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The days of broadcast hosts having to fiddle with two parallel systems – one for the mic and one for in-ear communication – are over. d:fine™ Slim In-Ear Broadcast Headset Microphone, Omnidirectional offers natural sound reproduction, crystal-clear in-ear communication, great fit and convenience – all in one headset.
Staying true to the DPA legacy, the d:fine™ Slim In-Ear Broadcast Headset Microphone, Omnidirectional offers accurate, natural voice intelligibility along with its very high SPL capabilities. You can both speak and sing into the mic with no hint of distortion.
With low noise and high sensitivity, the d:fine™ Slim In-Ear Broadcast Headset Microphone, Omnidirectional delivers the clearest, most transparent sound available on the headset market. This condenser mic handles up to 144 dB peak before clipping. Due to the mic’s exquisite linear response, low distortion and broad dynamic range, it sounds great no matter what the application.
The d:fine™ Slim In-Ear Broadcast Headset Microphone, Omnidirectional is sensitive to sound from all directions making the positioning of the headset less critical and can be done by untrained personnel. It is truly a plug-and-play solution for any situation. The microphone boom is available in two lengths.
As with other omnidirectional mics, the d:fine™ Slim In-Ear Broadcast Headset Microphone, Omnidirectional is generally not sensitive to wind, breathing or handling noise. Nevertheless, intensive protection against pop and wind noise is integrated in the microphone design. Windscreens, a capsule protection cap, a cable clip (to anchor the cable to your clothing) and a color-coded cable clip (offering easy recognition of a specific headset among many) are included.
Setting New Standards For The Broadcast Industry
Already the worldwide leader in headset mics for theater and broadcast applications, the d:fine™ In-Ear Broadcast Series now adds an integrated in-ear monitor to create a broadcast and communication headset with outstanding acoustic performance and feather-light comfort.
The in-ear drivers allow no audio leakage to the microphone capsule. They are easily driven due to their high sensitivity. Two sizes of ear-pads are included to fit most ears.
The cable steer, located at the headset mount, controls the cable run down the neck. You can easily adjust the headset mount size.
These innovative headsets – the first of their kind – are designed for broadcast professionals who insist on superior voice reproduction without compromising on simple setup, minimalistic form factor and daylong comfort.
Choose The Mic That Best Meets Your Needs
The d:fine™ Slim In-Ear Broadcast Headset Microphone, Omnidirectional is available in a range of variants, colors and boom lengths:
- Single-Ear Mount, Single In-Ear: Easiest to fit. Leaves the smallest visual footprint.
- Dual-Ear Mount, Single In-Ear: Even better mount stability. You can keep one ear open to what’s happening around you.
- Dual-Ear Mount, Dual In-Ear: Allows for two-channel monitoring from producers or for stage monitoring. A great choice for theatre actors and singers.
*Individual microphone booms and cables are available for the d:fine™ In-Ear Broadcast Series. The modular nature of the mics let you easily choose the best mic/headset combination for your specific needs. Contact your local distributor for other variations and other colors.
Flexible Adapter System
The adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a whole new microphone. And when you make the switch, you won't hear any loss or change in sound quality.
Product Name | DPA d:fine™ Slim Capsule, Headset Mic., Single Ear, 90mm Boom Interchangeable (Black) |
---|---|
Brand | DPA |
Condition | New |
MPN | FIOB56-M |
Shipping Option | Free Shipping to the Continental U.S. |
- Mic and in-ear monitor integrated in one unique solution
- Pristine audio quality
- Easy to mount with minimum cable clutter
- Easy single-ear or dual-ear mounting
- Single- or dual-in ear variants
- Minimal visual impact
- Modular adapter system fits most professional wireless systems
- Directional pattern: Omnidirectional
- Principle of operation: Pressure
- Cartridge type: Pre-polarized condenser
- Frequency range: 20 Hz - 20 kHz
- Frequency range, ±2 dB: 20 Hz - 20 kHz with 3 dB soft boost at 8 - 15 kHz
- Sensitivity, nominal, ±3 dB at 1 kHz: 6 mV/Pa; -44 dB re. 1 V/Pa
- Equivalent noise level, A-weighted: Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))
- Equivalent noise level, ITU-R BS.468-4: Typ. 38 dB (max. 40 dB)
- S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): Typ. 68 dB(A)
- Total harmonic distortion (THD): < 1% up to 123 dB SPL peak
- Dynamic range: Typ. 95 dB
- Max. SPL, peak before clipping: 144 dB
- Output impedance: From MicroDot: 30 - 40 Ω. From DAD6001-BC: 100 Ω
- Cable drive capability: Up to 300 m (984 ft) with DAD6001-BC XLR Adapter
- Output balance principle: Signal balanced with DAD6001-BC XLR Adapter
- Common mode rejection ratio (CMRR): > 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter
- Power supply (for full performance): Min. 5 V to max. 50 V through DPA adapter for wireless systems
- Current consumption: Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter
- Connector: MicroDot
- Color: Black or beige
- Weight: Microphone boom: 0.8 g (0.03 oz). Earhook: 1.1 g (0.04 oz). Cable: 6.6 g (0.23 oz). Total: 8.5 g (0.30 oz)
- Microphone diameter: 5.4 mm (0.21 in)
- Microphone length: Boom length: Normal: 120 mm (4.7 in), Medium: 100 mm (3.9 in)
- Cable length: 1.3 m (4.3 ft)
- Cable color: Black or beige
- Cable diameter: 1.6 mm (0.06 in)
- Polarity: +V at MicroDot pin for positive sound pressure (and pin 2 on DAD6001-BC XLR adapter)
- Electromagnetic compatibility (EMC): Fully compatible
- Temperature range: -40°C to 45°C (-40°F to 113°F)
- Relative humidity (RH): Up to 90%
DPA d:fine™ Slim Capsule, Headset Mic., Single Ear, 90mm Boom Interchangeable (Black)
The days of broadcast hosts having to fiddle with two parallel systems – one for the mic and one for in-ear communication – are over. d:fine™ Slim In-Ear Broadcast Headset Microphone, Omnidirectional offers natural sound reproduction, crystal-clear in-ear communication, great fit and convenience – all in one headset.
Staying true to the DPA legacy, the d:fine™ Slim In-Ear Broadcast Headset Microphone, Omnidirectional offers accurate, natural voice intelligibility along with its very high SPL capabilities. You can both speak and sing into the mic with no hint of distortion.
With low noise and high sensitivity, the d:fine™ Slim In-Ear Broadcast Headset Microphone, Omnidirectional delivers the clearest, most transparent sound available on the headset market. This condenser mic handles up to 144 dB peak before clipping. Due to the mic’s exquisite linear response, low distortion and broad dynamic range, it sounds great no matter what the application.
The d:fine™ Slim In-Ear Broadcast Headset Microphone, Omnidirectional is sensitive to sound from all directions making the positioning of the headset less critical and can be done by untrained personnel. It is truly a plug-and-play solution for any situation. The microphone boom is available in two lengths.
As with other omnidirectional mics, the d:fine™ Slim In-Ear Broadcast Headset Microphone, Omnidirectional is generally not sensitive to wind, breathing or handling noise. Nevertheless, intensive protection against pop and wind noise is integrated in the microphone design. Windscreens, a capsule protection cap, a cable clip (to anchor the cable to your clothing) and a color-coded cable clip (offering easy recognition of a specific headset among many) are included.
Setting New Standards For The Broadcast Industry
Already the worldwide leader in headset mics for theater and broadcast applications, the d:fine™ In-Ear Broadcast Series now adds an integrated in-ear monitor to create a broadcast and communication headset with outstanding acoustic performance and feather-light comfort.
The in-ear drivers allow no audio leakage to the microphone capsule. They are easily driven due to their high sensitivity. Two sizes of ear-pads are included to fit most ears.
The cable steer, located at the headset mount, controls the cable run down the neck. You can easily adjust the headset mount size.
These innovative headsets – the first of their kind – are designed for broadcast professionals who insist on superior voice reproduction without compromising on simple setup, minimalistic form factor and daylong comfort.
Choose The Mic That Best Meets Your Needs
The d:fine™ Slim In-Ear Broadcast Headset Microphone, Omnidirectional is available in a range of variants, colors and boom lengths:
- Single-Ear Mount, Single In-Ear: Easiest to fit. Leaves the smallest visual footprint.
- Dual-Ear Mount, Single In-Ear: Even better mount stability. You can keep one ear open to what’s happening around you.
- Dual-Ear Mount, Dual In-Ear: Allows for two-channel monitoring from producers or for stage monitoring. A great choice for theatre actors and singers.
*Individual microphone booms and cables are available for the d:fine™ In-Ear Broadcast Series. The modular nature of the mics let you easily choose the best mic/headset combination for your specific needs. Contact your local distributor for other variations and other colors.
Flexible Adapter System
The adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a whole new microphone. And when you make the switch, you won't hear any loss or change in sound quality.
Product Name | DPA d:fine™ Slim Capsule, Headset Mic., Single Ear, 90mm Boom Interchangeable (Black) |
---|---|
Brand | DPA |
Condition | New |
MPN | FIOB56-M |
Shipping Option | Free Shipping to the Continental U.S. |
- Mic and in-ear monitor integrated in one unique solution
- Pristine audio quality
- Easy to mount with minimum cable clutter
- Easy single-ear or dual-ear mounting
- Single- or dual-in ear variants
- Minimal visual impact
- Modular adapter system fits most professional wireless systems
- Directional pattern: Omnidirectional
- Principle of operation: Pressure
- Cartridge type: Pre-polarized condenser
- Frequency range: 20 Hz - 20 kHz
- Frequency range, ±2 dB: 20 Hz - 20 kHz with 3 dB soft boost at 8 - 15 kHz
- Sensitivity, nominal, ±3 dB at 1 kHz: 6 mV/Pa; -44 dB re. 1 V/Pa
- Equivalent noise level, A-weighted: Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))
- Equivalent noise level, ITU-R BS.468-4: Typ. 38 dB (max. 40 dB)
- S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): Typ. 68 dB(A)
- Total harmonic distortion (THD): < 1% up to 123 dB SPL peak
- Dynamic range: Typ. 95 dB
- Max. SPL, peak before clipping: 144 dB
- Output impedance: From MicroDot: 30 - 40 Ω. From DAD6001-BC: 100 Ω
- Cable drive capability: Up to 300 m (984 ft) with DAD6001-BC XLR Adapter
- Output balance principle: Signal balanced with DAD6001-BC XLR Adapter
- Common mode rejection ratio (CMRR): > 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter
- Power supply (for full performance): Min. 5 V to max. 50 V through DPA adapter for wireless systems
- Current consumption: Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter
- Connector: MicroDot
- Color: Black or beige
- Weight: Microphone boom: 0.8 g (0.03 oz). Earhook: 1.1 g (0.04 oz). Cable: 6.6 g (0.23 oz). Total: 8.5 g (0.30 oz)
- Microphone diameter: 5.4 mm (0.21 in)
- Microphone length: Boom length: Normal: 120 mm (4.7 in), Medium: 100 mm (3.9 in)
- Cable length: 1.3 m (4.3 ft)
- Cable color: Black or beige
- Cable diameter: 1.6 mm (0.06 in)
- Polarity: +V at MicroDot pin for positive sound pressure (and pin 2 on DAD6001-BC XLR adapter)
- Electromagnetic compatibility (EMC): Fully compatible
- Temperature range: -40°C to 45°C (-40°F to 113°F)
- Relative humidity (RH): Up to 90%
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