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STUDIO QUALITY FOR STAGE VOCALS
The KMS 104 brings studio sound quality to the stage. Unlike usual stage microphones, which use dynamic capsules, the KMS 104 is equipped with a true condenser microphone capsule offering the superior clarity that made Neumann studio microphones famous all over the world. At the same time, the KMS 104 possesses the ruggedness required of a stage mic, thus refuting the myth that condenser microphones must be “fragile”. The KMS 104 can stand enormous sound pressure levels of up to 150 dB without clipping, and its tight, frequency-independent cardioid pattern ensures high gain before feedback. The KMS 104 has a much smoother frequency response than dynamic microphones and an airy top-end. Compared to dynamic microphones, the Neumann KMS 104 has a vastly superior transient response resulting in a more immediate and more emotional vocal sound. In practical terms: effortless intelligibility, without the usual EQ boosts – which further improves feedback resistance.
As a stage microphone, the KMS 104 is optimized for close miking; a fixed low cut filter compensates for the proximity effect and ensures clear bass, even if the singer’s lips touch the microphone. The headgrille is made of hardened steel and features a highly effective internal pop screen which also keeps moisture away from the capsule. Thanks to careful Neumann engineering, these acoustic filters do not cause any sibilance problems. The head amplifier is protected by a thick-walled housing. Its transformerless output minimizes electromagnetic interference, such as hum. Because of its low output impedance of only 50 ohms, the KMS 104 can drive very long cable runs of up to 300 m (1000 ft) without transmission losses.
APPLICATIONS
The KMS 104 is primarily designed as a handheld vocal microphone but can be used for other stage applications as well, due to its high SPL capability and wide dynamic range. Examples include percussion, saxophone, trumpet, trombone, harmonica, acoustic guitar, and guitar cabinets. Thanks to its superior sound quality, the KMS 104 is also an excellent microphone for home recording and broadcast applications. Because it is optimized for close mic placement, the KMS 104 will pick up a dry sound with very little ambience, which is a big advantage in untreated rooms.
- Tight cardioid pattern without off-axis coloration
- Unaffected by extreme sound pressure levels
- Rugged construction
- Feedback resistant, high rejection of rearward sound (180°)
- Built-in pop screen
- Very low handling noise
| Product Name | Neumann KMS 104 BK Cardiod Condenser Microphone, Matte Black |
|---|---|
| Brand | Neumann |
| Condition | New |
| MPN | 008549 |
| UPC | 615104085480 |
| Shipping Option | Free Shipping to the Continental U.S. |
What's in the Box?
- KMS 104 bk Microphone
- SG 105 Stand clamp
- Padded nylon bag
Acoustic features
The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and “S” sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104/104 plus and KMS 105 vocal microphones when they are used with a stage sound system.
Electrical features
Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (–3 dB, measured in a free sound field). The maximum sound pressure level of the KMS microphones is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.
Mechanical features
Microphones designed for use on stage require a particularly robust construction. The KMS 104/104 plus and KMS 105 therefore have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters.
Delivery Range
The KMS 104/104 plus and KMS 105 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.
Neumann KMS 104 BK Cardiod Condenser Microphone, Matte Black
STUDIO QUALITY FOR STAGE VOCALS
The KMS 104 brings studio sound quality to the stage. Unlike usual stage microphones, which use dynamic capsules, the KMS 104 is equipped with a true condenser microphone capsule offering the superior clarity that made Neumann studio microphones famous all over the world. At the same time, the KMS 104 possesses the ruggedness required of a stage mic, thus refuting the myth that condenser microphones must be “fragile”. The KMS 104 can stand enormous sound pressure levels of up to 150 dB without clipping, and its tight, frequency-independent cardioid pattern ensures high gain before feedback. The KMS 104 has a much smoother frequency response than dynamic microphones and an airy top-end. Compared to dynamic microphones, the Neumann KMS 104 has a vastly superior transient response resulting in a more immediate and more emotional vocal sound. In practical terms: effortless intelligibility, without the usual EQ boosts – which further improves feedback resistance.
As a stage microphone, the KMS 104 is optimized for close miking; a fixed low cut filter compensates for the proximity effect and ensures clear bass, even if the singer’s lips touch the microphone. The headgrille is made of hardened steel and features a highly effective internal pop screen which also keeps moisture away from the capsule. Thanks to careful Neumann engineering, these acoustic filters do not cause any sibilance problems. The head amplifier is protected by a thick-walled housing. Its transformerless output minimizes electromagnetic interference, such as hum. Because of its low output impedance of only 50 ohms, the KMS 104 can drive very long cable runs of up to 300 m (1000 ft) without transmission losses.
APPLICATIONS
The KMS 104 is primarily designed as a handheld vocal microphone but can be used for other stage applications as well, due to its high SPL capability and wide dynamic range. Examples include percussion, saxophone, trumpet, trombone, harmonica, acoustic guitar, and guitar cabinets. Thanks to its superior sound quality, the KMS 104 is also an excellent microphone for home recording and broadcast applications. Because it is optimized for close mic placement, the KMS 104 will pick up a dry sound with very little ambience, which is a big advantage in untreated rooms.
- Tight cardioid pattern without off-axis coloration
- Unaffected by extreme sound pressure levels
- Rugged construction
- Feedback resistant, high rejection of rearward sound (180°)
- Built-in pop screen
- Very low handling noise
| Product Name | Neumann KMS 104 BK Cardiod Condenser Microphone, Matte Black |
|---|---|
| Brand | Neumann |
| Condition | New |
| MPN | 008549 |
| UPC | 615104085480 |
| Shipping Option | Free Shipping to the Continental U.S. |
What's in the Box?
- KMS 104 bk Microphone
- SG 105 Stand clamp
- Padded nylon bag
Acoustic features
The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and “S” sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104/104 plus and KMS 105 vocal microphones when they are used with a stage sound system.
Electrical features
Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (–3 dB, measured in a free sound field). The maximum sound pressure level of the KMS microphones is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.
Mechanical features
Microphones designed for use on stage require a particularly robust construction. The KMS 104/104 plus and KMS 105 therefore have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters.
Delivery Range
The KMS 104/104 plus and KMS 105 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.
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