- Details
- Features
- Tech Specs
- Reviews
Please note this is a used unit in pristine condition and carries a full 1 year warranty from Alto Music!
Whats Included:
AC Power Cable
DigiLink to DigiLink Mini Adapter Cable
18" (0.46m) BNC Cable
One (1) Year Warranty
As the hub of any music studio, the HD OMNI digital audio interface from Avid can be used to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitoring their performance through a discrete mix. No need for multiple interfaces. Everything can be done within the single-space rack HD OMNI.
Overdub and Foley recording capabilities are available for post production, in addition to creating monitor mixes with up to 7.1 channels. Further, the user can fold down mixes from 7.1 to almost any channel configuration subset required.
The interface features premium analog-to-digital and digital-to-analog converters that deliver high audio fidelity, extensive dynamic range, super-low jitter, and the lowest possible latency. Built-in sample rate conversion and a soft clip feature allows for worry-free performance, while Curv, a built-in soft-knee limiter catches even the fastest transients.
For those occasions when the Pro Tools software doesn't need to be launched, or even the computer turned on, the interface features a built-in, customizable, 14-input monitor mixer, allowing for the continued monitoring of external sources, such as keyboards, drum machines, and digital music players, independently from the recording setup.
The interface provides maximum performance, dependability, and control of all inputs, outputs, and routing right from the Pro Tools software interface. The interface and Pro Tools HD hardware will function with other DAW software via full support of Core Audio and ASIO drivers.
Note! A minimum of Pro Tools HD 8.1 or higher software is required to use this interface. A free update is available for download to all registered Pro Tools HD 8.x users.
Analog I/O
24-bit analog-to-digital (A/D) and digital-to-analog (D/A) converters, with support for sample rates up to 192kHz
Two high-quality microphone/DI preamps
Two XLR and 1/4-inch TRS front panel combo inputs for microphone and instrument level input
Two XLR back panel microphone inputs
Two 1/4" TRS Send and two 1/4" TRS Return jacks for hardware inserts on channels 1 and 2 (back-panel)
Four analog 1/4" TRS line level back panel inputs (channels 1-4)
Soft Clip and Curv limiting circuits to protect against clipping on analog input
Eight channels of analog output using a DB-25 breakout cable (sold separately) with variable output gain
Two channels of analog output using 1/4" TRS jacks (mirrors channels 1-2 or 7-8 on DB-25 connector)
Front panel stereo 1/4" headphone jack
Route audio independently from Pro Tools with the 14-input persistent monitor mixer
Digital I/O
Eight channels of AES/EBU output (up to 192kHz Single Wire) using a DB-25 breakout cable (sold separately)
Two channels of AES/EBU XLR input (up to 192kHz Single Wire)
Two channels of S/PDIF RCA input and output (up to 192kHz)
Eight channels of ADAT TOSLink input and output
Support for ADAT S/MUX optical for sample rates of 88.2, 96, 176.4 and 192kHz
Support for two channels of S/PDIF optical with sample rates of up to 96kHz
Real-time sample rate conversion (SRC) on digital Inputs 1-2 of either AES/EBU, S/PDIF, or optical S/PDIF
Monitoring
Additional stereo "CUE" output path in Pro Tools for headphone monitoring from the front panel headphone jack
Front panel Control Room (MAIN/ALT) and headphone monitoring volume control
Flexible monitoring with fold-down from all stereo and surround formats (up to 7.1 surround)
Input mixer for low latency direct monitoring of a variety of incoming signals (configured in the Pro Tools Hardware Setup)
Synchronization
Loop Sync input and output for connecting additional Pro Tools HD interfaces and peripherals
External Clock input and output for synchronizing HD OMNI with external Wordclock devices
Converters 24-bit
Sample Rates 44.1, 48, 88.2, 96, 176.4 and 192kHz
Analog In 2 x XLR/TRS combi Microphone/Line (front panel)
2 x XLR Microphone (rear panel)
4 x 1/4" TRS phone Line (rear panel)
2 x 1/4" TRS phone Return (rear panel)
Analog Outputs 1 x 25-pin D-Sub (outputs 1-8)
2 x 1/4" TRS phone AUX
2 x 1/4" TRS phone Send
1 x 1/4" TRS phone Headphone
Digital Input Connectors 1 x XLR AES/EBU
1 x TOSLink ADAT optical (also functions in 2-channel optical S/PDIF mode)
1 x RCA coaxial S/PDIF 1
Digital Output Connectors 1 x 25-pin D-Sub AES/EBU (8 channels)
1 x TOSLink ADAT optical (also functions in 2-channel optical S/PDIF mode)
1 x RCA coaxial S/PDIF 2
Other Connectors 2 x BNC Wordclock I/O
2 x BNC Loop Sync I/O
2 x DigiLink Mini Ports
1 x 9-pin Expansion Port
MIDI In/Out No
Microphone Inputs Frequency Response: 20Hz to 20kHz (+/-0.05 dB)
Gain Range: 65dB
EIN: -128dB
THD+N: -107dB (0.00045%)
CMRR: -93dB
Line Inputs Frequency Response: 20Hz to 20kHz (+/-0.03 dB)
Dynamic Range: 118dB (A-weighted)
THD+N: -111dB (0.00028%)
Line Outputs Frequency Response: 20Hz to 20kHz (+/-0.03 dB)
Dynamic Range: 120dB (A-weighted)
THD+N: -108dB (0.00039%)
Line Output Level /Trim: +10dBu or +24dBu/-40dB to +10dB (0.1dB steps)
Headphone Outputs Frequency Response: 20Hz to 20kHz(+/-0.03 dB)
Dynamic Range: 118dB (A-weighted)
THD+N: -107dB (0.00045%)
Power Requirements 100/240V, 50/60Hz, internal power supply
Minimum System Requirements Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at http://www.avid.com
Dimensions (WxDxH) 1U rack-mountable chassis
Weight 16 lb (7.26 kg)
Specialties Curv and Soft Clip processing
14 input channels to 2 multi-channel monitoring paths, each with its own fold-down configuration
Monitoring Formats: 7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono
| Product Name | Avid HD Omni Interface |
|---|---|
| Brand | Avid |
| Condition | Pre-Owned |
| MPN | 99005863100 |
| UPC | 724643110659 |
| Shipping Option | Free Shipping to the Continental U.S. |
- Pristine audio clarity and ultra-low latency through state-of- the-art A/D and D/A conversion
- High-quality, low-noise analog I/O:
- 2 premium, digitally controlled mic/DI preamps
- 4 line inputs
- 8 line outputs, with true analog gain
- Versatile digital I/O, with sample rate conversion on all inputs:
- 8 channels of ADAT I/O (supports S/MUX II and IV)
- 4 line inputs
- 8 line outputs, with true analog gain
- Supports 4x8 analog audio streams, or 8x8 including digital
- Route audio independently from Pro Tools with the 14-input persistent monitor mixer
- Completely integrates with Pro Tools | HD for full routing, mixing, and monitoring control
- Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter
- Hear your mixes in however many channels you need, from stereo to 7.1 surround
- Improve communication while tracking with dedicated cue path
- Keep things in sync with dedicated Word Clock and Loop Sync I/O
- Compact 1U rack-mountable chassis
- Connects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included)
| Analog Inputs | 4 |
| Analog Outputs | 8 |
| Mic / Instrument Inputs | 4 (2 simultaneous inputs at a time) |
| Mic Pre Gain | 65 dB |
| Headphone Output | 1 |
| Monitoring Formats | 7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono |
| Speaker Selection | 2 sets |
| Persistent Mixer | 14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration |
| AES/EBU I/O | 2 × 8 |
| AES Single-Wire (192 kHz) | Yes |
| S/PDIF I/O | 2 |
| ADAT I/O | 8 |
| AES/EBU I/O | 2 × 8 |
| AES Single-Wire (192 kHz) | Yes |
| S/PDIF I/O | 2 |
| ADAT I/O | 8 |
| S/MUX | S/MUX II and IV |
| SRC | S/PDIF I/O |
| Word Clock I/O | 1 In + 1 Out |
| Loop Sync I/O | 1 In + 1 Out |
| Curv | Yes |
| Soft Clip | Yes |
| Digital Interface | DigiLink Mini |
| Chassis | 1U rack-mountable chassis |
| Mic Inputs | |
| Frequency Response | 20 Hz – 20 kHz (± .05 dB) |
| Gain Range | 65 dB |
| EIN | -128 dB |
| THD+N | -107 dB (0.00045%) |
| CMRR | -93 dB |
| Line Inputs | |
| Frequency Response | 20 Hz – 20 kHz (± .03 dB) |
| Dynamic Range | 118 dB (A-weighted) |
| THD+N | -111 dB (0.00028%) |
| Line Outputs | |
| Frequency Response | 20 Hz – 20 kHz (± .03 dB) |
| Dynamic Range | 120 dB (A-weighted) |
| THD+N | -108 dB (0.00039%) |
| Line Output Level / Trim | +10 dBu or +24 dBu/-40dB to +10dB (0.1dB steps) |
| Headphone Outputs | |
| Frequency Response | 20 Hz – 20 kHz (± .03 dB) |
| Dynamic Range | 118 dB (A-weighted) |
| THD+N | -107 dB (0.00045%) |
All configurations of HD OMNI work with the following host audio systems:
Avid-qualified Pro Tools | HD family system running Pro Tools | HD 8.1 or higher software
Avid-qualified Pro Tools | HD family system running a Core Audio or ASIO-compliant application
Details
Avid Omni HD Interface
Capture pristine, high-resolution audio through premium mic preamps and monitor your sessions in up to 7.1 surround with the all-in-one HD OMNI interface. Designed to completely integrate with Pro Tools|HD, HD OMNI is an ideal choice for individual musicians, composers, post-production studios, and anyone else who demands top sound quality and the convenience of an all-in-one interface. Experience best-in-class A/D and D/A conversion, mic preamps, the lowest possible latency, and a full monitoring sectionall in one compact interface.
- State of the art A/D and D/a conversion for ultra low latency and pristine audio clarity
- High quality analog I/O and versatile digital I/O
- Supports 4x8 analog audio streams or 8x8 with digital
- Completely integrate with Pro Tools for full mixing, monitoring and routing control
- Route audio from Pro Tools with the 14 input monitor mixer
| Product Name | Avid HD Omni Interface |
|---|---|
| Brand | Avid |
| Condition | Pre-Owned |
| MPN | 99005863100 |
| UPC | 724643110659 |
| Shipping Option | Free Shipping to the Continental U.S. |
Features
- Pristine audio clarity and ultra-low latency through state-of- the-art A/D and D/A conversion
- High-quality, low-noise analog I/O:
- 2 premium, digitally controlled mic/DI preamps
- 4 line inputs
- 8 line outputs, with true analog gain
- Versatile digital I/O, with sample rate conversion on all inputs:
- 8 channels of ADAT I/O (supports S/MUX II and IV)
- 4 line inputs
- 8 line outputs, with true analog gain
- Supports 4x8 analog audio streams, or 8x8 including digital
- Route audio independently from Pro Tools with the 14-input persistent monitor mixer
- Completely integrates with Pro Tools | HD for full routing, mixing, and monitoring control
- Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter
- Hear your mixes in however many channels you need, from stereo to 7.1 surround
- Improve communication while tracking with dedicated cue path
- Keep things in sync with dedicated Word Clock and Loop Sync I/O
- Compact 1U rack-mountable chassis
- Connects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included)
Tech Specs
| Analog Inputs | 4 |
| Analog Outputs | 8 |
| Mic / Instrument Inputs | 4 (2 simultaneous inputs at a time) |
| Mic Pre Gain | 65 dB |
| Headphone Output | 1 |
| Monitoring Formats | 7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono |
| Speaker Selection | 2 sets |
| Persistent Mixer | 14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration |
| AES/EBU I/O | 2 × 8 |
| AES Single-Wire (192 kHz) | Yes |
| S/PDIF I/O | 2 |
| ADAT I/O | 8 |
| AES/EBU I/O | 2 × 8 |
| AES Single-Wire (192 kHz) | Yes |
| S/PDIF I/O | 2 |
| ADAT I/O | 8 |
| S/MUX | S/MUX II and IV |
| SRC | S/PDIF I/O |
| Word Clock I/O | 1 In + 1 Out |
| Loop Sync I/O | 1 In + 1 Out |
| Curv | Yes |
| Soft Clip | Yes |
| Digital Interface | DigiLink Mini |
| Chassis | 1U rack-mountable chassis |
| Mic Inputs | |
| Frequency Response | 20 Hz – 20 kHz (± .05 dB) |
| Gain Range | 65 dB |
| EIN | -128 dB |
| THD+N | -107 dB (0.00045%) |
| CMRR | -93 dB |
| Line Inputs | |
| Frequency Response | 20 Hz – 20 kHz (± .03 dB) |
| Dynamic Range | 118 dB (A-weighted) |
| THD+N | -111 dB (0.00028%) |
| Line Outputs | |
| Frequency Response | 20 Hz – 20 kHz (± .03 dB) |
| Dynamic Range | 120 dB (A-weighted) |
| THD+N | -108 dB (0.00039%) |
| Line Output Level / Trim | +10 dBu or +24 dBu/-40dB to +10dB (0.1dB steps) |
| Headphone Outputs | |
| Frequency Response | 20 Hz – 20 kHz (± .03 dB) |
| Dynamic Range | 118 dB (A-weighted) |
| THD+N | -107 dB (0.00045%) |
All configurations of HD OMNI work with the following host audio systems:
Avid-qualified Pro Tools | HD family system running Pro Tools | HD 8.1 or higher software
Avid-qualified Pro Tools | HD family system running a Core Audio or ASIO-compliant application
Reviews
Avid HD Omni Interface
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