic tracking follows both the left and right signal sources.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhen using a 500 Series rack with selectable stereo pairing on the rear of the rack, such as with the Trident Deca-Dent, by releasing the on-board stereo link switches, both modules can be used as separate mono units without the need to access the rear of the rack.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eAPI Radial Workhorse\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"p1\"\u003eAn onboard jumper is available for use when the Trident Hi-Lo is used in conjunction with the API Radial Workhorse. When selected, this allows the Hi-Lo to send its output to the Workhorse mix bus (pin 11), which is fed to the Workhorse mixer section. This can be used in conjunction with the on-board stereo link switch, thus enabling stereo use on the Workhorse.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eUp to 48dB Per Octave Slope (Wired In Series)\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"p1\"\u003eWhen two Hi-Lo modules are connected in series, slopes of 12, 24, 36, and 48dB can be achieved, in any combination, by selecting the appropriate SLOPE buttons on the front of each Hi-Lo module. For example, by engaging both of the Hi-Lo modules Hi-Cut filters, and setting both modules to 24dB slope, the program material will be subject to a 48dB slope. By adjusting one of the Hi-Cut filters to 12dB, the program material will be subject to a 36dB slope.\u003c\/p\u003e\n\u003cp\u003eThe introduction of a third Hi-Lo in series with the first two Hi-Lo modules, would provide for yet steeper slopes, again in increments of 12dB. If fact, because they can be connected in series, you’re only limited by the number of Hi-Lo’s that you have to hand.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Trident","offers":[{"title":"New | In Stock","offer_id":46184073429275,"sku":"HI-LO","price":499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/hi-lo-2.jpg?v=1692043051"},{"product_id":"trident-16-channel-8-buss-console-with-led-meter-bridge-68-16","title":"Trident 16 Channel 8 Buss Console With LED Meter Bridge","description":"\u003cp\u003eThe Series 68 analog consoles have been developed to deliver the core feature set most often needed for analog recording. The 68’s are Split\/lnline consoles with individual channels in 8-way panels. Using an 8 subgroup configuration and incorporating 6 Aux sends, its routing options are vast and simple to use. Connections are fast and easy with DB-25’s throughout the board and XLR’s for Master and Main outputs. With a flexible yet powerful 3 band EQ at its core, including selectable channel inserts and monolithic preamps driving the inputs, the Series 68 consoles offer a wide array of summing and mixing options. The sonic quality and compact footprint of the 68’s are able to meet any demand.\u003c\/p\u003e","brand":"Trident","offers":[{"title":"New | On Order","offer_id":46184338358555,"sku":"68-16","price":13750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/trident-68-console_116720_1.jpg?v=1692043539"},{"product_id":"trident-24-channel-8-buss-console-with-led-meter-bridge-68-24","title":"Trident 24 Channel 8 Buss Console With LED Meter Bridge","description":"\u003cp\u003eThe Series 68 analog consoles have been developed to deliver the core feature set most often needed for analog recording. The 68’s are Split\/lnline consoles with individual channels in 8-way panels. Using an 8 subgroup configuration and incorporating 6 Aux sends, its routing options are vast and simple to use. Connections are fast and easy with DB-25’s throughout the board and XLR’s for Master and Main outputs. With a flexible yet powerful 3 band EQ at its core, including selectable channel inserts and monolithic preamps driving the inputs, the Series 68 consoles offer a wide array of summing and mixing options. The sonic quality and compact footprint of the 68’s are able to meet any demand.\u003c\/p\u003e","brand":"Trident","offers":[{"title":"New | On Order","offer_id":46184339308827,"sku":"68-24","price":17500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/trident-68-console_116725_1.jpg?v=1692043532"},{"product_id":"trident-a-range-500-series-preamp","title":"Trident A-Range 500 Series Preamp","description":"\u003cp\u003eTrident Recording Studio’s started operations back in the 1960’s as a recording studio. Many things came out of the Recording Studio that led to what Trident Audio Developments is today.\u003c\/p\u003e\n\u003cp\u003eTrident Recording Studios recorded legendary bands like David Bowie, The Beatles, James Taylor, Queen, Supertramp, Mott The Hoople, Bad Company, Free, Rush, Elton John, Manfred Mann, T-Rex and so many more, we simply do not have the space to list them all here. These recordings were done by incredible recording engineers like Roy Thomas Baker, Ken Scott, Tony Platt, Tony Visconti, Adam Moseley, Dave Hentschel, and many others. Trident Studios was the place known by the most famous bands as the place to record in London.\u003c\/p\u003e\n\u003cp\u003eTrident studios were the first studio to acquire the first ever 8 Track from Ampex. No one in London had an 8 Track…not even EMI. When Trident got its first 16 track recorder, they decided to buy a new recording console but simply could not find any commercially available console to do 16 track recording with the feature set they needed. It was decided by the powers to be at Trident that between the recording engineers, and the technical staff under the direction of Barry Porter, Trident would attempt to build their own custom console.\u003c\/p\u003e\n\u003cp\u003eThe first console was designed purely for Trident Studios and was designated the ‘A’ Series. It was hand built to the need of the facilities and designed to be ergonomic. In those days, the integrated circuit (I.C.) had not been invented, so all the circuits used individual transistors (known as discrete design). This and the use of inductors in the lower and upper mid equalizer sections are said to account for much of the unique sound of the ‘A’ Series. From this first successful design was borne Trident Audio Developments Ltd, which went on to become a leading manufacturer of music recording consoles. One of the company’s earliest advertising slogans was ‘designed by recording engineers for recording engineers’.\u003c\/p\u003e\n\u003cp\u003eThis became a key component of what made the ‘Trident Sound’ unique. As a recording engineer rather than an electronics engineer, Trident Audio Developments was designed by the engineer’s ears, rather than a textbook of electronic design, and it is this, coupled with over thirty years’ experience that has enabled Trident Audio Developments to develop its own ‘philosophy of sound’ that is Trident’s trademark.\u003c\/p\u003e\n\u003cp\u003eThe “A” Series eventually led to the development of the “A“ Range Console, which became the console everyone wanted to work and record on. The “A“ Range was quickly labelled as the best sounding console ever. It should be noted, a large part of this sound, along with the legendary sounding EQ was the unique warm sound of the A-Range’s all discrete microphone preamplifiers\u003c\/p\u003e\n\u003cp\u003eThere were only thirteen A Range consoles ever built back in the 1970’s, and almost all of them have been rebuilt and are still in use today, despite being nearly forty years old. This says a lot about the heritage of these iconic items of recording equipment and the artists that have used them.\u003c\/p\u003e","brand":"Trident","offers":[{"title":"New | In Stock","offer_id":48719153234203,"sku":"A-RANGE500PRE","price":999.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/A-Range-500-Preamp-scaled.jpg?v=1716391756"},{"product_id":"trident-80b-500-series-equalizer-80b-500eq","title":"Trident 80B 500-Series Equalizer 80B-500EQ","description":"\u003cp\u003e*Please note  -- This pre-owned item may show signs of use. Please see photos for details of the product.\u003c\/p\u003e\n\u003cp\u003eThe TR80BEQ - 80B Equalizer from Trident is a 500 series rack module that incorporates the classic four-band Trident Series 80 console equalizer. The EQ features switchable high and low pass shelving sections, coupled with two swept low and high mid frequency bands and a switchable 50 Hz (12 dB per octave) filter. The sweepable mid-frequency bands are maximized for music and offer a good degree of frequency overlap. A dedicated bypass switch allows for comparison with unprocessed signals.\u003cbr\u003e\u003c\/p\u003e","brand":"Trident","offers":[{"title":"Pre-Owned | On Order","offer_id":50566086394139,"sku":"C105664","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/4K0A3781.jpg?v=1754493356"},{"product_id":"trident-500-series-joe-meek-optical-compressor","title":"Trident 500 Series Joe Meek Optical Compressor","description":"\u003cp\u003eThe SC2 Stereo Compressor is a legendary British analogue stereo compressor known for its smooth optical compression and unmistakable sonic character. Inspired by renowned experimental producer Joe Meek in the late 1960’s, the SC2 established its own audio legacy in the late 1990’s and into the 2000’s.\u003c\/p\u003e\n\u003cp\u003eWith its striking green livery and being a staple in countless recording setups over the years, the SC2 is prized for its ability to add cohesion and “glue” to vocals, instruments, and full stereo mixes.\u003c\/p\u003e\n\u003cp\u003eNow part of the Trident Audio Developments lineup, the new Trident SC2 500 faithfully incorporates the legendary Joemeek optical compressor design into a modern, high‑end format for both professional and project studios.\u003c\/p\u003e\n\u003cp\u003eThe Trident SC2 500 delivers musical dynamics control that enhances clarity, warmth, and punch without sounding harsh or over-processed.\u003c\/p\u003e\n\u003cp\u003eIt allows both those that fondly remember the original Joemeek SC2 and those of a new generation of audio creators, access to a classic compressor design, steeped in musical history and heritage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptical Stereo Compression with the Joemeek Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the heart of the Trident SC2 500 is a photo-optical compression circuit, which reacts naturally to incoming audio for smooth, organic gain reduction. Unlike clinical VCA compressors, the SC2 500 excels at musical levelling, making it ideal for sources that need control while retaining life and emotion.\u003c\/p\u003e\n\u003cp\u003eStereo-linked operation ensures consistent compression across left and right channels, preserving stereo imaging and balance.\u003c\/p\u003e","brand":"Trident","offers":[{"title":"New | On Order","offer_id":51797844132123,"sku":"SC2-500","price":599.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":52241602281755,"sku":"SC2-500EBAYPRO","price":529.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/SC2500Front.jpg?v=1771424460"},{"product_id":"trident-80b-500-series-preamp-1","title":"Trident 80B 500 Series Preamp","description":"\u003cp\u003eIntroducing the \u003cstrong\u003e80B 500 Series Preamp\u003c\/strong\u003e – the perfect solution for those seeking the legendary sound of the Trident Series 80B console in the 500 Series Format. With a Lundahl transformer-coupled microphone preamp and electronically balanced line input, the preamp boasts a wide frequencey range and accommodates a variety of signal levels with ease. Additionally, a high-quality Lundahl output transformer ensures exceptional sound quality. With its LED meter display, the 80B-500 Series Preamp is an essential tool for any recording studio. \u003c\/p\u003e\n\u003cp\u003eLooking for a classic mic preamp with modern 500 Series convenience? Look no further than the 80B-500 Series Preamp – a faithful recreation of the legendary Trident Series 80B console preamp from the early 1980s.\u003cbr\u003e\u003cbr\u003eThe 80B-500 Series Preamp features a unique design that can handle signal levels from -60dBu to as high as +15dBu without the need for a separate pad switch. Its smooth gain adjustment, particularly at high signal levels, sets it apart from other designs that tend to have a cramped level adjustment at the end of the control. And with near-theoretical minimum noise figures and an extremely fast transient response, you can be confident that your recordings will be crystal-clear and distortion-free.\u003c\/p\u003e\n\u003cp\u003eWith a frequency response that extends to above 40kHz, the 80B-500 Series Preamp is perfect for use with high-quality condenser microphones. But it also brings out the best in dynamic and ribbon microphones, thanks to its high gain and low noise. This is particularly useful when working with ribbon microphones, which often have an inherently low output level.\u003c\/p\u003e\n\u003cp\u003eIn addition to its unique design, the 80B-500 Series Preamp also includes a range of features that make it an indispensable tool for recording engineers and home studio enthusiasts. These features include a high-quality transformer-coupled microphone amplifier, 48-volt switchable Phantom Power, a high-quality Output transformer, an electronically balanced Line Input amplifier, separate Microphone \u0026amp; Line level controls, a front-facing (Hi Z) ¼” Line Input, a variable Low Pass Filter (LPF), a variable High Pass Filter (HPF), a switchable Phase control (Polarity), and an Output meter LED display.\u003c\/p\u003e\n\u003cp\u003eUpgrade to the 80B-500 Series Preamp today and experience the classic sound of the Trident Series 80B console preamp in a modern, convenient format!\u003c\/p\u003e\n\u003cp\u003eThe Series 80B-500 Preamp is derived from the legendary Series 80B Consoles designed by Trident Audio Developments in the late 1970’s. It incorporates an exact replica of the preamp design that gave the original console its unique sound. These consoles have been used to record just about every major artist in the past three decades, including Elton John, Dire Straits, David Bowie, Rod Stewart and Stevie Wonder to name but a few. More recently they have been used to record artists such as Radiohead and Pavarotti.\u003c\/p\u003e\n\u003cp\u003eThe Trident Audio Developments Series 80B-500 Preamp brings a historic pedigree and is offered at a price that is now affordable to all studios and home recorders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe sound and the circuitry of the consoles used to record countless hit records.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the late ’70s Trident Audio developed a new series of recording consoles to update Trident’s sound for a new generation of musical talent. The result was the Trident Series 80, the sound of which quickly became a favorite among the top artists. The Series 80B doesn’t just capture the sound of these legendary consoles, it is the exact same painstakingly re-created circuitry.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Series 80B iconic preamp excels on everything.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Series 80B-500 Preamp is one of Trident’s most sought microphone preamps. Loaded with transformers and a HiZ front input, the Series 80B Preamp is the classic sound of the consoles. \u003c\/p\u003e","brand":"Trident","offers":[{"title":"New | In Stock","offer_id":52272385753371,"sku":"80B-500PRE","price":649.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":52272396468507,"sku":"80B-500PREEBAYPRO","price":498.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/80b-500preamp-frontview_11fd0bc1-b0ff-4eef-99bd-ca8f5b0071cc.jpg?v=1780078072"},{"product_id":"trident-80b-500-series-equalizer","title":"Trident 80B 500 Series Equalizer","description":"\u003cp\u003eBegin with all boost\/cut controls – those with centre detents, set to their mid way (‘0’) positions. Adjust the low and high mid frequency sweep controls to their minimum positions (fully anticlockwise). The50Hz high pass ‘Filter‘ switch should be in the out position. Set the frequency select switches controlling the high and low shelving sections, to 120Hz and 12kHz respectively. Lastly, set the ‘EQ’ switch to the ‘in’ position (the associated LED will illuminate).\u003c\/p\u003e\n\u003cp\u003eRotation of the high frequency shelving control in a clockwise direction emphasises high frequencies, while turning the control in an anti-clockwise direction from centre attenuates high frequencies.\u003c\/p\u003e\n\u003cp\u003eOperating the ‘frequency select’ switch in the high frequency section introduces a subtle change of emphasis to the affected high frequencies, as the shelving ‘knee’ is changed from 12kHz to 8kHz. Likewise, rotating the low frequency shelving control in a clockwise direction will emphasise low frequencies, while turning the control in an anti-clockwise direction from centre attenuates low frequencies. Adjusting the ‘frequency select’ switch in the low section introduces\u2028a subtle change of emphasis on the affected low frequencies by altering the shelving point from 120Hz down to 60Hz.\u003c\/p\u003e\n\u003cp\u003eThe ‘low mid’ and ‘high mid’ equaliser sections are peaking filters. Adjustment of their parameters is achieved by use of the boost\/cut knob and its associated frequency sweep knob. Boost or cut of a given frequency is performed by moving that control from its centre detent position: clockwise for boost, anti-clockwise to cut. The frequency to be boosted or cut is selected by the frequency sweep control knob. The range of frequencies of the ‘low mid’ control extends from 100Hz up to 1.5kHz.\u003c\/p\u003e\n\u003cp\u003eFor the ‘high mid’ sweep, the frequency range begins at 1kHz (overlapping with the low mid section) and continues up to 15kHz.\u003c\/p\u003e\n\u003cp\u003eThe Series 80B 500 Series EQ incorporates a classic four band equaliser which is identicalto that employed in the Trident Series 80 console. It consists of frequency switchable high and low pass shelving sections, coupled with two swept low and high mid range bands and a switchable 50Hz, 12dB per octave filter. Both swept midranges have been carefully chosen for maximum effect on music programme and a good degree of overlap is provided.\u003c\/p\u003e\n\u003cp\u003eFinally, selecting the ‘Filter’ switch introduces a smooth, 50Hz, 12dB\/octave roll-off to effectively eliminate ‘rumble’ caused by, among other things, someone’s feet moving about near a microphone stand, nearby traffic noise and AC systems. The amount of boost (accentuation) or cut (attenuation) that is applied to the audio signal is entirely dependent on the programme content and it is not our intention to advise on this. Application of equalisation is a very subjective matter and is best learned by experiment. The equaliser bypass switch ‘EQ’ is a useful facility for comparing the signal before and after the application of equalization.\u003c\/p\u003e\n\u003cp\u003eThe Series 80B-500EQ is derived from the legendary Series 80B Consoles designed by Trident Audio Developments in the late 1970’s. It incorporates an exact replica of the equalizer design that gave the original console its unique sound. These consoles have been used to record just about every major artist in the past three decades, including Elton John, Dire Straits, David Bowie, Rod Stewart and Stevie Wonder to name but a few. More recently they have been used to record artists such as Radiohead and Pavarotti.\u003c\/p\u003e\n\u003cp\u003eThe Trident Audio Developments Series 80B-500EQ unit brings with it a historic pedigree and is offered at a price that is now affordable to all studios and home recordists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe sound and the circuitry of the consoles used to record countless hit records.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the late ’70s Trident Audio developed a new series of recording consoles to update Trident’s sound for a new generation of musical talent. The result was the Trident Series 80, the sound of which quickly became a favorite among the top artists. The Series 80B doesn’t just capture the sound of these legendary consoles, it is the exact same painstakingly re-created circuitry.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Series 80B iconic 4-band equalizer lets you tune your sound to perfection.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Series 80B-500EQ is one of Trident’s most sought after 4-band equalizers. Loaded with frequency-switchable high and low shelving sections, as well as sweepable low-mid and high-mid bands and a switchable 50Hz, 12dB per octave filter, the Series 80B gives you an exceptional degree of control over your sound. The Series 80B’s highly resonant Q peaks are particularly favored by many top engineers for tuning instrument tones.\u003c\/p\u003e","brand":"Trident","offers":[{"title":"New | In Stock","offer_id":52272464429339,"sku":"80B-500EQ","price":399.99,"currency_code":"USD","in_stock":true},{"title":"Pre-Owned | On Order","offer_id":52272482451739,"sku":"80B-500EQEBAYPRO","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0750\/9049\/3723\/files\/71nu2dvafpl._ac_sl1500_6b2576c0-c5b4-4726-b8ac-4f842f4c9484.jpg?v=1780079241"}],"url":"https:\/\/www.altomusic.com\/collections\/trident.oembed","provider":"Alto Music","version":"1.0","type":"link"}