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Schoeps Cardioid ST | CMC 6U with MK4 Cardioid Stereo Microphone Set

Schoeps Cardioid ST | CMC 6U with MK4 Cardioid Stereo Microphone Set

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SCHOEPS now offers pairs of their best-selling Colette series microphones in sets. Each wooden case contains two complete microphones with selected, matched capsules, SG 20 stand adapters, B 5 D windscreens and CMC 6 analog microphone amplifiers.

The part of each stand adapter that holds the microphone is made of soft plastic, while the base is metal. The foam windscreens have an inner construction which makes them considerably more effective than typical windscreens of their size, while their surface treatment lends them a high-class appearance.

More Information
Product Name Schoeps Cardioid ST | CMC 6U with MK4 Cardioid Stereo Microphone Set
Shipping Option Free Shipping to the Continental U.S.
  • Classic cardioid
  • Suitable for the widest range of applications, either as a spot microphone or for stereo recording with coincident, ORTF or M/S microphone arrangements
  • Consistent directionality throughout its frequency range
  • Often preferred for singing or speaking voices and most instruments

Schoeps Cardioid ST | CMC 6U with MK4 Cardioid Stereo Microphone Set

Details

SCHOEPS now offers pairs of their best-selling Colette series microphones in sets. Each wooden case contains two complete microphones with selected, matched capsules, SG 20 stand adapters, B 5 D windscreens and CMC 6 analog microphone amplifiers.

The part of each stand adapter that holds the microphone is made of soft plastic, while the base is metal. The foam windscreens have an inner construction which makes them considerably more effective than typical windscreens of their size, while their surface treatment lends them a high-class appearance.

More Information
Product Name Schoeps Cardioid ST | CMC 6U with MK4 Cardioid Stereo Microphone Set
Shipping Option Free Shipping to the Continental U.S.
Features
  • Classic cardioid
  • Suitable for the widest range of applications, either as a spot microphone or for stereo recording with coincident, ORTF or M/S microphone arrangements
  • Consistent directionality throughout its frequency range
  • Often preferred for singing or speaking voices and most instruments
Reviews