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Speed Up Your Workflow
Revoice Pro is used worldwide by top audio professionals for the fastest, easiest and best sounding adjustment and alignment of vocals, instruments and ADR as well as double track generation.
Revoice Pro 3 adds a powerful set of easy to use tools, workflow enhancements for top DAWs like Pro Tools, Logic Pro X, Studio One and Cubase. Major new features include a simple yet powerful toolset for manually adjusting audio timing and pitch. What’s more, users say that Revoice Pro 3 provides the most natural and transparent-sounding processing available.
At the heart of Revoice Pro is our unique Audio Performance Transfer (APT) process, that can gives the user the ability to take the timing, pitch, vibrato and level features of one audio track and use it on another, giving you the chance to match or correct timing and tuning, plus our highly-praised realistic Doubler process sounds great and is easy to use.
You can choose to work fast with automatic workflows or use our unique manual Warp process for pitch and timing. Now you have a one-stop, time-saving, high-quality solution for creative and corrective audio manipulation tasks.
Flexible Automatic Time And Pitch Alignment
Revoice Pro is perfect for matching the timing of audio such as backing vocals, ADR, tuning vocals, or creating great-sounding double-tracks in an instant. And because you control the tightness of the corrections, you keep it sounding natural. What's more, tightening up stacks of vocals will take you just minutes, not hours.
Highest Quality Pitch And Time Manipulation
When you need to manually adjust audio timing or pitch, Revoice Pro's Warp functions provide simple-to-use tools for creating naturally tuned vocals, monotonic instruments, or ADR - with the right intonation. But Revoice Pro also works on instruments too.
The Most Realistic Doubler Ever
Instantly double-track vocals and create stacked harmonies. Revoice Pro's Doubler process creates incredibly natural-sounding doubles in mono or stereo.
Why Should I Use Revoice Pro?
- Tighten the timing, pitch and vibrato of “stacked” lead and backing vocals or instrumental tracks.
- Create one or more realistic double tracks from a single input track.
- Modify signal timing and pitch manually with the fastest and easy-to-use graphic interface.
- Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
- Change the inflection in dialog (ADR, voice-overs etc.) with the desired Guide pattern provided by recording the director or dialog editor.
Product Name | Synchro Arts Revoice Pro 3 |
---|---|
Brand | Synchro Arts |
Condition | New |
MPN | revoiceprosp |
Shipping Option | Electronic Delivery |
Audio Performance Tansfer (APT) Process
- Vocal and instrumental double tracks: Tighten the timing, pitch and vibrato of “stacked” tracks while keeping them natural-sounding.
- Dialog replacement: Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
- Transfer a performance: Change the inflection in dialog (ADR, voice-overs etc.) with the desired pattern changes provided by recording the director or dialog editor's voices.
- Fix corrupted live vocal recordings: Replace and sync problematic vocals with clean retakes.
Doubler Process
Applications for Doubler
- Creating realistic double tracks from vocal or instrument recording when no double track is available.
- Create a wide range of special modulation effects
Process Details
- Inputs can be mono or stereo signals.
- Doubler automatically creates natural-sounding mono or stereo double tracks in seconds.
- Provides controls for modifying timing variations, formants, and vibrato.
- Supports extreme parameter variations to create special effects.
- Comprehensive user Preset system
Warp Processes
Applications For Warp Processes
- Improving or altering the pitch and/or timing of tracks that are used as Guide tracks in APT or Doubler processes.
- Correcting or altering the pitch of a harmony track before using it as a Dub input to an APT process that will have only its timing aligned to the Guide. The output of this APT process can then become a harmony Guide track for automatically aligning the time and pitch of double tracks of this harmony part.
- Manually adjusting the pitch and time of a solo vocal or any voice recording.
- If required, making minor adjustments to the features in the output of an APT process.
- Modifying signal levels.
The Warp Region Process
- Adjustments are made to a single audio regionin same track as the input audio Region and the adjusted output is heard replacing the input audio.
- This is meant for making large and small corrections or creative changes to the timing and pitch of voice and monophonic instruments to create perfected lead, harmony, ADR or voice over parts.
The Warp Process
- Like the APT or Doubler, the Warp process can (from part of a region or even from multiple regions) and allow creative adjustments and corrections to be applied to the input audio. But in this case, the Warp Process results are sent to an Output track - i.e. not in the same track as the input audio.
- The Warp process takes its input from any length of audio in one track, from part of one region to spanning multiple regions. The output of the Warp process is sent to a designated output track where the adjustments are made. The input track is left unchanged.
Time Warp Points
- In addition to the above processes, Time Warp Points can be added to any input or output signal to make "in place" timing adjustments.
- A special function can add 3 Time Warp points at once - over a selected range - for very flexible timing editing of a section of sound.
Why Is Revoice Pro A Stand-Alone Program?
- The ability to implement and load audio into multi-input processes and process many tracks at the same time.
- A novel and effective “region-based processing" approach to audio processing in which inputs to processing modules are inserted where required along the timeline in Process Control Tracks and can have different settings along the same track.
- Simple, one-key controls of a “process-based auditioning” for rapidly auditioning combinations of input and output signals to check the quality of modifications.
- Modifications to Guide tracks can be automatically passed on to all tracks related to those Guides
- Support for a multi-track and multi-process environment with no limits on timecode positions and over 100 tracks - giving you maximum flexibility and speed of operations.
- Revoice Pro also allows multiple sessions to be open or one session open in multiple windows. For example, you can have multiple processing sessions open simultaneously and multiple views of any of those sessions.
- A consistent working environment inside Revoice Pro regardless of audio source.
How Do You Get Audio In And Out Of Revoice Pro From Your DAW?
- In Revoice Pro's installer, you get several Revoice Pro Link plug-ins as one type of option for conveniently getting audio into (and, for some DAWs, out of) Revoice Pro.
- Some DAWs have better integration with Revoice Pro than others - but we are constantly trying to work with DAW manufacturers to improve the workflow experience.
Revoice Pro Link Plug-ins
- Audio Suite Link, Quick APT and Quick Doubler:- forPro Tools 10and below.
- AAXLink, Quick APT and Quick Doubler:- forPro Tools 11and up.
- The following Link plug-ins can be inserted in multiple tracks for doing efficient simultaneous parallel transfers:
- Revoice Pro VST3 Link:- for Cubase, Nuendo, Studio One, and others
- Revoice Pro AU Link:- for Logic Pro and other DAWs using AU plug-ins.
Audio Transfers Using OS File System
- Fast Copy and Paste or Drag and Drop: for some DAWs including Cubase, Nuendo, Logic Pro, Studio 1, etc.
- Import / Export .wav files: All DAWs
DAW-Specific Information
- More details are given in the Revoice Pro User Guide and Video Tutorials.
- You can choose the methods that work with your DAWs that make your workflow as fast and easy as possible.
Audio Transfer Options From Revoice Pro To DAWs
- Working method will depend on capabilities of DAW.
- Instantly Drag and Drop processed audio from Revoice Pro into your DAW
- Select the audio you want to export and drag and drop into your Audio Editor or computer file system
- Use Audio Suite / AAX plug-ins (Pro Tools only)
- Export multiple tracks from Revoice Pro
- Contains timecode stamps - Audio files can be dragged into most Digital Audio Editors instantly and positioned to timecode
- Optionally use Playback Region to select range of exported audio
- Automatic track name formation
- Optionally export all selected audio tracks into one multi-channel audio file
System Requirements
Mac
- Intel Processor
- Mac OS 10.6.8 or higher
- Audio File Format: As supported by host editor
- Works with all Pro Tools hardware
- iLok USB Key
Compatible DAWs Include
- Pro Tools 8.0 to 12.8.1
- Studio One 3.0 to 3.5.2
- Logic Pro X 10.0.0 to 10.3.2
- Cubase 6.0 to 9.0
- Nuendo 4.3 to 7.0
- Digital Performer 8 to 9
- Ableton Live 9.6.1
- FL Studio 12
- Adobe Audition CC 10
- Reaper 5.1
- Logic Pro 9.1.8
Not Compatible With
- Reason
- Cubase Elements
Windows
- Windows 10, Windows 8, Windows 7 or Vista (Service Pack 2)
- Audio File Format: As supported by host editor
- Works with all Pro Tools hardware
- iLok USB Key
Compatible DAWs Include
- Pro Tools 9 to 12.7.1
- Studio One 3.0 to 3.3.2
- Cubase 6.0 to 9.0
- SONAR PROFESSIONAL X3 to 2017.2
- Nuendo 4.3 to 7.0
- FL Studio 12
- Reaper 5.35
No Compatible With
- Digital Performer
- Reason
- Cubase Elements
Synchro Arts Revoice Pro 3
Speed Up Your Workflow
Revoice Pro is used worldwide by top audio professionals for the fastest, easiest and best sounding adjustment and alignment of vocals, instruments and ADR as well as double track generation.
Revoice Pro 3 adds a powerful set of easy to use tools, workflow enhancements for top DAWs like Pro Tools, Logic Pro X, Studio One and Cubase. Major new features include a simple yet powerful toolset for manually adjusting audio timing and pitch. What’s more, users say that Revoice Pro 3 provides the most natural and transparent-sounding processing available.
At the heart of Revoice Pro is our unique Audio Performance Transfer (APT) process, that can gives the user the ability to take the timing, pitch, vibrato and level features of one audio track and use it on another, giving you the chance to match or correct timing and tuning, plus our highly-praised realistic Doubler process sounds great and is easy to use.
You can choose to work fast with automatic workflows or use our unique manual Warp process for pitch and timing. Now you have a one-stop, time-saving, high-quality solution for creative and corrective audio manipulation tasks.
Flexible Automatic Time And Pitch Alignment
Revoice Pro is perfect for matching the timing of audio such as backing vocals, ADR, tuning vocals, or creating great-sounding double-tracks in an instant. And because you control the tightness of the corrections, you keep it sounding natural. What's more, tightening up stacks of vocals will take you just minutes, not hours.
Highest Quality Pitch And Time Manipulation
When you need to manually adjust audio timing or pitch, Revoice Pro's Warp functions provide simple-to-use tools for creating naturally tuned vocals, monotonic instruments, or ADR - with the right intonation. But Revoice Pro also works on instruments too.
The Most Realistic Doubler Ever
Instantly double-track vocals and create stacked harmonies. Revoice Pro's Doubler process creates incredibly natural-sounding doubles in mono or stereo.
Why Should I Use Revoice Pro?
- Tighten the timing, pitch and vibrato of “stacked” lead and backing vocals or instrumental tracks.
- Create one or more realistic double tracks from a single input track.
- Modify signal timing and pitch manually with the fastest and easy-to-use graphic interface.
- Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
- Change the inflection in dialog (ADR, voice-overs etc.) with the desired Guide pattern provided by recording the director or dialog editor.
Product Name | Synchro Arts Revoice Pro 3 |
---|---|
Brand | Synchro Arts |
Condition | New |
MPN | revoiceprosp |
Shipping Option | Electronic Delivery |
Audio Performance Tansfer (APT) Process
- Vocal and instrumental double tracks: Tighten the timing, pitch and vibrato of “stacked” tracks while keeping them natural-sounding.
- Dialog replacement: Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
- Transfer a performance: Change the inflection in dialog (ADR, voice-overs etc.) with the desired pattern changes provided by recording the director or dialog editor's voices.
- Fix corrupted live vocal recordings: Replace and sync problematic vocals with clean retakes.
Doubler Process
Applications for Doubler
- Creating realistic double tracks from vocal or instrument recording when no double track is available.
- Create a wide range of special modulation effects
Process Details
- Inputs can be mono or stereo signals.
- Doubler automatically creates natural-sounding mono or stereo double tracks in seconds.
- Provides controls for modifying timing variations, formants, and vibrato.
- Supports extreme parameter variations to create special effects.
- Comprehensive user Preset system
Warp Processes
Applications For Warp Processes
- Improving or altering the pitch and/or timing of tracks that are used as Guide tracks in APT or Doubler processes.
- Correcting or altering the pitch of a harmony track before using it as a Dub input to an APT process that will have only its timing aligned to the Guide. The output of this APT process can then become a harmony Guide track for automatically aligning the time and pitch of double tracks of this harmony part.
- Manually adjusting the pitch and time of a solo vocal or any voice recording.
- If required, making minor adjustments to the features in the output of an APT process.
- Modifying signal levels.
The Warp Region Process
- Adjustments are made to a single audio regionin same track as the input audio Region and the adjusted output is heard replacing the input audio.
- This is meant for making large and small corrections or creative changes to the timing and pitch of voice and monophonic instruments to create perfected lead, harmony, ADR or voice over parts.
The Warp Process
- Like the APT or Doubler, the Warp process can (from part of a region or even from multiple regions) and allow creative adjustments and corrections to be applied to the input audio. But in this case, the Warp Process results are sent to an Output track - i.e. not in the same track as the input audio.
- The Warp process takes its input from any length of audio in one track, from part of one region to spanning multiple regions. The output of the Warp process is sent to a designated output track where the adjustments are made. The input track is left unchanged.
Time Warp Points
- In addition to the above processes, Time Warp Points can be added to any input or output signal to make "in place" timing adjustments.
- A special function can add 3 Time Warp points at once - over a selected range - for very flexible timing editing of a section of sound.
Why Is Revoice Pro A Stand-Alone Program?
- The ability to implement and load audio into multi-input processes and process many tracks at the same time.
- A novel and effective “region-based processing" approach to audio processing in which inputs to processing modules are inserted where required along the timeline in Process Control Tracks and can have different settings along the same track.
- Simple, one-key controls of a “process-based auditioning” for rapidly auditioning combinations of input and output signals to check the quality of modifications.
- Modifications to Guide tracks can be automatically passed on to all tracks related to those Guides
- Support for a multi-track and multi-process environment with no limits on timecode positions and over 100 tracks - giving you maximum flexibility and speed of operations.
- Revoice Pro also allows multiple sessions to be open or one session open in multiple windows. For example, you can have multiple processing sessions open simultaneously and multiple views of any of those sessions.
- A consistent working environment inside Revoice Pro regardless of audio source.
How Do You Get Audio In And Out Of Revoice Pro From Your DAW?
- In Revoice Pro's installer, you get several Revoice Pro Link plug-ins as one type of option for conveniently getting audio into (and, for some DAWs, out of) Revoice Pro.
- Some DAWs have better integration with Revoice Pro than others - but we are constantly trying to work with DAW manufacturers to improve the workflow experience.
Revoice Pro Link Plug-ins
- Audio Suite Link, Quick APT and Quick Doubler:- forPro Tools 10and below.
- AAXLink, Quick APT and Quick Doubler:- forPro Tools 11and up.
- The following Link plug-ins can be inserted in multiple tracks for doing efficient simultaneous parallel transfers:
- Revoice Pro VST3 Link:- for Cubase, Nuendo, Studio One, and others
- Revoice Pro AU Link:- for Logic Pro and other DAWs using AU plug-ins.
Audio Transfers Using OS File System
- Fast Copy and Paste or Drag and Drop: for some DAWs including Cubase, Nuendo, Logic Pro, Studio 1, etc.
- Import / Export .wav files: All DAWs
DAW-Specific Information
- More details are given in the Revoice Pro User Guide and Video Tutorials.
- You can choose the methods that work with your DAWs that make your workflow as fast and easy as possible.
Audio Transfer Options From Revoice Pro To DAWs
- Working method will depend on capabilities of DAW.
- Instantly Drag and Drop processed audio from Revoice Pro into your DAW
- Select the audio you want to export and drag and drop into your Audio Editor or computer file system
- Use Audio Suite / AAX plug-ins (Pro Tools only)
- Export multiple tracks from Revoice Pro
- Contains timecode stamps - Audio files can be dragged into most Digital Audio Editors instantly and positioned to timecode
- Optionally use Playback Region to select range of exported audio
- Automatic track name formation
- Optionally export all selected audio tracks into one multi-channel audio file
System Requirements
Mac
- Intel Processor
- Mac OS 10.6.8 or higher
- Audio File Format: As supported by host editor
- Works with all Pro Tools hardware
- iLok USB Key
Compatible DAWs Include
- Pro Tools 8.0 to 12.8.1
- Studio One 3.0 to 3.5.2
- Logic Pro X 10.0.0 to 10.3.2
- Cubase 6.0 to 9.0
- Nuendo 4.3 to 7.0
- Digital Performer 8 to 9
- Ableton Live 9.6.1
- FL Studio 12
- Adobe Audition CC 10
- Reaper 5.1
- Logic Pro 9.1.8
Not Compatible With
- Reason
- Cubase Elements
Windows
- Windows 10, Windows 8, Windows 7 or Vista (Service Pack 2)
- Audio File Format: As supported by host editor
- Works with all Pro Tools hardware
- iLok USB Key
Compatible DAWs Include
- Pro Tools 9 to 12.7.1
- Studio One 3.0 to 3.3.2
- Cubase 6.0 to 9.0
- SONAR PROFESSIONAL X3 to 2017.2
- Nuendo 4.3 to 7.0
- FL Studio 12
- Reaper 5.35
No Compatible With
- Digital Performer
- Reason
- Cubase Elements
- Choosing a selection results in a full page refresh.
- Opens in a new window.