That same spirit fuels his photography. Entirely self-taught, Julian has been capturing images for over two decades. He does not overproduce or overstage; instead, he observes, letting the world offer up its quiet stories. Reminiscence pulled from years of travel and introspection, showcasing scenes from Japan, Monaco, Cuba, and the American Southwest. Its tone is minimalist yet deeply emotive, like ambient music rendered through light and shadow.

There is a cinematic stillness to these photos. One striking portrait of Charlene Wittstock holds a poised grace, while mist-draped landscapes and crumbling cars in Havana evoke an air of history moving through the present. The result is not loud or showy. It is slow-burning and elegant.

Much of the work ties into Julian’s philanthropic efforts, particularly through the White Feather Foundation—a nonprofit he founded to support access to clean water, Indigenous rights, environmental issues, and cultural preservation. His eye is drawn to people, places, and textures that carry stories of resilience. In this way, the photos act as both aesthetic works and quiet acts of advocacy.

For those who have followed Julian Lennon across formats—music, photography, books, film—Reminiscence was another quiet triumph in a career built on authenticity. He is not chasing headlines or legacy. He is chasing stillness, story, and connection.

In the end, whether behind a microphone or behind the lens, Julian Lennon’s strength has always been in how he listens—to people, to silence, to the world. And in Reminiscence, you could see that, frame by frame.